I would love to thank Second Story Press, Barbara Nickel and NetGalley for this ARC in exchange for an honest review.

I can't believe I read this book only now! I missed out so much!

This book is inspired by real events which the author states at the end, but parts of it are turned into fiction.
It's the story of Nannerl Mozart and her brother, Wolfgang (Wolfie for short).

Nannerl just turned 12 and she and her family must leave for their biggest trip yet: three years.
They will sing at instruments in different places and countries, meet queens and kings and other important people.

But other than that, we get to see how Nannerl is mistreated because she's a woman.
However, this doesn't stop her and she is doing everything she can to create her very own symphony.

This story was emotional, powerful and mesmerizing.
The relationship between characters felt very real, especially the innocence of kids.

The setting changed and I'm a true lover of adventure novels.
The book was exactly like a crescendo in a symphony! The tension raised, the stakes became higher and the end was impactful like an explosion.

I simply cried at the end. This little book is very impactful and I recommend it to anyone who enjoys good music, true feelings and realistic characters.

5 full stars.

This book was very well written. The main character is Wolfgang Amadeus Mozart’s older sister, Maria Anna (Nannerl). She’s a prodigy herself, but, because she’s a girl, lives in the shadows of her brother, Wolfgang (Wolfi). For her 12th birthday, she wishes to become a great composer someday. However, nobody takes her seriously. During the timeline of this book, the Mozart family goes on their grand world tour, which takes them away from home for 3 years. She and her brother play for queens, kings and other dignitaries. She even writes her own symphony, but will she get to play it for anyone?

I've been wanting a novel about Nannerl for a long time now, and this did not disappoint. While a lot of it is steeped in fiction, it's also explorative and holds a 'what if' kind of vibe.

The Mozart Girl follows the sister of the famous composer. We do get to see Mozart as a child, as well and it was nice to see him less serious.

I like Nannerl's character and how she was presented. I think this is a good empowering book for young artists as it shows how Nannerl overcame the obstacles in her way that her father kept putting up to stop her and for the focus to stay on Mozart.
While this was a story of fiction multiple different parts were true which was nice to see added in as well.
As a middle grader, I would have loved this book and seeing Nannerl defy the odds.
As an adult, I found it a good story that will empower the younger generation.

Not particularly fascinating and questionable in accuracy. Overall not bad, just not anything that I would go out of my way to recommend.

The Mozart Girl is a much-needed portrait of an overshadowed young musician. Nickel explores themes of creativity and self-discovery through Nannerl Mozart's biography while writing in a style accessible to middle grade readers.

Maria Anna Walburga Ignatia Mozart enjoys beautiful gowns, birthday gifts, and sweets as much as any 12-year-old girl, but she has an extraordinary talent and big dreams. She yearns to perform music before royalty and to become a world-famous composer. The first goal may be achievable, but the second sadly isn’t, because she lives in Salzburg in 1763, and only boys like her younger brother, Wolfi, can hope for a musical career. Although “Nannerl” loves her playful sibling, she’s jealous of the attention he receives and dislikes doing household chores while he practices music. As the Mozart parents and their two Wunderkindern head out on a Grand Tour, from Munich’s Nymphenburg Palace to Versailles, Nannerl writes in her journal, performs for high-ranking audiences, and secretly composes her own symphony.

This lively middle-grade novel will make young female readers glad they live in today’s world rather than in the 18th-century Habsburg Monarchy. There’s no escaping the unfairness of Nannerl’s situation (in fact, I found myself wishing this theme was handled less heavy-handedly). Readers will also sense Nannerl’s elation when the Elector of Bavaria acknowledges her talents and requests a special concert just to hear her play (this is based on fact). Through a subplot involving the Elector’s musically accomplished sister, Sopherl, the novel highlights the importance of female solidarity. Nickel also shows how Nannerl’s envy of her brother is solely because of societal strictures. Wolfi is depicted as an incredibly gifted, mischievous boy who looks up to her. The cultural atmosphere is well-evoked, from German holiday specialties to costumes to travel; with sedan chairs as the proper mode of transport at Versailles, Papa Mozart worries how he’ll afford it. A swift-moving novel that will inspire readers to seek out information on the real-life Nannerl. (First published in 1996 as The Secret Wish of Nannerl Mozart.)

