The premise of this book had me hooked. I was excited to start this, good characters and the plot was a lot of fun. The only downside was there were portion just seemed to drag on forever.

I liked the premise of this story but found it a hard read .... gave up on it twice but then persevered, and found it so slow that I was skipping pages. When I finally reached the end I was sorry I hadn't followed my first instincts to give it up. The writing style was good, but the story was painfully stretched out and the ending didn't seem worth the wait to be honest and I wasn't much wiser for it. Not for me.
Review of an advance digital copy from the publisher.

My honest reaction: "GIRL, THIS IS SO BOOOORRRRINNNGGGG." Or, "Pick up your feet Julia, Jesus." So, a hard no for me.

I thought the title of this sounded interesting, so I requested it from NetGalley. I'm a real sci fi fan. I was pleasantly surprised to find quite a touching tale of Julia, who has been plagued by alien experiences, whether she's at work or wherever and I get the feeling early on in the book that she just wants a normal life.
Things start to change when she goes to a gathering to see shooting stars...

Before I read the synopsis, I assumed from the title that this would be a book based at some kind of stargazer HQ deep in the galaxy. It was a refreshing change though, to find out that it was very different to other scifi books.
The fact that The Stargazer's Embassy actually turns out to be Julia's grandfather's bar was a nice, if unexpected, touch. The book is peppered with personal touches like this, and that's what increased its appeal for me. The Stargazer's Embassy has a touch of romance in its plot, as Julia meets John, and they begin to hit it off despite their dfferent backgrounds, experiences and opinions.

John is not just any psychiatrist- he says that his patients, or "experiencers," are always talking about alien abduction experiences.

Julia has had her fill of aliens and related experiences through her mother Laura who was barely around for her as a child, instead wandering off and always talking about aliens. This caused a rift and deep-seated anger in Julia, which is still there years after her mother's death. She is very sceptical of anything to do with aliens, She busies herself cleaning houses and listening to any kind of music she can while putting up with a job that pays the bills but that she is less than happy in.
Throughout the book, we are introduced to a cast of varied and well-fleshed-out characters which makes The Stargazer's Embassy an enjoyable read and a very unteresting take on the subject of alien abduction.

The Trekkie in me was impressed with this-it's not often I find a scifi book I enjoy that is not a Star Trek The Next Generation or Voyager book.
The Stargazer's Embassy has great character development and an unusual plot that captured my attention. I really liked Julia as a character in that she seemed determined to live life as she wanted in spite of her upbringing.

That said, The Stargazer's Embassy is a quick, fun read. Thanks to Eleanor Lerman and Mayapple Press for a copy of my ARC.

Eleanor Lerman’s The Stargazer’s Embassy puts an intriguing tilt on the usual alien encounter narrative. Though here I must admit that apart from a couple Last Podcast on the Left episodes, the X-Files, and Nicole Cliffe’s tweeted account of reading Whitley Streiber’s Communion: A True Story at a perhaps(?) inappropriately young age, I don’t have a significant amount of experience therein. That having been said, rather than a narrative that casts believers against the skeptical norm, the aliens are an accepted fact.

Instead the narrative follows Julia Glazer, a young woman intensely focused on containing herself, controlling her reactions, and moving on predictable auto pilot, whether lifting a wine stain off a celebrity’s couch during work or having a conversation with a striking older man while waiting for a meteor shower to begin. We learn she began maintaining this guarded distance with the world growing up, to keep everyone from learning too much of the truth as to why her late mother was so often found wandering through fields at night.

Occasionally, aliens show up, usually dressed slightly outrageously since they don’t quite grasp the true reasons behind human norms. Julia immediately chases them away, ignoring their piteous moaning. Yet, due to her determination to prevent anyone from touching her, Julia is almost more alien than the extraterrestrials; referring to her work clothes as her “cleaning lady costume” and inhabiting a fairly isolated apartment in an otherwise commercial district. Still, one day she lets her guard down and, in spite of herself, is too interesting–with a strange tattoo and stories of crystal clear skies from her hometown in upstate New York–and too interested. And, well, the rest of the story follows from there–I’d hate to ruin anything.

I really, really enjoyed this book. It’s a compelling, absorbing read that provides a intriguing escape from the rush of the day-to-day. Julia’s closely-held secrets kept me curious and the language was quite lovely as well. I’ll probably reread this at some point, as there are certainly clues, details, and moments I missed the first time through. I suspect this is probably, like Ursula K. Le Guin, speculative fiction for those of us who don’t always love traditional science fiction tropes, and in many ways, it’s a story more concerned with Julia’s relationships to other earthlings than any of the little gray men.

