Heart Berries

*Canada Reads 2019 Longlist

*National Bestseller
*New York Times Bestseller

*Finalist for the 2018 Hilary Weston Writers' Trust Prize for Nonfiction
*Finalist for the 2018 Governor General's Literary Awards
*Longlisted for the 2019 RBC Taylor Prize
*Winner of the Blue Metropolis First Peoples Prize
*Winner of the Spalding Prize for the Promotion of Peace and Justice in Literature
*Winner of the 2019 Whiting Award for Nonfiction
*Shortlisted for the 2019 Kobo Emerging Writer Prize
*Shortlisted for the 2019 Edna Staebler Award for Creative Nonfiction

*A New York Times Editors' Choice
*A Globe and Mail Best Book of 2018
*A CBC Best Book of 2018
*A Toronto Star Best Book of 2018
*A Walrus Best Book of 2018
*An NPR Best Book of 2018
*A Chatelaine Best Book of 2018
*A Bustle Best Book of 2018
*A GQ Best Book of 2018
*A Thrillist Best Book of 2018
*A Book Riot Best Book of 2018
*An Electric Lit Best Book of 2018
*An Entropy Best Book of 2018
*A Hill Times Best Book of 2018
*A BookPage Best Book of 2018
*A Library Journal Best Book of 2018
*A Goodreads Best Book of 2018
*A New York Public Library Best Book of 2018

*Named one of the most anticipated books of 2018 by: Chatelaine, Entertainment Weekly, ELLE, Cosmopolitan, Esquire, Huffington Post, B*tch, NYLON, BuzzFeed, Bustle, The Rumpus and Goodreads

*Selected by Emma Watson as the Our Shared Shelf Book Club Pick for March/April 2018 
 
Guileless and refreshingly honest, Terese Mailhot's debut memoir chronicles her struggle to balance the beauty of her Native heritage with the often desperate and chaotic reality of life on the reservation.

Heart Berries is a powerful, poetic memoir of a woman's coming of age on the Seabird Island Indian Reservation in British Columbia. Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of Post Traumatic Stress Disorder and Bipolar II, Terese Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father--an abusive drunk and a brilliant artist--who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.
    
Mailhot "trusts the reader to understand that memory isn't exact, but melded to imagination, pain and what we can bring ourselves to accept." Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story and, in so doing, reestablishes her connection to her family, to her people and to her place in the world.

"An epic take―an Iliad for the indigenous. It is the story of one First Nation woman and her geographic, emotional, and theological search for meaning in a colonial world . . . Terese is a world-changing talent, and I recommend this book with 100% of my soul." ―Sherman Alexie, author of You Don’t Have to Say You Love Me 

"Inside Terese Mailhot's phenomenal memoir Heart Berries the truth wrestles a knot between hustle and heart. How does a woman raised on a reservation in Canada forge a lifestory in the face of a culture hell bent on keeping her quiet and calm? By and through her body, is how, and this woman's body rages, desires, screams and whispers its way into the reader's body, as if to remind us that the rest of the story will not be silenced. Terese radically reinvents language in order to surface what has been murdered by American culture: the body of a woman, the voice of a warrior, the stories of ancestral spirit jutting up and through the present tense. I am mesmerized by her lyricism because it is shot through with funny angry beautiful brutal truths. This is a writer for our times who simultaneously blows up time. Thank oceans." ―Lidia Yuknavitch, author of The Book of Joan, The Small Backs of Children, Dora: A Headcase, and The Chronology of Water 

"Heart Berries is phenomenal. I finished the book and went right back to the beginning to read through once again; my understanding deepened, as did the mystery. Mailhot's voice is so clear, so disruptive, so assured, and always so mesmerizingly poetic--it somehow startles and lulls all at once. I was KNOCKED DOWN." —Justin Torres, author of We the Animals

"In this debut memoir, Terese Marie Mailhot sends across generations a love letter to women considered difficult. She sends a manifesto toward remembering―culture and heartbreak and laughter. She writes to the men who love these women. She writes prose tight as a perfect sheet, tucked . . . To read this book is to engage with one of our very best minds at work." ―Toni Jensen, author of From the Hilltop