From the Historical Novels Review, May 2019

This is a great historical middle grade novel.

I didn’t know this story about Wolfgang Amadeus Mozart’s older sister. She was also a musician, but since she was a girl, she wasn’t given the same opportunities or credit as him. It’s a shame that just because she was a girl, she wasn’t able to pursue her dreams of playing music. Still today, we know his name but her name isn’t as recognizable.

I found it fascinating to read about how they learned and played instruments in the 18th century. I play the piano, but not as well as those kids, and I only started to learn when I was a teenager. It must have been amazing to see the children play their instruments so well.

I loved this story!

I received a copy of this book from the publisher via NetGalley in exchange for an honest review.

The Mozart Girl by Barbara Nickel is a historical fiction book for any age group.

This book is about Nannerl, the older sister of famous and well-known Wolfgang Amadeus Mozart. Nannerl was a talented musician and composer living in the time of when girls are not supposed to show their talents and have to conform to all sorts of rules. Nannerl does not want to conform but wants to show that she can be just as good as her brother (if not better)

I enjoyed reading this book as I’m sure everyone who reads it will agree.

I would like to thank Second Story Press and NetGalley for a copy of this book in exchange for an honest review.

Today’s featured book is The Mozart Girl by Barbara Nickel and I would like to thank both NetGalley and Second Story Press (the publisher) for providing me with this free e-book in exchange for an honest review. The book took me only a couple of hours and made me fall in love with music.

So what is this book about?

Maria Anna Mozart was the sister of the musical prodigy Wolfgang Amadeus Mozart. Herself an accomplished musician, she spent years of her childhood traveling alongside her brother performing among the elites of European society. It’s a short book about a girl who dreams of fame in a society where women have little opportunity to achieve it.

What I liked . . .

How music consumed Nannerl. I love seeing how a character’s love of something explodes on to the page, making me fall in love with it as well.
Seeing a whole lot of famous people in connection to each other. I never realised that Bach and Mozart were from different eras or that the Mozarts grew up prior to the French Revolution and performed inside Versailles in its glory days.


What I didn’t like . . .

Nannerl was written as a character much younger than twelve and I struggled to reconcile her age with the way she was acting (although perhaps I was a very mature twelve year old).
It didn’t quite seem to quite fit into the historical narrative I know. Whilst I acknowledge that all authors take creative license, the views of Nannerl seemed quite ahead of her time, and I suspect that she would not have questioned and criticised her society and the opportunities available to women as much as she did. But having said that, I have a very limited understanding of 18th century attitudes so I could be completely wrong and am open to correction.


Conclusions

My Rating 💭/2 engagement 💭/2 enjoyment

Star Rating ⭐️⭐️⭐️/5

This book was set at a much younger audience and 10-12 year old me would have loved it. But if you want a little insight into life long ago, especially mid 18th Century Europe, then this might be the book for you. The book comes out on the 17th of March and if anything I’ve said interests you, why don’t you give it a go?

This is a charming novel about Mozart’s sister. The only thing I did not like about this novel was the novel used modern slangs that people back then would not have used. Still, since this is a children’s novel, I can understand to make the story relevant for children. I recommend this for anyone interested in Mozart and his family.

A fascinating view of the child prodigy through the eyes of his older sister Nannerl. She was an brilliant musician, but was often overshadowed by her brother and society's expectations for females. Nickel allows Nannerl to shine and assert herself in a beautiful holiday tale. Brought tears to my eyes!

A big thank you to Second Story Press and NetGalley for providing a digital ARC of this middle grade title in exchange for an honest review.

Our main character, Nannerl, is Mozart's older sister who is very jealous of her brother and the favoritism shown him. While I could intellectually understand her jealousy, it got tiresome in the story. In fact, I didn't even finish the book because it didn't hold my interest.

