This book a trip worth taking. The art is stylistic and electric, and the story is fun and bracing. Another solid graphic novel from Mad Cave and strong work from Perillo and Cardoselli.

An interesting graphic novel set in a dystopian world. Peace Dog, is a former soldier who struggles to afford to buy the clean air he so desperately needs. When a robot child present him with a quest he tries to leave the dangerous city where he lives but unbeknownst to him, a vengeful bounty hunter is after him.

It is an interesting graphic novel and although I wasn’t a fan of the artwork style, I enjoyed reading it.

The comic "Long Cold Winter" is a short story set in a world where an unfortunate event led to the near extinction of the global air supply. Now, many people who still live and have the finances for it must pay for quality air. We meet the character Peace Dog, a wanted man, and this little robot named The Kid, who needs help reaching a utopia for robots. Together, they go on a journey to find a place to call home with peace and hope. Peace Dog battling Death and others who want the bounty on his head, and The Kid with the last hope for humanity's salvation in his pocket.

The comics art was beautiful, and the entire story was fun and fast-paced. The characters themselves were interesting but I did think the relationship between Peace Dog and The Kid lacked depth when the story was supposed to be more about their journey and how they grow while on it but because there wasn’t a lot of depth the death of Peace Dog wasn’t that shocking or emotional to read. The message the story sent was of humanity being granted a second chance, and it was encouraging.
Thank you, Netgalley and Mad Cave Studios, for an early arc ebook copy

Hmmm… This had quite the disposable feel about it – like someone new to 2000AD got two dozen pages to prove they can meet a deadline and knock a few panels out before being asked to do something more interesting. It's a grumpy and indestructible old soldier and a robot kid, trying to literally walk away from the dystopia that is their future USA – a world where the whole place is a dusty desert of death, and where actually healthy, breathable air is sold on prescription by a huge monopoly (although their customers seem ridiculously thin on the ground for them to have survived, mind). It's not bad, but it really doesn't begin to feel like a keeper, with its free-for-all colours and scratchy, rough 'n' ready visual style and its cliche-ridden, if nicely concise, plotting and dialogue.

I requested "Long Cold Winter" because I liked the synopsis and then watched it not matter because all that this book is, is another American/Western propaganda effort into making us feel sorry and empathise with a man that joined the military and happily helped commit a genocide and destroy the planet so corporations could make money.
There's a sheriff with a cool moustache and a woman who shows up out of nowhere after being able to give them all the information they needed at the beginning of the book to take care of the robot kid.
Thank you to Edelweiss and Mad Cave Studios for this DRC.

*Long Cold Winter* by Francesca Perrillo is a gorgeously moody comic that feels like curling up with a ghost story on a snowy night. The art is soft, yet haunting—like watercolor memories fading in the frost. The story follows two women whose emotional baggage might just weigh more than the snow around them, and their chemistry crackles hotter than any fireplace. Perrillo masterfully balances aching vulnerability with tension you could cut with a skate blade. There’s romance, regret, and just enough mystery to keep you turning pages faster than a snowstorm builds. It’s queer, it’s quiet, and it hits you right in the chest. If you’re a fan of emotional slow burns with a dash of melancholic beauty, *Long Cold Winter* will warm your heart while chilling your spine. A perfect winter read—even in summer. Bundle up and dive in. You’ll be glad you did.

Thank you to NetGalley and Mad Cave studios for the ARC.

The illustration/art style is not to my taste, and I felt the writing/pacing/dialogue to be juvenile and underdeveloped. Very stereotypical and predictable, which is a shame as the concept is solid.

2/5

For a dystopian story about poisoned air and a lack of plant and wildlife, I was not expecting such vibrant color! I actually had to close the book and readjust my expectations before coming back to it. Cardoselli’s line work has a sort of chunky grittiness that suits the story, and Scaramella’s surprisingly-vibrant colors tie in nicely with the chaos of the journey Peace Dog and The Kid are making. It’s an interesting take on capitalistic, ecologically destroyed dystopia and I’m curious to see how the story unfolds in the future.

This graphic novel was okay. It wasn't great, but also no where near the worst graphic novel I have read. I feeling like there could have been some better editing to the book to make it great.

It’s incredibly fast-paced, a bit too much in my opinion. Felt like I was reading 4 novels cramped into one, instead of 4 comic issues. Or a pitch/trailer for a series.
The ending seemed like an ending to a series, rather than an ending of one book. While there is a bit of potential to expand this into a full length series, for me, it feels much more like an “open” ending that is so self-explainable, it does not need a continuation. Like ending a series.
I’m not sure what the author wants to include in future volumes, as I’m guessing there will be at least one sequel, based on “volume 1” next to the title. I’m definitely interested in more and will read the sequel, however, I don’t think it’s necessary.
I’d rather want an in-depth version of this whole book. A longer journey for the two main characters, to get to know them. As of now, I couldn’t really connect with any of them, except the 2 on the cover. But there could be room for more.

