Cover Image: Fruit of the Drunken Tree

Fruit of the Drunken Tree

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Chula and her family live in Bogatá in a nice home with all the standard comforts. Just a few miles away, their young housekeeper, Petrona, lives in a makeshift hut in the hills with the remnants of her large family and no comforts. But the thing that connects them all is the violence of the time and place in which they live. Car bombs, kidnappings, drought, and hours-long bans on electricity equalize them all in the country where the paramilitary, guerrillas, and Pablo Escobar are constant threats to "normal" life.

Ingrid Rojas Contreras writes an engaging fictional novel set in the late '80s through the early '90s based on actual events in her own life and countless others living in Colombia. The story is told in two perspectives: nine-year-old Chula and fifteen-year-old Petrona, both of which are laced with an ominous expectation of something terrible looming just over the horizon. Events loop through past and present sometimes in limited, unconnected ways - typical of a young girl with limited experience and understanding.

The story is absorbing and suspenseful with characters I felt attached to even after the last word was read.

*Many thanks to NetGalley, Doubleday, and the author for providing me the opportunity to read and review this book.*

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Wow! What an incredibly moving and touching story. Fruit of the Drunken Tree by Ingrid Rojas Contreras delivers a vivid, profoundly engrossing coming of age story that is told through two young girls who couldn't be more different, yet, they share a connection that is unheard of given the circumstances

Fruit of the Drunken Tree begins with the primary narrator, Chula, studying a photo of a young girl she once knew in Bogota. Chula and her family live a relatively comfortable life behind the walls and gates that protect them from the violence that ravages through Columbia. Chula recounts the time that Petrona, the other narrator, is hired to work in her home as a housekeeper.

Petrona, although a little older than Chula, lives in a village that's been pillaged by the local guerillas. The burden of supporting her family rest on her young shoulders and it's heartbreaking.

Actually... much of this story is heartbreaking. Although Contreras writing is poetic, I couldn't stop feeling anxious for both Petrona and Chula as they navigated through the circumstances of their lives. Chula, so naive, so wholesome, so loving resonates with the reader. Although the narrator is obviously an older her recounting a definitive time in her past, there's still an innocence that contrasts remarkably from the stories backdrop.

Seriously Columbia was scary as fuck.

Listen, I understand I'm not actually doing this read any justice with my layman's review. I can only say that I began reading this title not sure what to expect, nor sure I even wanted to commit to it. Before long, I couldn't tear myself away from Chula and Petrona's story. Both forced to make choices that would forever alter who they are.

And to top it off, Ingrid Rojas Contreras discloses in the Afterword what parts of the novel were based on true events that happened in her life. And I couldn't help but kick myself for being just another dumb American who never once even considered learning more about Columbia. I just let it be the cocaine capital. I never once considered the people who lived in this hell. People who were forced to continue living even with the threat of kidnappings, or random bombings, the constant death, and with nobody trustworthy to run to since the police were as corrupt as the rapists or murderers.

Fruit of the Drunken Tree is a worthwhile read that I enjoyed thoroughly. This coming of age story of two girls who dealt with the pieces of their lives. Some agreeable and others not so agreeable. These instances ultimately teach them that life goes on and what once was no longer can be. I recommend this book to anyone and everyone.

Copy provided by Doubleday Books via Netgalley

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I couldn't get into this book. Sorry! I couldn't get into this book. Sorry! I couldn't get into this book. Sorry!

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Great story about immigrating to America and the hardships associated with it.

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Chula grows up in a wealthy Colombian family, spending her days getting into trouble with her sister and marveling at her family's graceful but mysterious maid, Petrona. This story, brought to life by the magic and anxiety of Chula's imagination, starts of as the account of a quaint and innocent school girl. However, as Colombia gets embroiled in the chaos of Pablo Escobar's nefarious dealings and the violent crime of narcotics traffickers, Chula's life seems to come apart at the seams. Even her adventurous older sister and her feminist matriarch of a mother seem unprepared for the trouble that enters their lives.

