Member Reviews

The Violin Consspiracy rocks! I absolutely loved it. The writing is superb. The plotting is amazing. Obviously Mr Slocumb did a lot of research and is well versed on the details which makes the story more realistic. Characters are believable . The twist at the end... That idea flickered in my mind earlier but the author went in another direction which was pretty smart. because it stopprd me thinking about tte other idea until it emerged and by then I was wanting it not to be true.

I love Ray. He is so cute and quirky sometimes and he took his grandmother's advice and learned to cope as a young black man in a world that was hostile to him being a part of the white world.. It was great to see him stand up for himself.. He had good people who helped him survive in that world, which is a good thing,

I didn't like his family much. Even after he became successful his mama and his uncles was still skeptical but they had no problem taking Ray's money.


The novel worked for me on so many levels. It is a great mystery and I love mysteries. It is set in the classical music world which I was part of a.long time and could relate to that life. And it is about our American culture and diversity in the workplace which needs ro be addressed a lot more. The fact that tte author experienced many of the incidents in the book makes it clear America has a long way to go combating racism. The scene at the wedding was heartbreaking enough but the scene in Baton Rouge and Boston was a million times worse. It has become way too common and needs to stop. I don't know how people could treat another person like that because of the color of their skin. Grandma'Nora's letter dictated by Lein will break your heart but it needed to be said for many reasons.

.I really hope that people will take more from The Violin Conspiracy than it is a good mystery novel about a stolen priceless violin. (as good as that story is) It is also about diversity and not putting limits on who is s worthy of succes, It is giving respect to all and
Live and Let Live or following The Golden Rule of Love your neighbor as you love yourself. Be sure to read the author's note at tte end. It has a lot of good information and insights about the book and his life.

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On the surface, this story seems like your run-of-the-mill whodunit about the theft of a priceless piece of artwork, in this case a rare violin. But the blatant racism, classism, and family drama make this story a lot more relevant. I was drawn to this story because it's the first story about a black classical musician I've seen since The Soloist. I saw the movie and read the book. That was over 10 years ago. So, I couldn't pass this book up.

What I loved most about this book was its honest and critical look at racism in classical music. Ray’s journey was somewhat familiar. He was black, poor, and talented. The discrimination he faced was horrible but familiar. That wedding scene was difficult to read. I admired his resilience and resented the fact that had to be twice as tough as the other, whiter, musicians.

The mystery wasn’t all that mysterious, at least not to me. I guessed the culprit on my first try, but I still enjoyed the journey. The author wrote so passionately about the music, compelling me to listen to my favorite classical playlist as I read so that I could fully immerse myself in the story. The story starts with the theft and the initial investigation, then jumps back several to Ray’s high school days. The time jumps were easy to follow and each jump provided another piece of the puzzle, steadily building tension. As the story neared its conclusion, I found myself eagerly devouring every word, impatient to see Ray reunited with his beloved violin.

I think this book will appeal to so many, whether they like classical or not.

I received this ARC via Netgalley in exchange for my honest opinion.

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Another solid mystery from Knopf, this time featuring a Black virtuoso violinist who inherited a fiddle through his family which turns out to be a rare Stradivarius. He’s getting ready for a Tchaikovsky competition when the treasured violin is stolen.

The story then weaves together two strands - the story of the search for the violin and the story of the violin itself and the enslaved people who played it and provided music on demand for white people. While the mystery of the theft was a little weak (I figured out who it was early on), I was struck by the origin story of the fiddle. The enslaved people who played it and sang for their captors were treated as instruments themselves - not as people but as things. The gift of music was one thing that could not be taken away and seeing how that gift had traveled through the generations was very satisfying.

