I wasn’t as engaged by this book as I thought I would be. I prefer to keep author and author’s works separate I think.

Among the pages of the book I encountered passages from Jane Austen's books and that was lovely. I enjoyed recallling them. In this particular case, the author approaches Austen's novels from a spiritual point of view. The reader also has a chance to learn more about the biography of Jane Austen, with the focus on spirituality and how it affected her life and writing. 

After reading this book, I do believe that it might have a point. Religion was highly important for many characters created by Austen and this is one of the things that influences their actions in the books. So I would say the book focuses the perspective on religion and might change a little bit the perspective one might get without this bit of information. I will probably continue to read Jane Austen just as before, but the spirituality that is present in the books might enrich the experience (for some).

The Spirituality of Jane Austen
by Paula Hollingsworth

Lion Hudson Plc

Lion Books
Biographies & Memoirs , Nonfiction (Adult)

Pub Date 24 Mar 2017


I am reviewing a copy of The Spirituality of Jane Austen through Lion Books and Netgalley:



In 2017, the 200Th anniversary of Jane Austen’s death was marked, and this book was released.




Paul Hollingsworth offers a celebration of Jane Austen’s strong but gentle faith and explores how that impacted both her life and her writings.  The author reminds us too of the importance of being mindful of the way in which we apply the word spirituality to the way we refer to Jane Austen because it was not a term used in her day the way it is today.  We are reminded too that in England in Jane Austen’s time there was only a small portion of Jews, and Muslims were people far away from England, to her the word religious would have met Christian, and it would have meant Protestant Christianity.


We are reminded too of the importance of family to Jane Austen, but there were differences too, an older brother who was disabled lived away from home, and where as Catherine went away to school at ten, Jane was only seven.



It is learned too that two of Jane’s childhood books survive today, Goody Two Shoes, the book that popularized the term goody two shows,  and Fable Choisies by La Fontaine.



1787  was when Jane truly began to devote her spare time to writing.  She left twenty to pieces of her Juvenile writings, plays stories, and story fragments.  Today they are known as Juvenillia.  The first written when she was twelve, and the last pieces when she was about seventeen.





Jane communicated too through letters, the first one that we are aware of was in 1796 when she was twenty but there’s a good chance there were earlier letters.



We learn too that it was more acceptable for women to publish novels during Jane’s life than it was during the era to follow, the Victorian Era.  We learn too that the first draft of Pride and Prejudice, Austen’s most popular novel was written when she was only 21.


As for Church, Jane Austen attended services regularly at Chawton Church, including twice on Sundays, and if services were not held or weather prevented them for going out the Austen’s held services at home.



I found this book to be excellent, and very informative, a perfect read for fans of Jane Austen.



I give The Spirituality of Jane Austen five out of five stars!

This book wasn't quite what I thought it would be, however as I have not read much Jane Austin I was looking forward to it.  It was a very easy read and I liked that it combined Jane's biography, which I knew very little about with the analysis of her books.

I am sorry that I couldn't  complete the book on time and it got expired. I am giving 1 star because of the book description. I liked the synopsis and that is why I asked for the book.

I read most of this and enjoyed it! Keep up the good work!

The Spirituality of Jane Austen is amazingly insightful and informational and full of Faith. There were a lot of surprises. What kind of surprises? Well I am so very glad you asked. Let me tell you just a little about her. I was surprised at some of it. Jane was born in a family of 10 there was 8 kids she was next to the last and only one of two girls. Her father was a pastor and when she was born he immediately baptized her then later he baptized her in front of the church. When she was just a few months old they gave her to a nanny-nursemaid in town until she was 1 year and 6 months old, then they had her move back home. This is just the tiniest information you will get the rest of the information when you get the book but there is so much more serious information and not so serious information it is so enjoyable to read you will love it too.

This is an excellent book about Jane Austen's beliefs and how they affected her writing.

Paula Hollingsworth relates the story of Jane Austen's spiritual background, her loving family and her trials and tribulations.  A vicar's daughter, Austen's conservative and carefully considered Anglicanism was extremely important to her. She even wrote prayers from a young age! 