Contreras strikes a captivating balance by depicting endearing quirks of local culture while weaving in strands of the Colombian political narrative that any history junkie will recognize and enjoy following. I found the beginning to be a touch slow, but as a tradeoff, each character does have a deliciously complex personality. Additionally, though this is not canon, I interpreted Chula to be lgbt. As someone who thirsts for representation, it frustrated me to find no closure on that front, but I thought Contreras did an excellent job depicting Chula's struggles with anxiety and PTSD.

Flashing occasionally to the perspective of Petrona, whose family exists closer to the "front lines" of the drug war, Fruit of the Drunken Tree tells the story of women from varied backgrounds experiencing a similar struggle to be who their families need them to be. By the end of this novel, readers will be gripped by a dynamic story female bravery and will be touched by Chula's tender spirit that endures through it all.

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This was a great book! I'm an advocate for diverse literature but I do understand I do not read many books about the Hispanic / Latin American community. This is the second book I read that is written by a Colombian author. I loved the strong female characters in this book enjoyed the writing. I wish there was a bit more explanation about the historical events. Having little knowledge of Colombia and its history, it was a bit difficult to understand the turmoil. I did have to Google to gain better understanding of that time period. Overall, it was a good book. I thirst for more books that take place in Latin America. Thank you!

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Set in Bogota, Colombia in the 1990s, Fruit of the Drunken Tree is an incredibly well crafted novel told mostly from the perspective of Chula, an upper middle class girl living a happy life with her older sister, mother, and father. Alternating with Chula is the perspective of Petrona, a poor girl from the Hills where Chula's mother was raised. Determined to help girls who were in that position, Chula's mother always hires poor girls to clean their house, and Petrona is the latest. Petrona's entrance into their lives sets forth a haunting turn of events, as for the first time, the turmoil of Colombia in the time of Pablo Escobar hits Chula's family. I was largely unfamiliar with Colombia during this time, and knew only passing details about Escobar, the paramilitary, and the guerrillas, but Contreras does an excellent job giving you just enough information to grasp what is happening without drowning out your emotions with facts.

Part of this is because Contreras does an incredible job of writing from the perspective of a young girl like Chula. Her naivety, fear, confusion, and courage are illustrated so well, as is her love for Petrona, the awe of a young girl fascinated with an older one. Experiencing events from the viewpoint of a child was a key reason why the events and ramifications were so well balanced. I couldn't stop reading this book, and Chula's wry and sometimes painful perspective is a key reason why.

Contreras also expertly contrasts the life of a middle class family with that of Petrona's, who is forced to work to support her family from the day she gets her period. The terrible things her family experiences, and the feeling of desperation they felt throughout were so well communicated.

This is one of the best books I've read recently, and I cannot wait to tell everyone I know to read it.

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I just finished binge-watching Narcos so this book/scenario particularly resonated -- Colombia and Pablo Escobar. And, Contreras relates in her notes that this story was inspired by personal experience. Kidnapping, guerrillas, Escobar, and car bombs were all part of her growing up--this is what makes the novel so vivid and realistic.

The Santiago family lives in a gated community in Bogota. The father works for a foreign oil company. Mama stays at home. When the novel begins, Chula, one of the narrators, is 7-years-old; her sister, Cassandra, is 9. The former is entranced and haunted by 13-year-old Petrona, the other narrator, who is hired as a live-in-maid. Petrona is from the city's guerrilla-occupied slum (invasion). Petrona must work to help provide for her family -- but what else must she do?

Two coming of age stories alternate between Chula's and Petrona's voice. The novel is often heartbreaking as the situation in Colombia put people at the mercy of Escobar or the guerrillas. It is a powerful novel where tension escalates alongside the situation in Colombia and in both families' lives. The storyline advances as the characters age but loses none of its poignancy.