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Music, ownership, reparations, respect

Rayquan McMillian was loved not for his musicianship, his expertise on the violin, but for his façade. He was cute, and Black, and different. The book opens with the worst, most earth-shattering day of Ray McMillian’s life. He opens his violin case, to find it empty; his world implodes.
The narrative goes back in time to answer questions, and readers follow Ray’s life as he grows. The developments that molded him are retold, especially a gift his grandmother gave him. Unfortunately, there is some difficulty with the provenance of that violin. He takes readers on a musical walk through past generations and on a walk past people who are deeply ignorant, impossibly clueless, and definitely need “diversity training.” He, however, loves to play; he loves this music; he loves this violin. He is bigger than all of them, and he is preparing for The Tchaikovsky Competition.
Time gradually moves ahead, back to the opening “incident/theft.” Now the violin is gone; the music is gone, and he is lonely, guilty, and paralyzed with misery. The ransom demanded for the violin’s return is huge, unattainable. For police, retrieving a missing violin is like finding a lost dog or a misplaced umbrella. For Rayquan it is his entire existence. Will this loss destroy him? Who committed this terrible theft? Was it his family? The “other” family who claim it? Black market profiteers? A musical competitor? The suspects are numerous, and everyone has a motive.
I love books with a crime to solve, a mystery, so this is a typical book choice for me. What is unusual is that a single musical instrument was stolen. We love our instruments, our trumpets, flutes, drums, guitars, and would be upset if they were taken just as we would if our car, our watch or other property were stolen. However, this is a violin, a special violin, and a special part of one person’s life. This book shows just how different that can be. I received a review copy of “The Violin Conspiracy” from Brendan Slocumb, Knopf Doubleday Publishing Group, Penguin Random House Publishing, and Anchor Books.
It was enlightening, compelling, and riveting on every page.

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I wasn’t sure what to expect going into THE VIOLIN CONSPIRACY by Brendan Slocumb, but let’s just say I was impressed and then some. The first 15% gives thriller vibes, but then the story shifts to a more reflective story of young Ray’s journey. The beginning of the novel propels us into the story with no precursor, and we feel as frazzled as Ray does when he discovers his rare and acclaimed violin has been stolen right from under his nose. I was initially put off by the pacing in the beginning, but I can appreciate why it was executed in the manner that it was.

I enjoyed 17-year-old Ray’s perspective and enthusiasm, and appreciably how we’re shown Ray and the violin’s journey: we start close to the end, then jump to the beginning and are given context. This look into Ray’s journey and experiences make the beginning even more panic inducing.

Slocumb did an excellent job showing Ray’s understanding of balancing his talent, his luck, and his Blackness on a daily basis and this was incredibly affirming to see. Also, for those without an musical training, don’t worry; this book is def accessible for those without any classical music or choir training.

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The Violin Conspiracy was so much more than what I expected. In a VERY good way! At it's core, the story of Ray, a young black man who loves to play classical music on the violin. It's coming of age and sticking to what you love even when those around you try to dissuade you and don't understand you. And very few people understand a young black man playing violin.

It's a mystery, after Ray acquires a family heirloom from his grandmother, his family members don't think he should have it, especially when they find out it's worth a lot of money. Then, it's stolen and the search is on for who could have stolen the violin that Ray rarely lets out of his sight.

It's about the music! I'm not a fan of classical music and admit I didn't understand all the musical descriptions but the way Brendan Slocumb described Ray's playing, I swear I could feel it myself. Music is Ray's life and I could feel his passion.

Racism is real. Ray was taught by his grandmother, the only one who encouraged his playing, to always be respectful even in the face of discrimination. That doesn't stop unpleasant people from making Ray's life tougher. And, it doesn't stop the police from arresting him on trumped up charges.

I was on such a high when I finished this book! There are parts that are sad and maddening but Slocumb does such a good job of taking us into Ray's life and mind that it didn't bring me down, it lifted me up.

Thanks to NetGalley for the copy in exchange for this honest review.

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Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. If he’s lucky, he’ll get a job at the hospital cafeteria. If he’s extra lucky, he’ll earn more than minimum wage. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

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Ray is a professional violist preparing for the prestigious Tchaikovsky competition when his Stradivarius violin and stolen and held for ransom. As Ray struggles to continue his preparations and recover his violin, he is faced with the memories of his struggles to get where he is today - his live growing up as a poor Black student with an instrument borrowed from the school; his grandmother's support of his career and the lack of support from the rest of his family; and the entwined history of his family and the white family that originally owned both his ancestors and the violin. A coming-of-age tale that looks at racism and expectations, set in the world of classical music.