Hollingsworth analyses the books thoroughly, telling how Jane Austen's Anglican values affected her characters and how her belief changed over time.  She was more attracted to the evangelical stream of the Anglican church when she wrote Mansfield Park, for example.  Hollingsworth's study of this book is especially good.

This is written in an interesting and lively manner and not at all dry.

I received this free ebook from Net Galley in return for an honest review.

Paula Hollingsworth does an incredible job of making the topic of "religion in the late 1700s into 1800" interesting and entertaining in The Spirituality of Jane Austen. I will say this book isn't for Jane Austen fans who are strictly interested in her love stories. Don't get me wrong, I love Colin Firth as much as the next gal, but I feel like this book is for those of us who are intrigued and excited to learn more about Jane Austen the woman beyond the books. I really enjoyed the unique examination of Jane's life through the lens of spirituality and that Hollingsworth included examples of how Jane wrote about religion/spirituality in her popular works of fiction to tie everything together.

The Spirituality of Jane Austen is a masterpiece of analysis, doing homage to the great 18th- century writer while providing a magnifying glass to see how the mental cogs moved in tandem with the beatings of a noble heart.

Hollingsworth demonstrates that every Austen novel was written with an ascendancy of spirit over, if not materialism, at least the story arc and character development. Aside from in-depth study of every novel, Hollingsworth studies the weave that interlaces the messages of the novels with Austen's own life.

When Edward, Jane and Cassandra’s well-off brother, lost his wife in 1808 after she gave birth to their eleventh child, Jane wrote openly of her Christian faith to Cassandra, emphasizing her belief that faith in religion comforts those who have lost loved ones. Since the death of Mr. Austen (Jane's father), the Austen women had been living with Jane and Cassandra’s brother Frank and his wife, Mary, in Southampton. However, James’s growing family and rising rents in the city had caused the usual worries. Edward’s sudden need of female relatives to be near his brood prompted him to offer his mother and sisters a cottage on his Chawton estate.

Finally back in her beloved Hampshire, Jane returned to writing with strength and determination. The patience Austen had to learn to muster to make a literary career truly successful will impress itself upon every struggling writer—yet that patience is far more about spirituality than materialist endeavor. Without the former, she would not have been the nuanced mirror for society and her own spiritual beliefs that she is.

Living in this cottage and finding security, Austen found artistic and commercial momentum. Sense and Sensibility was published by Thomas Egerton of Whitehall in 1810 or 11. Astoundingly, Austen kept her occupation of writing a secret from all visitors to her home including James’s three children. She used the creaking of a door to alarm her of the arrival of others and used letter- sized paper so that no one would think she was doing anything other than indulging in correspondence.

Holingsworth demonstrates that in hindsight, family members realized that there were indicators that the novelist was at work. The author of this analysis also points out the sense of freedom Austen must have felt at realizing no one would expect her to marry, now, in her thirties (having moved back to Chawton at thirty-three). More than once in her life, men showed interest in Austen, but she pulled away time and again, unwilling to commit to that sacred state unless she felt true love.

While she was paid 110 pounds sterling for the publication of Pride and Prejudice, Austen did not spend her income, so worried was she about penury.

Holingsworth contrasts Austen’s sincerity of religion and dedication to demonstrating balance of spirit and life in the world with the perspective of Jane's contemporary, the author Hannah More. Austen called More an “evangelical,” telling her sister she did not like that kind of writing.

Henry Austen, a brother who was an Anglican clergyman and wrote of her life in 1818, affirms that Jane did not like a “didactic approach” because it was not her aim to write authoritarian literature expressing one view with the intent of persuading the reader to adopt it. Knowing that Holingsworth is herself a priest, I found it interesting to follow her line of questions into how Austen may or may not have alluded to her Christian faith in her books.

Hollingsworth cites David Cecil, a professor at Oxford, and author of A Portrait of Jane Austen, as affirming that Austen held her faith in highest significance. Indeed, Holingsworth writes, Jane Austen referred to sermons a great deal in her letters and composed prayers.

