Kieron Gillen first grabbed my attention with his work on The Wicked and the Divine, a fantastic series with a wide scope that covers religion, death, celebrity, and so much more. His writing led me to his recent series Die, about a group of friends who were thrown into a deadly fantasy world while playing an RPG as teenagers... and somehow made it out alive... and now must return to it many years later to save one of their own. And now, Gillen takes on the Arthurian legend and British history with his subversive series Once and Future.
Mild-mannered, klutzy Duncan learns that his grandma is not who he thinks she is. One night she wanders off into the woods and his date is disrupted when he has to leave the awkward dinner and go pick grandma up. That's when grandma reveals she's not suffering from dementia or Alzheimer's when she unveils a cache of deadly weapons she has been hiding underground. Duncan is gobsmacked to learn that grandma has been a monster hunter her whole life. What kind of monsters? How about a Lich-like King Arthur and his evil cadre of zombie Knights of the Round, who, according to prophecy, will bring about an age of darkness if they were to achieve their goals?
Duncan and his grandma (and perhaps a new companion or two) begin a whirlwind of adventure, violence, and British history as they navigate through modern versions of Galahad, the search for the Holy Grail, the truth behind Excalibur, the *real* power behind the swords of legend, and many other humorous and clever reveals.
What sets this particular story apart from Gillen's previous work is how we start small through Duncan's POV, and we're drip-fed new information at a steady, but manageable pace. In other stories, I feel that we're dropped right in the middle of the action and must fill in the blanks in both past and future. But here, it truly feels like the beginning of Duncan's story, and the reader is right there experiencing it with him every step of the way.
Dan Mora's illustrations are absolutely stunning. Subtle backgrounds emphasize the movement and strong body and facial expressions of the characters, and the panels flow together beautifully. It's quite fun to see the creative team's interpretation of classic sites such as the Glastonbury Tor, and, well... I won't spoil any more.
Bottom line... if you have any interest in Arthurian lit, and you love it read about legendary stories turned completely on their heads, then you'll want to pick this up as soon as you can.