By: Vicki Lewis Thompson, Nancy Warren, Dorien Kelly Publisher Name: Harlequin Imprint: Pub Date: 02/09/2010
Car chief Roni Kenway has a Plan. She’ll save her racing team and (hopefully) convince her crew chief, Judd Timmons, that she’s the perfect mix of business and pleasure. But will she coast down victory lane…or crash into the wall?
Haunted by a book about last-chance love, Lucy Vanderwal hoped a trip to Daytona would end with love. But when her “last chance” guy is a lemon, Lucy meets rookie driver Sawyer Patton…and learns even a late starter can be a winner!
Driver Megan Carter just got back from sun, sand and a sizzling fling with Chris Donahue. Now all she needs is to prove herself on the race track. But how can she do that when Chris turns up in her garage—in her real life—and says he’s there to stay?
By: David Kessler Publisher Name: Hay House, Inc. Imprint: Pub Date: 05/01/2010
David Kessler, one of the most renowned experts on death and grief, takes on three uniquely shared experiences that challenge our ability to explain and fully understand the mystery of our final days. The first is "visions." As the dying lose sight of this world, some people appear to be looking into the world to come. The second shared experience is getting ready for a "trip." These trips may seem to us to be all about leaving, but for the dying, they may be about arriving. Finally, the third phenomenon is "crowded rooms." The dying often talk about seeing a room full of people, as they constantly repeat the word crowded. In truth, we never die alone.
By: Jackie M. Johnson Publisher Name: Moody Publishers Imprint: Pub Date: 05/01/2010
Losing a hope-filled dating relationship is a stressful and painful event. And when it seems to occur again, again, and again, is Ben & Jerry the only refuge for a Christian single?
In the thrilling, underground world of bohemian post-war London, Lexie Sinclair is making an extraordinary life for herself. Taken up by magazine editor Innes Kent, she learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. Her boyfriend, Ted, traumatized by nearly losing her in labor, begins to recover lost memories. He cannot place them. But as they become more disconcerting and happen more frequently, we discover that something connects these two stories--something that becomes all the more heartbreaking & beautiful as they all hurtle toward its revelation.
By: Neil Hayes Publisher Name: Houghton Mifflin Harcourt Imprint: Houghton Mifflin Harcourt Pub Date: 04/05/2010
College golf is the breeding ground for the PGA, and the sport’s overlooked chapter. And in 1995 college golf saw its ultimate showdown. At the NCAA championship, a freshman who would become the sport’s biggest icon stood on the green in a sudden-death playoff that would settle the score in a tense and heated rivalry. Would Tiger Woods sink the putt? Based on exhaustive reporting and interviews, The Last Putt tells the story of an epic rivalry that encapsulated the changing face of the game. On one side was Oklahoma State, a true golfing dynasty featuring the young bloods of a privileged golf family and a coach whose winning record and reputation for toughness made him a mythical figure.
In the wake of the Oklahoma City bombing, Susannah Charleson clipped the powerful news photo of an exhausted handler and his search-and-rescue dog. A dog-lover and pilot with search experience herself, Charleson was so impressed by the extraordinarily important work these dogs did that she decided to volunteer. Once Susannah qualified to train a dog of her own, she got Puzzle, a strong, bright Golden Retriever. From the start Puzzle exhibited a unique aptitude for search-and-rescue work, but the puppy’s willfulness challenged even Susannah, who had raised dogs for years.
American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a distinguished career of more than twenty-five years. Hudgins, who was born in Texas and spent most of his childhood in the South, is a lively and prolific poet who draws on his vivid Southern and,more specifically, Southern Baptist, childhood. Influenced by writers such as John Crowe Ransom,William Faulkner, Flannery O’Connor, and James Dickey, Hudgins has developed a distinctively descriptive form of the Southern Gothic imagination. His poems are rich with religious allusions, irreverent humor, and at times are inflected with a dark and violent eroticism.
Daughters of the Witching Hill brings history to life in a vivid and wrenching account of a family sustained by love as they try to survive the hysteria of a witch-hunt. Bess Southerns, an impoverished widow living in Pendle Forest, is haunted by visions and gains a reputation as a cunning woman. Drawing on the Catholic folk magic of her youth, Bess heals the sick and foretells the future. As she ages, she instructs her granddaughter, Alizon, in her craft, as well as her best friend, who ultimately turns to dark magic. When a peddler suffers a stroke after exchanging harsh words with Alizon, a local magistrate, eager to make his name as a witch finder, plays neighbors and family members against one another until...
What possesses someone to save every scrap of paper that’s ever come into his home? What compulsions drive a woman like Irene, whose hoarding cost her her marriage? Or Ralph, whose imagined uses for castoff items like leaky old buckets almost lost him his house? Or Jerry and Alvin, wealthy twin bachelors who filled up matching luxury apartments with countless pieces of fine art, not even leaving themselves room to sleep? Randy Frost and Gail Steketee were the first to study hoarding when they began their work a decade ago; they expected to find a few sufferers but ended up treating hundreds of patients and fielding thousands of calls from the families of others.
Philip Schultz, winner of the 2008 Pulitzer Prize for poetry, has been celebrated for his singular vision of the American immigrant experience and Jewish identity, his alternately fierce and tender portrayal of family life, and his rich and riotous evocation of city streets. His poems have found enthusiastic audiences among readers of Garrison Keillor’s Writer’s Almanac, Slate, The New Yorker, and other publications. His willingness to face down the demons of failure and loss, in his previous book particularly, make him a poet for our times, a poet who can write “If I have to believe in something / I believe in despair.”