If Austen was against evangelical writing and preaching, her point of reference, Holingsworth informs us, was the Evangelical Movement that began roughly in the 1730s. Some evangelicals stirred up such fervor that their crowds rioted. Not until she was writing Mansfield Park, and Britain was embroiled in war with America, did Austen finally embark upon “a much more overtly religious book.” Here, “the theme of improvement is introduced early on,” first pertaining to the landscape of Sotherton estate is concerned, but in truth, in reference to the need of “the occupants of Sotherton Court.”

Holingsworth gives an idea of what religious improvement means to each character, as superficial or erratic as that perspective may be. The threats in Mansfield Park reflect those of British society, and although Austen does not make reference to politics in her novels, her concern is clear and she shows it in the “society of Mansfield Park . . . being threatened from a number of different directions,” all having to do with moral development. From Tom, who shows no aptitude for running Mansfield Park, to Edmund who seems not to understand his religious duties as curate, to sisters Julia and Maria, who are unhappy and selfish, no one save Fanny knows how to act.

As Mansfield Park brings up the subject of slavery through Sir Thomas, whom Fanny questions, Holingsworth defaults to authorities likes Edward Said and Paula Byrne for a discussion of whether Austen could have been perceived as pro or anti-Abolitionist. The subject of values continues via the Crawfords, coming direct from London, where all manner of goods and services were available to the consumer for the right price. This kind of value system did not transport well to the country, where the consumer was no longer king.

As Holingsworth points out several times, every character in Mansfield Park needs improvement save Fanny, and Jane Austen's constant reference to the character as “'My Fanny’ . . . suggests her strong approbation of Fanny’s character.” If she has a fault, it is timidity, which she overcomes, “virtues . . . already in place.” These constant virtues, suggest Holingsworth, are what save Mansfield Park, almost as if Fanny has “play[ed] the role of a prophet,” withstanding all sorts of tests like deceptive charm and pressure to marry Mr. Crawford, which builds when she is exiled to Porstmouth, faces bleak squalor and is tempted to banish poverty through matrimony. Her constancy to her values wins.

This is the kind of attention Hollingsworth gives to every novel. Many readers may find the analysis of Emma of particular interest, for as Austen told her family,”’I am going to take a heroine whom no one but myself will much like’.” Less is blatantly obviously in Emma (as compared to the other novels) because, according to Holinsworth, Austen here “employs the free indirect writing style” which has become universally popular and which may be said to have been created by Austen.

Austen's new clergyman, named Mr Elton, has very human shortcomings, wishing to marry Emma so as to gain her fortune. There is nothing saintly in Mr. Elton. Emma is dedicated to the Prince Regent (an admirer of Austen’s novels). Dedication of her novel to him whom she found extravagant and wasteful was something Austen was disinclined to do until she realized her sovereign’s “invitation was in fact a royal command.”

Austen will never lose her hold with a young public who realize that whom one marries is as important today as it ever was. When Jane counsels her own niece Fanny, she does so with worry that a long engagement was not beneficial to the younger woman since Fanny already dreaded the idea enough to ask her aunt for a judgment. Jane answers, “You like him well enough to marry but not well enough to wait.”

In Persuasion, Austen applies the “what if” premise of a man and woman who decide to break off and then meet each other again when, years later, the man, (Wentworth) has finally the means to marry. Wentworth finally realizes he still loves Anne Ellliot while she is fending off a new suitor, her cousin William. Persuasion was titled by Jane’s brother, after Jane’s death, but it is clearly a spiritual undertaking for “right judgment is needed to discern whether it is right or wrong to seek to persuade others, or to heed the persuasion of others.”

Holingsworth welcomes the advent of a conscientious clergyman in Persuasion. Another strong suit for spirituality is Austen’s reminder that “ reflection of the wrong sort” leads to “self-indulgence and self-pity.” Reflection and persuasion are important only insofar as they help people cope with difficulties and become happier and more steadfastly patient as a result.

Holingsworth talks about Austen’s health struggle towards the end of her life, when she was barely a middle-aged woman, speculating about what the disease might have been. Apparently Austen felt hopeful enough of recovery to start a new novel, Sanditon, which was set in a new bathing city in a small village on the south coast of England. It is interesting to read Holingsworth’s speculations as to why the heroine was but a mere observer and not a participant in the story, and what might have been Austen’s reasoning.

at this point Austen is coming to the end of her physical journey. She was reported to have received “Holy Communion from her clergymen brothers James and Henry while she had the strength to do so," but like Fanny, her constant consideration of others was ever in evidence.

