Why, oh, why did I take so much time to read this book? Well, alright, perhaps because I was busy reading other books to teach myself some physics principles, which, I admit, is never a bad thing when your physics classes go back to some, uhhhm, twenty years ago. At the very least.
I found this “metal + physics” approach to be a very intriguing and interesting one—all the more since the author injects a regular dose of humour into it, but never without a purpose (a.k.a. “how to discuss spatial periods using Stryper’s (in)famous striped pants as an example”). I suppose this approach may not work for everyone, but it definitely worked for me, probably because I never took myself too seriously even when dealing with serious things, because, after all, what does it matter, as long as we keep learning, right? Besides, it doesn’t harm when you can feel the passion shining through, and this was clearly the case here.
Overall, the topics broached here made a lot of sense. My own level in maths isn’t terrific, yet the author’s explanations were enough even for me to understand the principles and the equations he related to metal, harmonics, waves and strings, and so on. They don’t remain at such a basic level that they don’t bring much to one’s knowledge of physics (unless you’re already a post-graduate or someone working in that field already, in which case I suspect Fourier’s analysis of waves/patterns won’t seem such a wonder anymore—or will it?), and at the same time, they don’t stray into such abstractions that a beginner will completely lose their footing either. At any rate, I found it quite easy to picture phases when compared to a metalhead moving in a mosh pit…
Seriously, where was Professor Moriarty when I was studying physics at school? (Alright, alright, probably still doing his Ph. D., I guess.)