I wasn't much of a fan of the first book in this series (this is book two), but this one took leaps and bounds to draw me and -hold my interest. Enough so that I'm very interested in going back to the first book.

The book opens with Saffron, having returned to Earth from the world known as Kena. She's bullied and shunned by many of her classmates and her parents believe she needs to be in psychiatric treatment. Saffron believes that she just needs to be left alone, and when not, that she should have the right to stand up for herself. But customs and traditions threaten the girl's chances for peace or tranquility. She's going to have to make some difficult choices (welcome to the world!) and either return to Kena - abandoning everything and everyone she knows and loves; or stay in the world that will never let her forget that she's wounded and maybe even broken psychologically.

You don't really need to read the first book - author Foz Meadows does a great job of summing up the events in the previous book in a portion of the narrative early on.

Seeing this side of Saffron really connected me to her. I loved her spirit and her unwillingness to bow to the pressure and to stand up for herself. The scenes in the school almost stand out as 'feminist women's rights dogma'. Almost. I loved her. I loved her spirit and I wanted nothing more than to see her succeed at whatever she wanted from that point on.

The story(ies) in Kena with some of the other players was less exciting. I think that a large part of it was that there were too many people who blended together and I had a tough time keeping them straight. Each chapter we spent with someone (and there were a few of them), I kept just wanting to know what Saffron was up to.

In a lot of ways this feels like a 'Mary Sue' story except that it's not taking place in a tried-and-true existing universe, but in Meadows' own world. Still, I can't help shake the feeling that we're reading a lot of wishful fantasy on Meadows' part. I think that's true with a lot of fantasy fiction, but it wears on the shoulder a bit more here. Perhaps I'm wrong, and I didn't feel that way with the first book. Even so, I enjoyed this journey more than the previous one.

Looking for a good book? <em>A Tyranny of Queens</em> by Foz Meadows returns us to the Manifold World series with a stronger developing of character than the previous book.

I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.

A Tyranny of Queens by Foz Meadows is the sequel to An Accident of Stars, which I reviewed earlier this year, and the concluding volume of the duology. I didn't actually realise it was a duology until I was nearing the end — I had assumed trilogy by default — and I'm still not sure whether I'm ultimately disappointed about that.

Saffron Coulter has returned from the fantasy kingdom of Kena. Threatened with a stay in psychiatric care, Saffron has to make a choice: to forget about Kena and fit back into the life she’s outgrown, or pit herself against everything she’s ever known and everyone she loves.

Meanwhile in Kena, Gwen is increasingly troubled by the absence of Leoden, cruel ruler of the kingdom, and his plans for the captive worldwalkers, while Yena, still in Veksh, must confront the deposed Kadeja. What is their endgame? Who can they trust? And what will happen when Leoden returns?

This book continues the story of Saffi, Yena, Gwen and friends, following on directly from the events at the end of An Accident of Stars. This is not a book to read if you haven't read the prequel as pretty much all of the story depends on what went before it. In A Tyranny of Queens we follow each of the characters as we find out first what happens next and then how everything wraps up.

That was the thing I didn't expect about A Tyranny of Queens. I went into it assuming it was book two of a trilogy and, as I was approaching the climax/end, realised that it was going to wrap up too much of the main plot to leave much for a book three. And then it felt like it was over too quickly, with everything wrapping up a book earlier than I originally expected. This is partly my own fault for not realising this was a duology but it's also an effect that was amplified by the opening of A Tyranny of Queens being a bit slow. I was mostly interested in Saffi's story — initially back on Earth — but more time was spent on what was going on back in Kena, not all of which was as interesting, initially (although it was all ultimately relevant to the overarching plot).

The other thing was, I didn't find the overarching plot across the two books as innovative as I would have liked. Most of the interesting and exceptional elements were in the social worldbuilding (not to say that the physical worldbuilding wasn't also interesting). The overarching plot wasn't boring but kind of didn't go far enough to be really interesting. Part of it was interrogating the portal fantasy premise, but part of it could have dealt at least a little bit with colonial ideas, or at least have given us more of a historical context for <spoilers redacted>, but didn't. The antagonist side of the story was fine, but there just could have been... more.

