I want to thank Kate Collins, Mariner Books and NetGalley for this ARC read for my honest review,

I want to start off my review by saying this book really wasn't for me but I could see others enjoying it. I don't like when stories gloss over things too much, I like things to be explained a little more. I also have a very hard time with descriptions sometimes and it felt like this one did it a little too often for me, many times I found myself having to reread a paragraph a couple of times to figure out what was going on. It also felt like a VERY VERY slow burn for me, I don't mind slow burns but I didn't feel it picked up until almost 70% for me. If these are things you typically enjoy in books then this will be a good read for you.

We have two female POVs that move into this house that seems like a dream, something too good to be true... Doors that were locked are now wide open, something in this house seems to want something, voices are heard and people who shouldn't be there are seen... Are they going crazy or is there something in this house?

Unfortunately I felt like there were so many holes in this story that it started to remind me of Orla's paintings... there were things that were mentioned that were just never brought up again until I convinced myself that I was making things up from being half asleep. The main characters were okay, nothing I really liked about them or disliked. With some work on the story I would like it a lot more!

I am so thankful to Harper Collins/Mariner Books, Netgalley, and Kate Collins for granting me advanced digital access to this jarring thriller. I couldn't put it down and can't wait to consume more of this like-minded content going forward.

When I say slow burn, I mean it. If you love the gothic atmosphere and storytelling techniques then you'll LOVE this dual POV story set in two different timelines within the house. Honestly, I wanted a little more in terms of pacing but it has a satisfying conclusion!

Thanks to NetGalley and the Publisher for the ARC!

This is an atmospheric and disturbing tale of a house on the top of the hill, alongside the ocean. The house has stood for over 200 years, but people rarely live in it for long. The book focuses on two families who live in the house, and the experiences they have in it. The house beckons to them when they first arrive to view it, but over time, it turns ominous. You know, instinctively, how things are going to turn out.

This book is categorized as a horror story, but I’d say it’s more of a suspense. There’s no gore, no blood, no violence. It primarily follows the characters of Lydia, a nanny, and Orla, a mother and well-respected artist. The house has effects on both and on the children in their charge. Both women are arresting characters, and the children are lovable, especially Philip and Sam.

It’s an absorbing tale, and an haunting one. It’s sad and mournful and powerful. If you enjoy eerie suspenseful stories, this could be the book for you.

I received an advanced reader copy of this book from the publisher through NetGalley. I thank all involved for their generosity, but it had no effect on this review. All opinions in this review reflect my true and honest reactions to reading this book.

Oh my, from the first chapter, you know that nothing good is going to happen at The Reeve, an old country mansion that Orla and Jack McGrath and their children buy to escape London. The creepiness builds as the book goes on and we the owner from 40 years earlier, young widow Sara, her nanny Lydia, and Sara's children. This is the best kind of gothic novel, ghosts, children, an old home that's a character in itself. The novel is so tautly written and the suspense and tension continues to build until the end. I could not put this book down...although I may have nightmares tonight.

This was a very solid, if at times very bleak, gothic thriller. I wanted to choke the life out of the husband (and other male characters), so it was hard going a lot of the time, but overall this was engaging and spooky.

A fascinating and surprisingly feminist take on the gothic genre, it doesn't upend the applecart, but does provide enough atmosphere and ambiance to keep you engrossed. At times it seems a bit slow to develop, as the prose does get a tad too descriptive at times, but through this technique the author is able to help us feel the magnitude of the location, and the dual timelines are a intriguing way to peek into the many mysteries the home has to offer. A Good House for Children is an excellent example of genre, without having to bend the formula like so many modern forays into the format, and is a nice balance of frights and atmospheric oppression, as in the best of its genre peers.

It’s not a good house for anyone, actually. Maybe a solitary adult male, but it seems that hypothesis has yet to be tested. Honestly, I think the house just needs to be left alone. Maybe even knocked down. I don’t care how pretty and old and historic it is.

