Upon its release, John McTiernan’s Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations.

Jon Lewis’s study of the action classic closely examines the film's novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver's ground-breaking ‘whammy theory’, which redefined script structure by organizing scripts around timed ‘beats’ rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix.

Lewis goes on to consider the film's evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the ‘male rampage film’ genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film's anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining ‘war on terror’ that would follow.

This title views best in tablet-style eReaders.
This is a set of uncorrected page proofs. It is not a finished book and is not expected to look like one. Errors in spelling, page length, format and so forth will all be corrected by the time the book is published several months from now. Photos and diagrams, which may be included in the finished book, may not be included in this format. Uncorrected proofs are primarily useful so that you, the reader, might know months before actual publication what the author and publisher are offering. If you plan to quote the text in your review, you must check it with the publicist or against the final version. Thank you!