I received a copy of this work from NetGalley in exchange for an honest review.

Aliens are trying to make contact with Julia Glazer; they have been since her mother died. In an effort to escape them she has left her childhood home, a bar called The Stargazer’s Embassy, and moved to New York. It’s easiest to be safe surrounded by lots of people and plugged into a Walkman so you can’t hear them calling.

There she meets and falls in love with a man who turns out to be completely wrong for her – not in personality, just in occupation. He is a psychiatrist studying people who claim to have been abducted by aliens. Julia at once knows that if she tells him her secret she could move from lover to patient in the blink of an eye. But keeping her secret proves impossible as she begins to meet his patients, and finds amongst them people who describe exactly the aliens she sees. And who recognise the tattoo on her wrist that her mother had scribed there.

I am not the resident Sci-Fi guru here but I found the premise of the book intriguing… and the fact that it was written by someone who’d won an award for a previous Sci-Fi novel reassured me immensely too. But I have to admit that the cover made me think I was making a mistake.

Thankfully you can’t see the cover when you’re reading it! Also thankfully, my copy was on Kindle so no one on the train could see the cover either as I read it on my commute! And thrice thankfully you really shouldn’t judge a book by it’s cover… I really will learn that one day!

Because I really enjoyed this book. It’s a totally different take on the alien abduction genre with a unique, memorable and relatable set of characters. It’s set sometime in the late 90’s but with flashbacks to Julia’s childhood in the 70’s which just adds that cult Sci-Fi feel to it that we all love so well. I don’t want to give too much away so I’ll shut up now but get yourself a copy of this even if you have to slip it inside a different cover to be seen with it!

There's a lot of praise surrounding this book and it immediately makes me feel as though I HAVE to like it, because everyone else does, and the reviews are thrown in your face.

While I did like it, I'm not raving about it.

There was a slight feeling of apathy with the beginning of the book - and while this gradually dissipated it made it hard to really fall in with the MC's thoughts, feelings etc. As though she was bored with her life, and went home with a fairly nice man, and dated him, and it was all average and fair. It didn't really speed the narrative along and didn't suck me into the story.

The very brief (VERY) information about something lurking in the dark made me read on but I couldn't shake the initial chapter's apathy really

Julia is the edgy protagonist who immediately gripped me and pulled me into the start of this one, which pings off the page with tension as we begin to get to know her. The tale slowly unspools as we learn her backstory and why she is constantly alert. Lerman’s depiction of a damaged character whose trust was destroyed during her childhood is very effective. Julia, suspicious and closed off, finds it difficult to bond with anyone and prefers to work as a cleaner alone, so she is able to react quickly whenever she is visited by the things. I found her relationship with John very moving, particularly when she begins to drop her guard and strive for normality. The twist where she discovers what it is he actually does is nicely handled.

However the trouble with her attitude in denying and pushing away the peculiar beings that constantly invade her life, is that the reader is left hanging without any further information about what is actually going on until relatively near the end, which then felt a tad rushed. Julia’s attitude also means that she refuses to discuss situation until she absolutely has to – and even then the conversations are so overlaid with her hostility that she manages to shut down any meaningful discourse, other than the one with Alice, which even then poses more questions than it answers. This means that we don’t have an opportunity to fully engage with the subject on a deeper level, other than as a prop for the story. And initially, this book seemed to promise more.

I love the premise. I thought the setup regarding The Stargazer’s Embassy bar was both plausible and quirky. However the catch in beginning a book with such a strong hook is that it has to keep delivering. If the tension and narrative pace falls away, the reader is left feeling short-changed.

Don’t get me wrong – this is a good book. There is much going for it in the description, the detailed characterisation, the strong supporting cast and atmospheric writing. But after that storming start, I was expecting a great book and because of the story structure, the pacing was too uneven and there wasn’t sufficient opportunity to fully explore the issues raised surrounding the alien abductions. That said, I am still glad I read it and I do recommend it to anyone who has an interest in this subject.
8/10

An overall enjoyable, well-written book. Not what I expected, but a unique and at times, hard-to-put-down story. I did have some issues with the slow pace and I was thrown off at the end of the first section and the jump forward in time. I enjoyed reading the story arc in the first section and had trouble getting interested in the story again in the second section. The character development was excellent and I loved the writing. I'll be watching for other books by Eleanor Lerman.

