Story within story within story. Interesting bit of history woven into a teen narrative centered around writing, romance, and a family on the edge of falling apart. Not sure how I feel about the representation of WOC in the book. Feels cursory and like checking boxes, but I would like to see what reviewers of color have to say about it.

I've been a fan of Robin Talley's since I read an ARC of her first book, Lies We Tell Ourselves. I've read and loved her others, but this one became my favorite. BY A LOT.

It's got dual narrators in dual time frames, which I always love. But this also shows just how far we've come as a society. Yes, we have so far to go (SO FAR, you guys) but seeing how much better things are than they were in the 50s has left me completely grateful to be here, in this time.

It also reminded me of when I was a little bit older than Abby and finding all these stories that reflected my life. I mean, OK yes, they were all smarter and cooler and funnier than I was but still. It was a revelation. Today's kids are so lucky that they've got Robin Talley books to do the same for them.

Highly recommended.

*Only posted to Goodreads because I don't put DNF reviews on our website*

DNF at 50%.

I don't write long reviews for books I don't finish, but here's why I couldn't get through it: I liked the idea of this book, but the execution really wasn't doing it for me. The book switches between two stories: Abby in 2017 and Janet in 1955. Abby, for me, was really unlikable and not in a good, feminist sort of way. Just in a bland, angsty, insanely privileged but still super whiny way. Janet was more interesting, but while we spend a lot of time with her, I feel that we learn precious little about her. And her story unspools way too slowly for me - I wasn't raring to get back to her chapters, it was more that I wanted Abby's to be over, if that make sense. The dialogue also felt a bit robotic. I'll give a pass on the 50s dialogue, but the 2017 dialogue seemed unnatural.

On the positive side, I learned something about lesbian pulp fiction, the insane bigotry faced by the LGBT community in the 50s, and I'll definitely be giving The Price of Salt a read. I'll be adding this one to my LGBT booklist and merchandising it as well.

Thanks to Netgalley & Harlequin Teen for the eARC which I received in exchange for an unbiased review. Pulp will be released on 13 November.

I really enjoyed reading this book. I loved the dual narratives and timelines, and I felt that the topic of lesbian pulp fiction is so entirely unique. and fascinating. I've definitely never read a book like this before, and I learned so much about a topic that I'd honestly never really given a second thought, which was amazing. The connections between the two characters were great but I found that skipping back and forth between the voices could get confusing, especially with excerpts from both the book Janet writes and the book Abby writes for her project. Sometimes it took a second to get my bearings from chapter to chapter. Also, I thought that it was overlong too and my interest did start to fade a bit toward the second half. But overall, if you're looking for a super unique YA read, I would recommend this.

I was much more interested in the past storyline than the present, though I didn't find either particularly affecting. Perhaps because I'm in my thirties, and because I'm gay I kind of know the history and the circumstances we live with every day, it didn't really hit me. I can see this being good for lesbian or questioning female teens, and the idea of writing a modern pulp novel is fun. But it didn't have much drive, for me. And Talley's writing is occasionally awkward to me, especially the way she devises her characters (particularly supporting ones) so they can add in some small lessons about what pansexuality is, or what white privilege is, or what have you.

I loved the story and thought it was cleverly written by going back and forth between present day and the past. There are a lot of great history lessons in the book, but at times it felt a little condescending towards the reader. While it's certainly true that younger generations can't wholly understand the experiences those who came before them went through, it doesn't have to be negatively held against them. I thought that the modern day teen characters were pigeonholed into lazy and self-absorbed stereotypes and the story would have been a lot richer had they been developed more.

I LOVE THIS BOOK! I got so many recommendations for it and it was totally worth it. I really loved everything about it and will recommend it to friends.

This is a lovely novel that offers an entry into the tradition of lesbian pump fiction via multiple coming-of-age stories told concurrently.

Pulp tells the story of Abby Zimet and Janet Jones. Abby lives in contemporary Washington D. C. and her life is imploding - her girlfriend broke up with her and though they remain friends, but is sending mixed messages and her parents are constantly traveling - neither have been home at the same time in over a year. Through all this, she must complete her senior project. She becomes obsessed with a pulp lesbian novel from the 1950's - Women of the Twilight Realm, the only novel written by Marian Love. This becomes Abby escape as she refuses to acknowledge what is happening to her family and question everything she ever thought about love. Janet Jones lives in 1955 Washington D. C. and she discovers she is in love with her best friend, Marie. This is a scary time for gay and lesbian individuals as the government has begun the Lavender Scare, finding and firing anyone who works for the government who they suspect of being homosexual. The government considers it "deviant" behavior that would make it easier for the person to be a Russian or Communist spy. As Marie has just begun working as a secretary for the State Department, she fears being found out and only wants to be "normal" while for the first time Janet feels free. During this time she begins writing the novel that will be known as Women of the Twilight Realm, which she creates in a time of exploring her freedom and heartbreak.

The chapters go back and forth between Abby and Janet, and I was drawn to both characters, but I felt for both characters for two very different reasons. Abby was out and proud, but her family was unraveling - in typical teenage behavior she turned a blind eye and instead escaped in her writing craft and pulp lesbian fiction. For Janet, she feels complete for the first time, but must hide who she truly is and must make a decision to conform to what society expects of her or escape Washington D. C. for a new life in New York. Both stories are hopeful and although there is no, "happily every after," this is definitely a story of hopefulness. The only thing I hoped for was more Ethan, Abby's little brother - although he was only in the story for short bursts, I was desperate for more scenes with him.

This book focuses on the difference between the Lesbian community and acceptance between the 1950s and today through the eyes of teens wishing to be writers someday. The angst of love found and love lost, while dealt with differently in the eras, is described accurately. The incredible writing style of Robin Talley has changed the perception of pulp fiction in my eyes.

