Cover Image: The Sacrament

The Sacrament

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Member Reviews

Sister Johanna Marie, a middle-aged French nun, speaks Icelandic. This she learned from a roommate at the Sorbonne many years ago: a roommate with whom she fell in love and whose presence drove her into the convent. Although she never made her feelings known, she has been hounded for decades by her bishop, now a cardinal, for his perceptions of her feelings, and twice he has emotionally blackmailed her into investigating accusations of child abuse by priests. The second time, sent to Reykjavík because of her knowledge of the language, the nun is emotionally tortured for several reasons: she wonders what's happened to the Icelandic girl and whether she should try to find her; she frets over her failure the first time the bishop recruited her for this task; she finds being officially thwarted at every turn by her superiors and the parents and children involved; and, as becomes evident only late in the book, she pushes this investigation too far.
What also becomes clear only in the last half of the book is that there are two timelines in her travel to Iceland. The second trip, which comes into focus only slowly, is years after the first, and comes about because her presence is requested by a (now grown) child she met briefly during the old investigation. The timeline shifts between the two trips are not at all clear, and I do think this confusion weakens the reader's ability to appreciate the facts being developed.

The nun is insecure, not overly likable, and not particularly wise, and the story is told entirely from her point of view. She feels her life may have had no meaning, and the reader may agree with her, although there is a surprise ending that gives some evidence that she may leave the world a better place. Still, she sees God in her life only when she faces the evil she finds, and I think that's awfully sad for a religious.

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