In the Key of Nira Ghani

Pub Date:   |   Archive Date: 09 Apr 2019

Member Reviews

Thanks to Partner NetGalley for the digital ARC of Natasha Deen’s In the Key of Nira Ghani in exchange for an honest review. The book releases on April 9.

“I feel like I’m living on a fault line. Everything’s great, but I feel like there’s a rumbling deep down
where I can’t see or feel it, and something’s going to blow” (loc. 835).

I could not have loved In the Key of Nira Ghani more. For me, the novel offers the perfect mixture of compelling, empathetic protagonist; gorgeous writing; and a believable contemporary plot. From the very beginning, Nira captured my heart and my head, and I read the novel in basically one sitting.

Nira lives with her parents and her grandmother in Canada—her family escaped from Guyana in search of safety and security but had to leave without their money. As in many novels about the children of immigrants, Nira walks the line between appreciating her parents’ culture and yearning to blend in with her classmates at her new school. As the only brown girl, Nira feels both incredibly conspicuous and tragically invisible, discounted by everyone but her best friend Emily. Her one escape is her music. Though her parents have decided that she will become a doctor and therefore needs to focus only on her studies, Nira convinced them to buy her a used trumpet, which she taught herself to play via YouTube. When Nira plays, she expresses all of the love, conflict, and confusion that dominate her life. 

A brilliant student, Nira vies always to meet the high expectations of her family. She always, however, falls short. After her family emigrated, her father’s brother Raj brought his family to Canada as well, taking advantage of a new loophole that allowed him to escape with his bank account intact. The brothers’ relationship is one of constant comparison: of belongings, of ambition, of their daughters’ academics. Nira’s cousin Farah attends a private school where she blends in with the “Farahbots,” other wealthy girls who share their heritage and culture. Anchoring both girls is Grandma, one of my favorite characters. Grandma is wise, funny, and realistic about the challenges Nira faces as she struggles to find her place. Most of the time, Grandma sits back and lets her family figure things out for themselves, but when she intervenes, she’s a “puppet master” who pulls all the right strings (loc. 664).

Though Nira fights against the superficial judgments of others, she does herself fall prey to judging based on appearances. Much of the novel involves Nira learning to peel back layers, to understand that everyone has secret fears and hopes. Her friendship with Emily changes as they begin to invite others to her group—much to Nira’s chagrin—and Nira must deal with feeling pushed out of the relationships that anchor her. Emily becomes close to McKenzie, a popular girl whose constant misunderstandings about Nira—she’s Hindi, she’s Muslim, she’s from India, and SO many more—and Nira can’t understand how Emily can look past McKenzie’s prejudiced behavior. Nira’s love for music leads her to know Noah, a popular boy in the jazz band. Nira decided early on that Noah is out of her league, so she suppresses her crush in favor of being his friend. Eventually, Farah (despite Nira’s best efforts) joins this friend group, and Nira must strive to figure otu where she fits in this new arrangement of five.

All of these elements are made essential by Deen’s writing: even when, as a reader, I became frustrated with characters, I understood their perspective. Deen crafts characters of such complexity that we understand both why Nira wants new, name-brand clothes and why the entire idea is anathema to her parents. We understand why Grandma insists on making tea in every situation and why her use of sugar in the tea signals the kind of situation she’s dealing with. We understand why Emily is Nira’s best friend, why Nira is jealous of their new friends, and why Emily is insisting that Nira be more understanding. Most of all, we understand both why Nira desires so strongly to please her parents and why she just can’t give up on music. Emily tells Nira early on that her playing reminds her of Neil—not Louis—Armstrong because when Nira plays, “[she] make[s] [Emily] think of moonlight and defying gravity” (loc. 74).

