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woke up no light

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Member Reviews

Another poetry collection!! This one I downloaded because I LOVED Nightcrawling, it was one of my favorite books of 2022. I remember reading it and thinking about how beautiful the language was, and that carries into this poetry collection.

I loved reading this, the author is such a fantastic writer. The poems were so powerful, and if youโ€™re a poetry reader, you definitely need to pick this one up.

Thank you @netgalley and @aaknopf for sending this book for review consideration. All opinions are my own.

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๐Ÿ“–Genres: poetry, poems

๐Ÿ“šPage Count: 104

๐ŸŽงAudiobook Length: 01:32

๐Ÿ‘ฉ๐Ÿพโ€๐ŸซMy Rating: โญ๏ธโญ๏ธโญ๏ธโญ๏ธโญ๏ธ - 5/5

woke up no light: poems is a poetry collection by Leila Mottley, the author of "Night Crawling". This poetry collection is raw, amazing, and it honestly blew me away. The poems are about being Black in America, most are about being a Black woman in America. The author talks about race, social justice, police brutality, misogynoir, sexual assault, and much more. Mottley writes some painful truths in such an elegant and gritty way.

There are too many individual works that I liked or that resonated with me to list them all, but I particularly liked the poems in the two sections "girlhood" and "womanhood". The "neighborhood" section made me cry, I'm still processing what I've read overall.

Overall, this collection was moving and it was written with such grace. I definitely resonated with most of the poems in this collection.
โญ๏ธโญ๏ธโญ๏ธโญ๏ธโญ๏ธ 5/5 Stars

Thank you <a href="https://www.netgalley.com/">[NetGalley.com]</a>, the author, and publisher for the arc (advanced reader's copy.)

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Perhaps best known for her debut novel, Nightcrawling, which earned her a spot on the Booker longlist at the age of 20, Leila Mottley was also the Youth Poet Laureate of Oakland at the age of 16.

Accolades aside, Mottley is a truly gifted poet. I've read excerpts from Nightcrawling (and need to read the book in its entirety), and even when writing prose, she brings so much lyricism to her work.

I've read a handful of poetry collections this year, and I'll be the first to admit that while reading several of them, I often felt lost--not really sure what the poet was talking about, even if I appreciated their writing. But in Woke Up No Light, Mottley's meaning is clear and powerful. She is writing in the wake of the events of 2020. She is writing about sexuality and body autonomy and politics and police brutality and colonization and race and place (this collection is very much a tribute to Oakland).

Thank you to @NetGalley and @aaknopf for my advanced digital copy.

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Leilaโ€™s collection of poetry is an illustrative window into the lives, feelings, and concerns of young Black women. It is full of very powerful imagery and arresting and moving turns of phrase that shone like stars among a background of constellations. I would recommend this collection to anyone interested in the particular vexations and cares of Black women who are a part of gen Z.

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This is a beautiful collection of poems from Leila Mottley showcasing what it was like to grow up as a black woman in Oakland. It was raw and sincere and it hit on so many taboo topics. The queer representation was so good. She really helped me understand a life I would never experience just due to my own location and race. She never oversimplifies what it means to be a Black woman and for that I am forever grateful for her opening up her heart and mind to all women across the world to inspire.

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These poems are personal, with a strong sense of voice. Many of them deal with identity and growing up as a Black woman; they are of the moment and engage with current issues.

This collection is accessible, but not easy--it's ambitious and layered enough for the poetry enthusiast but also open to new readers who are testing out poetry.

Thanks to the publisher, the author, and Netgalley for my earc. My opinions are all my own.

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Mottleyโ€™s poetry debut begs to be read. I read this collection in two sittings and it probably would have been all in one if I hadnโ€™t been interrupted. I loved the way we journeyed with her through sections from โ€œgirlhoodโ€ to โ€œneighborhoodโ€ and eventually โ€œwomanhood.โ€ She covers a variety of topics in honest, accessible, yet poignant language. There were definitely moments when I had to stop and reread a phrase because it demanded its bittersweetness demanded to be savored.

Thank you to Knopf and NetGalley for the e-ARC!

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When I read Leila Mottley's debut novel, Nightcrawling, I remember thinking how much her lyrical prose read like poetry, so I couldn't wait to read her debut poetry collection, woke up no light. And it absolutely blew me away.

The poems are divided into four categories, or phases of life -- girlhood, neighborhood, falsehood, and womanhood -- and explore the wide range of the female experience, specifically Black girlhood and womanhood. They're modern in their execution, but draw on the past to make bold statements and poignant observations about being a Black girl in America today. They are intensely personal, emotionally devastating, and fiercely unapologetic, and a few of them left me breathless.

My favorite poem was "my great-grandmother's hand in the back pocket of all your jeans," and here are just a few of my favorite lines across the collection (definitely hard to narrow down, because I highlighted something on nearly every page):

When you grow up, you will forget
it all. And isn't that a solace?


To be Black and
Girl is to not only fear the slaughter
of your body, but to fear the body itself.


If biology could explain it all
we would never know of fairies or prayers

woke up no light is a moving poetry collection that I know I'll revisit frequently. Thank you to Knopf, Pantheon, Vintage, and Anchor for the complimentary reading opportunity.

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a stunning and powerful collection. pulls from the modern and the before in such skillful ways. good book for poetry readers of any level

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Leila Mottley crafts noteworthy and masterful poetry. A talented voice with a keen eye, and an inviting form.

