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Description
LONGLISTED FOR THE PEN/FAULKNER AWARD FOR FICTION • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD • LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE • INDIE NEXT PICK • NAMED A BEST NOVEL OF THE YEAR BY ELECTRIC LIT • ONE OF TIME MAGAZINE'S 100 MUST-READ BOOKS OF 2024 • A CHICAGO PUBLIC LIBRARY BEST BOOK OF 2024 • FEATURED IN THE LA TIMES, THE ROOT, AND THE CHICAGO REVIEW OF BOOKS
Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family.
Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.
LONGLISTED FOR THE PEN/FAULKNER AWARD FOR FICTION • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD • LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE • INDIE NEXT PICK • NAMED A BEST...
LONGLISTED FOR THE PEN/FAULKNER AWARD FOR FICTION • LONGLISTED FOR THE MARK TWAIN AMERICAN VOICE IN LITERATURE AWARD • LONGLISTED FOR THE ASPEN WORDS LITERARY PRIZE • INDIE NEXT PICK • NAMED A BEST NOVEL OF THE YEAR BY ELECTRIC LIT • ONE OF TIME MAGAZINE'S 100 MUST-READ BOOKS OF 2024 • A CHICAGO PUBLIC LIBRARY BEST BOOK OF 2024 • FEATURED IN THE LA TIMES, THE ROOT, AND THE CHICAGO REVIEW OF BOOKS
Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family.
Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.
Advance Praise
“Vercher masterfully builds a haunting tale of grief, family secrets, and unacknowledged crimes of racism that inevitably resurface. With dark humor, psychological suspense, ghost-story elements, and echoes of Percival Everett's Erasure (the source of the film American Fiction), Devil Is Fine is a multilayered portrayal of one man’s struggle with his personal demons and a white society’s steadfast refusal to confront its own.”
– Booklist, starred review
“Vercher masterfully builds a haunting tale of grief, family secrets, and unacknowledged crimes of racism that inevitably resurface. With dark humor, psychological suspense, ghost-story elements, and...
“Vercher masterfully builds a haunting tale of grief, family secrets, and unacknowledged crimes of racism that inevitably resurface. With dark humor, psychological suspense, ghost-story elements, and echoes of Percival Everett's Erasure (the source of the film American Fiction), Devil Is Fine is a multilayered portrayal of one man’s struggle with his personal demons and a white society’s steadfast refusal to confront its own.”
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