Through the book, Nira becomes a keeper of secrets, both her own and others’, and each secret “steals the stars from the sky and the light from the moon” (loc. 1538). As a reader in on those secrets, I felt every moment of Nira’s story, of her imperfections and her pursuit of growth, of her moments of being an outsider and of belonging, of seeing her path clearly and being pushed off of that path. Watching her figure out herself and those around her is a journey I won’t forget, and I cannot recommend this book highly enough. Pre-order Natasha Deen’s In the Key of Nira Ghani immediately. You won’t regret it.
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Bibi Nira Ghani is the daughter of Guyanese Indian parents. Her parents immigrated to Canada to help give Nira more opportunities. They want her to become a doctor so she can enjoy financial security. She studies hard and lives by her parents rules. However, Nira doesn't want to become a doctor, she wants to become a musician.

Nira sneaks to play her pocket trumpet, Georgia, whenever her parents are away. They believe playing instruments is a waste of time. I think that many young people (and adults) will be able to sympathize with Nira. She wants to follow her own path .

Another thing I enjoyed about this is novel is how Natasha Deen is able to  humanize all of her characters. Even the antagonists are three-dimensional, honest, and well developed. I ended up sympathizing with all the characters, including Farah (her cousin), Noah, Mac, and Emily. Deen's plots are unpredictable (in a good way) and turns all assumptions on their head.

I also appreciated how she incorporated/illustrated Guyanese culture and the challenges that first-generation immigrant children face. I highly enjoyed this novel, and I will be reading Natasha Deen's other books in the future. I thank NetGalley for the complimentary copy of this novel in exchange for a free review.
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Nira's dreams have always been to be a musician, but her parents have different plans for her. Wanting her to have a better life than they did in Guyana, they want her to become a doctor or scientist. While Nira is good at those things, it's just not where she wants her life to go.

When the school jazz band announces auditions, Nira thinks that this might finally be her chance. However, not only does she need to convince her parents to allow her to audition, she also has to gather the courage to play her trumpet in front of an audience. The audition brings relationships challenges with it as well. Her crush, Noah, plays in the jazz band, and her best friend, Emily, seems to be growing more distance--and closer to another girl named McKenzie. As things unfold, Nira struggles to figure out her place in the world.

Thank you to NetGalley and Running Press Kids for providing me with an advanced copy to review! This was a quick read for me, which means that I basically flew through this book! At the surface, this is a fun read full of humor and your typical high school drama. But as you dig deeper, there's a lot to love from this book, between familial expectations, finding your voice, and navigating changing friendships.

Nira's at the core of the novel, and while she's completely oblivious to things happening around her a lot of the time, her voice is what carries readers through the novel. Though I was frustrated with her at times, I loved the way her character was able to learn and grow. And her relationship with her grandma! Her grandma was one of the best parts.

The portrayal of Guyanese culture within the book comes from an own voices author, making it feel authentic and giving readers a glimpse into a culture that is almost non-existent in YA. I actually learned a lot with the interactions between Nira and her family, and those scenes felt very intimate and real.

The only negative I think I'd take away from this book is that the plot is a bit predictable. It has a typical YA feel to it, meaning that the characters and themes are all the more important. For the most part, I think they're up to the task.

Overall, In the Key of Nira Ghani is sure to pull on your heartstrings, and a fitting read for the coming spring!
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Being a teenager is hard, and this is even harder for Nira as she deals with expectations at home, expectations at school, and the person who she wants to be. I can't speak for sure on the immigrant perspective, but I found the premise fascinating and for the most part, this was able to carry through the rest of the book.

The differences in settings and environments was really well created and described. While I don't expect to have everything explained to me, it was able to skip long explanations of background and explain it partially just by comparing and contrasting how Nira acts and how she is treated depending on the different places that she currently is at. It was really enjoyable and I had a great time reading it.

I also had a great time reading about Nira's friends, especially Emily and Mac and how the relationship between them occurs through Nira's eyes and the differences in relationships between the pairs of them. It was super cool and I absolutely loved it. I had a great time reading all of this stuff and found so many of the background characters, like Emily and Farah fascinating, especially as this unlikely friend group begins to form.

