Thank you for providing a copy of this book for review however I was unable to open the file for this document unfortunately! Apologies.

I've found myself two and three-starring a lot of recent net galley downloads, and unfortunately, I think this qualifies. Perhaps I'll need to let myself sit with this one for a while and decide how I felt in order to write a longer, more in-depth review.

The Runaway had a lot of good qualities going for it - the concept of a girl's runaway story from an abusive household is lovely. And I've always enjoyed survival stories, enough that I ended up finding this one quite compelling. I also adored the portrayal of a small town - it's a big theme throughout the book and one I enjoyed seeing. Though perhaps not the most original of themes, all these elements <i>should</i> have led to a four-star book.

Unfortunately, I wasn't the biggest fan of the portrayal of bad home environment. The book's narrative seemed, to me, to be very much on the side of Rhiannon being a silly girl running from her problems. And honestly, I don't know if I agree with that as a writing choice. The portrayal of Rhiannon’s aunt Diana at first led me to believe she was an abusive parent figure, and the choice to have her apologize to Rhiannon and Callum seemed somewhat abrupt. I felt the book was sidestepping her bad behavior and portraying it almost as a mistake, rather than acknowledging her actual mistakes.

Perhaps some of my disappointment simply comes from genre expectations. This read to me more like middle grade than YA, which is fine, but definitely not what I expected from the request category in which I discovered this book. Unfortunately, MG is not what I prefer to read, and I felt this book - like others - sidestepped the full wrongdoing of certain characters. Maybe better marketing might help?

Again, I won't be posting my review of this until after the release date - when I don't enjoy a book that isn't getting much hype, I try to avoid giving people a negative opinion of it. However, this review will be posted on the page sometime soon.

I hate to say this but I found it very hard to get interested in. I stopped reading about 20% in. This novel sounded wonderful from the description but I guess it just isn’t my type of novel. Maybe I will try again soon.

This topic is no longer of interest to me and I will not be finishing this book.

This was just really hard to read. The way it was written was really flowery in some places than would be just based on how things looked. Just boring in general

Thank you very much for allowing me to read this title; I am trying to read as widely as possible ahead of the Carnegie/Greenaway nominations and awards for 2018 and your help is much appreciated.
As a Carnegie/Greenaway judge, I'm not allowed to comment about my opinions on specific titles so I can't offer an individual review on any title as I stated on my profile.

I received this book through netgalley and my attention was instantly grabbed by the beautiful cover and interesting description. However this is a very slow read and as much as I appreciate the beautiful wretched author uses this book was just wasn't what I expected and had hoped for I found it to plain for me and way to slow at the beginning.

Claire Wong weaves a vivid story that captures the imagination of her readers from the very first line.

When I saw this novel I was fascinated not only by the description but also the incredible cover. However, I’m sort of mixed on my overall thoughts about this story. Rhiannon is 17 years old and has been raised by her Aunt Diana after the death of her mother. Rhiannon and Diana seem to butt heads almost constantly and Rhiannon is known for verbal outbursts with others. She has always enjoyed spending time with the elderly Maebh, who knows everything about the village’s history and loves telling stories to anyone that will listen. Right before her 18th birthday, Rhiannon decides to run away after another argument with her aunt and heads to Dyrys woods to be alone. As she works to find food and shelter – determined to make it on her own – the townspeople work at finding Rhiannon and also get to know two newcomers who are there searching for information about their father’s past.

I liked the character of Rhiannon, although I was a bit confused about her socially-unacceptable outbursts. It was clear that she felt like an outsider living with her Aunt and cousins and that she and her aunt did not see eye to eye. Her escape had always been stories – listening to them, telling them to her cousins, or telling them to herself during stressful or sad times. I loved Rhiannon’s whimsical imagination but also loved her useful and responsible survival skills in the woods, which she learned from her late Uncle. Diana seemed concerned only with her political role in the village and her two young children. There were several other key characters, but I didn’t feel like they were very developed. One character, Callum, comes to also hide in the woods after a misunderstanding and it’s obvious that he and Rhiannon hate one another, but I was never clear as to why. Grace and Adam show up in the village not long after Rhiannon runs away and quickly become friendly with the village residents and seem very pleasant and helpful, but again I didn’t feel like I knew them. I think that was what kept me from really loving this novel was the lack of connection with most of the characters.