I enjoy a good pulpy sci-fi story from time to time, and that's about all I expected from The Stargazer's Embassy. What I didn't expect was a very well-written and intelligent piece of speculative fiction that still managed to be a page-turner, much like the over-the-top alien story I had expected it to be.

There are moments when the sci-fi elements threaten to become ridiculous, even silly, but that never kept me from investing myself in the story. In fact, it's surprising to me that an alien abduction book didn't feel ridiculous more often. Eleanor Lerman's excellent writing makes it easy to take this story seriously when necessary, and the complex character of Julia keeps the emotional center of the book grounded, even in the midst of little gray invaders.

The Stargazer's Embassy seems keenly aware of the most important part (in my opinion) of good genre fiction: the authentic human element. A great main character, tone, and sense of pacing turns what could have been a silly, inconsequential alien story into something effective and capable of connecting on an emotional level.

I was attracted to this book by the title.
Now that is a strange concept I must admit and it was the writing that sustained me. That is equally surprising as it is set in a genre I don't normally read.
I guess where the writing is so good is the establishment of brilliant characters that sustain the story and propel it forward into a page turner.
Julia Glazer is an enigma who has secrets she rarely reveals based on her mother and the disconnect she feels still long after her death. Her mother Laura seemed to have made friends with aliens and this not only has damaged Julia but she still sees them from time to time. Her experiences even recall a time when her mother took her to meet her alien 'friends' and we root for Julia as she recalls the experience as calm and spooky but life changing as a child she had sunk her teeth into alien flesh.
Over time her experience of extra terrestrial beings, is unlike a growing trend of alien abductions which seem much more frightening as physical experiments seem to be conducted on those taken.
Julia falls for John a professor who has taken time out to explore these sightings and abductees. Julia can't bring herself to tell him the truth of her own experiences but in the world of alien encounters she meets some antagonism seemingly centred on her tattoo which is the sign above her mother's bar now run by her 'step-father' Nicky. Opposition grows as some notice her tattoo as a mark of the aliens themselves and brings Julia to question all her mother ever told her.
Story telling at its best, it draws you into a world you want to remain sceptical about. It is thought-provoking and unsettling as you question the role of the alien life forms, their intentions and pre-occupation with Julia.
I like the fact that the aliens are so limited in their abilities to communicate and their analysis of the human race as a whole.
It is a wonderful book about more questions than there are answers, how all life has a quest for information and that concepts such as love can not be bottled or quantified. That life ultimately is about quality not quantity and ideas perhaps should be open and changeable rather than closed and inert.
Julia spends her life shutting things out rather than seeing and believing. How she reaches her own answers mirrors the quest for information the aliens seek, perhaps that is way their lives seem so intertwined. But this is science fiction so all bets are off. There can be a malevolence to these bug like creatures, their purposes dark and against the future of our way of life.
That the authors maintains the tension throughout without corny interjections like take me to your leader ensures this is a thoughtful examination of this subject. That raises the questions about what if we are not alone in our universe and what happens if we are visited first.

Parts of this review sound a little harsh, but overall I liked the vibe and conclusion of Eleanor Lerman's "The Stargazer's Embassy."

What attracted me to this book is that it promises a new angle on the classic alien-abduction tale. I picked it up to learn why aliens---typically otherworldly and powerful---are so frightened of Julia Glazer. For much of the book, her apparent lack of curiosity and deep loathing strike an odd chord. The aliens are creepy when they show up unexpectedly, but they seem sad, even a little pathetic:

"It was wearing a long, ill-fitting tan raincoat with prominent epaulets and a pair of what looked like white go-go boots. On its head was a baseball cap pulled low over its face, and it had completed this ridiculous outfit with a pair of oversize sunglasses that might have been worn by some would-be glam rocker a decade ago.
"Is this what you think people look like now?" I snapped at the thing." (Loc 250)

Other characters, the abductees studied by Julia's psychiatrist boyfriend, John, report terrifying and disturbing encounters. That "The Stargazer's Embassy" features two types of aliens (creepy experimenters and lousy dressers) widens the mystery of why Julia is special. Despite the range, most of the mythology centers around the story of Barney and Betty Hill and Betty's infamous star map. (If you're not familiar with this particular tale, I recommend looking it up. It'll grab your imagination whether or not you think 'the truth is out there.')

