Light of the North Star

"richly detailed and evocative...Bhattacharya is a talented and elegant writer who is breaking new ground...the result is a lavishly described adventure that spans continents."

--Kirkus Reviews

"This ambitious debut work seeks to reanimate the worlds of two very different ancient civilizations over the course of 24 books. Part 1 consists of the first eight books in the series and opens in Greece with an envoy arriving at King Solon’s palace with news of a great flood. Instructing a disgruntled Prince Diokles to watch over his lands, Solon gathers his troops and, at sunrise, heads east for the flood zone. Accompanied by Meletus, a great fighter, and his son, Elasus, Solon aims to provide aid to the poor souls whose world has been crushed by the wrath of Poseidon. They meet Alanam, a wise old man who tells of how thieves descended on his town, slit his wife’s throat, and took his son. On learning this, Meletus vows to return Alanam’s son and seek revenge. The narrative then shifts to India and introduces the royal family headed by King Sarvagya, including Queen Radhasati, Prince Dharmajyoti, and princesses Esha and Isani, whose luxuriant lives at first seem effortless, yet appearances prove deceptive..."

"...the language is richly detailed and evocative of classic epic poetry, from Beowulf to Gilgamesh. When describing the “Dark Riders,” a band of feared warriors, the poet writes: “The faces—horrid faces—that are scarred / With marks and scabs that bleed a ghostly pus / As white as snow when struck with jagged spears, / The bane of gods that gave them death in life.” The passage is utterly captivating and draws parallels with Milton’s revered description of archfiend Lucifer in Paradise Lost.

Bhattacharya is a talented and elegant writer who is breaking new ground by fashioning an epic poem from this little-known story. Illustrated throughout with full-color artwork by debut illustrator Fabre, the result is a lavishly described adventure that spans continents."

--Kirkus Reviews (May 2018)

From the San Francisco Book Review:

“an updated odyssey that enthralls the reader in melody”

Light of the North Star is an epic poem that brings a new story to a classic form. Comprised of 24 books, Dhrubajyoti Bhattacharya paints an oceanic world in which the story of two royal families tumultuously coalesces as the tides of peace retreats. Part 1: The Descent, which is the first book in the series, features a cast of Kings and Queens from Greece and India as well as erudite scholars and an unruly league of warriors, the Dark Riders.

The story begins with a flood. A great flood, the wrath of Poseidon, which has destroyed many coastal villages and endangered the poor. King Solon, a concerned ruler, leaves his son, Prince Diokles, in charge and rides to the site of devastation. Concurrently, in India, another royal family is found in seemingly ideal settings. A noble King Sarvagya rules with his wife Queen Radhasati and lives peacefully with his three children. The language begins calm and flowery but quickly turns urgent, indicative of an imminent disruption. All of this is accompanied by colorful artworks by the illustrator Fabre, turning the story into a multi-textured narrative.

Verse is a difficult form to catapult into the modern era. It either works completely, transporting the reader into antiquity, calling for a melodic attention to language and detail, or it fails. In this case, Bhattacharya succeeds in telling a new kind of story in an old form. By using the language of the classics, he brings together two histories often pitted at odds in Western rhetoric. Rather than an “eastern” version of a “western” story, he artfully weaves the two parts of the worlds together, displacing assumptions of western precedence. By honoring both the Mahabarata and the Iliad, two historical feats of literature come into dialogue.

Bhattacharya’s excellent education is felt in every line of the book. His many degrees and experience writing poems, screenplays, and novels, make the language both exacting and easy to digest. At moments, though, his in-depth knowledge of both the Iliad and the Sanskrit epic might cause the author to withhold important context for his poetry, certain characters and places are left unexplained, resting upon references in other texts. Not every reader will do the work to fill in holes in the story, but those who do will be rewarded.

- SAN FRANCISCO BOOK REVIEW

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