Maria Anna Walburga Ignatia Mozart is the older sister of the famous Wolfgang Amadeus Mozart and with such a long name to pronounce it's not a surprise that her family has given her a shorter name - Nannerl. This middle grade novel opens with Nannerl celebrating her 12th birthday. Shortly after the opening scene, the reader finds that Nannerl's birthday is overshadowed by her musical prodigy brother as he shows off his musical talents. This is not the only time in the book in which Nannerl is given less attention than her brother Wolfi. Although this is a historical fiction novel, the author gives plausible instances (some more historically accurate than others) in which Nannerl is overlooked by others and denied equal opportunities. For example, Nannerl is not allowed to play the violin or organ because she is a girl. I was drawn to this book because of its title and my lifelong obsession with Mozart. It was fun to learn about Mozart's sister and how she secretly defies the norms of society by writing a symphony and playing instruments that only men and boys should play. There are some author notes at the back of the book to help readers weed out what's historically accurate in the book from what is not. Fellow musicians (young and old) would probably be the readers most likely to enjoy reading this book. It would certainly inspire some musical girls to follow their dreams. If it had been set in America, this book would have been a great fit for the American Girls series of books. Thanks to NetGalley for an opportunity to review this book. All thoughts expressed in this review are my honest opinions of the book.

An interesting tale of Maria Anna Mozart, older sister to Wolfgang, who was also a talented, young musician. This was my introduction to Maria Anna (aka Nannerl) and her musical abilities. The Mozart Girl was a nice middle-grade tale of siblings, historical Europe, and girls' roles in the 18th century. It would make a nice addition to any classroom and inspired me to further research Nannerl's life.

Nannerl Mozart, a 12 year old musician, is living her dream. Traveling throughout Europe, meeting kings and queens, she and her brother Wolfgang share a special bond as the famous Mozart siblings. But Nannerl has a secret, one that she hasn't even shared with Wolfgang. She longs to be a composer.

Working in secret, Nannerl begins her composition while on tour with the family. In her spare time, she sneaks away to write music and learn the violin. But between Papa's ideas about women and music, and Wolfi's stealing the spotlight, will Nannerl be able to rise up and make a name of her own?

Loosely based on history, The Mozart Girl gives an inside glimpse into the story of a very famous and talented family. At the end of the book, the author includes a brief explanation of which "facts" were real and which were fictitious. While Nannerl was the talented older sister of Wolfgang Mozart, much of this story is fiction. And while I did enjoy the book, the tone was quite modern and a bit out of character. This is a book that I would gladly put in my daughter's hands, but with a clear understanding that this story is far from accurate.

*Disclaimer: I received a free copy of this book from the publisher. All opinions are my own.

The older sister of the talented Wolfgang Amadeus Mozart, Nannerl, feels overshadowed by her brother. As she tours Europe with her family, she does all she can to prove she is a composer in her own right.

This was a lovely read. Though geared to a younger audience (middle grade, I would guess), I enjoyed learning about this young composer I'd never heard of before. Nannerl was a feisty young lady and a skilled musician. The portrayal of her in this book was a delight.

The details of the tour were my favorite part. All of the nobles/dignitaries Nannerl met were interesting, and the plot was intriguing.

I would recommend this to readers who enjoy middle-grade historical fiction.

This was a really cute, good book. I’m always interested in children’s historical fiction, and the characters were like able and the scenery was really well done.

I can’t say it any other way: I simply adore this book...
From the first page, it is beautiful and magical and while reading it, I felt like Nannerl when she composes. The book flowed through me in images and music. A magical and very rare thing. I love it, when a book can truly transport me into a different world and reality fades away.
That is the true magic of books for me, and I value the experience because it happens so rarely.

I highly recommend getting this book by B.C. author Barbara Nickel. I can’t guarantee you will find the same magic I did, but at minimum you will enjoy a well written book about a real person, who was ignored by history, because her brother overshadowed her. It’s a shame. If Nannerl had anyone else for a brother, she would be famous and be celebrated as a genius.

I received a free copy from NetGalley, in exchange for an honest review and would like to thank the author and publisher for this opportunity.