A timely and necessary read! I really enjoyed how Talley wove the stories and timelines together, as it enhanced rather then detracted from the individual stories. The lavender scare of the 50's isn't widely known, and Talley's Pulp (which is a great title!!) makes reading about it accessible and easy to read. The contrast between LGBTQ experiences of todays world versus that of the McCarthy communism hunt era are huge.

This book tackled a fascinating period of history rarely addressed and did so through the use of a type of novels that are also mostly forgotten. Janet's story was great, but I found it made Abby's story less interesting in comparison and so the current day chapters were harder to get through.

Robin Talley’s Pulp is about as unique a storyline as one can write in this day and age. This story within a story (that includes yet 2 other writings of a story) presents as a partial mystery and part call to action for LGBTQ teens. Abby, a DC teen in the modern day, is a lesbian and out, without any real drama. Her family, magnet school, and friends are supportive and loving. But in the course of things, Abby comes across a pulp lesbian novel written in the 1950’s and decides to write one of her own as a part of her senior project. This decision is the impetus for us being introduced to the second timeline, one where we actually get an omniscient, if sometimes misleading, narrator in the creation of the 1950’s pulp novel.

All of this is excellent. The voice is solid, the characters are fleshed out with romance as one very important vehicle that moves the story along. At the same time, the romance of Abby’s parents is in the disintegration phase. Since this is a book with romance and relationships at every turn, I understood the significance of this plot line but I found Abby’s general denial and obliviousness to it very juvenile. It was the only part of the book that didn’t ring with me. Her avoidance of the issue was pained.

The story takes Abby (and us) on an adventure into the past. That sounds so cliched but in this case, being gay in the 1950's was a real reason for subterfuge and so that aspect of the plot seems totally believable - even necessary.

On a more personal note, those of you who know me know that I had a previous career as an attorney and I was intimately involved in the evaluation of security clearances - a significant point in the 1950’s plot. On this topic, I cannot speak highly enough for Pulp. I learned so much about the Lavender Scare and truly felt the climate of the 1950’s when no one was sure what McCarthy’s legacy would be. I am happy to report that in my 5 years in this field, there was not a single case in OUR office of discrimination against a person from the LGBTQ community. It was a non-issue for us. I can’t speak for all of the govt, but it is only in retrospect that I ‘get’ how radically things changed in 50 years.

Because of the nature of the relationships in this book, it is geared for a YA audience and above. You shouldn't be surprised that there is intimacy and romance in a book about lesbian pulp fiction novels! It is well written, not gratuitous and generally very sweet. Pulp is a good history of US civil rights of a hidden and maligned communities in the mid-century, one that necessarily touches on woman's issues and minority issues as well. Unfortunately, it would not be permitted for a library in the Middle East, like mine, but I can hope that things will change here too - just as they did in the US.

#Pulp #NetGalley

Very timely and interesting read. I enjoyed the way the author wrote the story of the two timelines but it was done in a way that didn't distract from either story which is sometimes the case. I felt like this was a powerful book on something that I didn't really know much about. Historical fiction isn't usually something I enjoyed but this was a good read and I know I have some students who will be drawn in by the subject matter and the way in which the story is told.

Great story about the contrast between lgbt experiences today and in the sixties during the McCarthy era. Historical discussion of lesbian pulp fiction and how it evolved over the decades along with societies' perception of relationships. Three running storylines may be confusing for some readers, but once the story gets going, the stories come together. Really liked the point made throughout the novel that young women are not alone in their journey.

PULP by Robin Talley is a story told across two timelines. One in 1955 and one in 2017. One of the best aspects of this book is that it compares how truly far we have come (though we obviously have a long ways to go) in terms of LGBTQ equality.

PULP sheds light on the 1950s Lavender Scare (which I didn't even know existed), where the government tracked down and ruined the lives of gay and trans people. They would blacklist them from jobs, resources, housing, etc. Because this is something I didn't know much about, the historical storyline of PULP is what kept me going.

The current day storyline felt a little eh. The stakes didn't feel tangible to me. So, your parents are divorcing and your ex doesn't like you back. It's tough but it's not exactly the most compelling issue for a character to have. So I didn't feel that intrigued. BUT Janet's story in the 1950s is mesmerizing, and the stakes are so real and terrifying, reminding us that we haven't always had it this easy.

Abby, a contemporary high school girl is using lesbian pulp novels of the 1950s for her senior project and decides to write one of her own. Her story, the life of a young author she became obsessed with, and the story that so captured her imagination are artfully entwined making the difficulties faced by the LGBT community and the political environment of the times vivid.

Unfortunately, I couldn't even finish the first chapter of this book. I can't quite pinpoint it, but something about the style of writing and the dialogue majorly repelled me. I tried, but I just couldn't force myself to keep reading when the first few pages just weren't pulling me in at all. I might try to read this again in a few years, but for now it was a big, fat DNF for me.

I received an ARC of this novel from Netgalley in exchange for an honest review.

Interesting historical perspective on the genre. The novel was a little hard to follow, but interesting.

Robin Talley's Pulp gave an interesting insight into how the LGBT community has changed over the past 60 years by providing readers with two timelines; one, a teen in present day, the other a teen realizing her queerness in the 1950s. The main character conducts research into lesbian pulp fiction and how the books were published, while the character in the 1950s goes through the first-hand experience of finding and then writing her own lesbian pulp fiction. At times the book read more like a research project in itself, telling the reader about all of this history, rather than allowing it to be an organic part of the story. However, for younger readers, this would be a nice entrée into LGBT literature.