Hollingsworth shows how careful Austen was to make her spirituality a part of her life and novels. Her family “genuinely grieved her loss as their sister and aunt."

At the time of her death, Austen's fame was in no wise established, and the official approval of her remains being placed in Winchester Cathedral must have been particularly satisfying to the Austen family.

Reviews of Austen’s work emerging in the years after her death show the degree to which society had trouble appraising this writer’s careful creative work: Charlotte Bronte was critical of the lack of passion. The works of the Bronte Sisters as well as Dickens outsold Austen for decades. Austen's rise in popularity began in the later 19th century, augmenting worldwide throughout the 20th. The film versions, Holingsworth notes, have “done much to bring the wonderful stories of Jane Austen to a wider audience” although Darcy emerging wet from the lake on the grounds of Pemberley was neither Austen’s idea nor, we wonder after reading this fine book, would she have truly approved!

Hollingsworth makes a fine point when she says that “the focus on plot” has been to the detriment of the message of virtues and character development, so that many will not be aware of what Jane Austen intended in her oeuvre.
This review appears on Amazon and Goodreads. I have a second review on my blog at grassrootswritersguild.wordpress.com

This book is set from an interesting angle and I genuinely felt I understood both Jane Austen and her novels much more profoundly once I'd read it. I'm now itching to reread her books so I can apply this new perspective to my experience

A dispetto del titolo, La spiritualità di Jane Austen, che in un primo tempo mi aveva portato a dubitare del fatto di volerlo leggere, il bel saggio di Paula Hollingsworth non si focalizza solo sul tema principale, ma ci regala una trattazione della vita della scrittrice inglese a 360°, includendo anche più informazioni dei Ricordi di James Edward Austen-Leigh.

Traducendo le parole dell'autrice, "Il termine spirituale è spesso usata oggi laddove la parola religioso sarebbe stata usata ai tempi di Jane Austen [...] per Jane Austen, la parola religioso avrebbe significato cristiano" e " religioso sarebbe stato sinonimo di credenze e riti degli anglicani praticanti appartenenti alla Chiesa d'Inghilterra".

Si tratta quindi di un saggio che, raccontandoci la vita di una delle più conosciute scrittrici di tutti i tempi, ci rende chiaro quelli che per lei erano i temi più cari: la casa, la chiesa e la comunità.

Jane Austen nacque in una famiglia amorevole e di larghe vedute, supportiva, capace di creare un ambiente molto sereno e piacevole, nonché molto legata alla religiosità e alla chiesa, vista l'occupazione non solo del capofamiglia, reverendo, ma anche di altri parenti.

Viene a dipingersi un quadro molto delicato di quella che doveva essere Jane Austen ragazzina e poi giovane donna, cresciuta credendo fermamente nella giustizia, nella costanza e nella capacità di ognuno di migliorarsi.
Molto toccante la parte riguardante il suo trasferimento a Bath. Oltre a fornire interessantissime informazioni sulla città, l'autrice riesce a farci comprendere quanto dové essere penoso e triste per la scrittrice l'allontanamento non solo dalla casa in cui era cresciuta, ma dalla comunità di cui si sentiva parte, e da tutto ciò che aveva costituito sino ad allora la sua vita e la sua quotidianità.

Tre capitoli sono dedicati all'analisi dei romanzi completi di Jane Austen, naturalmente con un'attenzione particolare alla religiosità. C'è da dire che, pur avendoli letti e riletti innumerevoli volte, sono riuscita ancora ad imparare qualcosa.
Che in Orgoglio e pregiudizio, ad esempio, oltre al noto tema del contrasto tra essere e apparenza, vi sono quelli di morte e resurrezione (interiore) e perdita e redenzione;
che i personaggi di Mr Collins e Lady Catherine, di sicuro non un esempio di ecclesiastico e di patronessa, nascevano dalla profonda consapevolezza di Jane Austen di quanto potere e influenza avessero le persone nella loro posizione, e di quanto male potessero arrecare alla comunità.
Che in Northanger Abbey l'autrice non polemizzava contro i romanzi gotici, bensì contro il fatto che li si leggesse senza riflettere, né comprendere la differenza tra finzione e realtà.
Che in Mansfield Park, la dimora dei Bertram e i suoi abitanti possono essere visti come un microcosmo, rappresentanti la gentry inglese dei tempi di Jane Austen, in declino, soprattutto morale, salvati da Fanny, grazie alla virtù della costanza.