Aside from being swept into the story, the book was well written. Some phrases I enjoyed:

Her eyes were bitter-old
Papa arrived without his mustache, and there was nothing to justify his thick, black brows
Devilwind of the helicopters

I recommend this book; you will not regret it.

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This book was equal parts heart wrenching and beautiful. The writing in this book has been compared to the writing of Gabriel Garcia Marquez, and I would absolutely agree with that comparison. My parents are Colombian and I have visited Colombia several times, although not recently. Her descriptions brought back so many memories for me and I was astonished by how wonderful her descriptions were. Despite my heritage, I am unfamiliar with Colombian history. I still found it easy to follow the plot even though I wasn't entirely aware of the political environment. I found that not knowing made my understanding of the events similar to that of the young main character who is a child at the time of these events. My point is that whether or not you know about the events that took place at this time, this book is easy to follow and very informative. This is an exceptional piece of literature. I can't say enough good things about this book.

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'Mamá said Papá had to work far away because there were no jobs in Bogotá, but all I knew was sometimes we told Papá about things, and sometimes we didn’t'.

The Santiago’s lives behind a gated community may as well be a different world entirely from where their new, thirteen year old maid Petrona comes from. Despite their differences, or perhaps because of them, Chula is drawn into a friendship with her. Where Chula and her sister Cassandra spend their days full of mischief, harassing the local ‘witch’ and letting their wild imaginations run free, Petrona’s life is spent working for her poverty striken family, consumed with fears about her brothers and sister, all too aware of the drug lords that swallow young men, seducing the poor with food, televisions (even if they don’t work), and promises of power. The threat of danger, of death is nothing for a boy to fear when compared to the present suffering and humiliation of their circumstances. A hungry belly is a beast, a desire for respect and strength is a lure used to tempt the young into a life of crime. Petrona will protect her siblings, she must, even though she must sacrifice her youth, her happiness. Even if her brother spits at her, shames her.

Kidnappings by guerrillas for ransom are a constant threat, everyone knows someone who has been kidnapped even Chula’s own sister nearly fell victim in her infancy to abduction. Chula’s Mamá extends help to that other world, similar to the place she herself hails from, by hiring young girls desperate to feed their families. She knows that not all can be trusted, however, that the ‘help’ is more often than not linked to criminal activity. Petrona surely won’t last, not with her silent ways, her fearful eyes. The sisters begin to watch her, like big game, but it’s Chula who wonders at the thoughts in Petrona’s head. Charmed by the mystery, could her silence be a ‘spell’, the youthful fancies of their minds makes for many antics through the novel, getting them into dangerous situations. The playfulness of their days makes the dreariness and shock of Petrona’s missing childhood freedoms that much more harsh. Watched over by an astute mistress, Petrona mustn’t fail, she needs every bit of her earnings to feed her family, to be the ‘head’ of the house that her brothers have failed at.

Chula’s parents are rarely together, with her father away working hard. Mamá is a beautiful woman, one every man notices, a woman with her own needs and desires. A woman who runs the house differently when ‘Because Mamá grew up in an invasion she prided herself in being openly combative, so people who pretended to be weak disgusted her.’ Both parents are wrapped up in wars and politics that Chula is too young to understand, even if she finds herself interested, longing to be as informed and clever as her father. Petrona’s existence is nothing like theirs, she lives in a home made of garabge.

The day her ‘bleeding’ came, her mother informed her she was to marry or go to work. Raised to be the little mama of the house, her life is surrounded by worn out women, broken people, those worse off driven to begging. Boys are meant to focus on an education, the girls are meant to support them with hard work. Some end up drug addicted or working for druglords, others dead. She knows she must work her fingers to the bone, be brave so the Santiagos keep her on as maid. Petrona’s family is interested in everything she has to confide about the wealth of the Santiagos from what they eat to the size of their home. Despite her promise to keep their hungry bellies fed, she knows it may not be enough to keep her little brother from the comforts that the encapotado (covered ones) can seduce him with. Violence and shame will come to her home, despite the sweat on her brow from her hard work.