The conclusion of the book is surprisingly nuanced and thoughtful, but the first half has its weaknesses. The back cover names John the "one person [Julia] loved," but their connection is thin. John is a poorly drawn character. His only dialogue is exposition: theories about alien abductions, his work with the abductees, and vague details about his past. His dialogue advances the plot and story, but does nothing to make him three-dimensional. Julia might as well date a Wikipedia article. Scenes that don't include one of his lectures are typically summarized:

"I found [John] drinking coffee with Nicky. They both teased me about sleeping late, but they could probably tell I wasn't in the mood to be joked with, so they let that go. I poured myself some coffee and devoted myself to reading a copy of the local paper that was lying on the kitchen table while the two men talked about the traffic that John and I might encounter on the drive home, since we planned to leave soon. After a while, John said he would go pack up our things so we could get going." (Loc 1430)

When I read this scene, it struck me that John had spoken so few non-expository lines that I had no idea how he might joke with Julia or make small talk with Nicky. I had to take Julia's word that she cared about him because there was so little warmth or emotion between them. Part of this is due to the closed-off nature of her character, but the other part comes from not having a clear image of John. Once he's gone, Julia relies more on herself, and the side characters are kept to the side. It's okay that she doesn't have deep relationships with them because she doesn't claim to.

I was pleasantly surprised that the story I delayed reading in case it was too frightening or unsettling turned out to be clever and imaginative. There's a lot of potential here, but the poor characterization of John kept me from investing in the first half of the book. The second half redeems it because it is such a different take on why aliens might want or need to contact humans. It is thought-provoking and eerie in all the best ways.

Overall: 3.6

NB: This book was provided for review by the publisher, Mayapple Press (via NetGalley).

Before I had even read this book I cycled through an array of reactions.
I love almost anything about space so I was attracted to title but after reading the blurb "explores the frightening phenomenon of alien abduction from a different point of view" I got the sinking feeling that this might be a tale of woe involving probes and UFOs and evidence for why we must believe abductees' stories. Then finally I saw the author was an award winning poet and feared this was just another 'literary' writer aiming to show everyone else how to write sci-fi 'properly'.
I was pleasantly surprised to find that this book was none of those things.
The first third introduces Julia our main protagonist and her developing relationship with John, the kind gentle professor of psychiatry. We learn about the 'things' - aliens who pay her silent visits, wearing comical disguises and staying only until she acknowledges their presence. And then there is Julia's resentment towards her mother who she feels neglected her daughter preferring to spend her time with her 'visitors', the same aliens that now visit Julia.
The situation becomes more complicated when Julia discovers that John's research and therapy work centres on 'experiencers' – people who believe they have been abducted by aliens. Julia still does not reveal to John her connection with aliens but their interaction with the slight cultish group of 'experiencers' lead to a melodramatic crisis and at that point I thought 'Where do we go from here?"
Where the book goes is to follow Julia back into isolation as she recovers from previous events and tries to unravel not just her past but her future. She eventually realizes that running away from life is not the solution and finally confronts her human detractors and the alien visitors in an effort to gain a better understanding of the situation.
I was surprised at how much enjoyed this book.
While the subject matter of aliens and abductions is controversial and a little 'out there' the author avoided hysteria and outlandish extravagance. Although the characters became angry and sometimes violent they behaved in ways that were logical and realistic, believable. Even the aliens had a certain logic to their behavior.
The first third was solid storytelling and through clever portrayal of characters and situations the author manages turn the narrative from a sensationalist account of alien abductions to a sensitive examination of the relationship between Julia and her step-father, the developing relationship between Julia and David and the interactions of the abductees within their own group and with Julia.
But I felt the story was strongest when Julia was on her own. The inner monologues were subtle and restrained and while Julia was sad and lonely she was never became a pathetic or tragic character. In particular the scene between Julia and Agnes seemed realistic and restrained with the characters behaving as they would have to in such a situation.

One of my Goodreads friends was reading a science fiction novel called The Stargazer's Embassy by Eleanor Lerman. I read the description and thought it had potential. So I requested it on Net Galley and received a digital review copy for free via the publisher. I soon had a request to review it from a publicist who gave me a deadline when I agreed. That's why this Net Galley is getting such a quick turnaround.








I want to make it clear that the focus of this novel, alien abductions, is normally a theme that doesn't interest me. I don't believe they happen in the real world and I wouldn't have thought that alien abductions could make a good basis for a science fiction novel. It's a big universe out there. It's hard for me to imagine why spacefaring aliens would be interested in us. The answers that the literature on alien abduction provide seem very unpersuasive and confirm for me that people who claim to be abductees must be very desperate for attention. Yet I wondered if Campbell Award winner Eleanor Lerman had done some fresh thinking on this topic.