Basically, I liked this book but I didn't love it. I'm glad I read it because I enjoyed seeing how everything was resolved and what Saffi ultimately decided to do with her life. Also, it kept my interest enough that at no point did I actually put it down to go read something else.

I recommend A Tyranny of Queens to readers who enjoyed An Accident of Stars and I recommend the whole Manifold Worlds series to fans of portal fantasy or readers who like seeing less conventional gender roles and family groupings in their fantasy stories. Indeed, the latter is one of the really strong points of the series. Although I don't expect a direct sequel, I would be more than happy to read more books set in the same universe since there's a lot of scope there to tell a lot of different stories.

4 / 5 stars

First published: March 2017, Angry Robot
Series: Manifold Worlds book 2 of 2
Format read: eARC
Source: Publisher via NetGalley
Challenges: Australian Women Writers Challenge

An Accident of Stars was one of the best books I read last year so I couldn’t wait to read its sequel A Tyranny of Queens.

This book series is a portal fantasy following several characters including Saffron, a seventeen years old girl who stumbles into another world after being harassed by one of her schoolmates. We then discover Kena, a magical world where Saffron encounters wizards, treacherous kings and queens, badass women, dragons and, most importantly, people who understand her.

In case of haven’t read the first book I am going to stay very vague about the events of the first book but, at the end of the first one Saffron has to go back to Earth (for reasons I won’t disclose) and A Tyranny of Queens opens up with her dealing with the aftermath of her journey. In this, it feels pretty similar to Every Heart a Doorway since both works deal with the aftermath of children/teenagers being brought back from other worlds. I really enjoy reading about this aspect in books because it allows us to see the repercussions of the return on the characters. In this book, I felt deeply for Saffron , she doesn’t come back from Kena unscarred, both physically but also mentaly, and seeing her dealing with all the bullshit her entourage is giving her was both fascinating and troubling.

This book also follows other characters that remained in Kena and at first I was very confused because most of the names are pretty similar so I had trouble remembering who was who but after a few chapters, I managed to understand what was going on. Meadows also introduced us to new characters and I have to say that my favorite addition to the cast definitely was Naruet, an autistic male character who has a key role in this installment. It was very interesting to see his perspective on the various events of the first book and I could have read an entire book just focused on him.

I really loved that book however it’s not without its flaws, as I said I was confused by the names at the beginning and I felt like Meadows didn’t leave us time to remember who was who before starting with the political maneuvering and it didn’t help. When you have all those new names thrown at you and you are still figurating who’s is who’s mother/sister/daughter, it’s a little hard. Also a few coincidences felt a bit too easy and convenient, everyone always ended up figuring out what needed to be right on time and a bit too often. It didn’t bother me that much but it’s still worth a mention.

So yes the book is flawed but I don’t really mind. Reading this book just made me extremely happy, it’s not perfect but damn I love it. It’s so original and it deals with issues I can 100% relate to. It is rare to see books dealing so well with a lot of themes that are important to me like casual sexism, bullying and queer relationships. It’s a great exemple of diversity and queer normality: in this world you can be whoever you want to be and nobody is going to judge you for that. All the characters are layered and I could even relate to the “bad guys” which is not always an easy feat.

So would I recommend this? Absolutely: it’s not perfect but damn I wish I could have read it when I was younger and if a sequel is coming, I will devour it.

review to come 5/11/17 http://www.shelfinflicted.com

It was a joy to catch up on Saffron and what happens to her after her unexpected return home. For me, she was always the standout character in this enthralling portal fantasy and I really appreciate the opportunity to rebond with her. But my firm advice is to read the first book before picking up this one. Politics in Kena is a complicated, nuanced business and as I plunged once more into this intricate world, it took me a while to pick up the threads and I’m not sure the pacing is quite as sharp as it might be. Granted everyone is thrown into turmoil after the shocking events at the end of An Accident of Stars but it seemed to take a while for the momentum of the story to get going.

