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Neil Cross, the award-winning creator of Luther, is at his best in this depiction of the Tattooed Man and his lewd, murky underworld
Jon Bennet is the perfect employee: systematic, productive, and utterly reliable. He is also completely detached from the world around him and seemingly feels nothing . . . for Jon's life is anything but common. On the tight leash of the Tattooed Man, Jon kills and maims on order. And he's good at it.
But Jon's days of favor are about to end. After bumping into old school friends, he slowly reenters the normal world, where the bonds of friendship, love, and kindness are expected, and he finds himself changing back into the person he once was.
But the Tattooed Man requires total servitude, and his wrath is more fearful than Jon could ever have expected.
Neil Cross, the award-winning creator of Luther, is at his best in this depiction of the Tattooed Man and his lewd, murky underworld
Jon Bennet is the perfect employee: systematic, productive, and...
Neil Cross, the award-winning creator of Luther, is at his best in this depiction of the Tattooed Man and his lewd, murky underworld
Jon Bennet is the perfect employee: systematic, productive, and utterly reliable. He is also completely detached from the world around him and seemingly feels nothing . . . for Jon's life is anything but common. On the tight leash of the Tattooed Man, Jon kills and maims on order. And he's good at it.
But Jon's days of favor are about to end. After bumping into old school friends, he slowly reenters the normal world, where the bonds of friendship, love, and kindness are expected, and he finds himself changing back into the person he once was.
But the Tattooed Man requires total servitude, and his wrath is more fearful than Jon could ever have expected.
Advance Praise
“Neil Cross applies a sharp satirical gaze to inarticulate male
working-class culture. . . . Cross’s portrayal of male friendship, the
rituals of working-class life and the shock of bereavement is superbly
done.” —The Observer
“The precision of thought,
psychological scope and massive inner crises [Jon Bennet] goes through
as his friend is dragged deeper down justifies the hype around this
first novel.” —Esquire
“A tightly written thriller that
starts out dirty-realist and violent and then modulates into something
rather different and thought-provoking, philosophical . . . Bleak, dark,
with a distinctly modern-gothic imagination, and certainly readable.” —The Literary Review
“Cross’s first novel displays a subtle mind grappling with a thrilling tale of perverse redemption.” —The Independent on Sunday
“Neil Cross applies a sharp satirical gaze to inarticulate male working-class culture. . . . Cross’s portrayal of male friendship, the rituals of working-class life and the shock of bereavement is...
“Neil Cross applies a sharp satirical gaze to inarticulate male
working-class culture. . . . Cross’s portrayal of male friendship, the
rituals of working-class life and the shock of bereavement is superbly
done.” —The Observer
“The precision of thought,
psychological scope and massive inner crises [Jon Bennet] goes through
as his friend is dragged deeper down justifies the hype around this
first novel.” —Esquire
“A tightly written thriller that
starts out dirty-realist and violent and then modulates into something
rather different and thought-provoking, philosophical . . . Bleak, dark,
with a distinctly modern-gothic imagination, and certainly readable.” —The Literary Review
“Cross’s first novel displays a subtle mind grappling with a thrilling tale of perverse redemption.” —The Independent on Sunday
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