Nira was just so awful at times, and I get that some of it is because she's a teenager but it even goes beyond this point at times and I just can't stand it. At some times I definitely understand where she is coming from but it just goes way too far at points and I just want something else to occur. I am not even sure what exactly but it just rubs me the wrong way, especially when I understand something very clearly and she continues to go on and on and on for the majority of the book about how she just doesn't get it. There are a few other things as well, but the way that Nira treats other people, particularly at school just rubs me the wrong way.

Overall, I really enjoyed so many of the things that occur within this book. The depictions of music and going for what you want are really cool and there were a few things that I honestly just did not see coming. It was definitely worth the time reading it and I found many things within this book really cool and well described. I just wish that Nira was a little more likable because her character just goes too far at certain points in time. I would definitely recommend checking out this book though.
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In the Key of Nira Ghani

by Natasha Deen

Perseus Books, Running Press

Running Press Kids

Multicultural Interest , Teens & YA

Pub Date 09 Apr 2019



I am reviewing a copy of In the Key Of Nira Ghani through Running Press Kids and Netgalley:


Nira Ghani has always dreamed of becoming a musician but her Guyanese parents have a different dream for her they want her to become a scientist or a doctor.  Only Nira’s Grandmother and her best friend Emily understand her need to establish her own identity outside of the one her parents mapped out for her. When auditions for a jazz band are announced, Nira realizes it's now or never she must convince her parents that she deserves a chance to pursue her passion.


Fighting with her parents is bad enough, but now Nira finds herself navigating a new friendship dynamic when her crush Noah and notorious mean girl McKenzie who everyone calls “Mac”  takes an interest in her and Emily, inserting themselves into the group of friends.  Nira’s much cooler cans competitive cousin Farrah also tries to wiggle her way into the group.  Is McKenzie trying to steal Emily’s attention away from her? As Farah and Noah grow closer and Emily begins to pull away, Nira's trusted trumpet "George" remains her constant, offering her an escape from family and school drama.



After Nira steps back she begins to realize that she is not the only one struggling to find her place in this world.



In the Key Of Nira Ghani is a story of culture and of coming of age, it’s a powerful story.



Five out of five stars!


Happy Reading!
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Nira Ghani’s voice pulled me right into her story. She's funny and fully three-dimensional. It’s easy to empathize with both her struggles be the good daughter her parents want and her aspirations to fight for her own dreams. 

I found it ironic that Nira feels invisible at school, where she'd love to make more of a mark, yet wishes she was more invisible at home, where the aspirations of her whole family fall heavily on her shoulders. Expectations are so high that every test grade and the use of every minute of her time is a topic of conversation. 

The family's Guyanese culture fills the book with warmth and color, from the arguments about buying bargain (but uncool) jeans versus when it's reasonable to splurge on quality, to the tea Grandma makes to sooth every conflict. Nira's emotions throughout are so genuine that anyone will be able to relate to their own family's money battles and feel understood.  

Highly recommended.

I will post this review on Goodreads now. It will go up on on 3/28 along with posts on Twitter and Instagram, and I'll upload it to Amazon and Barnes & Noble on pub day.

Thanks for the e-arc!
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There are some things I liked, and other things that I didn't like so much.

I think character development was pretty good for the most part, especially for Nira herself. Her love interest was a little bland, but I'll let it pass. For me the book's plot is not so great. There's just nothing all that interesting or groundbreaking about it to me. The writing style here also isn't my favorite, but it wasn't terrible.

So yeah, overall this is a pretty "middle of the road" book for me.
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This book I am happy to say was heavy on humor and light on the high school drama. Which for me was wonderful!! I mean it is a young adult so you just kind of expect there to at least some drama and that's fine.  But when authors go overboard with it is when I run the other way.  This author did a great job with the overall parts of this one. 

