“Carolina Ebeid’s astonishing, meditative cinepoetics is heliotropic across the blood-brain barrier: a glitch that ‘has memorized something about radiance.’ . . . In Hide, you’re reading a film by the artist who transforms the M into meem into ?. Don’t be afraid of the paradise in her ear.”—Fady Joudah

“In Hide, memory is excavated and reassembled until ‘it begins to waste / like a bar of soap / turned in your hand.’ What remains in the silence after image and its negatives are woven and unwoven in the American English, Palestinian Arabic, and Cuban Spanish? Ebeid’s poems are at once spare and charged, humming to the reader.”—Lena Khalaf Tuffaha

“Carolina Ebeid dissolves the borders constraining poetry, invites us to swim together in the dissolution and glimpse what it might make possible. This is a book of deep and abiding mystery, beckoning us toward the moments ‘when terror breaks / into something brighter.’ Hide makes a new home for ancestors both given and chosen.”—Fargo Nissim Tbakhi

“In Carolina Ebeid’s Hide, the words are warning flowers that feel the failures of our world by revealing themselves to be entirely responsive, adaptable, as if each seed syllable were its own telepathy machine that holds the beauty and wonder of this world up to our faces.”—Eleni Sikelianos

“Ebeid’s poems, with their arresting intellect and gossamer music, have that strange magic of a tale told centuries ago, handed down through the thorny ganglia of family trees uprooted by migration, war, and unsettling resettlement. Hide has taken up a ‘red residence’ in my head.”—Divya Victor

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