The Girl in the Tower is the 2nd in Katherine Arden's enchanting Winternight series, set in an alternate old Russia. The first episode told the coming of age of spirited young Vasilisa, who can see the otherworld and who does whatever it takes to protect those she loves, with no thought to herself. It ended in tragedy.

In this second episode, Vasya flees to find her sister in Moscow, where circumstances lead to her pretending to be a boy, and becoming rather too close to the centre of power. When an enemy reveals her sex, not only is Vasya undone, but her beloved brother and sister are also endangered. I can't wait to see where the author takes her determined heroine next.

Katherine Arden strikes gold again in this lavish sequel to The Bear and the Nightingale. I cannot express how thrilled I was to find out their was not only a sequel but a trilogy planned.

The Girl in the Tower picks up at a good place from where The Bear and the Nightingale leaves off. Vasya is older and has so much more experience under her belt. Ms. Arden does an incredible job with her character arcs. The writing is eloquent and the backdrop of this book is set in Frozen Russia. I remember with book one and this one too, feeling frozen to my bones just reading. Ms. Arden truly sends you there through her writing.

I felt their struggles, I felt their joys and fears, I felt Morozko. The ending left me satisfied and craving more at the same time. I want so desperately to know how this spellbinding trilogy ends.

It's lyrical, lush and beautiful. Ms. Arden's writing is perfect for young and old alike. Simply stunning ...

The Bear and the Nightingale was so touching and original that it was impossible not to love. It was a little harder to get into The Girl in the Tower because the beginning follows secondary characters from the first novel. Not that I didn't want to know what happened to Vasya's siblings, Sasha and Olga, in Moscow, but the political intrigue was at first a little confusing. I was glad to see that this was just a brief interlude before we see Vasya again. She is as enchanting and strong and wonderful as in the first novel. Her adventures after having run away from home were so entertaining, that the pages just flew by. Once her story is introduced into the Moscow political intrigue, it all made more sense. The last chapters were so suspenseful, that I found myself worrying about Vasya at work, wondering what she was going to do and how it all was going to end. Again, I was impressed at Katherine Arden's command of the subject matter. I'm no expert, but I would have believed that this was a classic fairy tale from Russian yesteryears. I hope that the next volume comes out soon, I will keep wondering about Vasya for as long as it takes to find out what happens next.

Magical tale of Medieval Russia.

After reading The Bear and the Nightingale, I was eager to get my hands on this book to find out what happened next with Vasya. Unfortunately, the first ten percent or so of the story focused on her elder siblings Olga and Sascha whom she had not seen for about a decade. No Vasya. Once she did make an appearance, though, my frustration eased and I once again became invested in the story.

After being driven from her home with accusations of witchcraft, Vasya (dressed as a boy) and her horse Solovey set out to see the world but end up embroiled in trouble. The same curiosity and bravery that made her an oddity at home make her Vasya the Brave when she’s thought to be a boy. The ruse becomes a problem, though, when she is reunited with Sascha who then is forced to go along with her lie and to tell it to their cousin and liege, the Grand Prince of Moscow. Rival forces are challenging the Grand Prince, and deceptions from friends and foes make it difficult to know whom to trust.

Throughout it all, Vasya struggles with what seem to be necessary lies about her gender and ability to communicate with magical folk while trying both to be true to herself and not to harm those she loves. It doesn’t always work, and others also are not completely honest with her. She finds danger, adventure, and heartbreak while learning some hard lessons about life and who—and what—she is.

This is the second book in a trilogy, and I look forward to seeing what Vasya’s fate will be in the third. I’ve got my fingers crossed that it will be a happy one.

LOVE LOVE LOVE. This book is just as wonderful as the first, which I also adored. I love Arden's writing. Highly recommend, particularly if you enjoy fairy tale retellings.