I will say that this is your run of the mill coming of age title with one twist.  This one deals with a lot of culture and one girl's steps to make it in her new world and how she wants to be.  I really loved learning about Nira's life and what she wanted for herself it was an eye-opening story that I hope more people check out.
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I was lucky enough to win an e-ARC in a Shelf Awareness giveaway. Thanks so much for the early look at this title!
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Nira is the only child of Guyanese immigrants in Canada. Her grandmother lives with her family, and her perfect cousin Farah and Farah's parents live nearby. Like many immigrants, both sets of parents are deeply invested in their children's education and success. It's not easy being either kid, but of course both think the other has it better. 

Nira's particular challenge is that rather than wanting to be a doctor, like her parents pressure her to be, she wants to play trumpet. Trumpet! Farah's dad is more successful than Nira's, and Farah goes to private school and has a chorus of "Farahbots" following her around, where Nira has just one friend, Emily. As the story begins, Nira is worried that she's losing even Emily. 

Good and bad things happen, and a very bad thing, but you can handle it because you're pulling for Nira, and eventually for Farah, too, and for the girls' tea-pushing grandmother. 

The girls are high school juniors, but this book is suitable for middle grades readers.
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I received an Advanced Copy via Netgalley in exchange for an objective review.

I was born in Guyana, so I was intrigued to read a YA title featuring a Guyanese protaganist named Nira. She’s an opinionated, self-centered high school student in Canada frustrated with her immigrant parents strict academic rules. Study. Study. Study. Nothing else!  But Nira loves the trumpet. And she’s a talented, untrained trumpet player to boot! 

The struggle with her immigrant parents and fitting in at school is an experience well-described by the author. I didn’t mind the scattered transitions as I felt this was reflective of the chaos of being a teenager. Nira’s relationships with her friend Emily and her cousin Farah, as well as her parents, changes throughout the novel, also reflecting the ups and downs of a teenager. Her one respite is her relationship with her grandmother, who she has to share with Farah. When Nira finds out Farah’s family secret, she learns why her grandmother treats Farah the way she does. 

Every little thing is heightened in Nira’s teenage mind, which makes you want to scold her yourself as a reader. Many times, she acts like a “ninny” as Farah her cousin calls her. I found myself disliking her choice of words in moments, but rooting for her to change for the better. In the end, it takes a tragedy for her to see the light while her other relationships are wrapped up and tied up in a neat bow. Overall, I was gently touched by Nira and her sensitive nature, even if she did act like a “ninny” at times! 

I appreciate the  Guyanese cultural elements being sprinkled throughout the story without overtaking the focus on Nira’s character arc, although a bit more culture would have given me more connection to Guyana beyond the fact that the country is corrupt and poor, as described by Nira and her family. 

There is a lot of exposition in the writing, which is a writing device that always needs to be balanced by authors. From what I read about the author, this is a personal story made into a YA novel. And she has other books! I’ll be rooting for her and looking forward to her future novels and seeing her writing evolve. 

Thank you to Netgalley and the Publisher for providing the ARC to review!
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Here's the thing: I feel like maybe I wasn't in the right mood for this book? It's not that I didn't enjoy it (I definitely did!) but I did have a hard time focusing on it for prolonged periods of time, much like my experience with a few Sarah Dessen and John Green books in the past. I liked it well enough, but it didn't fully grip me. It had a very slow start that progressed and quickened as it went. 

There is a big chance that my review is going to be a bit all over the place.

Before I get started: despite my mixed reviews, and my constant stopping and starting, I never felt compelled to completely ditch the book. I always knew I was going to finish it, because I wanted to--so, that definitely ties into my thought process re: my mood. My mind was just not fully in it to win it, I guess. And, as always, my thoughts are my own and taste is subjective.

Instead of focusing on negatives, we're going to focus on the sheer brilliance of the other parts of this book. I find that a lot of my issues with it really were mood oriented and perhaps even just me growing out of YA books almost entirely these last two or so years. Because, when I look back on the story as a whole, there were so many qualities that I genuinely loved about it.

In the Key of Nira Ghani is, first and foremost, a hopeful sign of where YA will go in the years to come--finally, there are more and more diverse works of fiction coming out that have been needed for so long. It is a contemporary, coming of age story that features more than your standard release. It centers around a Guyanese character who is growing up in a way that is very true to life.