This book was honestly a creepier read than I thought it would be, but I think that may have something to do with being a mom. (If you aren’t a mom and it still creeped you out, then please feel free to let me know). I don’t creep out easily. I don’t get scared watching most horror films or reading most horror books, but one trigger I do have is my fitness as a mother and/or my capability to keep my children safe. A large part of this book has to do with mothers questioning their ability to keep their children safe and their fitness as a mother.

The setting does nothing but add to this dread. The titular house is called The Reeve, and it’s on a cliff in Dorset County in England. The house was built in the early 19th century, on top of those legendary Jurassic-era cliffsides, and has hardly been updated since. There are woods on one side of the property, and a large garden. In the early timeline, there’s a pond on the grounds. In the later timeline, the pond has been haphazardly filled in and covered with grass. This dwelling is far, far from any major city, sitting on the very southern coast of England where no one but locals and tourists have much interest in coming through because there’s not even a ferry crossing near the area. It’s isolated, on top of a hill, and doesn’t exactly look inviting. Not to mention, the locals all know The Reeve has a history to it, even if they don’t like to talk about it.

In the past timeline, set in the late 1970s, the story is told from the point of view of Lydia, a nanny for a widow named Sara who has four children. When Sara’s husband died, she sold their home in London and moved all of them out to The Reeve, which Sara’s husband had purchased for them as a summer home before he passed away. Sara works from home as an accountant, Lydia cares for the children, and a local lady named Dot comes in and does the cooking and some light cleaning.

In the present timeline, The Reeve is purchased by Nick and Orla, who were looking to move to the countryside and closer to his mom and dad. However, Nick didn’t even consult Orla before purchasing the home, and she felt obligated to go along with his decision. Their son, Sam, has selective mutism, and they have an infant girl as well. Nick promises to be home every weekend as he works during the week in Bristol, to help with the massive amount of repairs the house needs, and to buy Orla a car since he’s taking their only one. Nick, of course, either falls short on these things or doesn’t follow through at all.

Collins writes this book with an incredible sense of atmosphere and imagery. Her imagination is vibrant and she manages to capture on page these scenes filled with a combination of morbid wonder and fascinating dread: ghostly children sitting together on tree branches, ghost-white limbs disappearing around tree trunks, bushes, and through fields of tall grass. Dark hair whipping around a corner. A marble rolling down the stairs. Do ghosts live in a realm that adheres to temporal linearity? Are ghosts trapped only in their present and future, or is it possible that we can see ghosts of people who haven’t died yet?

I saw something that called this a feminist tale, and I have to disagree. Lydia doesn’t fully understand, comprehend, or try to empathize with Sara’s grief. All the women in town know there’s something wrong with Orla, yet they only make a token effort to intervene and support her. In the end, everyone–even the women–give up on Orla and Sara. No one tries to rescue them. It feels as if the mothers pay the price for the children, and that’s not feminist. Not at all.

Sadly, in a lot of cases it is realistic. And then those children are left without their mothers. Who says if they’re better off after that?

This book will creep you out and freak you out, but then it’ll make you think about the sacrifices women make in the name of motherhood and all the additional sacrifices we ask them to make. Ultimately, how much is too much to ask of a woman?

I was provided a copy of this title by NetGalley and the author. All thoughts, opinions, views, and ideas expressed herein are mine and mine alone. Thank you.

File Under: Ghost Story/Gothic Fiction/Historical Fiction/Horror/Literary Fiction/Mystery/Psychological Thriller/Suspense Thriller/Women’s Fiction

This novel was eerie and atmospheric in the best possible way. A slow burn of a novel, but sure to please fans of feminist gothic vibes.

Hunted and gothic houses make up some of my favorite stories, so I was incredibly interested and excited to read this. I think the goth feeling of the house and atmosphere was done phenomenally well and was my favorite part of this story. I could connect with any character though and there are certain things the story focused heavily on that didn't actually matter in the overall plot.