A dark, brooding, middle book to Arden's WINTERNIGHT TRILOGY, set in medieval Russia. Vasilia Petrovna, or Vasya, the unconventional protagonist who grew from wild child to frustrated adolescent in THE BEAR AND THE NIGHTINGALE, knows she cannot tolerate a conventional marriage or banishment to a nunnery, each of which would lead her to being locked away from the doings of the larger world she so longs to see. And so, in the wake of the family and village tumult that concluded the earlier book, she flees home to wander the world with her magical horse Solovey, gifted to her by the Morozko, the demon Winter-king who is attached to Vasya through a mysterious jewel given to her by her father.

After this brief opening, the story immediately shifts to the point of view of Vasya's older brother, Sasha, a warrior/monk and advisor to his cousin Dmitri, the Grand Prince of Moscow. Word of terrible attacks by mysterious raiders on villages in 'Rus, and the attackers' kidnapping of young girls, lead Sasha, the Prince, a local lord's son, and others out to try and put an end to the threats. During their travels, they meet with death and devastation, never quite able to catch up with the attackers pillaging the land. Until a young man rides into the monastery where they are taking shelter with three young girls he's rescued from the attackers with him. A young man whom Sasha immediately recognizes as his younger wild sister Vasya.

The story then shifts back in time, relating Vasya's wanderings after leaving Morozko, and how she almost immediately needs rescuing by him when she is pursued by mysterious strangers and almost dies in the winter forest of illness and exposure. Once again, though, she refuses to remain with the winter demon, choosing to go out on her own. This time, she meets with the pillagers, and determines to follow them and rescue the girl children they have taken. At which she succeeds—until she is faced with her brother.

Neither Sasha nor Vasya, for quite different reasons, are ready to reveal the secret of her true sex. And so Vasya becomes Vasilii the Brave, rescuer of children and boon companion to the Grand Prince, celebrated by villagers and Muscovites alike for the role she plays in helping vanquish the pillaging ruffians. But Moscow is rife with plots, not all of them set in motion by men...

Arden gives us brief insights into the thoughts of Morozko, glimpses that suggest the the bargain the winter demon made to help preserve himself from death may be having unintended consequences, consequences which the heartless demon is finding it difficult to cope: "You cannot love and be immortal. Do not let it come to that. You are not a man." (Kindle Loc 1271). But Vasya is not at all pleased to find out that Morozko has been using her without her permission, which she discovers towards book's end, and any chance the two will come together in any meaningful way seems to be nil.

We will have to wait until volume 3 to find out just how Morozko, and Vasya, come to terms with their unusual connection, and with their own desires ("I want freedom.... But I also want a place and a purpose. I am not sure I can have either, let alone both" [3381]).

Gorgeously written and heavy with Russian fairytales and folklore, this second installment in the Winternight trilogy continues the beautiful and wintry journey of Vasilisa and her magical horse as she treks through the harsh and unforgiving Russian countryside in search of true freedom.

No longer safe in Lesnaya Zemlya, Vasya chooses the only option that makes sense — flee the home and people she loves. The only other options, enter a convent or marry, are constraints and certainly not for a woman who was born to traverse the wide-open. Disguised as a young lord, Vasya’s journey is fraught with danger, and more frightening are he bandits she meets along the way who’ve taken to burning villages and kidnapping girl children. Her journey eventually leads her to Moscow where she has a chance to reunite with Olga and Sasha, although the reunion is just as tense as the journey that brought them together.

Set during the medieval period of Russia, women are expected to live as commodities and objects, seen simply as breeders for a man’s children and expected to find happiness in nothing more than what a man chooses to give her. Standards were quite different back then, as any history book will point out, and virtue - especially concerning women, was as desirable as any currency. I love books and stories where women shun societal standards and conventions, and that is definitely what this series shows with Vasya. Often referred to as unmanageable and defiant, Vasya just wants to be able to live and see the world, knowing that the societal constructs forced upon women is certainly not for her. She’s definitely a woman lightyears ahead of her time, and her wandering spirit and her lust for life are such endearing qualities that add such strength to her already amazing character.