La stessa costanza mostrata da Anne in Persuasione, che non smette di amare nonostante si sia piegata al volere dei suoi familiari, e che, nel suo penoso trasferimento a Bath, è probabilmente il personaggio più vicino a Jane Austen, e più lontano da Catherine Morland, che nella stessa città arriva ragazzina, con tutto l'entusiasmo della sua età e l'anticipazione di nuove scoperte.

Paula Hollingsworth inoltre pone anche l'accento su una interessante questione a cui probabilmente non si pensa spesso, e cioè sul fatto che le trasposizioni su grande e piccolo schermo dei romanzi austeniani, nonché i vari prequel, sequel e variation, allontanandosi dal messaggio originale dell'autrice, così attenta alla moralità e soprattutto alla crescita e alla profonda trasformazione interiore dei suoi personaggi, abbiano contribuito a dare alle opere di Jane Austen la fama di romanzi d'amore e nulla più.

Il saggio si chiude con alcune preghiere composte dalla stessa Jane Austen. L'impressione che ne ho tratto è che la mano che le ha scritte appartenesse ad una persona estremamente sensibile e veramente amabile.

--

La copertina: molto bella.
E' costituita semplicemente dall'unico ritratto che disponiamo di Jane Austen, più il titolo, dal font elegante come la disposizione del testo, non chiassoso né ingombrante.
Ha sicuramente contribuito alla mia scelta del testo.

Combine your love for Jane Austen and her novels, your love for English literature, and your love for English history and what do you get? The Spirituality of Jane Austen. It really takes an understanding of all three of these to truly comprehend the influences of Jane Austen’s spirituality. A man didn’t become a minister in Austen’s day necessarily due to a higher a calling, but rather due to a rectory appointment, and sometimes even that was by default. If there was no better job available, a man might be lucky enough to be ordained into the clergy. Austen was well acquainted with this and surrounded by many clergyman in her own family. When she wrote of these men in her novels, she had great experience in dealing with them, beginning with her own father.

Hollingsworth chronologically delves into Austen’s life, using her novels when appropriate to show how that reflects on Austen’s own spiritual views. Hollingsworth fills in the time gaps between Austen’s novels with the moves and travels of Austen, as well as the religious movements of the day. One of the most notable was the Evangelical Movement with such ministers as George Whitefield and John Wesley, and Austen’s reaction is very telling.

This is a must read for any Jane Austen fan.

This book delves into the personal faith of one of the world's most beloved British novelists, drawing from her own correspondence and personal writing. It also examines the deeper mindsets and attitudes of characters in her novels for clues of what their creator really felt.

Jane's own faith is an interesting question, considering her cheeky portrayal of clergymen in her novels, such as the pompous, servile Mr Collins, and the snobby, social climbing Mr Elton. We can't help wondering whether they were proof that she deplored the Christian faith, or if she simply considered that they represented a different brand of Christianity to hers.

Jane Austen's fondness for reading printed sermons, and some of her own written prayers indicate that she was a devout believer in her own quiet way. So do the guiding principles of her main characters. For example, I love the idea that the retiring Fanny Price actually serves the role of Old Testament prophet or seer in the novel 'Mansfield Park.'

It's revealed in these pages that Jane didn't appreciate the evangelical movement or the behaviour of its spearheads, such as John and Charles Wesley. It seems she objected to their emphasis on dramatic conversion experiences, and the sense of superiority it seemed to suggest. For Jane Austen, matters of faith should be strictly between the individual and God. She didn't think highly of the evangelical novelists of her day. In her opinion the Christianity they presented in their stories was too showy and in-your-face, although she used less modern expressions. It's all very interesting, and makes me pretty sure that if she'd been born in our time, she'd probably choose to write for the secular market, just as she did in her own.

