You'd first meet a woman nicknamed 'Goody' who would then meet Captain Jane, Eliza and Granny Someone, all of whom were witches, although one of them will claim she was not, and that she was in the woods to save lost souls.

When Goody was taken in by the woods and the lives in it, she ultimately had to decide whether to stay or to return home to her abusive husband and 6 yo son.

Took me awhile to get into the Hart's writing style. But once I got the hang of it, I was hooked!

The story builds slowly and gradually, but beautifully... Just be prepared though. You don't want to be caught off guard when you find yourself in the deepest, darkest part of the woods, one that's chilling and eerie. You want to be ready when you are off flying above the clouds in a boat made of human flesh and human bones, with a witch claiming to 'have a mercy to perform.'

The story gets darker with every page. You'll be surrounded by screams, howls, cries so piercing you'll have a hard time listening your thoughts.

Thank you Netgalley and Little, Brown and Company for a free eARC of this book in exchange for an honest review. All opinions are of my own.

A full review will be posted on my blog and Goodreads closer to publication day, and shared via Twitter and Litsy.

A dark adult fairytale, reminiscent of Grimm's. I do not normally enjoy adult fairytales, but Hunt has wonderful description of place.

All of the fairy tales warn us to stay out of the woods. But, at the outset of Laird Hunt’s unsettling novel In the House in the Dark of the Woods, a young woman walks into the woods to collect berries for her man and young son. She is never the same again.

Things start to go wrong for our protagonist shortly after she starts picking, though she won’t know just how much trouble she’s in until later. The narrator has been in the woods for a few hours when she sees one of the “first-folk,” who tries to get her to go away. She hurts herself on the way out and falls unconscious. When she wakes, she wanders and gets even more lost. Our protagonist might have made it out but for the dangerously loaded offers of help she receives from the strange inhabitants of the woods.

Hunt’s novel has hints of traditional European folklore. In addition to the “stay out of the woods” trope, there are characters I see as the maiden, mother, and crone; a character who can’t stop playing and singing; characters that might represent the devil. But unlike European folklore, which staunchly supports following the rules, the protagonist’s memories of her home and family make us wonder which world she really fits in. Her home is Puritanical. The woods are anarchic. There are dangers to both, but it becomes clear over the course of the novel (one of the few clear things) that our protagonist fits much better in one world than the other.

I’ve got a soft spot in my heart for books that play around with traditional European folklore. Most of the ones I’ve found, however, hew closer to the original characters and tropes. Perhaps they spin things a little, but they feel familiar if you know your fairy tales. In In the House in the Dark of the Woods, Hunt creates an original folkloric world and characters. Even the slightly familiar characters get original makeovers. I had no idea what these characters were after or how it would all play out and I loved it.