The Afterward was an all-encompassing high fantasy read with great queer elements. The most powerful aspect of this story relied on its ability to properly structure a female-centric narrative and it delivered on that wholeheartedly. Johnston’s storytelling told a character-driven tale that deftly detailed the many after effects of war with a world where women held power and position—marrying painful journeys with the normalization of race, sexuality, and gender roles for its strong warrior women. The true innovative qualities of this story were as exciting as they were fascinating, and I thoroughly enjoyed falling into the world.

Told in both past and present viewpoints, the story of what brought the two women together was a richly detailed one. Olsa and Kalanthe’s relationship was filled with much to unpack, continuously providing fuel to the fire as their histories and connection progressed. The struggles and wants of every character—both lead and secondary—felt palpable and evocative, drawing on true feelings to tug at my emotions every step of the way. And though it felt a bit too dense at times, I’m still in awe at the depth and scope of the story that wanted to be told and how Johnston managed to capture it so well for someone who doesn’t often read high fantasy. The fact that I’m still thinking and exploring and admiring the pieces of The Afterward long after the final page has been turned is proof that it was a well written love story worthy of being devoured.