In the course of a book, we watch her as she grows and each chapter carries on some very important messages about one's self, judgment and the fact that people aren't always what they seem. In this moment of growth for our main character, we feel the weight of important messages told in a way that is poignant. We learn about ourselves, just as we learn about the characters in this book.

I liked that it took some very serious topics and balanced in some funny interactions, too, creating a sort of balance that is necessary in story telling.

While Natasha Deen's characters and plotlines at times fall into tropes that are a bit overused in YA, she doesn't use the tropes in the way that makes them generic. Instead, Deen creates characters that are developed beautifully. I think that the cast of characters is what makes up for parts of the novel I wasn't wholly keen on, because they were truly present and I loved it.

(And the dynamics! I loved.)

This isn't to say that other YA releases don't fully develop their characters, or relationships, it is just that they rarely do so in the ways that Deen has. She's take great care in doing so and crafted the vast majority of her characters in a way that feels real. You don't feel like they are merely characters.

At its core, it is a pure and simple coming of age novel that will truly stand its own ground amongst its contemporaries. Further, In the Key of Nira Ghani is beautiful promise of what is to come for its author. I can't wait to see where she goes, and I truly believe she is amongst the authors that will be around for years to come. I'm definitely going to look into some of her prior, and future, releases.

Overall, I thought that In the Key of Nira Ghani was pretty solid and intriguing. It's definitely a book that I may reread in the future to see if I missed something, to see if my original rating was merely a mood I was in. Natasha Deen is someone you'll want to be looking out for in the years to come!

This is the kind of book that needs to be kept in classrooms and school libraries.
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Thank you to Running Press Kids (Perseus Books, Running Press) and NetGalley for providing me with an e-ARC to read and review.

A slow start to a great ending all things considered. There is an honest poignancy to the story of a Guyanese immigrant teen trying to break preconceived notions about her through music. The disparity between Nira and the other kids at school - both socially and culturally - is an extremely relatable concept that rings true for many.

It took a while to really get into the story and I think it was because of my reaction to certain, unlikable characters in the book. The book bellows the sentiment, "Don't judge a book by it's cover," and learning to understand someone by "walking a mile in their shoes." But there were a couple instances were Nira took the blame and understand the other's view while others not understanding where she's coming from and seeing that her reactions to certain events were normal, justified human reactions. Don't expect someone to suddenly like you if every time before that their interactions with you involve racists comments whether you meant them or not.

Nira's Grandma is the best. A wise, calm sage in the midst of chaos. She's also funny. I don't know if tea really does solve everything, but it's something I can get behind.

I really liked learning about Guyanese culture and seeing its varying effects on Nira and her family. They all want to be more than what there were/are than what they left behind. It made the conflict gripping. You end up cheering for everyone in the process to do better and be better. I loved how this story is a reflection the author's own experiences and those of her parents. You could really feel the raw, realness of what was going on. Everything seemed more upfront from start to finish.

There's a lot of struggles and feelings for each dynamic character (and I would say most of them were) to undergo dramatic changes in how they view the world and each other. I think there's something positive in this story that every reader can take away from reading it.
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Rating: 3.25 🌟

ARC Review: receiver from Netgalley for an honest review

TW: ableist slurs, death, cheating

I spent way too long staring at the screen trying to figure out what to say about this book. What I will say with certainty though is that this book should be read by #ownvoice readers from immigrant families, kids who will understand the struggle of moving from one country to another for a better life, understand the struggles of trying to fit in whole still trying to maintain your culture.

So my disclaimer is this: I don't know what it's like to move to a whole new country, I don't know what it's like being poor or close to it, I don't know what it's like being the only POC in a white-only place, so these things I will not touch on because it is not my place to discuss them. What I will discuss are aspects of the book that I feel I can relate to, however. 

Okay, I have to admit that I did enjoy this book, that it was nice to read it and I got it done in a day (hours if you don't count the breaks I took). It's not a badly written book at all and like I said before, I did enjoy it. However, it does have a few issues.

