Minbak
A Novel
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Pub Date Feb 16 2027 | Archive Date Mar 2 2027
Description
"A beautifully written and gorgeous novel." —Marjan Kamali, New York Times bestselling author of The Lion Women of Tehran
Minbak (n.) a lodging in a private home
Korea, 1985: Hana Park's future is bright. A star student and beloved daughter, she dreams of a life beyond working at her family's local minbak. After a devastating encounter with a foreign guest, Hana flees Korea's dictatorship for London to capture the future she so desperately desires, leaving her heartbroken mother Youngja to pick up the pieces.
London, 2008: When her husband dies unexpectedly in the midst of the global financial crisis, Hana is left with a pile of debt and no way to pay it off. With her teenage daughter Ada and a declining Youngja relying on her, she has no choice but to move her family into one bedroom and open the rest of their home to paying guests as a minbak.
As tragedy brings the three women together, old tensions surface, and the family's long-hidden secrets threaten to erupt. With no one to turn to but each other, Hana, Youngja, and Ada must confront their complex history, crossing continents and generations to find truth, forgiveness, and compassion.
Available Editions
| EDITION | Other Format |
| ISBN | 9781250448262 |
| PRICE | $29.00 (USD) |
| PAGES | 352 |
Available on NetGalley
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Buy on BN.com Buy on Bookshop.orgAverage rating from 35 members
Featured Reviews
Minbak is a tender, quietly devastating novel about three generations of women shaped by love, grief, migration, and unspoken family pain. Ela Lee writes each character with so much compassion, exploring motherhood, identity, belonging, and generational trauma without ever reducing anyone to their mistakes.
Beautifully written and deeply moving, this is a story that will stay with me.
Thank you to St. Martin’s Press and NetGalley for the advance copy in exchange for an honest review.
Reviewer 2075697
An absolutely gut wrenching, yet beautiful read, about three generations of Korean women and the various sacrifices they make to keep themselves and their families together. The author sheds insight on what it means to be a woman in a deeply patriarchal society (especially with the added lenses of race/war), and consequently, how women keep secrets to maintain social and familial order.
This book emphasizes all the pressures that fall upon women to be the ones to keep things hidden, and to also be the ones to keep things moving, despite this invisible grief they must carry, often alone. The way subjects like generational trauma, mental health, misogyny, etc. are discussed is both profound, yet subtle, emphasizing how engrained these themes are that they don’t even need to be highlighted to be understood.
I was shocked to learn that the author is so young (born in 1995!!!!!) because this is genuinely one of the most well-written books I have ever read in my life. There are so many sentences that are entire poems on their own.
I am also so appreciative of when authors provide historical context to their writing. I learned a lot about the way Korean society functioned throughout the various decades, but also so much about the horrific adoption network. The novelist did a fantastic job at describing it in a nuanced way, without it being so evident that that was a huge focus of her book, which I find to be so impressive because it’s difficult to organically flow such serious topics into a piece of fiction.
Finally, I am always so grateful for when a book allows me to reflect on my own interpersonal relationships. This made me think of my own relationship with my immigrant mother, and perhaps the stories from my grandmother that I never got to learn about. We really are the first in our bloodline to do xyz.
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