Claire Wong is clearly a creative and imaginative writer and I adored her concept of a girl running away to the woods, mainly because I believe I had that daydream SEVERAL times when growing up. Rhiannon was obviously strong and resourceful, but it was unfortunate that the only relationships she could create and maintain were either with Maebh and an injured hawk that she nurses back to health. The pacing and flow of the novel were great, but I did find myself skimming quite a bit when it came to some of Maebh and Rhiannon’s stories. I appreciated the themes of supporting one another rather than pointing fingers, but I still just didn’t connect with this novel. Perhaps a younger reader would find this more entertaining?

*Thanks to NetGalley for providing a copy of this novel in exchange for an honest review.

Rhiannon lives in a small Welsh village on the edge of a dense forest. She never knew her father and her mother died years ago so Rhiannon has been brought up by her aunt. Relations become more strained and shortly before her 18th birthday Rhiannon walks out. She enters the forest and realises that she could actually survive for quite a while on her own, so she does. Meanwhile in the village, new arguments and visitors threaten to reveal secrets kept for a generation or more.

This book tries to bridge the gap between young adult and normal fiction and at times it succeeds very well. The plot is unrealistic - Rhiannon has one lighter but manages to keep a fire during for weeks, she tames a sparrowhawk and she survives on damsons and nuts - but there is a trajectory about outsiders. I really liked the way that the ancient tales wove themselves into the narrative. Overall this is not a bad book, it just tried a little too hard to be all things to all and did not succeed for me.

I did not finish this book as I did not engage with this story at all.

Well I have to say it is real struggle to write this review. The book didn't leave any lasting impression. I can apreshiet the point the author was tryng to make, but it was such a struggle to finish it.

For me at least, there is one crucial thing missing. That grip the book is supposed to have on you, that you just can not put it down until you finish it, or you will die. :) That anticipation, OMG what will happen next.

Only felling that the story evoked in me, were those of boredom. Maybe this genre is not for me. Maybe the book is amazing for someone who likes general fiction. I don't know.

The writing in this one is only sub-par, though there is a lot of potential. The plot barely help my interest and the characters were somewhat one-dimensional. The premise sounded great but the story needs more fleshing out and some scenes need re-writing with a bit more realism.

Thank you to Lion Hudson Plc and NetGalley for the chance to R&R

I was not taken in by this book as I had expected. Although many of it caught my attention, there was a good amount that didn't. The good parts though, kept me reading and wanting to know a little more about Rhiannon and her life. And it starts off being all about her struggles and her run from home. Willing to live in the wilderness than to be by her Aunt's side anymore, she becomes aware that there is so much information and town truth she is lacking.

Rhiannon's way of describing situations and memories of her family, caught a lot of my attention. She describes many things in fairy tale formats or with myths and legends. Such as the way she views her Aunt Di, comparing her to the moon and the dark sides of it, which she reserves for when she is at home behind closed doors.

In her time in the woods she reminisces on the good and bad memories of her life. Rhiannon details her encounters and her triumphs as well as those that have made her feel unheard and unwanted. In running off she hoped to be able to find that love and affection she was searching for. By seeing the ones she knows missing her, she would find reason for her being a part of all of their lives.

She finds herself in the same predicament before she left home, with a lack of resolve. Then others join in her misery, trying to find a way to make it all okay. With Maebh O'Donnell taking lead in much of this story as well. She is the elderly lady, the ones everyone considers like a grandmother, with all the secrets the town holds, and stories that can fill the people of the town with fear. When Rhiannon's own Aunt doesn't search for her, the townsfolk turn to Maebh for possible answers.

There were many more characters and stories to tell, but that's for the reader to delve into. To me, it was an in-between read of YA and a little bit of a younger audience than that. It had enough interesting facets to keep me reading, but possibly not enough to read again. Sometimes I'm surprised though, as time moves along, and I find I might enjoy a read a little more the second time around. I'm caught in the middle with this read because of it. So, I will more than likely give it another go some time from now.