This is one of my favorite books I've read so far this year! It is a very haunting book that I thought about for a few days after finishing. The ending surprised me (in a good way). 10/10 HIGHLY recommend!
Special thank you to NetGalley, the author, and the publisher for allowing me to read a copy of this book prior to publication in exchange for a honest review.

A Good House for Children is a clever title for a house that definitely is not.

The book takes place with two families in two different time periods. In 1976 Sara purchases the Reeve a house on a cliff in Dorset. A beautiful place to raise her four children after the tragic death of her husband Doug. Her children’s nanny Lydia has made the move with them and has a hard time settling. Strange things happen in the house and Sara is distant and leaves most of the child rearing and decision making to her. Then tragedy strikes and Lydia wonders if the house is to blame.

In 2017 Orla and Nick are tired of city living, well at least Nick is. Orla is an artist who has taken time off to be a wife and mother to Sam and Bridie though she finds this a bit difficult at times, especially as Sam has for some reason decided to stop talking. There is not a physical or psychological reason that can be found and Nick thinks a change of scenery will help. Nick fiinds the Reeve and basically buys it on a whim. Orla is left alone in the house with the children during the week while Nick commutes to Bristol for work. The house needs a lot of repairs and strange things keep happening. Birds fling themselves against the wondows, strange footsteps are heard, out of the corner of her eye Orla keeps seeing shadows and what she thinks is Sam, but isn’t. The people in the local village are suspicious and caution her that the house is not a good place to live. Then tragedy strikes.

A Good House for Children is a great creepy read. Nick and Orla’s story was a bit more compelling than Sara and Lydia’s, but both had the creepy factor and the thought of was this a true haunting, or was it all in the minds of three women who are in a desolate house left to deal with tragedy and lonelines. I do wish the ending had an epilogue explaining the aftermath a bit more, but over all this was a great read.

Thanks to Netgalley, the publisher Mariner books and the author for the chance to read and review this book.

Thank you to William Morrow and Netgalley for the advanced copy. I started out loving this book. Just the right amount of suspense and creepiness to keep me interested and anxious to see what happens next. The story is told from the point of view of different characters decades apart, and the similar experiences they were going through. Much as I enjoyed the beginning, and even the middle, I finished the book feeling like there were a number of things I still wanted answered and was left wanting more.

Orla is a follower. In 2017, when her husband moves them to the country, she doesn't really like the house but moves anyway because that's what she does. Left alone all week while her husband works away, Orla begins to see things and hears strange things about the new home from the community.

In 1976, Lydia is a nanny also living in the house that Orla has just moved into. Lydia also experiences strange things.

I liked the book and the characters. The entire story is spooky. I love that.

I wasn't entirely satisfied by the ending. There were still many questions I need more information about.

All in all, a solid debut novel. I will read more from this author.

Thanks to netgalley and Mariner Books for the arc.

A moody atmospheric gothic-y novel that moves between 1976 and 2017 to tell the story of two women and their children. In 2017, Orla moves to the big empty house with her son Sam and her infant daughter Bridie while her husband spends the week in the city. She's a painter and the light is gorgeous. In 1976, Lydia is the nanny for Sara and her four children. Sara's husband died and she decided they should take a year away- and chose this big house as the place to settle. There are multiple parallels- the men are missing, neither Lydia or Orla can drive, both of them are seeing things, and both are told by local friends that something's wrong with the house. But what? There's a high body count there but the underlying reason for the haunting (if that's what it is) is never really explained. Nor, btw, is Sam's mutism. I never understood the thing with the door. And watch out for the hag stone (but why?). Lots of unanswered questions but honestly, I kept reading because I felt invested in the characters. Thanks to Netgalley for the ARC. A good debut.

I so wanted to rate this 5 stars but there were a few points that I feel left me wanting more explanation. Why did Sam being mute play such a critical role but seemingly not having any purpose? What was the purpose of the hag stone necklace? I didn't feel like it was a bit of a pointless aspect. And although I understand it may not be super important to know, I would have liked some depth into the history of the house and WHY it was so haunted.