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This debut work defies a book classification, it can be a mystery book, a coming of age book, a music book, but it ca also be a book that defines race and how it influences your place in the world.
Hard to believe that this is a debut book, it has the maturity of a much more set writer. Mr. Slocumb took his life experience as a black violinist and wrote about it for the world to read, as he stated on the Author's notes, a lot of what Ray goes thru in the book, it happen to Brendan Slocumb in his life journey.
Being an accomplished musician the author was able to transmit to the reader the world of music, classical music especially, I am very familiar with this world and reading about the pieces that Ray plays in his concerts and competition made me feel like I was there with him in the audience listening to his music, it was truly enjoyable.
The mystery part, the stealing of the violin, will make you shout at the end when the thief is revealed. The pace of the mystery and the development of it was very good.

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1st Line: "On the morning of the worst, most earth-shattering day of Ray McMillian's life, he ordered room service: scrambled eggs for two, one side of regular bacon (for Nicole), one side of vegan sausage (for him), one coffee (for Nicole), one orange juice (for him).

Review: Having been fascinated by the violin since childhood - never learned, as I didn't have one to practice with - the title alone suckered me into this incredibly skillful debut; a mystery that begins when the life of a Black violinist, whose career is just beginning to bloom, is shattered when his violin is stolen ... and held for a five-million dollar ransom.

Ray McMillian has spent his life loving - living for - classical music. Taking to the violin at an early age, playing seems to be the one thing that gives him genuine peace and happiness, even over the harsh criticism of his mother to just find a job at the local Popeye's, or the realiation that finding Black musicians in the leading orchestras of the world is more rare than a lottery win. Thankfully, Ray's always had Nana, and the opening of the book takes readers back and forth between the early stages of the investigation of the violin's theft, to how Ray grew up loving music and getting inspired by his grandmother ... and how a young Black man in rural North Carolina came to own a violin worth a five-million dollar ransom in the first place. Writer Brendan Slocumb, a natural storyteller, masterfully weaves Ray's backstory as a kid, who often only had his own dream to keep him going, in with the intense jealousy and bigotry he was forced to face in high school for his talent, to his getting out in the "real world" of college and adulthood, only to find that no matter how much fame or experience or talent he had, so much of life - so much of the struggle - still always boiled down to the color of his skin. Aside from a riveting mystery, what this first novel has to say about racial inequality and hate in this country toward its Black population, particularly Black men, is both powerful and enraging ... and a sickening commentary on how little progress we've made in America by 2022, even for those of us who understood that already. Slocumb's talent and TLC with his tale, however, means that the mystery of the missing violin and Ray's personal story (bat-shit greedy family, devoted grandma who became his rock, the teacher who changed his life, the injustices waged against him just because of his skin color) never ever over-shadow each other - and by the time I caught up with how Ray ended up with a Stradivarius everyone wants a piece of, how it was taken, and Ray's one-man hunt to find out who took it ... I was hooked, roaring through the last hundred pages or so hanging onto the coattails of one of the most believable, sympathetic fictional leading characters I've come across in a very, very long time.

I still can't believe it's a debut. Also the first title already seto to appear on my Top 10 Reads of 2022 list, come December. A terrific page-turner of a read I still can't stop thinking about. 5/5 stars

NOTE: I received a free ARC of this title from NetGalley and the publisher, in exchange for an honest review.

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Ray’s violin is missing, held for ransom. While working with the police and insurance investigator to find it, Ray explores who has a motive and opportunity to take it while still trying to prepare for a worldwide music competition. This story delves into issues of family, racism and prejudice, and the world of music through an interesting and twisting mystery.

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What an amazing debut! This captivating novel is a unique blend of mystery, coming of age, social commentary and the world of classical musicians. Ray McMillian, a talented Black violinist, is preparing for an important and prestigious world wide competition when his treasured violin that his grandfather played ( which is also a priceless Stradivarius) is stolen. As the mystery unfolds, we learn of all the struggles Ray has faced (no formal lessons, lack of support, racism and discrimination) as he has pursued his passion for playing classical violin. The story is riveting and provides a unique eye opening glimpse into the world of classical musicians. A particular highlight of the book is the author’s ability to write about and describe pieces of music in a most visceral way which transports the reader. Highly recommend this book, like a Stradivarius, it is a rare gem.
Thanks to NetGalley for providing an ARC in exchange for an honest review.