While the book focuses much on Vasya and her journey, I enjoyed the interactions between Morozko and Vasya the most. The frost-demon, much like Vasya, is also wrestling with his version of “life”, or lack thereof. There’s always been a hint of something between the demon and Vasya, and while most times his motives are certainly in the category of self-interest, he may be the character that’s transforming the most. A hint of romance is blossoming between the two and while that’s certainly unfounded, it definitely adds another layer to this tale that’s already filled with depth. I’m already eagerly anticipating the third and final book in this trilogy, but more than anything, I’m looking forward to what happens between Morozko and Vasya now that they’ve reached an apex in their most unconventional relationship.

Bottom line - I love this series, I love these characters, I love the cold and harsh and unforgiving world. Arden’s writing is absolutely gorgeous and her passion for Russia and its history and folklore is so palpable that it just oozes off the pages. I can’t recommend this series enough and if you haven’t yet started it, do yourself a favor and get to it.

*I received a free copy of this book courtesy of NetGalley and BookishFirst in exchange for my honest opinion.

Vasilisa Petrovna’s adventures continue in The Girl in the Tower, by Katherine Arden, the sequel to The Bear and the Nightingale. Without her family to shield her from the hostile villagers of Lesnaya Zemlya, she lights out for the territories on her trusty, magical horse to become a traveler. But because a) Russian fairy tales tend to be as bloodthirsty or more than Grimms’ and b) fourteenth century Russia is no picnic anyway, Vasilisa is almost immediately in peril.

In fourteenth century Russia, women have few options. It’s either marriage or a convent. And, for high ranking women, marriage came with lifelong seclusion in terem. All Vasilisa wants is to see the world. Though her protector, Morozko (the snow-king) tries to dissuade her, Vasilisa takes to the road. Meanwhile, we also check in with Vasilisa’s older sister, Olga, in Moscow, and her warrior-monk brother, Sasha. As Vasilisa is making her way, disguised as a boy, Olga is trying to maintain order in her haunted tower and Sasha is dealing with the fallout of a series of violent attacks on villages around Moscow by bandits who don’t leave tracks.

It doesn’t take long for the siblings’ stories to intersect and for Vasilisa to realize that she’s up against something supernatural. Again. I don’t want to say too much because if I start talking about what happens, anyone who knows a bit about Russian folklore might be able to figure things out too soon. But I will say that I love the way Vasilisa and her family are caught between the native spirits of Russia who are still hanging on in the banyas and hearths of the country and the new Orthodox faith that dismisses the bannik and domovoi as devils. A few centuries before, Vasilisa might not have had to deal with everything alone or been accused of witchcraft. Half (or more) of Vasilisa’s fight is just trying to get people to at least allow her get on with things.

I remember liking The Bear and the Nightingale a lot, but I think I might have enjoyed this entry in the series even more. The stakes have been raised in The Girl in the Tower. The story has widened to bring in even more figures from Russian folklore. But most of all, I love who Vasilisa is becoming. She is learning that she is mostly on her own and she grows increasingly capable with every new challenge. She also has a gift for pushing her family and allies to be better people, to become heroes. There’s so much in The Girl in the Tower that I loved. I strongly recommend these books for fans of folklore and folklore retellings.

I received a free copy of this book from the publisher via NetGalley for review consideration. It will be released 5 December 2017.

I'll begin by saying thank you to Netgalley and the publisher for providing me with a copy in exchange for an honest review.

I'm not a historical fiction fan. Occasionally, I can get into it, but not often. Books like this one though, with the hints of magic and deeper moments than many authors are capable of (so many are "oh, info dump about history, here you go!"), really make me want to try harder.

I mentioned in my review for book one, The Bear and the Nightingale, that when I first requested it based off of the description, I was disappointed to learn that it was not a standalone and was in fact the first of a trilogy. I also mentioned that by the end of book one, I was beyond happy that it had worked out that way... well, I'm still thrilled, because it means I get one more book, one more story in this world, one more adventure with one of my favorite heroines of 2017 - Vasya. Seriously, she's everything a good character should be -- strong but vulnerable, brave, smart, flawed, deep, and fiery. She's got the badass thing down pat.