The Santiagos aren’t as immune to the threat of violence as they think, and it escalates. Mamá’s burning sage to ward off evil may not be enough to keep her girls safe nor will the tall retaining walls the government built to keep the rich safe from poor people like Petrona. Car bombs, the threat of Pablo Escobar, all of it is creeping closer and closer to the rich, proving it cannot be contained, escaped. Superstitions dominate Chula and Cassandra, belief that protection from witches and all evils of the world are possible but Petrona knows of no spells to afford her protection. Petrona’s desperation leads her to the flowers of the drunken tree; a wonderful tie to the title of the novel.

Petrona’s state of despair after a loss makes her heart ripe for first love in the shape of a man named Gorrión. Is he salvation? Destruction? Her choices and entanglements lead to consequences that touch them all. Just what will a young woman do to crawl out of the slums, to attempt to conquer the pit of misery that has stolen so much from her. Where has hard work and loyalty gotten her? Two families have to find ways to survive as the extreme violence of Colombia escalates each day, but can they? Following Petrona was far more fascinating than Chula’s life, but that is the point. Chula is seduced herself by the mystery of the young maids existence. Petrona’s youth and innocence betrays her, but with limited choices how could she have done anything differently, how could have the wisdom to know what the cost will be? How could she know if she’ll be saved or find backs turned on her?

Power struggles carry the novel, not just in politics and crime but within ones own family, within the class system. What is left when you start with nothing, everyone you love is taken from you? A beaten people, forced to bend to those who have everything. A place where hero and criminals are hard to tell apart for people who are suffering and everyone slowly disappearing. What is left when you had everything and are forced to abandon your home and country? Forced to start all over again, separated from your husband, with no idea if he is dead or alive.

This is a unique novel that is a coming of age for two girls from completely different worlds. It is a story of survival, of upheaval. The novel crawls at times, but it’s interesting how everything that is happening is perceived in different ways not just between Chula and Petrona but between Chula, her sister and their mother. We don’t understand things the same way as the ‘grown ups’, certainly not the scope of danger. Nothing can return to what it once was, not even when the family is ‘together’, and Chula’s reaction to her father is genuine. I wish I could go into that more, even though it’s such a short part of the novel, it effected me as much as the horrors that occur for Petrona, but I don’t want to ruin the novel.

The ending is as it should be, it isn’t seamless. There remains a lost feeling but it works for me.

Publication Date: July 31, 2018

Doubleday Books

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This story had so much potential! I nearly invested in the characters and plot, and the writing was beautiful. I think it was just too slow for me, the pace, that is. I was unfortunately bored for much of the story.

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Chula belongs to a privileged Colombian family who lives in a gated community. Petrona, their maid, comes from a poor family who struggles to feed themselves. Both are threatened by the violence and turmoil from gorillas, drug lords and corrupt political officials.

I thought this book was a bit off. Chula was so young and had such a childish voice. It was hard to relate to her because of how young she was. Petrona, who was a more interesting and dynamic character, was lost in the dispassionate short passages that were supposed to tell her story. Overall, the book felt detached and surreal. Although I was interested to read about Columbia and the dichotomy of their lives, the book fell short.

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Fans of Isabel Allende will no doubt enjoy Fruit of the Drunken Tree. However, those unfamiliar with the turmoil in Latin America will find this difficult to fully comprehend. The alternating perspectives of two young women from different classes works nicely, but once their lives become increasingly intertwined, it's difficult to figure out what their actions mean on the surface and what they actually mean. Full of secrets, money problems, guerrillas, bombings, and family drama, Contreras covers a lot in this one!

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https://booksensationlife.wordpress.com/2017/12/24/fruit-of-the-drunken-tree/ full review on my blog. I cannot wait for this novel to come out. I will definitely be adding this to my library.

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While the story of this novel is intriguing, the tone and/or style of writing was very off putting to me. I just couldn’t get into a flow of reading and, ultimately, did not finish this one.

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