However, that isn’t a dealbreaker – the world and the interplay of characters in this sophisticated, clever story makes is a standout read, anyhow. There are some pleasing plot twists I didn’t see coming which worked really well. It is also a joy to read a book where women are fully represented throughout the society – with not a cliché among them. Having grown up in the ‘golden age’ of fantasy and science fiction when women were either in the story to be seduced, saved or as a wrinkled fount of wisdom it still gives me a buzz to see a female cast of characters with agency representing a range of ideas and views from the nicest to the nastiest.

The climax and finale worked brilliantly with all the main characters taken care of – a feat in an epic fantasy where there are a fair spread of folks whose story arcs have cris-crossed through this duology. If you enjoy well written, engrossing epic fantasy, but feel that Life is too short to take on a doorstopper-sized epistle, then do consider this classy, engrossing duology – Meadows is a class act.

While I obtained the arc of A Tyranny of Queens from the publisher via NetGalley, this has in no way influenced my unbiased review.
9/10

Saffron is back on earth after walking between worlds to Kena. She's had to come up with some awful stories to explain her scars, missing finger, and impressive tattoo. She's trying her best to fit back in at school, but it seems some awful kids would rather latch on to her made up tale of being taken by a psychopath in order to make her miserable.

Too bad she can't tell them the real story--that in another world, she's afforded the courtesy of a Queen.

Back in Kena, Gwen is dealing with the aftermath of the mess former ruler Leoden left behind when he escaped through the world gate and his lover killed Saffron's dear friend Zech.

This is book two in a series I'm really enjoying. As well as a fully diverse cast of characters, there's beautiful examples of love in all stripes--including royal polyamory. Saffron is an imminently relateable character both for her teenage experience as well as her honest shock at being dumped into strange new worlds.

Everyone occasionally has a fantasy of escaping to another world (that's what books do), and Saffron does it. While in the previous book, An Accident of Stars, she is as lost as anyone would be--in this book, she not only seems to be getting her footing quicker, she's grown and evolved to be able to confidently figure out what she needs to do next.

Wonderful series, and one I'll definitely be following.

I honestly read the first book so I could read this egalley. After I finished An Accident of Stars, I was kind of disappointed that I'd have to read the second book. It was amusing enough, but not all that interesting or unique and if I hadn't already downloaded the egalley, I probably wouldn't have continued reading the series.
That being said, I enjoyed this book much more than I thought I would and much more than the first book. It has plenty of flaws, but overall, A Tyranny of Queens was much more readable and much more fun.
Let's look at the flaws first:
1) My biggest issue is that the characters, though often in different worlds moving along different parts of the plot, will get enough information to come to the same conclusions at the same time. So our characters (who are all separated) will communicate and discover that everyone has made the same discovery at the same time and that everyone is already on the same page and they'll move along from this like it's not a big deal. Once or twice would've been strange enough for this sort of phenomenon, but it happened every time our characters needed to learn something new. It would have been much more interesting if some characters were kept in the dark for a time and that led them to do stupid things or ruin the heroes' plans.
2) The characters are still sort of flat and uninteresting. They do develop a bit more in this book, but most of the characters are static, which I hate. I was expecting flat characters when I went into this book, so it made things a bit easier.
Now, the good things:
1) Meadows seems to have gotten a good handle on the world at this point. I felt like it was well-developed in the previous book, but after reading A Tyranny of Queens I get the feeling that the first book was mostly setting the stage for the drama in the second book. The world felt a lot more real and it was easier to see how the cultures worked (or didn't work) together.
2) Separating so many characters was really effective. It made the story move along more quickly (or at least feel that way). Even if one character was just in the middle of an interesting conversation, I knew that there'd be action in another area with a different character. This made the book a lot easier to read for me.
3) Meadows provides the reader with some twists and surprises that I thoroughly enjoyed. An Accident of Stars sets you up to believe one way about certain things, and A Tyranny of Queens dispels some of those beliefs. I did think that Kadeja being behind everything was kind of cheap, but it was surprising to like Leodon and feel like he'd been wronged.
Overall, I did enjoy this book quite a bit. I would recommend this to portal fantasy lovers.