I can't rave enough about Vasya or the depth and beauty of these two books. Give them a shot, even if historical fiction isn't really your thing. They have a fantasy element that kicks it up a notch, and they're beautiful, timeless, powerful stories about how one person can truly make a difference in her world, and how living life the way you're told isn't always the path you should take. Unless it means listening to me telling you to read this. That's one command you need to heed!

The Bear and the Nightingale was a big hit last year, and reminded me of Naomi Novik’s Uprooted, which also enchanted a lot of readers. I think bibliophiles are always impressed with something new and unique, which Katherine Arden has created with this series. In The Girl in the Tower the story continues, with Vasya escaping her intolerant village home to go out into the world on an adventure, which would be normally be unheard of for a woman in her era. Entertaining and impressive in setting and tone, The Girl in the Tower is a satisfying sequel containing engaging characters, a compulsive plot and is filled with magic.

I was a little let down by the follow-up to The Bear and the Nightingale, but only because I loved the first book so much! The Girl in the Tower is a thoroughly enjoyable historical fantasy about a young woman struggling to escape the constraints of gendered expectations. Russian folklore enthusiasts will have another delightful read from Katherine Arden in December.

The Girl in the Tower is ambitious and interesting. It's fun to follow the heroine on her fairy tale all over ancient Russia.  There's a little bit of everything - magic, love (of a sort), nobility, and lots of adventure. As with the first book, the writing becomes a little less strong as the story is coming to its conclusion. But it's still impressive writing.
I was provided an ARC from Netgalley.

I really enjoyed this book. I think it is a must read for fantasy lovers.

Gorgeous, gorgeous read. The landscape jumps off the page and makes you see snowflakes everywhere. My only complaint is the Chyerti were not as plentiful as in the first book.

LINK WILL GO LIVE NOVEMBER 22, 2017

It wasn't even a year ago when I, on a slight whim, picked up "The Bear and the Nightingale." It was in the middle of winter, and here in Minnesota, that's a real thing, so the gorgeous cover with its deep, cool blues centered around a girl, out in the cold, facing inwards towards the cozy warms hues of hearth and home, struck a particular cord. But nothing could have prepared me for the sheer joy that was reading that first debut novel by Katherine Arden. This time, I was prepared. And yet...was I? Once again, I've somehow been blown off my feet by the sheer scope of Arden's abilities and the story she is weaving together in this series.

"The Girl in the Tower" opens with a few chapters from the perspective of Vasya's siblings. These first glimpses highlight not only that life has gone on outside of the strange and magical happenings in Vasya's remote home village, but that in this time period, across all of this space, word does not travel fast. And her siblings have their own concerns. Olga, living the life of an aristocratic woman in medieval Russia, constrained to a tower and seclusion, is trying to raise her two children, particularly her willful young daughter, while looking forward to the birth of her third. And Vasya's brother, Sasha, a wandering warrior monk, brings news of villages being raided and burned, their daughters stolen, to his close friend the Grand Prince.

Within this framework, we return to Vasya, almost immediately after the end of the previous book, still set on her plan to wander the world, accepting neither marriage nor a convent as reasonable choices. Even in the face of Morozko's, the frost demon and god of death, open skepticism of her plan, she sets off. Only to discover that he is both right and wrong. The world is filled with much more danger than she had expected, but oh so much more beauty, as well. Along the way, she takes on the appearance of a young boy for further safety, and rescues two girls from the same group of bandits that Sasha had discovered. After running into her brother and the Grand Prince hunting these bandits, Vasya finds herself living a lie that is full of freedom but doomed to not last. Olga and Sasha, alone, understand the true, political dangers of what their young sister has gotten them all tangled up within.