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This novel defies easy classification: it’s a suspenseful mystery (who stole Ray’s violin?), a coming-of-age story (how to achieve your dream when even your own family thinks you’re wasting your time), a polemic against racism (the descendants of the family who owned Ray’s ancestors want to sue him for possession of “their” violin), and a literary glimpse inside an unfamiliar world (classical music, especially the strings section of major orchestras and cutthroat international music competitions).

I thought immediately of The Queen’s Gambit as I was reading this book (as did a lot of other people, apparently): both feature outsider heroes determined to break into a world that is invested in keeping them out. Reading The Queen’s Gambit I learned a lot more about chess strategy than I knew existed, and the same kind of authentic detail permeates The Violin Conspiracy. The author is a trained violinist, and you can feel the ebb and flow of emotion as Ray works his way through difficult pieces, culminating in his performance at the international Tchaikovsky Competition.

The structure of the novel requires Slocumb to wrap up a lot of loose ends: readers can see that Ray is a talented musician, but will the right people listen and be convinced of his skill? Ray’s family is skeptical and unsupportive–will he reconcile with his doubters (who include his mother)? And of course, who stole the violin and why? Ray himself has to surmount obstacles ranging from racism and family drama to the titular “conspiracy” surrounding his violin, which sat moldering in his grandmother’s attic for decades but turns out to be a priceless Stradivarius (not a spoiler, as this info is revealed early to explain the presence of the FBI).

The reveal of the mystery whodunnit is surprising and satisfying. I wanted a little more resolution to Ray’s family drama. I’m not really a forgive-and-forget person, and Ray is just a little too healthy for me! Many people probably picked up this book based on the Good Morning America book club recommendation or because they wanted to diversify their reading for Black History Month. I requested and received an ARC from NetGalley, and I’m so happy I did. This novel is a beautifully written page-turner, my favorite type of read.

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Ray’s passion is unquestionable, an intense fire. His skill level is masterful, with constant practice resulting in perfection. With his extremely rare $10M violin his sound is unparalleled. Then it is stolen. Yes, there’s the mystery of the missing violin but this but is much more about passion and music, a violinist’s story of sweat and drive and fighting against all odds to succeed in an industry and world that kept telling him they didn’t want him. It’s about inspiring you to do what you love no matter who tells you you can’t.

It shines a light on one example of how a Black American needs to work twice as hard and be twice as good for a chance of getting half as far. Racism, discrimination and stereotyping are a big part of Ray’s story and we see their impact on his journey for recognition, fulfillment, and success.

The summary didn’t excite me at first but the writing drew me in immediately and it was hard not to be swept away by Ray’s passion. I was a bit let down by the ending where the writing felt more rushed and the voice/tone seemed to switch but I loved the journey to get there and picked it up at every chance I could.

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Ray grows up in the South and as a Black man, his life seems to be mapped out for him. Until he discovers that he has a talent for playing the violin. Then he begins to dream of a different future, no matter what those around him say. As he begins to make his new path, a giant stumbling block is placed in his way when his heirloom violin is stolen from him. Can he overcome this new block and make the future he wants?

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This is a book trying to do a lot of things at one time. It is a heist mystery, a treatise on race, a family saga, a book about music and of belonging. While I enjoyed the book, I felt at times that maybe it was trying to do too much.

