Icons of Style

A Century of Fashion Photography

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Pub Date Jul 10 2018 | Archive Date Oct 30 2018
Getty Publications | J. Paul Getty Museum

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Description

In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph.
 
This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.
 

In 1911 the French couturier Paul Poiret challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning...


Available Editions

EDITION Hardcover
ISBN 9781606065587
PRICE $65.00 (USD)
PAGES 368

Average rating from 10 members


Featured Reviews

It took me a while to get through, yet it was such a rewarding reading experience. For someone who is interested in the history of photography, as a research topic, and in fashion, as a hobby, this book is a real treat! I am planning to get myself a copy, not because it would rest fabulously on my coffee table, but because some of the essays are worth revisiting, specifically those about the early years of artistic fashion photography.

Each essay is dedicated to a particular section of the century it covers (from 1911 to 2011) and each is thoroughly researched and, therefore, very culturally dense, discussing how fashion photography went from establishing itself as a “reactive genre” in Paul Martineau’s “Style in the Face of Crisis,” to the era in which “fashion became a central form of cultural expression,” in Michal Raz-Russo’s “From Rebellion to Seduction.” At the end of every essay, there is a generous section of page-filling images that are referenced throughout the book, pertaining to all the big names past and present, longtime favourites of mine, plus other lesser known artists. Some of these images are just as expressive and experimental now as they were in the time they were taken. I would have loved to see the exhibit so this book is as close as it gets!

*Thanks to NetGalley & Getty Publications for the opportunity to read a digital ARC in exchange for an honest review.*

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