Eugene O'Neill

“[A] sympathetic, comprehensive portrait.”—Kirkus Reviews

“Dowling has written the single most complete and up-to-date account of O’Neill’s life that we have….To call his scholarship ‘sound’ is vastly to understate it; his accomplishment in marshalling all this disparate and often obscure material into a well-organized and highly readable account is nothing less than astonishing.”—JACKSON R. BRYER, co-editor of Selected Letters of Eugene O’Neill

“A passionate, informed author, Dowling writes the story with his blood. His palpable affection and empathy for his subject allows him to expose the tortured journey of this complicated life, giving us profound insight into the incomparable dramas of Eugene O’Neill. What sets this biography apart from others on the playwright is that it comes from a gifted disciple who identifies with his subject and brings an Irish storyteller’s sensibility that feels altogether authentic. Staging the works of O’Neill is my passion. I have now found my handbook.”—CIARÁN O’REILLY, Irish Repertory Theatre

"Dowling's brilliant, unvarnished yet compassionate biography, written with verve and based on exciting new research, depicts how O'Neill transmogrified his personal agonies and triumphs into the greatest American drama of the 20th century. A definitive portrait."—J. MICHAEL LENNON, author of Norman Mailer: A Double Life

“It’s astonishing to see that the life of Eugene O’Neill lives up to the plays. He charged through the first half of the twentieth century like a man on fire, lighting up the American stage with blistering, poetic dramas that won for him a huge and grateful audience, even the Nobel Prize for Literature. Robert M. Dowling is equal to the task here, a biographer who writes with a novelist’s sense of narrative momentum. In fluid prose, he summons the wild, intense, sad, and comic world of O’Neill with empathy and profound critical intelligence. This life of O’Neill will last.”—JAY PARINI, author of The Last Station: A Novel of Tolstoy’s Final Year

A conversation with Robert M. Dowling:

Q: You have long been a fan of O’Neill’s work, but what prompted you to write a book about his life?

A: In the final session of the first O’Neill seminar I taught, I asked my students, "Which plays did you enjoy the most?” Without missing a beat, one raised his hand and said that O’Neill’s life was his greatest play. Many others nodded in agreement. That moment planted the seed for this book. It turns out that the dramatic structure of O’Neill’s life uncannily matches that of his best plays. And, even more fascinating for a biographer, nearly every fictional story O’Neill told interweaves with actual stories from his own life.

Q: O’Neill won the Nobel Prize for Literature—the only American playwright to do so. How is his literary achievement viewed today, some 60 years after his death?

A: O’Neill also won four Pulitzers, yet he probably received more bad reviews than any other major American author. However, having scrutinized virtually every review of his premieres and books, I can say that even his so-called clunkers were still credited with breakthroughs that offered something unique, something never before attempted on the American stage.

O’Neill is enjoying a new “renaissance,” with dozens of revivals over the past decade. American and international audiences alike show an unquenchable desire for his plays, and there’s no end in sight for this playwright’s potential to speak to contemporary audiences as he once spoke to his own.