Most science fiction writers start by developing their concept. Lerman starts by developing her characters. I have to admit that I initially found protagonist Julia Glazer tiresome and unengaging. I might well have abandoned the book fairly early if I hadn't agreed to review it. Yet over the course of the narrative Julia became more interesting and the decision she made at the end of the book was totally unexpected.


There were also some wonderful characters who we get to meet along the way. There's a compassionate psychiatrist who is studying those who claim to be abductees even though he's been professionally ostracized for trying to help them. There's the tatoo artist who has nothing but scorn for the aliens' tattoos. Then there's also a paranormal photographer who produces images from people's minds. It seemed to me that Julia grew as a character as a result of her relationships with these people.


I read a review of this book on Goodreads that complained about the originality of the aliens. While it's true that there have been aliens who have wanted the same as these aliens, I believe that the nature of this book's aliens is original. Toward the end of this book, I considered Lerman's concept flawed. Yet it eventually occurred to me that she was portraying the aliens as being mistaken. Readers who research the star pattern that they were using to guide them will realize why they weren't finding what they wanted. A species can be very advanced and still be in error about how to attain their goals.


These aliens thought of humans as not having enough common ground with them, but there was a commonality of aspiration. The aliens were looking for something that many human religions are based on. I think it was that shared hunger that caused Julia to make her impulsive decision at the end of this novel.


I confess that I thought Julia was as mistaken as the aliens had been. My reaction when I finished the book was a sarcastic "Good luck with that." Other readers may feel more connected to Julia than I did, and have a totally different perception of this book.

In Eleanor Lerman’s novel The Stargazer’s Embassy, stories of alien abductions are true, but that isn’t quite the problem protagonist Julia Glazer is having. To her, they’ve been more of a nuisance than anything. Aliens hang around the periphery of her life, dressed in weird costumes and never quite trying to make contact. They seem wary of her, though weirdly protective. She tries to shoo them away like stray cats but they keep popping up, loitering around her house, her job, her social sphere.
Things get complicated when Julia becomes enmeshed in alien “experiencer” culture. She is romanced by a psychologist who is trying to examine the culture respectfully and seriously, but most of the experiencers – particularly the abduction victims – view her with distrust. Since Julia’s encounters are so unlike theirs, they assume she must be lying, or hiding something.
Ostensibly a work of science fiction, the thematic schema of The Stargazer’s Embassy hews closer to contemporary literary fiction than genre work. Julia is the sort of wistful, melancholy archetype that has become something of a cliché in literary novels, the sort of hero whose journey is more about taking stock of her life and working through her own failings and anxieties than, say, uncovering and thwarting the invaders’ plans. In genre fiction those priorities would be reversed, with the inner struggle supplementing a heroic problem-solving narrative rather than dominating it.
Regardless of where the novel’s priorities lie, it is the SFnal element of The Stargazer’s Embassy that distinguishes it from the literary pack, more so than its literariness distinguishes it from genre work. The dramatic core of the novel is Julia’s relationship with her late mother, Laura – who was connected to the alien visitors, and whose unsuccessful attempt to ingratiate them to Julia as a child seems to have been the impetus for their stalking of her as an adult. Julia has spent most of her adult life trying to avoid coming to terms with her difficult relationship with Laura. More than simply a projection of her internal conflicts, the presence of the uncanny in Julia’s life – and the casual acceptance of its existence in the novel’s framework – is what gives her experience, and her journey, a deeper meaning. Aliens and alien-ness do not function as a fanciful allegory or a quirky satirical angle; they are the reality of this novel, and Julia’s story cannot be told without them.
The cast of characters ring true to me, particularly in the conflicting prerogatives of the different experiencers and how they relate to Julia. The Stargazer’s Embassy itself (a bar owned by Julia’s stepfather) is a memorable setting, and so much more than the kitschy tourist trap it pretends to be. Like the novel that bears its name it is both ordinary and transcendent, and carves its own little niche in the world.

This well-written, thoughtful novel is not so much science fiction as it is a story of a mother's betrayal and the consequences of keeping secrets. Except for the aliens.