Why did I rate it 4 stars then? I really like the art style – it’s the same as the cover –, fits this dystopian world quite well; 5 stars for that alone. I also like that death of a particular someone. For me, who’s been preaching that these characters can’t die in the middle of the story (well, they can, except they never do), this was awesome. Something I’ve been long looking for. 5 stars for that too.

Perhaps it’s a prequel? Maybe the next volume will start far later in the future? That would make a lot of sense, also regarding the pace.

~

Thank you to MadCave Studios for an eARC!

-08.04.25

Thanks netgalley for the arc. This collected comic book contains Issues #1-4 of Long Cold Winter. Peace dog is an ex-soldier who lives on an Earth where the air has become unbreathable. Only those who can afford it are able to pay monthly for their oxygen while others die or get what they can from public air generators. He goes on a journey to help this kid robot get to somewhere named "Hopeland". This was not really that good unfortunately. It was pretty surface level not going too deep into anything really except their air problem. It was pretty basic and stereotypical to the point where the supposed to be "hard-hitting lines" were laughable. BUTTT the art was INCREDIBLE. I did enjoy looking over the pages at all of the little details. 2.5 stars.

I appreciate NetGalley and Mad Cave Studios for giving me access to this eARC. My review is based solely on my own thoughts and feelings.

3.5

The narrative plunges us into a familiar yet unsettling future: a dystopian New York choked by toxic air, where survival is predicated on costly technology. The unexpected use of the British term 'rubbish' felt somewhat out of place within this American setting.

Despite this minor incongruity, the illustration style is undeniably captivating. Its vibrant and whimsical nature perfectly complements the narrative's unique tone. The deliberate, almost chaotic energy of the artwork, a controlled mess of imprecise yet purposeful lines, is strikingly effective. This visual approach, paired with unexpectedly bright and playful colors, creates a compelling contrast against the bleakness of the depicted world. The illustrator's strategic use of animations that break free from the panel borders is particularly immersive, enhancing dramatic moments and suspense with impeccable timing.

Throughout the story, I couldn't shake certain thematic and visual echoes. The dynamic between characters evoked a sense of the Mandalorian and Yoda, while the unique character designs, action-packed chases involving formidable vehicles, the desert landscape, and the brash personalities bore a distinct resemblance to the Borderlands universe.

However, the impact of certain pivotal scenes was unfortunately diminished by the illustrator's choice to preview shocking moments in earlier chapter introductions. This preemptive disclosure robbed the reader of genuine surprise and lessened the intended suspense, a missed opportunity for greater emotional resonance.

The visual irony of Peace Dog's "Give peace a chance" bag being discarded during a fierce struggle was a clever and impactful detail.

The brief imagery of a greenhouse appears to serve as a potent symbol of hope and the promise of a better future, almost functioning as a secular sanctuary. This symbolism is further underscored by The Kid's earlier exclamation, "oh my God," within this dystopian context, hinting at potentially deeper explorations of faith and belief in this world.

The ending, with a robot initiating the rejuvenation of human civilization through the simple act of planting seeds, resonated with the themes explored in WALL-E. While this narrative approach isn't entirely novel, its underlying message of perseverance, kindness, and the fundamental equality of humanity remains powerful, especially within a dystopian setting where internal conflict often overshadows the true threats. The open conclusion leaves ample room for future installments, and with the numerous unanswered questions lingering, I would eagerly welcome a continuation of this intriguing world.

Great sf story with a truly unique artstyle i haven't seen since the early 2000s which is a nice surprise. Short easy to follow.

This is a beautiful disaster, and I mean that in the best and worst ways. The plot’s nothing new, grumpy old man drags a kid across a brutal wasteland, but it’s a total adrenaline rush, moving at breakneck speed with zero time to breathe. Seriously, these characters have to wear oxygen masks to survive (except for the badass woman, of course), and anyone who gets in their way is dead. It’s a bloody, gory, and savage ride, but the dialogue? It’s clunky and awkward as hell, almost like a foul-mouthed version of something you'd read to your kid—like Dogman, but with swearing. Weird as it is, I couldn’t stop reading and finished it in one sitting. It’s chaotic, it’s fun, and it’s definitely a 3 out of 5.

Long Cold Winter throws you into a future where even breathing comes with a price tag. The air is toxic, corporations own everything, and ex-soldier Peace Dog is just trying to stay alive. When he ends up on the run with a robot kid, things only get messier—and deadlier.

Visually, this thing *pops*. The art is rough, raw, and somehow both grimy and vibrant at the same time. It’s the kind of book you want to own just to flip through the pages. Story-wise, though, it moves *fast*. Maybe a little too fast. The world is fascinating, but we barely get time to take it in before we’re thrown into the next chase scene. The dialogue is sparse, which mostly works, but sometimes it left me wanting more depth. Still, there’s something here. If a sequel slows down and digs in a little more, I’m all in.

fantastic art and coloring. the story felt like a mix of the dark tower and the electric state. peace dog had the makings to be something. i just wish the story had been a bit more fleshed out, a little more complex. OR had it gone more minimalist, with less text— the text often had me stumbling and then bogged me down in thin meaning. but again, the art was wonderful and would make a beautiful looking book to have in your hands.