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Mottley's poetry is raw and sincere and pulls not a single, solitary punch. She talks about race, about family history, about LGBTQIA+ identity, and the intersection of all those things. One of my favorites, near the end of the collection, grapples with what it means to bring children into a world that's on the brink of climate crisis, and whether queer couples seeing fertility treatment through things like IVF are more culpable for their children's futures than straight couples who can at least claim that their pregnancy was an accident. Coming on the heels of poems about ancestry, in particular an erasure poem derived from a will declaring the fate of enslaved people as inheritable property, this is all the more powerful. Both past and future are called into question, not only for the poet, but for the reader as well.

Poetry and nonfiction, especially when it exposes so many of the poet's wounds, is hard to rate objectively in the limited framework of a star category. Per usual with chapbooks, four stars means I really liked it and would recommend it. Mottley's work is absolutely worth reading. My personal preference is for poetry that uses surprising language or unexpected forms. Others may find that the more direct free verse style preferable.

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Poetry can be hit or miss for me but this one knocked it out of the park! She is so talented it's unreal. I will be returning to this one often to re read some favorites.

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In this incisive collection, Mottley dissects the lives of Black girls and women via 4 sections, Girlhood, Neighborhood, Falsehood, and Womanhood. LIGHT is at once a political work emphasizing that Black girls are often forced to grow up before adulthood and a love letter to her "hood" that nurtures Black girls and their art.

While some poems flew over my head, I loved how profound the ones I could interpret were. Some highlights are a case for / against reparations, boys will be boys will be animals will be tender will be lost will beโ€”, Elijah McClain's Last Words, Fire Season, Cellular, what do you do when you see a Black woman cry, Respect, Futurist

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I loved Leila's debut novel so much, so I was excited to read her poetry! She is a force! This collection is bold and a punch straight to the gut. I will be recommending this to all of my poetry loving friends.

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Very different from Leila Motleys first book. The anguish of life can still be felt on the pageโ€ฆthis remained similar to her first work.

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I struggled with this one. The poems did not grab me or make me want to read more. However, I feel like this is subjective and not a reflection on the author. Poetry is so deeply personal that I feel it difficult to review. Like I am grading the emotions of the person who wrote it. Which is not possible. I am going to reread this at a later date in the hopes that I will take something away from it that I did not this time.

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This is my first time reading a book of poetry from Leila Mottley. Her writing is poignant, rhythmic, and striking. One of my favorite aspects of this books are the relatable titles of her poems such as Finna, ode to black girls who never learned to braid, and what to do when you see a black woman cry. I think that many black women will resonate with the notions of community, resistance, blackness, and womanhood.
Final rating 3.0/5
Thank you so much to Netgalley for an digital arc in exchange for an honest review.

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This is the first book I have read by Leila Mottley, and it did not disappoint!!๐ŸฅนI enjoyed this one and will definitely try her other book!!!๐Ÿค—๐Ÿค—

!!๐—œ ๐˜„๐—ผ๐˜‚๐—น๐—ฑ ๐—น๐—ถ๐—ธ๐—ฒ ๐˜๐—ผ ๐—ด๐—ถ๐˜ƒ๐—ฒ ๐—บ๐˜† ๐˜๐—ต๐—ฎ๐—ป๐—ธ๐˜€ ๐˜๐—ผ ๐—ก๐—ฒ๐˜๐—ด๐—ฎ๐—น๐—น๐—ฒ๐˜† & ๐—ž๐—ป๐—ผ๐—ฝ๐—ณ, ๐—ฃ๐—ฎ๐—ป๐˜๐—ต๐—ฒ๐—ผ๐—ป, ๐—ฉ๐—ถ๐—ป๐˜๐—ฎ๐—ด๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐—”๐—ป๐—ฐ๐—ต๐—ผ๐—ฟ & ๐—ผ๐—ณ ๐—ฐ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ ๐—Ÿ๐—ฒ๐—ถ๐—น๐—ฎ ๐— ๐—ผ๐˜๐˜๐—น๐—ฒ๐˜† ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฎ๐—ฟ๐—ฐ ๐—ถ๐—ป ๐—ฒ๐˜…๐—ฐ๐—ต๐—ฎ๐—ป๐—ด๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฎ๐—ป ๐—ต๐—ผ๐—ป๐—ฒ๐˜€๐˜ ๐—ฟ๐—ฒ๐˜ƒ๐—ถ๐—ฒ๐˜„!!

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Favorite Quotations:
Say Her Name morphs at the rally and I am
trying to reremember all the syllables
all the Sandraโ€™s and Rekias and girls
who donโ€™t make the headlines because they are
not dead
they have just been turned inside out

and i would say
after all that you did
what a shame

of all the things i could have been
never once did you think
i might not want to be small

Thoughts:
This was a powerful collection of poetry that touched upon so much (community, social justice, experience with Black men, girlhood, growth, & sexuality to name a few), but ultimately all center around her lived experience as a young Black woman in Oakland, California. This collection only cements what a powerhouse she is, and further exemplifies why she was the youngest author to have been nominated for the Booker Prize in 2022.

I will continue to seek out LMโ€™s work; she is bold, direct, brave & spirited, & her poetry emulates all of these characteristics & more! I want to buy a print copy for my own collection when itโ€™s out.

I am so grateful to Netgalley & the publisher that I was able to read this ARC. Iโ€™m providing this honest review of my own accord.

Content Warnings
Moderate: Racism, Toxic relationship, Classism, Grief, and Sexism
Not as detailed or on page: Murder, Police brutality, Death, and Misogyny

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This is the first book I've read by Leila Mottley, many readers are familiar with her first book Nightcrawling. Woke Up No Light is a good poetry collection, my favorite poem was "winter 2020", it was very powerful.

Thanks to NetGalley, Knopf, and Leila Mottley for a free ARC copy in exchange for an honest review.

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