1. The description of Emily's weight. It's not baaad, it's not even mean, but I don't know. Maybe I'm being overly sensitive about it, as a fat person, but idk. It just didn't sit in a comfortable way. Like I feel like there may have been a better way to describe her fatness. I mean, she likes to eat, sure, but I don't know. I just feel like there could've been a better way to say she's fat without the “she stuffs her face” feel of things. 

2. The handling of Mckenzie is probably one of my least favourite things. This girl is awful to Nira from the start of the book. She says racist and ignorant things all the time and makes Nira feel awful about herself. It's natural for Nira to hate this girl, to not want or be friends with her. But then Mckenzie starts hanging out with them and then Nira's best friend Emily (who is white) comes at Nira like “she's not as bad as you think, just give her a chance” and mm, that feels condescend-y to me. Emily is white and Mckenzie and white, so when Mckenzi says ignorant and racist things, obviously Emily won't find it as problematic as Nira and obviously it'll be easier for her to forgive but mm. Without spoiling more than I might have, I don't really like how things went. Like I knew, I KNEW, that Mckenzie wasn't going to be the bad guy forever and there was going to be some “I'm only mean to you because of (meh excuse)” and it did happen and I wasn't unhappy but I wish that it had gone a different way.

3. Grandma. I'm not even going to go into it because SPOILER but I will say that I knew it, that I knew it would end the way it did and that hurts me. It was unnecessary, things didn't have to go the way the did, like things could've been fixed a different way, Nira could've worked her life out a different way. Again, I just felt that the last chapter was unnecessary!

But despite those thing, I liked this book actually. And also there are queer characters in the book and I love that Nira's parents and Grandmother are so chilled when it comes to relationships, like the “Is it a boy?...... A girl?” question every time they were curios about Nira having relationship issues was cool. I'm glad that we were able to see that the may be strict and almost hellish about school and Nira's academic future, but her sexuality isn't an issue.

Overall, a good read and I hope that young Guyanese Canadian kids will find this book and relate to its content.
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In the Key of Nira Ghani by Natahsa Deen, 304 pages.  Running Press Teens, April 2019.  $18.

Language: PG-13 (22 swears, 0 ‘f’); Mature Content: G; Violence: G



Nira is barely making it through high school, with only Emily as her friend and Georgia, her pocket trumpet, as solace.  But things are changing – Noah, the local BMOC, and McKenzie, Nira’s chief tormentor, are horning in on the duo for some reason.  Even Farrah, her rich, stuck-up cousin, seems to be hanging around more. Between rocky friendships and the weight of her family’s expectations, Nira turns more to her music, but there is a chance for disaster.

I like Nira quite a lot. Nira’s story is similar to many other previous stories about kids whose parents don’t want to leave any room for them to grow up and away and friendships that can – sometimes in good ways and sometimes away from each other. Who I don’t like is the jazz band teacher at her school – he is callous man who probably drove more kids away from performing than her did encouraging them to perform.  An easy read to enjoy.

Cindy, Middle School Librarian, MLS
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This is a little more than just an average coming of age high school story. Its a struggle that goes deeper than just parents and child but into the struggle of culture. Nira's family wants to her be a doctor, they see that as the only type of success but Nira wants to be a musician that success is bigger than just becoming a doctor. 

I liked Nira as a character, shes so wrapped up in her own struggles that she doesn't see or understand her friends struggles. I never found Nira to be too self center to see Mac, Emily, Noah and her cousin Farah's issues and she does open up and realize her own mistakes. 

The best parts though are when Nira interacts with her family. I wished there had been more about the Guyanese culture but there was one particular section about Nira's fathers reaction to her buying clothes from a consignment story that really stood out to me. Its something so simple, how buying vintage or second hand is not just normal but popular can bring back such horrible feelings for Nira's father. Those are the best parts that really drive the story.