A Tyranny of Queens is the second in Foz Meadow’s “Manifold Worlds” series. I took a look at its predecessor, “An Accident of Stars” last year, and was quite impressed with its particular blend of portal fantasy. I’ve been looking forward to seeing where the story goes on this one.

The story begins back in what we think of as our world. Saffron, one of the protagonists of the previous volume, has found herself back home after her otherworldy jaunts. Unfortunately, she’s also found herself scarred, emotionally and physically, and reticent to explain exactly how these changes came about. Facing a social worker and a concerned family, she goes back to school. There’s a slow tension building up, permeating the school – at least there is for Saffron. She seems out of her element, struggling to adapt to the petty daily realities. The structured lessons, the ambivalent authorities and the skin-crawling social environment are all carefully constructed, and carry an immediacy and an honesty which make them feel genuine, if not pleasant to read about.

There are, though, other worlds than these – and their vibrant colour and energy stands in sharp contrast to the institutional drudgery to which Saffron has initially resigned herself. We’re also visiting the world of Kenans and the Veksh, cultures firmly established in the previous book. The story takes a hard, unflinching look at borders and history. It’s interested in exploring the divergent cultures available in this alternate world, and starts laying out a little more of the history that has led to the current state of affairs. This exploration of how and why peoples have settled into their current cultural structures is absolutely fascinating. It’s also done cleanly, a gradual process of reader discovery matching others in the narrative, rather than a massive infodump, which was very much appreciated. If the world was a mystery before, it may become less of one over the course of the text. I appreciated the opportunity to share in the excitement and worry of discovery, and thought this was particularly well done.

This also feels like a more political text than its predecessor. There are intrigues aplenty, and more than a few moments where characters are trying to work out what they can say, and who they can trust. In a world which allows for the sharing of skills and memories, issues of trust are paramount – and exploring the erosion of that trust, or its restoration, is another facet of the narrative. It’s well done, and there were more than a few moments where I was more than startled.

This is an example I think of the way that the world building has clearly been done with great care. Each of the cultures presented has their own mores and expectations, and they still clash gently (or less than gently) from time to time. But everything is internally consistent within a culture, which means that although we may not get all the details, we can see enough of them to make each nation, with its different ethics and values, feel alive. Admittedly, it still feels like there’s too many linguistic terms and cultural titles thrown around, but I got used to it after a while, and the prose flows along quickly enough that I didn’t stumble over the terminology too badly.

The characters, now. I always rather liked Saffron, the quietly desperate protagonist from earth. After her experiences in the first book, she’s back, albeit somewhat feistier. This is by no means a bad thing. Watching Saffron get a firmer handle on who she is, what she wants, and how she’s going to achieve it is fantastic. There’s still doubt there, and a certain frailty, which helps keep her human – but her burgeoning confidence, and growing refusal to take ownership of other people’s crap helps make her a heroine it’s a pleasure to turn the pages with.

She’s ably assisted by the supporting cast of Kenans and Vekshi of course. A surrogate family of sorts, they’ve got an unforced enthusiasm for life, and an energy which makes them charming company. There’s enough arguments, discussions and human frailties in there as well that they feel like people, rather than constructs – and their support for Saffron and each other is unforced and a rather lovely read.

