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Adaptation is everything. Inge Lohmark is well aware of that; after all, she's been teaching biology for more than thirty years. But nothing will change the fact that her school is going to be closed in four years: In this dwindling town in the eastern German countryside, there are fewer and fewer children. Inge's husband, who was a cattle inseminator before the reunification, is now breeding ostriches. Their daughter, Claudia, emigrated to the United States years ago and has no intention of having children. Everyone is resisting the course of nature that Inge teaches every day in class.
When Inge finds herself experiencing intense feelings for a ninth-grade girl, her biologically determined worldview is shaken. And in increasingly outlandish ways, she tries to save what can no longer be saved.
Adaptation is everything. Inge Lohmark is well aware of that; after all, she's been teaching biology for more than thirty years. But nothing will change the fact that her school is going to be closed...
Adaptation is everything. Inge Lohmark is well aware of that; after all, she's been teaching biology for more than thirty years. But nothing will change the fact that her school is going to be closed in four years: In this dwindling town in the eastern German countryside, there are fewer and fewer children. Inge's husband, who was a cattle inseminator before the reunification, is now breeding ostriches. Their daughter, Claudia, emigrated to the United States years ago and has no intention of having children. Everyone is resisting the course of nature that Inge teaches every day in class.
When Inge finds herself experiencing intense feelings for a ninth-grade girl, her biologically determined worldview is shaken. And in increasingly outlandish ways, she tries to save what can no longer be saved.
Advance Praise
Praise for Judith Schalansky
“Schalansky’s ability to write both densely and elegantly, seriously and playfully, is what makes [this] one of the most unusual and best novels of post-reunification.” —Der Spiegel on The Giraffe’s Neck
“[A] gorgeous book that combines lyrical storytelling and whimsical mapmaking . . . Schalansky spins tales of murder, revolution, and cannibalism . . . with macabre glee.” —Time on Atlas of Remote Islands
“The author’s prose . . . is poetic and clever, descriptive and dramatic.” —The Washington Post on Atlas of Remote Islands
Praise for Judith Schalansky
“Schalansky’s ability to write both densely and elegantly, seriously and playfully, is what makes [this] one of the most unusual and best novels of post-reunification.” —...
“Schalansky’s ability to write both densely and elegantly, seriously and playfully, is what makes [this] one of the most unusual and best novels of post-reunification.” —Der Spiegel on The Giraffe’s Neck
“[A] gorgeous book that combines lyrical storytelling and whimsical mapmaking . . . Schalansky spins tales of murder, revolution, and cannibalism . . . with macabre glee.” —Time on Atlas of Remote Islands
“The author’s prose . . . is poetic and clever, descriptive and dramatic.” —The Washington Post on Atlas of Remote Islands
Marketing Plan
Early online review and promotion via Goodreads Social media campaign at publication on Bloomsbury accounts Prepublication bookseller outreach campaign Prepublication consumer outreach and review campaign National print and online review and feature coverage
Early online review and promotion via Goodreads Social media campaign at publication on Bloomsbury accounts Prepublication bookseller outreach campaign Prepublication consumer outreach and review...
Early online review and promotion via Goodreads Social media campaign at publication on Bloomsbury accounts Prepublication bookseller outreach campaign Prepublication consumer outreach and review campaign National print and online review and feature coverage
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