At the End of the Matinee

Praise for Keiichiro Hirano’s A Man

“Hirano’s English-language debut is a shape-shifting psychological thriller…As back-alley gritty and entertaining as a Raymond Chandler novel, the book asks what it means to be ‘you’ and suggests that the answer means nothing at all. Hirano’s stylish, suspenseful noir should earn him a stateside audience.” —Publishers Weekly

“Keiichiro Hirano’s A Man has all the trappings of a gripping detective story: a bereaved wife, a dead man whose name belongs to someone else, mysterious coded letters, a lawyer intent on uncovering the truth. Together with a willfully understated title, however, these features belie a deeply thoughtful novel whose mystery premise gives way to an examination of the most profound questions of identity and artistic creation. In a work so rooted in Japanese cultural history, the questions posed by the author become distinctly literary, moving ultimately to address the very practice of novel writing.” —The Arts Desk

“A riveting examination of desire and identity, A Man patiently unpicks the nature of unfulfilled aspirations. Keiichiro Hirano has written a multilayered tale of human reinvention, at once eminently readable and deeply moving.” —Tash Aw, author of The Harmony Silk Factory and Five Star Billionaire

“There is no doubt that Keiichiro Hirano is an author with an extremely pioneering and modern spirit. His works have opened up a very imaginative space in analyzing and exploring the spiritual world of humanity.” —Sheng Keyi, author of Northern Girls and Death Fugue

Praise for Keiichiro Hirano

“Hirano has continued to grapple with new themes ever since his debut. In this work, he has arrived at the primal question of what validates human existence.” —Yōko Ogawa, author of The Memory Police