While not something I would’ve picked up in my own, this book was a great read. It exposed me to a history and information I wasn’t familiar with so I was intriguing by the real elements as well as the fictional characters.

The unquiet dead by Ausma Zehanat Khan.
Detective Esa Khattak and Rachel Getty Mysteries Book 1.
Scarborough Bluffs, Toronto: the body of Christopher Drayton is found at the foot of the cliffs. Muslim Detective Esa Khattak, head of the Community Policing Unit, and his partner Rachel Getty are called in to investigate. As the secrets of Drayton’s role in the 1995 Srebrenica genocide of Bosnian Muslims surface, the harrowing significance of his death makes it difficult to remain objective. In a community haunted by the atrocities of war, anyone could be a suspect. And when the victim is a man with so many deaths to his name, could it be that justice has at long last been served?
A very good read. Great story and characters. 4*.

A great book that I enjoyed even though historical Fiction isn’t my preferred genre. The war references for me were hard going but generally it was a great story

Very well written and engaging book that i found throughly enjoyable and would highly recommend for everyone interested in it!

It might be fine but descriptions of war crimes and massacres aren't my cuppa. I know as much as I need to about the massacre at Srebrenica, and if I ever want to know more I'll read a history book. I tried. Abandoned at 20%. Leaving it unrated as I suspected it wouldn't be for me, so it would be unfair to mark it down just because it turns out it isn't.

(NetGalley is forcing me to put a star rating here, so I can only give 1 since I abandoned it.)

Once again with The Unquiet Dead I have had the privilege of reading a book that defies any simplistic recognition of it being a ‘crime thriller’. Instead what we experience as readers is a searing testimony to the futility and brutality of war, in this instance the violent break up of the former Yugoslavia, and a sensitive and heartfelt portrayal of survivor rage, and guilt. All this is cocooned within the more linear investigation of a suspicious death; a death that reaches back into the turbulent past, but with severe ramifications for those in the present.
I am rarely emotionally moved by a book to the degree that I need to sometimes halt and take a breath, and in common with this book, those have been occasioned by novels depicting war and its consequences. Given the emotional reach of this book in terms of its depiction of the genocide and rape that occurred in this conflict, Khan’s prose and imagery of war is beautifully controlled throughout. It is written with a clarity and grace of simplicity that every scene of man’s unconscionable violence towards others hammers straight into the heart of the reader. Taking into account the author’s depth of research, this feeling of discomfort is amplified by the knowledge that these scenes are so firmly grounded in truth. These dreadful events happened, thousands died, and many more live with the physical and mental scarring of having witnessed such tragedy. Alternating between the past and present, the reader remains fully engaged with both timelines throughout, slowly piecing together the incontrovertible truth of  history continually reverberating in the present, as all the protagonists experience to some extent. Khan uses this motif not only in those affected by the war, but also other characters who have experienced some form of emotional, marital or familial upset too, so the level of human interest is palpable and certain situations recognisable to the reader too. It’s cleverly done, and merely strengthens the many levels of human relationships and experiences that permeate throughout the book.
For reasons that will be become absolutely clear when you read this book for yourselves, I am loath to delve too deeply in this review on some of the characters in this book for fear of giving too much away. Suffice to say, several of them exhibit the best and worst characteristics of the human condition, from quiet dignity to unbelievable greed and hatred. Instead, I would draw your attention to the unique combination of detectives Esa Khattak and Rachel Getty who prove themselves so defined by their differences, but so symbiotic as an investigative team. There’s a wonderful quote from Getty on her taciturn and reserved boss, Khattak, in which she says, “He wasn’t a man who dealt in ultimate truths as she did, he traversed the underground cities of doubt and discrepancy where human frailty revealed itself in layer upon layer of incongruity.” Khattak remains almost unknowable throughout, being both sensitive and prone to introspection, but retaining an aura of quiet determination, despite certain revelations and his involvement in the case at a more personal level. Equally, Getty has an intriguing back story in terms of her family background which unfolds slowly, giving her some personal revelations of her own. She also proves an excellent foil to Khattak with her propensity to cut straight to the chase, and ask the difficult questions at the right time, without fear or favour. I liked both these characters immensely, and the strength of their partnership and very individual personalities that lie at the core of the book.
With a slow reveal of historic crimes, emotional wounds and the desire for monetary gain, revenge or closure, this books burns with a unique intensity, that is quite difficult to put into words. As a meditation on war and its aftermath it’s powerful and disturbing, and as a crime thriller on a conventional level it transcends the genre in terms of its emotional reach and characterisation. A difficult, yet thoroughly rewarding read, that will linger in my mind for some time to come. Highly recommended.

Harrowing and upsetting, Khan takes an unflinching look at how the horrors of 'ethnic cleansing' in 1990s Bosnia reverberate into the present. Using the structure of a crime novel, she presents us with a disturbing amount of real-life testimony, of guilt confessions from the later war crime hearings, and material from UN reports cleverly woven into her fictional narrative. Her indictment lies not just with the brutal Bosnian Serb militias but also with the UN and the world that allowed these atrocities to take place.

Set in Canada, the book also presents us with an intriguing new detective duo in Esa Khattak and Rachel Getty, both with rounded personalities and back-stories, and the potential for development that I hope later books open up in more depth. Both characters avoid cliché (though I felt Rachel's family background was slightly over-loading the book) and there are delicate nuances in their, and other, relationships throughout.

Khan's writing is unobtrusive and doesn't get in the way of the huge story she's telling, and the whole book feels like it's been put together with thought, skill, passion, controlled anger, and respect for the people whose story is being told here.

Even if I got to the solution ahead of the book (I clearly shared Rachel's early reading matter that gave her the clue!), that doesn't matter here: the novel is so much more than a detective story.

Do be aware that there are some very dark scenes here which take us into the heart of the massacres and rape camps that characterised the conflict (genocide?) in Bosnia - but they're never gratuitous, however horrific and hard sometimes to read, and drawn from actual testimony which is meticulously referenced at the end.

Both a gripping, emotionally-wrenching novel and a crucial document of what have been designated crimes against humanity, this is stark and brutal but a must-read.

At school I hated history!! Then I discovered fiction set during historical events and it opened my eyes to the subject. I was taught in such a boring way, but through stories like this history can be brought to life. Young historians can learn about important events like this. The Unquiet Dead taught me about a period of horrifically recent history, that I didn't know much about. It inspired me to read further into the history of Bosnia.