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Description
The memoir begins on Nineteenth Street in Paris, Texas. The characters in this Northeast Texas hamlet are introduced via their homes, occupations, and histories. Reflections on childhood emulations to troublemakers evolve. Those who shaped the author by proximity encompass early memories before a family move brings a perceptional shift in the changing world of 1968. People remain at the center of these tales, aiding her transition from observation to purpose.
A career in medicine is finally realized, but interrupted by a season of depression, reconnecting the author to her past. Teachable moments experienced with the “patients themselves” are best revealed through their individual stories in the pediatric oncology wards, AIDS isolation rooms, and the “Butterfly suite.”
The book ends by examining our connectedness, fulfilling its premise “to pay homage to those who have come in and out of my life for however brief or long a time.”
The memoir begins on Nineteenth Street in Paris, Texas. The characters in this Northeast Texas hamlet are introduced via their homes, occupations, and histories. Reflections on childhood emulations...
The memoir begins on Nineteenth Street in Paris, Texas. The characters in this Northeast Texas hamlet are introduced via their homes, occupations, and histories. Reflections on childhood emulations to troublemakers evolve. Those who shaped the author by proximity encompass early memories before a family move brings a perceptional shift in the changing world of 1968. People remain at the center of these tales, aiding her transition from observation to purpose.
A career in medicine is finally realized, but interrupted by a season of depression, reconnecting the author to her past. Teachable moments experienced with the “patients themselves” are best revealed through their individual stories in the pediatric oncology wards, AIDS isolation rooms, and the “Butterfly suite.”
The book ends by examining our connectedness, fulfilling its premise “to pay homage to those who have come in and out of my life for however brief or long a time.”
A Note From the Publisher
Sherry Scott, M.D., is a pediatrician who has practiced palliative/hospice care for children and general medicine. She self-published her first literary work, The Year My Mother Died, 2011. She founded Paris Poet’s Society and published a juried anthology of poetry and photography: What Brings You Here, 2016. She serves on the board of the Gendercide Awareness Project, founded in Dallas, Texas. She resides with her family in Paris, Texas.
Sherry Scott, M.D., is a pediatrician who has practiced palliative/hospice care for children and general medicine. She self-published her first literary work, The Year My Mother Died, 2011. She...
Sherry Scott, M.D., is a pediatrician who has practiced palliative/hospice care for children and general medicine. She self-published her first literary work, The Year My Mother Died, 2011. She founded Paris Poet’s Society and published a juried anthology of poetry and photography: What Brings You Here, 2016. She serves on the board of the Gendercide Awareness Project, founded in Dallas, Texas. She resides with her family in Paris, Texas.
Part memoir part medical history of the town. A really lovely story of how one woman seeing suffering made her go in to medicine.
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Reviewer 823951
The memoir begins on Nineteenth Street in Paris, Texas. The characters in this Northeast Texas hamlet are introduced via their homes, occupations, and histories. Reflections on childhood emulations to troublemakers evolve. Those who shaped the author by proximity encompass early memories before a family move brings a perceptional shift in the changing world of 1968. People remain at the center of these tales, aiding her transition from observation to purpose.
A career in medicine is finally realized, but interrupted by a season of depression, reconnecting the author to her past. Teachable moments experienced with the “patients themselves” are best revealed through their individual stories in the pediatric oncology wards, AIDS isolation rooms, and the “Butterfly suite.”
An eye opening read that I recommend
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Featured Reviews
Ava A, Reviewer
Part memoir part medical history of the town. A really lovely story of how one woman seeing suffering made her go in to medicine.
Was this review helpful?
Reviewer 823951
The memoir begins on Nineteenth Street in Paris, Texas. The characters in this Northeast Texas hamlet are introduced via their homes, occupations, and histories. Reflections on childhood emulations to troublemakers evolve. Those who shaped the author by proximity encompass early memories before a family move brings a perceptional shift in the changing world of 1968. People remain at the center of these tales, aiding her transition from observation to purpose.
A career in medicine is finally realized, but interrupted by a season of depression, reconnecting the author to her past. Teachable moments experienced with the “patients themselves” are best revealed through their individual stories in the pediatric oncology wards, AIDS isolation rooms, and the “Butterfly suite.”
An eye opening read that I recommend
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