The villains though – the villains are where this shines. I won’t add spoilers here, but it’s great to see Kadeja again. She was the focused, driven, self-justifying and generally appalling antagonist of the last book, and her rather vile dynamism is guaranteed to make her steal a scene if she’s in it, one way or another. In contrast to Kadeja’s iron certitude, the conflicted Leodan is somewhat more mysterious – a man who stole a throne, paying a long game, a man wearing more than one face – he’s something of a cypher; the longer he was on the page however, the more intriguing he became. Kadeja owns a room when she walks into it; Leodan appears more sympathetic, more personable – despite his actions in the previous text. They’re both, if not charming, certainly compelling – I found it difficult to put the book down, trying to discover what scheme they’d started rolling at the conclusion of the previous book.

Speaking of which: I won’t spoil the plot, but this is a book that promises answers. There’s more than a few of those scattered through the pages, alongside red herrings, betrayals, and the occasional murder. At the end of the day though, this is a story which embraces the sense of discovery, and of looking for the best in humanity. I mean, there’s magic, and more than a few revelations which made me stop for a moment to recover, and far more that made me stop and think. It’s got well-paced prose, and some truly explosive moments running alongside a fascinating discussion of humanity, and the decisions that people make – a wider story, wrapped around the journey of Saffron and her friends and family.

Is it any good? Well, I rather enjoyed it. I’d say you can just about read this without the first volume, but I’d suggest starting there. The context provided is invaluable. If you’re coming to this after reading the first book – then this is a worthy successor, a clever and innovative piece.

A book of numerous flaws, but with strengths that, for me, outweighed them.

As with the first book, there's a whole lot of coincidence driving the plot, including separate people in different worlds repeatedly figuring out the same thing at the same time for different reasons. The author goes so far as to lampshade this abundance of helpful coincidence at one point, through the mouth of the central character, who comes very close to being what I call a "spoiled protagonist" - handed what she needs when she needs it. I say that she comes close, because she also has a rough time of it. Ultimately, though, she (and most of the other characters) lack agency at key moments of the plot.

This may be a deliberate choice, like a lot of the issues. Another problem with the book is that it does read a bit like it's filling a diversity bingo card, rather than exploring any issue of diversity in any depth. I heard an interview with the author on the Skiffy and Fanty podcast, and she mentioned that the world was one she'd started building when she was around the age of the main character (mid-teens); this may be why it seems a bit like wish-fulfillment at times; why the backstory to the matriarchal society turns out to be so banal and unsurprising; and also why the names are often confusing in their similarity. Here's a de-spoilerised sample:

'"...Kadeja," Yena said. She sat at Yasha's bedside, flanked by Sashi and Safi, while Ksa a Kaje watched...'

I read the first book in the middle of last year, and I couldn't remember enough of the it to make head or tail of the political bits for a long time. I did what I usually do in this situation: let them wash over me and kept reading until I got back to something more interesting. Ultimately, the political maneuverings were background to the real story in any case.

The real story - or the one that felt real to me - was the story of Saffron, the teenager from our world's Australia (though it's never clarified in this volume that it's Australia, and that will confuse some readers). She's returned, maimed, from her difficult experiences in book 1 to her home, and nobody understands what she's gone through, and she can't tell them. She hasn't thought about her best friend much - the best friend seems to exist mainly because someone like Saffron would have one, not because she contributes much of anything - but she makes a new friend, who helps her escape the life that's now alien and intolerable to her, and then vanishes from the plot. Saffron and Yena, the transgender girl who she developed a tentative attraction to in the first book, have parallel plotlines for a long time, in different worlds, not really thinking about each other much (and certainly not with any kind of longing); they then, when they meet, fall into a passionate embrace and suddenly have a fully formed relationship. It's kind of like a romance, except with most of the beats removed, and, like other aspects of the plot, felt unearned and undeveloped.

Despite all these flaws, and the overuse of the metaphor of a heart "rabbiting" in someone's chest, I did enjoy this book - at least the Saffron parts, and to a lesser extent the Yena parts. That was because they were passionate about things and pursued them with determination, even if they sometimes lacked agency despite their best efforts, and at other times were handed solutions without working for them. I felt for them in their difficult situations, and that constitutes the book's success, for me.