The ending was a bit off to me. I saw it coming, although it didn't play out like I thought but I wish that it had been different. I felt like it brought the family together in a way that felt unnatural and forced to me. I wanted to see Nira and her father come together on her desire to play music in a more fluid way. That was really what dragged down my enjoyment of the book from what it could have been. 

Overall I think it would be a good read for younger teens.
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I was given an advanced copy from NetGalley in exchange for an honest review

I went into this book thinking it was going to be a run of the mill book about high schooler's with the main character being from Guyana. But this book isn't really a HS drama, it's more of a introspective of Nira's family and her looking back at her previously unnoticed flaws. She wants to join the jazz band at school, but is surprised when Mackenzie (a girl at her school who Nira sees as vapid and dumb) plays the Saxophone, and plays it well. This is juxtaposed with her cousin Farah who is better, richer, and prettier etc. than her in every way, who is initially kinda of a bitch she later comes into her own and shows that she has her own problems and Nira sees that people are more than there appearance.

The book has a lot of humor, especially between Nira and her grandmother as well as her side comments made about just about everybody. I found this to be the best part(s) and carried me through the book. While yes, there is somewhat of a romance (I say somewhat because Noah is a barely there character who is just there because I don't know it's a YA?) but the main story is on Nira and the people around her, and her growing interest in jazz band.

I liked learning about Nira's home life, her life in Guyana and having to relocate to Canada and what that means to her as a person. She wants to be Canadian like everyone else (by buying expensive clothes) but she also wants to keep her culture, a balance that she finds by joining the jazz band. I feel the book frames this well, and the relationships throughout make the somewhat twist towards the end very complete and natural.

It's a hidden gem that I think could be a major hit for 2019
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I found this to be enjoyable, but ultimately forgettable. Perhaps I’ve just read too many YA books at this point, but it seemed very reminiscent of others I have read.
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(Review originally posted on GoodReads.)

3.5 stars, rounded up. I didn't love this book, but I enjoyed it, and I think rounding up to 4 stars is a fair assessment.  Cute, and nice to see an #OwnVoices book, but I feel like I’m getting too old to really enjoy YA slice-of-life books like these. 

+ Nira is pretty well fleshed out, as is her cousin Farah and the rest of Nira's family, but I feel like I don't know Nira's social circle (Emily, Mac, and Noah) all that well. I liked that Nira's conflict was primarily focused on her family and her desire to forge her own path. It's also nice that she's judgemental and rude; it made her feel more realistic. Farah is your stereotypical "seems like a popular jerk but really has a heart of gold"/"her perfect life isn't actual perfect" tropes, but them being tropes didn't particularly bother me since they was well-developed. 

+ Noah, Nira's love interest, is bland but inoffensive. I feel like that's pretty much the best one can ask for when it comes to male LIs in YA stories. He's pretty much just there to be nice and supportive to Nira. At least the romance is kept to a minimum and isn't the focus of the story. And no love triangle! That was a plus.

+ Emily and Mac got the short end of the stick in terms of development. I don't really feel like I know who they are as characters. Mac comes across a being a total jerkass for the first 1/2 of the book and I didn't really buy the later explanation for all that. Might have worked better if it had been explored further, especially in the first half of the book.

+ The plot is ... okay. This is where the book kind of falters for me, personally. It's nothing terrible, but it's not particularly groundbreaking anyway. Which is fine, and there's nothing wrong with straightforward, slice-of-life stories (especially since onces featuring non-white characters are family uncommon), but it didn't really grab me or move me in any significant way. To be fair, there's quite a large age gap between myself and the characters; I'm certainly not the target audience.

+ The writing is fine. Nothing spectacular, but that's fine. All of the characters had distinctive voices and the banter between Nira and her grandmother was nice and felt real.
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Honestly, I didn't read this book, but I want to explain why. I knew 2 pages in this wasn't a book for me. I know we all bring the context of our lives to every book we read. In the context of my life, I can't stand certain things, like cow eyeballs. So squeamish! I just can't read it. So, unfortunately I didn't continue.
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