I like the glimpse of the popular novels of her Regency time period. They tended to be either Gothic or Romantic Sentimental, neither of which was approved reading for young ladies. They were regarded as frivolous and even dangerous, but the Reverend George Austen gave his daughters uncensored access to his personal library of over 500 volumes, which did include recent hyped-up best sellers.

These days, Austen fans tend to think of him as a good dad, but back then, the majority might have thought differently. I couldn't help comparing his situation to a current question I've seen often going around, of whether conscientious parents should put filters on their kids' internet, or even forbid it altogether. I've come across parents who do either one or the other, although we never did either in our household. It makes me think we were following in the footsteps of the Austens. I love how they were self-proclaimed, unashamed novel readers, in their day and age. Jane has her 'Northanger Abbey' hero Henry Tilney declare, 'The person, be it gentleman or lady, who has not pleasure in a good novel must be intolerably stupid.'

Altogether, if you don't mind a fair bit of her plots being re-told, this is a good read with some interesting detail for any fan. Not only does it give another good glimpse into Jane Austen's family life, but gets us reconsidering our own attitudes alongside those of Jane and her family.

Thanks to NetGalley and Lion Hudson for my review copy.

I received a free copy of this book from NetGalley.

Paula Hollingsworth shows how Jane Austen's faith and spirituality runs through all her work and her life.  It is all too easy to assume because Austen makes fun of Mr Collins in Pride and Prejudice that she is making fun of faith and religion in general.  But if you look more closely you will see that she only makes fun of Mr Collins in social situations and we never see him in church or about his parish duties.

Mansfield Park is probably the most spiritual of the novels and it shows clearly the importance of spirituality in daily life.  Fanny and Edmund are excellent examples of faith and Christian principles in action.  They do not impose their believes on other people but they set a good example to everyone else with whom they come in contact.

The author shows that Austen makes fun of the church which allows such people as Mr Collins and Mr Elton to hold office but she does also show how spirituality and faith are so important to living a good and virtuous life without being pious or pompous.

This is a fascinating book and it has shown me how there is always something new to see in Austen's six novels and I shall read them with fresh eyes having read the book.  It includes a reading list and an index and is a must for anyone who loves Jane Austen and books about books.

I really liked this biography of Jane Austen. I loved that it explored each of her novels and related it to what she experienced or what was currently going on in her life at the time she wrote them. I thought exploring the role Religion and Spirituality played in her life was a very facinating approach. There are so many different clergymen characters in her novels and I thought it was refreshing to explore the topic without throwing in our modern bias. Hollingsworth does a good job of showing how much religion played in her life without making this preachy at all. Jane certainly didn't preach either but she did promote moral, christian doctrines and practices. 

I think most of the biographical facts are things I have picked up over the years as a fan of Jane Austen so her life story wasn't new to me. I did however really enjoy the focus and insights that were shared in this biography.

The book covers the topic of faith in Jane Austen's life and her works with a nice and easy writing style. A book I would recommend to fans and non-fans alike, as it has a good mixture of biography with the analysis of her books.

For all of those that love JA you will like this book.  Makes you think of the woman she really was.  A book that will make you think.

This was interesting however I don't think it's for most people.  Thank you.

I was excited to read this exploration of Jane Austen. I had never considered the role her spirituality played in her life and how it affected her writing. Paula Hollingsworth has written a very accessible book. She lays out her ideas clearly and supports her views with a wide variety of sources. The book has a straight forward and sensible organization, making it easy to use for reference. The book is a nice mix of biography and analysis of Jane Austen's writing. Because the analysis of her novels is so thorough, plot points will be spoiled for anyone who hasn't read them. I particularly liked the extensive endnotes and partial bibliography Ms. Hollingsworth included. The appendix of prayers written by Jane Austen were illuminating and are something I will revisit.
I will definitely use this book as a reference next time I re-read an Austen novel. I think it will add considerable depth to the experience.