As I said, I loved the first book in this series, and while I was hopeful that this book would continue to show that same strength, I never expected it to exceed it. And exceed it did, in almost every way. This book was by far more action-packed. The romance was increased. The danger and horror were there. And the characterization, allowed to build on what came before without the pressure of introducing completely new characters, blossomed. By being exposed to the world and its realities, the beauties and, more importantly, dangers and restrictions that confront women, Vasya's former naivety is brutally stripped away. And yet she never loses her fierceness or her conviction that, whatever anyone says, this is wrong. Seeing their fiery, brilliant sister's struggle, Sasha and Olga, not the most conservative individuals themselves, are forced to confront the lives they are leading and the expectations and assumptions they've made about themselves and those around them. One of my favorite quotes, from Sasha:

Witch. The word drifted across his mind. We call such women so, because we have no other name.

Further, I continue to love the mixture of historical detail of a time period and location that is rarely explored, with Russian folklore and fairytales, some of them recognizable, some completely, refreshingly, new. The tower from the book's name, for example. In the author's note, Arden discusses how locking aristocratic women in remote towers or wings of castles, completely removed from society, was a common practice in this time period. But perhaps most interesting, no one fully understands why this was done. And here, she ties this aspect of Russian history so neatly into a full-fledged fantasy novel that includes frost demons, magical talking horses, and firebirds.

And, like the first book, Arden's prose is simply beautiful. While this book has more action than the first, this in no way detracts from atmospheric style of writing. Again, the cold of winter, the darkness of the woods, the bustle of the cities. It is all gorgeously drawn landscapes across which her characters romp.

The story also fully succeeds as a middle step in a trilogy. It takes concepts and interest points from the first story (particularly the romantic undertones with Morozko) and expands on them, tells a complete and compelling story of its own (the bandits, and a surprising tie-in to Vasya's own familial history), but also lays the groundwork for the next and last in the trilogy. Vasya's place in the world is by no means defined, and where she will go, and what role she will play in the ever-fading mystical world to which she is so closely connected is still yet to be determined.

Lastly, as a horse lover already, Solovey stole the show in this book. He was the primary source of much of the humor of the story, but it is also clear that without him, much of what Vasya accomplishes would have been impossible. As much as I love the bittersweet romance with Morozko, I'm all in for the horse/girl relationship as my primary bread and butter.

Honestly, I can't recommend this book enough.

Russian history, folklore and myth are woven together to create a story of a girl who sees and honors the Old Gods and who becomes vital in trying to save her people from ancient evil that threatens to destroy it. She is aided by some very unlikely allies, including one whose name is sometimes Death.

I loved "The Bear and the Nightingale", and the sequel more than lived up to its predecessor. I'm not usually likely to read any contemporary versions of fairy tales, but this one is a page-turner because it doesn't warm up same old tales we've heard over and over. If you're a Slav, you'll recognize these myths, too, if you're not, you will love this new and wondrous world.

Beautiful, nah - gorgeous - prose. There is almost something hypnotic about the pace and the imagery. Female readers will appreciate the undaunting spirit of the protagonist in a world that is so misogynist, that literally confines noblewomen to the four walls of their Towers for the majority of their days. Arden drops enough hints of a larger mystery to keep you wondering about Where Is This All Going? and the complicated relationship between Vasya and Morozko is sure to satisfy any shippers out there.

4.5 or 5 stars. A delightful sequel to "The Bear and the Nightingale", this one is a bit less like a fairy tale and a bit more of a court intrigue. There are lots of action and battles, a few surprises, and still plenty of magic and mystery and winter. I love Katherine Arden's prose and the setting in medieval Russia and I really want a horse like Solovey! The covers of both books in the series are simply lovely and I can't wait for the next one!

Many thanks to Random House and NetGalley for providing me a free copy of this book in exchange for an honest review.

Lush, beautifully written, and aching with want for something more than can be given. Absolutely stunning book and I can't recommend it highly enough.

Absolutely obsessed with this trilogy and can't wait to see it's conclusion.

The perfect follow-up to the lovely fairytale of The Bear and the Nightingale. The Girl in the Tower possesses all the same wonder and magic from the very opening of the prologue.