Julia feels betrayed by her mother ever since her mother took her into the woods to meet "things". Silent "things" in badly-fitting human clothes that Julia hates upon sight. Julia's step-father, who owns a bar called the Stargazer's Embassy, tell everyone his wife stargazes as she goes out into the woods nightly. Now that her mother has died of cancer, Julia is constantly watched by "things". Only she can see them. Julia works as a house cleaner, with loud rock music blasting from her earphones at work and home to keep her from thinking about the "things". Julia meets a psychiatry professor, John, and they fall in love. Julia keeps the story of her mother and the "things" from John; but John tells Julia nothing about his research. They lie to each other about what has the most importance in each of their lives. The results are tragic and heart-breaking. Themes of the pain and danger of keeping secrets, and how miscommunication can have shocking consequences, resonate throughout the novel, not only Julia and John's relationship.

Lerman's writing is full of beautiful imagery. The first time I read this book, I was saddened by the ending. The second time I read it, I found the ending oddly hopeful. I loved it both times.

Please see my full review on Goodreads. I really enjoyed this read. I actually knew very little about the plot when I first started the book and felt that added to my enjoyment. I never knew where it was going and I liked the surprises and suspense. I also thought the author did a great job in telling a paranormal story that was both believable and interesting.. I was glued to the pages and had a hard time putting it down.
Alien abduction/contact is a difficult subject to write about as it has the potential to get cheesie. Kudo's to the author in keeping the plot grounded in reality and using restraint. Would recommend to others who enjoy a good Sci fi read. Thank you to the publisher and Netgalley for an ARC in exchange for an honest review.

I am not usually fond of books on the woo spectrum, but this was quite gripping,with a credible storyline

Having read in the blurb that this sci-fi novel "explores the frightening phenomenon of alien abduction from a different point of view" I was intrigued. Not least because otherwise I would never willingly pick up a novel about alien abduction in the first place. I was surprised, then, to find that The Stargazer's Embassy seemed to offer little but the most tired and obvious of clichés, juxtaposing both now-common contradictory opinion about alien contact: the benign alien race bringing aid and hoping for fellowship and the ruthless, hostile enemies carrying out lurid and traumatic experiments. I read on in the hope that at some point these would be turned on their heads in some kind of interesting and original way but this failed to emerge beyond the idea that Julia, our narrator, represents an attraction and a fear the aliens (or "Things" as Julia rather unpleasantly christens them). They hover on the margins of her life but other than a rather mild encounter as a child and a bitter resentment aimed at her eccentric mother there is very little real explanation for her intense hostility. She doesn't appear to fear them she just hates them, virulently and completely.

The pacing is excruciatingly slow, drip-feeding minuscule amounts of information in a way that did little to disguise the fact that the plot was far from complex or innovative and the characterisation was poor. Julia's constant snappy attitude and sniping made her irritating as well as unlikable and despite her apparently significant position with the "Things" and amongst the abductees/experiencers she lacked any convincing depth. As the story is told entirely in her voice this damages several aspects of the narrative, preventing any of the supporting characters or relationships from being portrayed with any real complexity. The slow pace squandered any opportunity for tension and suspense and when events (finally) came to a head the climax it was with a disappointing and rather painful pseudo-philosophical metaphor on the nature of humanity and loneliness which managed to miss profundity and poignancy by quite a margin.

As a child living at The Stargazer’s Embassy bar in upstate New York, Julia Glazer’s mother had tried to introduce her to a group of space aliens but she had refused. Even after her mother’s death, Julia continued to resent her for, as she saw it, choosing the aliens over her. Now she works as a cleaning woman in New York, working as many hours as she can get, always with her disc player on to ensure that she is not bothered by these aliens who still seem determined to contact her. But, despite all of her efforts, she finds herself involved first with a Psychologist who believes that aliens are real and whose patients are all abductees and then with the abductees themselves.

The Stargazer’s Embassy by Eleanor Lerman is a beautifully written novel told in the first person by Julia who does not always seem a reliable narrator. The story is divided into two parts. The first is about her efforts to avoid the aliens despite how her life seems to constantly intersect with them. The second part, which begins after a tragedy caused, at least indirectly, by her refusal to admit her relationship with the aliens, is about her efforts albeit very reluctantly to finally discover what it is they want from her.

The novel is certainly about aliens but also the complex relationships between parent and child and within relationships It is also perhaps about how we try to reject realities that don’t fit into our own chosen life narrative and how tragedy and refusal to face it can affect and shape every aspect of our lives…or perhaps not. But the thing about this novel –like all good speculative fiction, it’s the kind of story that raises questions beyond the narrative and makes the reader think long after they have finished reading it.

Thanks to Netgalley and Mayapple Press for the opportunity to read this book in exchange for an honest review