"African music, in its newest and most innovative forms, is changing our cultural and political worldview, and Jesse Weaver Shipley is in the know! The all-too-important voices that comprise the tidal wave of creativity throughout Africa, and especially in Ghana, will be the most significant voices of the future. Therefore this book is more than a look at the recent past and the present; it is a blueprint. Living the Hiplife is a necessary analysis of African word, sound, and power."—M-1, of Dead Prez

"Jesse Weaver Shipley has written a highly compelling account of hiplife in Ghana. Historically and ethnographically rich, it demonstrates how this musical form has affected ideas of Ghanaian identity. Not only does hiplife celebrate entrepreneurship among African youth situated in the 'shadows' of the global order. It also provides them with a language of mobile signs 'geared toward capitalist accumulation and consumption.' Based on a broad range of theoretical sources, Shipley's writing is lively, his insights memorable. This is a book that anyone interested in Africa, anyone interested in contemporary cultural production, will want to read."—John Comaroff, Harvard University and the American Bar Foundation

"Living the Hiplife is about young hiplife musicians in Ghana trying to make good while making do. The musicians are at once artists, entrepreneurs, and hustlers. Jesse Weaver Shipley's ethnography of these artists and their listeners presents their ways of laboring as forms of struggle under neoliberal conditions. I am particularly struck by his identification of the skills of electronic mediation as crucial to good musicianship, good cultural brokerage, good hustling, and good entrepreneurship."—Louise Meintjes, author of Sound of Africa! Making Music Zulu in a South African Studio