Where Vasya seemed so young and innocent and utterly wild in The Bear and the Nightingale, here—appropriately and refreshingly so—Vasya has refocused her vision of the world, or begins to do so, and puts on her big girl spectacles to see everything with experienced and sophisticated eyes. Vasya is the perfect heroine to guide us through this inspiring world connecting Old World Russia and the magical realm Arden has fastened onto it.

Here again, there is such a beautiful and lasting quality to Arden’s writing. She strikes just the perfect note to balance all the magic, beauty, timelessness, wonder, and mystery within her books. Her characters are simply vibrating with life, and Arden is clearly skilled enough to handle all the heft she injects into her story.

The Bear and the Nightingale was a cozy, mystical introduction to this world and its wondrous characters and places. There was an untamed innocence to it that drew you in. The Girl in the Tower has all that I loved from its predecessor, plus more action, suspense, adventure, and momentum. The steady hum that built throughout The Bear and the Nightingale becomes a pounding drumbeat, all leading us to what I can only imagine to be an emotional and magical finale in the next of the trilogy.

Fairy tales were passed from generation to generation through their telling, oral traditions, lessons, cautionary tales. Most fairy tales were born this way, through stories told generation after generation, and then eventually put to print. The original versions of these fairy tales, the ones that we were typically raised on, are not the Disneyfied ones that we think of, cleansed of sex, rape, incest, murder, but still contain a darker side. To balance that darker side, typically there is the use of enchantment, and often, folkloric characters – fairies, witches, and such, fantasy.

As a child, I loved the fairy tales I was read, and then not much later read on my own. A set of 12 books, “My Book House” books, filled with wonderful illustrations from, I believe, the 1920s / 1930s. Darker than the Disney versions, but enticingly lovely in their telling, these wooed me in.

So, when I first read Katherine Arden’s “The Bear and the Nightingale,” it was like revisiting those pages, and those feelings. When I heard there was a second one on the horizon, I knew I had to read that one, too, but I was somewhat wary. Could it live up to her first? For me, it did; in some ways, it may have even surpassed it. “The Girl in the Tower” flows more evenly, at least it did for me, and the story has a sense of urgency, while still retaining that aura of otherworldly beauty that drew me in with her first. There are a few new characters, but if you’ve read her first book, you’ll be familiar with most of the cast. If you haven’t read her first, I would recommend you do so before reading this. I think you would appreciate this story more if you read the first in the series prior to reading this.

While accusations of witchcraft are still hovering against her in her village of Lesnaya Zemly, in medieval Muscovy, Vasya flees on her trusty steed, Solovey, knowing that he will take her to the places she longs to go, to see the world outside their village. Safely away from the villagers whose wish is to see her be burned as a witch. Vasya leaves with few regrets, she wants to see more than their forest, the church, the bathhouse; she longs to see palaces, cities and the sun on the sea together with Solovey. She wants to see the world and all it has to offer, for she was once shown the world through the eyes of Morozko, the frost-demon; and ever since, she’s known she wants more. Everything she’d been taught about being a woman has chafed at her; she wants more for herself than to marry or to become a nun.

Determined, but cautious, she poses as a boy, Vasilii, the masculine form of her name, the feminine formal being Vasalisa, or Vasya, as a nickname. In her journey, she rights some wrongs, attempts to rescue the kidnapped, and through these tasks, her journey brings her into the world of her brother, Sasha, a priest, a monk. Reluctantly, Sasha keeps her secret, no easy task as time goes by and young Vasya begins to mature. Still, she’s proven her worth on the field of battle, and is accepted among the men as Sasha’s young brother. As the court of the Grand Prince shows signs of unrest amidst those determined to take his power, Vasya’s equally determined to prevent that which may prove to be her undoing.

Historical facts merged with fictional fragments of fantasy. Fantastical – conceived or appearing as if conceived by an unrestrained imagination. That sums up what Katherine Arden has given us once again; a luminous, fantastical story conceived by her unrestrained imagination.



Pub Date: 05 Dec 2017


Many thanks for the ARC provided by Random House