Description
In the vein of the writings of Paul Bowles, Paul Theroux, and V. S. Naipaul, The African Shore marks a major new installment in the genre of dystopic travel fiction. Rodrigo Rey Rosa, prominent in today’s Guatemalan literary world and an author of growing international reputation, presents a tale of alienation, misrecognition, and intrigue set in and around Tangier. He weaves a double narrative involving a Colombian tourist pleasurably stranded in Morocco and a young shepherd who dreams of migrating to Spain and of “riches to come.” At the center of their tale is an owl both treasured and coveted.
The author addresses the anxiety, distrust, and potential for violence that characterize the border of all borders: the strait that divides Africa and Europe, where the waters of the Mediterranean and the Atlantic meet. His often-remarked prose style, at once rich and spare, endows his work with remarkable elegance. Rey Rosa generates a powerful reality within his imagined world, and he maintains a narrative tension to the haunting conclusion, raising small and large questions that linger in the reader’s mind long after the final page.
With an Afterword by Jeffrey Gray
The author addresses the anxiety, distrust, and potential for violence that characterize the border of all borders: the strait that divides Africa and Europe, where the waters of the Mediterranean and the Atlantic meet. His often-remarked prose style, at once rich and spare, endows his work with remarkable elegance. Rey Rosa generates a powerful reality within his imagined world, and he maintains a narrative tension to the haunting conclusion, raising small and large questions that linger in the reader’s mind long after the final page.
With an Afterword by Jeffrey Gray
A Note From the Publisher
Rodrigo Rey Rosa is perhaps the most prominent writer on the Guatemalan literary scene. Along with the work of writers like Roberto Bolaño, Horacio Castellanos Moya, and Fernando Vallejo, Rey Rosa’s fiction has been widely translated and internationally acclaimed. His books include Dust on Her Tongue, The Beggar’s Knife, and The Pelcari Project, all of which were translated into English by the late Paul Bowles. In addition to his many novels and story collections, Rodrigo Rey Rosa has translated books by Bowles, Norman Lewis, François Augiéras, and Paul Léautaud.
Jeffrey Gray is author of Mastery’s End: Travel and Postwar American Poetry and editor of the Greenwood Encyclopedia of American Poets and Poetry. He is also co-editor (with Ann Keniston) of the The New American Poetry of Engagement: A 21st Century Anthology. He is a professor of English at Seton Hall University in New Jersey.
Advance Praise
“Rodrigo Rey Rosa is the most rigorous writer of my generation, the most transparent, the one that knows best how to weave his stories, and the most luminous of all.”—Roberto Bolaño
“Rey Rosa creates narratives of mythic proportions.”—San Francisco Chronicle
“Rey Rosa creates narratives of mythic proportions.”—San Francisco Chronicle
Available Editions
| EDITION | Paperback |
| ISBN | 9780300196108 |
| PRICE | $13.00 (USD) |
Available on NetGalley
| (PDF) |
| (PDF) |