NOW, what I loved! Shirley Jackson's The Haunting of Hill House is one of my favorite books ever, and this had that vibe. I just dig the idea of portraying the house as a character in the story; an insidious figure that creeps its way inside of you, ultimately consuming and claiming you as part of the house. It evokes a kind of claustrophobia that is vivid and feels real. Oof, that shit is just good! I group this into books I consider as my ultimate comfort read-- Gothic, crumbling/decaying house, madness and betrayal, and overall dark and gloomy. Idk, that's just my cozy type of book 🤣🤷🏻‍♀️

This book is about 2 mothers one house in a shared nightmare. In 1975 Sarah lost her husband and decided to move her children to the country and took the children’s caregiver Lydia with them. In 2017 it is Orla‘s husband Nick who decides they’re moving to the country he has the perfect house and a perfect plan, he will drive to London during the week and come home on weekends but like most plants he doesn’t stick to it and Orla finds herself home alone with Lil Britty and nonverbal Sam for days on end. Sarah is a very strict mother she wants a low sugar intake no TV in the children cannot leave the front garden she believes the country air in good living will keep her family healthy but it seems the house they live in will change both women and even the caregiver Lydia sees and hears things that she questions. it seems the house will only host families so long before it starts to take revenge. It doesn’t help matters that both families have children who now have an imaginary friend only imaginary friends are supposed to be silent and invisible. This book was so good I didn’t know what to put and what not to put but just know if you love a great ghost story with a great Gothic feel you love a good house for children it is absolutely perfect as a debut in OMG it’s so good! A total five star read so much in this book was creepy and had me sitting up on the edge of my seat to finish it. I thoroughly enjoyed it and highly recommend it I love Gothic ghost stories and this is one of the better ones I have read … So freaking good! A truly spooky tale. I received this book from NetGalley and mariner books but I am leaving this review voluntarily please forgive any mistakes as I am blind and dictate my review.

A Good House by Kate Collins is a gripping tale that effortlessly blends the past and present, unraveling the mysterious happenings in an antiquated Georgian house on the Dorset cliffs. The story follows Orla, a mother who moves into the house with her family, and Lydia, a live-in nanny from four decades earlier. Both women experience unexplained happenings and become increasingly fearful for the safety of the children in their care.

Collins’ writing is exquisite, vividly bringing both characters and their surroundings to life. She effortlessly shifts between Orla’s present-day story and Lydia’s past experiences, creating a sense of unease and an eerily similar atmosphere in both timelines. The author draws readers into the story by using concise sentences, vivid imagery, and exceptionally compelling storytelling.

The characters in A Good House are complex and well-developed, with their own strengths and flaws. Both Orla and Lydia are strong women who stand up for what they believe is right, despite the skepticism they face from those around them. Other characters, such as Orla’s son Sam and Lydia’s charge, Rosie, add depth to the story and enhance the emotional impact.

Overall, A Good House is an exceptional read that will keep readers hooked from beginning to end. Collins has crafted an intricate story that will appeal to fans of both suspense and supernatural fiction. The novel is beautifully written, with richly drawn characters and a plot that will keep you guessing until the very end. Highly recommended!

I absolutely loved this book. The dread was there though the whole book. I was so unsettled reading this. It is written from the POVs of Orla (2017) and Lydia (1976), which ties the stories together and shows the real feeling of dread in this house. If you like slow burn, creepy goth vibes, definitely pick this up!
Thank you NetGalley, Mariner Books & the author for a copy of this ARC in exchange of my honest review.
4 stars

This book absolutely blew my mind. It sucked me in and didn't let me go until the very end, and I honestly cannot wait to yell about how amazing it was on TikTok. The way that Kate Collins writes, particularly about things like grief, connected with me in a way that most books don't, and I cannot wait to get a physical copy of this book so that I can re-read it.