Cover Image: Snow White Learns Witchcraft

Snow White Learns Witchcraft

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Member Reviews

Yes, yes, yes! My favorite thing is fairytales for adults, and this collection is everything I love. Goss captures the magic and whimsy and horror and dark, delicious wonder of fairytales, and spins gorgeous snippets that make me feel both a child and a woman at the same time. The eroticism of fairytales is unavoidable, and I can't have been the only one to want to marry the beast instead of the boring old Prince, and Goss proves that by setting up her heroines with bears and trolls, whilst still preserving the delicate and innocent magic of the thing.
This was an absolute pleasure to read.
If you're a fan of Naomi Novik, or Robin McInley, you'll snap this right up.

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Thank you to NetGalley and Mythic Delirium Books for the eARC in exchange for an honest review!

Theodora Goss definitely takes a unique approach to fairy tale tellings! This collection of poems and short stories takes on many well known tales like Snow White, Thumbellina, Sleeping Beauty, and others that I can't place. Goss completely recreates or adds to the tales, imagines new endings, and makes them her own.

I personally liked Blanchefleur because even though I didn't know the original tale, it was a good story! Rose Child was a wonderfully written shorter poem. I giggled when Sleeping Beauty's "prince" fell into a fairy hole instead, and the author gave that old hound a happy ending!

Not what I was expecting but pretty unique and I liked these tales a lot. 4/5 stars!

This review also appears on my blog at
https://onenursereader.wixsite.com/onereadingnurse-1/home/snow-white-learns-witchcraft-by-theodora-goss

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I was burned out on them for a time, but I seem to be getting back into reworkings of fairytales – maybe it's just that life has been richer in princesses and wolves lately. Still, the retellings can't be too programmatic in their intent; the old, dark magic needs to be higher in the mix than the agenda, with room left for at least a little whim besides. And these short stories and poems deliver, upending the old notions, but not always along the same axes. The settings shift – what seems at first like the standard neverland of fairytale being revealed as an alternate history of Britain, or the aftermath of the Austro-Hungarian Empire, or maybe just down the road from you. Sometimes there's a reader within the tale, to be even more thoroughly wrongfooted than the reader proper, or one story feeds into the next. If the collection has a flaw – and doesn't every gem or enchantment in a fairytale? – it's that with most of the pieces so short, it can be too easy to gobble them in a rush. Thankfully, such gluttony doesn't meet the poetic justice it might in the old stories, but it still feels like it might not have been entirely fair on Goss' work. Almost all of which has the requisite spark of enchantment, though it will surprise nobody who knows me if I especially liked the ones in which pretty girls fall in love with bears.

(Netgalley ARC)

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This was a very interesting collection of retellings. As an avid reader of Fairytales retellings, I liked how each was a twist I haven't read before.

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