The artwork is great, very eye catching. A ton of bright colors and rad character design keeps the eye moving, looking at all the little details. The narrative is very surface level and lacking depth. Past events leading up to where this world is now are kinda presented offhandedly, and quickly. With minimal time spent on the history of the characters, kept me from forming a bond.

A good read, but I’d love another 30-50 pages to really flesh the characters and the lore out a bit.

Every page is packed with little details, it’s impossible to just breeze through, I kept pausing to take my time absorbing everything. The colors are great, and the backgrounds are beautifully done, they really add depth to the story. However, I’m not a big fan of how the characters are drawn; something about them doesn’t quite click for me. The story itself moves a bit too fast, which makes it hard to fully connect with what’s happening. Overall, it’s an interesting read, but it left me wanting a bit more in terms of pacing and character design.

My thanks to NetGalley and Mad Cave Studios for an advance copy of this graphic novel that tells of an Earth where everything including the air needed to breath is on sale and one person attempt to redeem the numerous sins in his past, and maybe save the world too.

My parents loved to go to tag sales and flea markets, probably because having two readers like myself and my brother would have broken them financially. Weekends were spent digging through boxes, not long boxes but boxes barely hanging on, or suitcases looking for comics or comic strips. I found a lot of porn, but found some stuff that even now are the highlight of my library. And where I learned there was a whole world outside of superheroes in comics. Old issues of Heavy Metal, and its French ancestor Métal hurlant, which while I could not always follow or understand the story showed me that there was a world were comics were not just for teens. In those pages I found that many were not happy with the way things were going with the world, that maybe the American way wasn't the best. Also the art work was different, and many of the people in the story were naked. This started my interest in comics from other shores, one that continues to this day. And graphic novels like this are why. Long Cold Winter is a short series written by Francesca Perillo with art from Stefano Cardoselli and tells of a planet dying to breath, a soldier looking for a place to be left alone and a robot with dreams of saving the Earth with a few little seeds.

The Earth is even worse than we think it will be. The air is a poison, and must be purchased from the good people at Air Co whose huge generators create oxygen at a cost. Peace Dog is a solider who has done many nasty things in his life, many of them in fear of dying. For though this might be hell on Earth, what's waiting for him on the other side is much worse. After fighting off another group of bounty hunters Peace Dog is presented with a deal. Take a small robot, with thoughts of being a boy, far to the North to a robot settlement, where the robot might have a plan to save the Earth. Even if the robot fails, Peace dog might have found a haven to be left alone in. Peace Dog jumps at the chance. Leaving town Peace Dog is stopped by he Devil who tells him the fate he is headed for is much worse than dying in the city. Peace Dog ignores him, and sets off into the unknown.

A mix of western, science fiction and redemption tale, with a bit of the ultraviolence. The dialogue is brusque, maybe from translation issues, as this is an Italian joint with the creators haling from Italy. The story is straight forward, with a little bit of flashbacks fleshing out the bad things that Peace Dog has done, and why his soul is doomed. The characters are Spaghetti Western like, their names tell you what their characters are like. The violence is pretty much cartooney, but it is done well and fits with the story. The art is really good, a mix of future and past, and our present, with a lot of nice colors, that 70's European palette that made the stories so memorable. A fun story with an open ending for more, which I would enjoy.

Yet another ARC from NetGalley and Mad Cave Studios. You guys really know how to keep my TBR pile gasping for air - much like the characters in Long Cold Winter. But seriously, big thanks for the early copy!

In a world where oxygen is a privilege, a haunted ex-soldier finds himself entangled in a high-stakes chase through a suffocating dystopia. His unlikely companion? A mysterious robotic child. Their goal? Escape. But with enemies closing in and time - literally - running out, survival is anything but guaranteed.

Visually, this comic is an absolute knockout. The linework immediately brings to mind Jeff Lemire’s raw, almost chaotic style - imprecise yet deliberate, a controlled mess that somehow just works. Paired with unexpectedly bright, even playful colors, the result is a striking contrast to the bleak and suffocating world. It’s a visual paradox, and I loved every panel of it.

Narratively, though, Long Cold Winter feels... well, a bit short. The fast pacing makes sense given the whole “we’re running out of oxygen” thing, but I still wish there had been just a bit more room to breathe (pun fully intended). The dialogue, too, is sparse - again, a clever stylistic choice considering the setting, but it left me wanting deeper character moments and worldbuilding.

The ending remains open, leaving plenty of room for a sequel. If the creators decide to expand this world, they have more than enough material to explore, given the many unanswered questions. And honestly? I’d be here for it.

3.5 stars