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Nothing but Ghosts

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Pub Date Feb 17 2026 | Archive Date Mar 17 2026


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Description

A short-story collection following several women whose respective relationships are all on the turn in some way and have passed their first flush of romantic love.

The brilliant second collection of stories from Germany’s answer to Zadie Smith. Judith Hermann’s first collection, Summerhouse, Later, sold over 250,000 hardcovers in Germany and was short-listed for both the IMPAC award and the Independent Foreign Fiction Prize. In Nothing but Ghosts, she portrays a generation in a new and precarious stage—she describes relationships with painstaking honesty, filling in the silences where communication has begun to falter and the gaze begins to turn elsewhere.

A short-story collection following several women whose respective relationships are all on the turn in some way and have passed their first flush of romantic love.

The brilliant second collection of...


A Note From the Publisher

Judith Hermann was born in Berlin in 1970. She is the author of several novels and story collections, including Alice, which was short-listed for the Independent Foreign Fiction Prize; Where Love Begins; and Summerhouse, Later, which won the Kleist Prize. Her novel Daheim was a bestseller and won the Rheingau and the Bremen Literature Prizes. Her work has been translated into thirty-five languages, and a number of her short stories have been adapted for film. She lives and works in Berlin.

Judith Hermann was born in Berlin in 1970. She is the author of several novels and story collections, including Alice, which was short-listed for the Independent Foreign Fiction Prize; Where Love...


Available Editions

EDITION Paperback
ISBN 9781250408228
PRICE $18.00 (USD)
PAGES 272

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Average rating from 3 members


Featured Reviews

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A deft translation of sharp, emotionally intimate stories. I had never heard of Judith Hermann before, but I was really taken with this collection. Her protagonists are thoughtful, observant, often overthinking neurotics, careful cataloguers of their inner lives and the subtle details of the world around them. Each story offers a perceptive, sometimes brutal, illumination of a relationship rendered with quiet precision and psychological depth. The writing (and the translation) feels spare but resonant, with just enough left unsaid to invite deeper reflection. Hermann’s ability to capture emotional nuance and the ambivalence of human connection is striking. I’ll definitely be on the lookout for more of Hermann’s work in the future.

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Quiet, unsettling, and beautifully atmospheric. Hermann’s collection captures the loneliness, longing, and fractured relationships of women drifting through lives that never quite settle — with precision, subtle dread, and a melancholic pulse. Some stories hit harder than others, but the mood lingers, and it’s a quietly powerful read.

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