DNF @ 65%.

I think I ruined this book for myself. The ARC I received (thanks, Netgalley!) was formatted very poorly and would do a paragraph break mid sentence constantly. I had to crawl my way through the beginning of the book, and it was very hard to get invested. Then I got an audiobook copy from my library, and instead of restarting, just picked up where I left off. My general apathy to that point combined with the sheer amount of worldbuilding this book does left me confused what was going on half the time, and I kept having to rewind it to catch up. When I got to 65% in and realized I didn't care about anybody or anything going on, I knew it was time to hang it up. Because of that, I can't really say this book is bad. But I also can't recommend it, because I *did* listen to it and was continuously apathetic about the entire experience. It genuinely seemed like the entire first half is just people telling you a whole bunch of things that happened and people who exist and places to go and creatures there are. Also, why are there SO many named spaceships?? This entire book feels like those Blackwater chapters in A Clash of Kings where Davos is noticing every single ship in the navy and telling you their names and crews, only instead of them then all bursting into flames one by one, these ships just continue to exist, having the audacity to continue having names I'm supposed to remember.

I could see myself giving this book another try someday. The other stuff I've read by Tchaikovsky has been a hit. But I'd rather stop now instead of forcing myself to continue and guaranteeing that I'd dislike it.

This was a very unique and interesting science fiction. It was a bit hard to read as a pdf but I managed to get through it. It was simple enough that for someone who doesn't read a lot of science fiction (especially hardcore, long series science fiction) and I didn't feel confused or lost. I really loved the world-building and the characters. I bought it and am reading it again.

* Thanks to Macmillan/Tor and Netgalley for an advance copy for review purposes *

Earth's first encounter with a moon sized race of aliens did not go so well - without even acknowledging human existence, they proceeded to reshape the planet and all its lifeforms into a beautiful but savage sculpture. Humans that underwent significant medical procedures to be able to reach the conscience of those beings, the Architects, and a force of female fighters created via parthenogenesis formed the basis for the force to defend human kind, but now that the Architects are gone, they face significant discrimination from other humans. Two war veterans, thrown together into a salvage crew, get involved in a complex plot involving several alien races and echoes of the war.

I've been wanting to read a book by Adrian Tchaikovsky after seeing the great reviews for "Children of Time", I was not disappointed. It was a challenging read, but very rewarding. Tchaikovsky does not spell out the world building for you; you have to piece it together as you're thrown in right into the action. And there is a lot to it! Multiple alien races and civilizations with organization that defies human understanding, shifting alliances, a divided human race... He doesn't shy away from killing characters either, to make the stakes clear.

This is clearly the beginning of a series, and am looking forward to reading the rest, this was a very promising start for an epic space opera.

Thank you to Netgalley and Tor for providing me a digital ARC. (Although in future I would prefer not to deal with the hassle of protected pdfs; please provide epubs instead)

I wasn't sure I was going to finish this book after the first chapter. It has the trappings of the kind of science fiction I bounce off of: endless jargon for concepts we already have English words for in a very self-serious and baroque style; that first chapter is *full* of it. But, in spite of myself, I struggled on to find one of the most exciting reads of my year.

I was expecting hard science fiction that eschewed its rather large cast of characters' motivations and personalities for world building, and instead found seamless world building that came out of the character's interactions with each other. Idris' tension over whether to trust Solace building not only on their love for each other but the Hugh's distaste for the Parthenon's eugenicist matriarchy and Solace's inability to steal Idris away without his consent mirroring the Parthenon's inability to extricate themselves from their desire to be humanity's sword and shield.

Praise should also be heaped on Tchaikovsky for his writing of Olli as a disabled person; it is heartening to see a fully rounded character who is disabled and not defined by that, but whose personality and worldview is shaped by it. While heavy-handed to the extreme, it is a testament to the writing that Olli and Solace's clash over the Parthenon's eugenics is a natural tension and escalation. That this tension is left to simmer and never resolve is a brave choice that I commend.

My only complaint about the novel is very minor: I found the fight aboard Broken Harvest to be one 'fight scene' too many and it lagged in a way the rest of the novel managed to avoid. It very much felt out of place given its place in the novel and the plot's escalation.

I'm not sensitive to 'sequel baiting' and unresolved plot points or storylines; I often find them more interesting than having every answer. That being said, this novel is allegedly part of an upcoming trilogy, and while it is very obvious how it can continue, the ending has a very nice bow if you are not looking to invest in something unfinished-as-of-yet. I think the book provides enough oomph and depth, and that its remaining plot points can easily stand to never be answered. However, I am now eagerly awaiting a set of novels that a week ago I had no idea we set to exist.

Thankfully, I actually own two Tchaikovsky audiobooks of his Children of Time series, but have yet to get to them. Seems I will be getting to them sooner rather than later.