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This was mesmerizing! The musician Ray describes his life. Starting from when he was younger until the present time. He has always been interested in playing. Even when his mother thought it was pointless and was cruel about it. And even when he encounters racism throughout the classical musical world he desperately wants to be a part of. He faces so many challenges along the way, even having his violin stolen. I admired Ray’s steadfast determination through out all of the challenges he faced. The people who helped him along the way was touching. And unforgettable moments

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The title and description of this book are rather misleading. I expected a mystery, maybe even a thriller. Unfortunately, neither one applies; the huge bulk of the novel is about the protagonist's experiences overcoming racism in his journey as a classical musician, with the theft of the violin providing a loose framing device and really being the focus only at the very end of the book. Even so, the central story could have been interesting, but to me it failed on that note as well; the characters lack nuance, falling cleanly into either "hero" or "villain" categories. How much more interesting would it have been, for example, if Ray's mother was torn between wanting to support her child and having serious reservations about him pursuing a career in the arts? The writing at times almost has a YA feeling to it. Verdict: skip it.

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OK. Is this a good book? Particularly in audio? Yes..... if you REALLY enjoy getting into the details of music and like going back to the beginning to figure out what a violin means to a professional musician. I really just wanted to find out who stole the instrument, so I kept going. And going and going.

The reveal was infuriatingly slow and, to me, anti-climactic. I just needed to know WHO and WHY. If you feel like getting angry at unsupportive, jealous, greedy family and love the ins and outs of a Black musician rising to fame, this is a great novel. The audio is read by JD Jackson, who made the plodding story more enjoyable.

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“Until then, he’s been a solitary, lonely kid — and then a solitary, lonely man — who had had one special person in his life, dressed in a pink housecoat and smelling of lavender and bluing solution in her hair. She had gone, but she had given him music, and music had filled his world, that allowed him to connect with people in a way that he sometimes could not believe could ever be real. But now she was gone, and the violin had gone, and the music had gone, and he felt so lonely and guilty now that he often thought the misery would paralyze him and he would simply, suddenly, stop breathing under the weight of it.”

Ray McMillian has to play a crappy school-issued violin, and he loves to play. His family can’t afford private lessons, but even if the money had been available his mother would have never paid for the lessons or a better violin. To say that she was unsupportive would be an understatement. Fortunately, there are 2 women who change his life forever. His Grandma Nora gives him a decrepit old violin that had been given to her grandfather by Marks, the man who owned him. Janice is a college professor who recognizes and nourishes Ray’s drive and talent as she mentors him. One other event that shapes Ray’s life is the discovery that the old fiddle was actually made by Antonio Stradivari and is worth $10 million.

The book begins with the theft of Ray’s violin accompanied by a $5 million ransom demand (despite the enormous care he took to protect it), and then goes back a few years to Ray’s early experiences with the violin and his family. Once the value of the violin is discovered, his family demands their share. The Marks family also comes out of the woodworks and claims the violin. Ray refuses to either sell or return the violin. One of the best parts of this book is the way the author (a music teacher and violinist) makes the reader feel Ray’s love of music and the joy he takes in playing the violin, especially this particular violin. “The opening adagio starts out rich and full, slightly mournful, announcing its presence with passion and wistfulness; and then it lightens, begins to dance, bob along in the current of life: excitement and great joy competing, soaring, grateful, and alive. The violin took over: he wasn’t playing notes he was making music the way Ravel intended, the way Antonio Stradivari intended, the way he always dreamed he could play. He poured out into the air what he was unable to put into words: his gratitude — for this violin, for Janice, for Grandma Nora, for Mischa Roland’s assessment — a few words transforming his life utterly. Thank you.”

Ray faces racism from employers, orchestras stereotype him and assume that a Black violinist can’t play classical music. Fortunately, Ray is strong, and not cowed by this. To an orchestra that assumes he can play only Gershwin, he says: “I need you to understand something. I am a musician. I happen to be Black. That doesn’t mean that I am any less skilled or knowledgeable than any musician of any other race. You might want to invest in some diversity training, rather than paying for a soloist. Get your act together and I may come and play for you one day. Best of luck.”

At the time the violin is stolen Ray is preparing for the Tchaikovsky Competition, held every 4 years and judged by classical musicians and conductors. Art crime experts try to track the violin, but as Ray sees it there are only 3 possible suspects for the theft - his family, the Marks family or his chief rival in the competition. The mystery continues as Ray participates in the competition.

The story of Ray and his violin was really excellent. This was the author’s first book and he was clearly writing about subjects that he knows well.

I received a free copy of this book from the publisher.

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