***I received this copy from Lion Fiction via NetGalley in exchange for an honest review. All opinions are my own.***

The Runaway is a story of anger and hurt, and also about the power of forgiveness and believing the best of others. It is a story of growing up and learning how to apologize and say you were wrong. In the small village of Llandymna, most people live in fear of what others think of them, a place, like most of the world, where the opinions of others matter a lot. Set in a quaint Welsh village, it is a story about real life with characters who you will come to like despite their many flaws. Hurt by others, Rhiannon runs away, choosing to live in the woods, setting events into motion. When strangers come to town, they help to catalyze some new possibilities. In the end, the entire village has the chance to see how their actions affect others.

Claire Wong has written a solid novel about life and given us readers a first-hand glimpse into the thinking of the characters, who grow up a lot between the front and back covers of this book. I'd recommend reading the Runaway... perhaps you'll even learn something about yourself.

I was seven the first time I packed a bag to run away. I probably had a disagreement with my mom about whether or not I could eat another slice of Kraft American cheese and decided I had had enough of that authoritarian, restricted life and should hit the hills. I remember I packed up a little 70s style suitcase with a couple of outfits, but by the time I went to zip it up I realized I wasn't really mad anymore. I loved my family, pets, and stuffed animals. Plus, where would I go potty? Or get more cheese? Priorities.

This rationale was not the case for The Runaway's Rhiannon Morgan. Having left her small Welsh village of Llandymna for the surrounding forest area of Dyrys, she decides she'd rather go it on her own than continue to keep fighting with her aunt Diana. What she doesn't consider is how much she will learn about others in the process of weaving a barrier between herself and everyone she knows.

After a row (gotta love British terminology!) with her aunt, Rhiannon takes off. She is very concerned with hoping people miss her and realize their loss when she first gets to the woods. Since her uncle did camp with her a few times before his death, she understands a bit about how to take care of herself, but she is rather afraid at first too. As she carries out her quest for self-actualization without others, the village itself experiences foibles of its own. The nature of humanity entails pride, which carries with it the expectation for respect, among other emotions, so with Rhiannon missing, the villagers are already on edge and her disappearance only adds to the lack of mirth among neighbors. Past grievances are aired, squabbles are had, and some mild chaos ensues.

The characters are all very relatable, albeit not particularly well fleshed-out. If this novel were for young adults this would be perfect. Diana is the overbearing authority figure; Tom, the just-figuring-it-out leader; Callum, a young man waiting to be thought of as an adult; Ifan, the entitled bully always in search of (un)warranted respect; Nia, the quiet but unexpectedly powerful one; and Maebh, the loved and sage village disciplinarian. There will be a character for everyone or that reminds everyone of someone.

The novel is set in the Welsh countryside, and the book is in three parts; alternating sections share first-person limited narration of Rhiannon and third person limited narration of all other characters. With Rhiannon being the focus of the narrative (she is, after all, The Runaway), it makes sense that she is the first person viewpoint. Her perspective is realistic throughout most of the novel, but it would be most relatable to someone much younger than her fictional 17-year-old character.

This book is definitely meant for younger audiences as it contains primarily surface level characterization throughout, even Rhiannon's first person limited narration. For instance, while in the woods, she discusses many important aspects: shelter, building a fire, and finding sustainable food sources. However, she doesn't even mention the need for toiletries or sanitary aspects until over a month being in the woods. While the novel's theme does not necessarily need the depth to carry out the message, it does leave readers a bit uncertain of the reliability of the character when there isn't a common connection.

Readers learn that cutting oneself off from everyone and running away will never solve the troubles of humanity; only being a part of the fray and speaking up for injustice can create peace. This is a lesson most often learned throughout turmoil, and the book itself would offer great talking points for discussion among students, book clubs, or parents and children.

I would definitely read this book with my high school book club students. Most are young, 9th grade primarily; I wouldn't suggest it for upper level high school as the depth simply isn't there for them to feel as related to the characters. The vocabulary is more of a jr. high level, too, but the plot is interesting enough to keep students reading.

Overall, a good read for middle school or 9th grade students. I would not add it to curriculum as its depth does not offer many aspects needed for state standards and Common Core; however, I feel it is an intriguing read for students. I would give this book 3.5/5 stars for what I felt it was attempting to accomplish: engaging middle-school to lower-level secondary students in plot.