Posted review to goodreads and will add to amazon.com and .ca on release date

Set in 1763, this is a middle grade (not middle-grave as I initially typed! That's a whole different genre! LOL!) novel that I originally thought was based on a diary, but no such diary exists. In fact we have almost nothing of Maria Anna Walburga Ignatia Mozart (who was a contemporary of Jane Austen), that doesn't come to us via a third party. There is a notebook that was created by her father, and which contains compositions that she played, but the only reason that survives, I suspect, is that it also contains compositions that her kid brother, the renowned Wolfgang Amadè Mozart, added to the book of his own accord.

I was disappointed to discover that the diary entries are spurious. That removed this novel further into fiction, and that became a problem for me because other than the general outline of the story - a tour which actually did take place - this book is pretty much all fiction, and for me it was way over-done. I had thought the over-wrought tone of the novel was taking its complexion from the diary, but that's obviously not the case if there is no diary.

Additionally, some of the history is a bit off and the modern language seems inappropriate. Naturally you don't want a novel of this nature to sound archaic, but a little less modern slang would have improved the tone. It's also historically inaccurate. At one point, the author is talking about wax candles when in that era, tallow was the norm, and she mentions gelatin, when aspic was the norm back then.

She frequently refers to financial woes when in fact, the Mozarts did very well for themselves in this tour, at least until both children became ill and things slowed down quite a bit, but no such illness is mentioned for "Nannerl" (Marianne), only for "Wolferl" (Mozart). I have to say that though it is historically accurate, these endless '-erl' nicknames made me want to hurl. I shall refer to the sister as Marianne which was what she went by when pet names were not used.

The worst faux pas was getting the main character's birthday wrong! Marianne turned 12 on 30 July 1763 when the family was in the middle of a three year tour of Europe, but in this novel, she turns twelve before the tour begins, and the author has her birthday in June!

At each stop during the tour, the author has her taking second place to Wolfgang whereas in reality, she was, at least initially, the star performer, but clearly this changed as Mozart the younger began to flourish, and maybe that's what the author is trying to reflect here. I don't know. I was quite confused by this point!

Another faux pas the author makes is the discussion of money. She makes the father sounds like some sort of avaricious beggar. As I said, they did well for themselves on this tour earning substantial amounts, but the author always has them sounding impoverished. That's not as bad as this one section when they visited an important family - that of Baron Kerpen and his musically talented children - and the Mozart father says at one point: “How wonderful to have such a fine orchestra, all in one family...Do you ever play in public, for money?”

That would have been an unconscionable impertinence back then. It really stood-out like a sore thumb to me, and continued a process of turning me off this story even more than I already had been. If the novel had not been so short, and I was not already over halfway through it by then, I would have DNF'd right there. As it was I made it only to eighty percent before I could not stand to read any more when the author was making a fuss about Christmas, which back in Mozart's time, was not the big event it is today. Yes, it was celebrated, but the bigger event was Saint Nicholas's Day which was early in December.

I understand this is fiction, and little is known about Marianne, particularly how she thought and felt, and that some dramatic license is permissible in a novel like this, but the portrayal of her in this story felt wrong, inauthentic, and frankly, disrespectful of such a talented young woman. It may well have been that she had the same musical yearnings as her brother, and even the same skills, but we will never know because nothing of hers survives to compare with Mozart's own work.

What does seem likely is that her facility with music was what inspired such a passion for it in her kid brother. He watched as her father taught her to play. She was an accomplished musician, but that doesn't necessarily mean it was all she ever had on her mind as is implied here.

Rightly or wrongly - obviously wrongly by our modern expectations - there were different pressures and constraints on girls back then, and certain behaviors that now are considered restrictive and even abusive, were the norm and accepted as the way things are. Precious few people saw life differently. To present her in a modern light as though she had beliefs and lofty, but frustrated ambitions that she may well not have had is an imposition and is dangerous ground for writers to traverse with such abandon.

Perhaps Marianne was exactly as she was as depicted here, but we don't know, and it seems to me to be more likely that she simply enjoyed playing, and had no other ambition. It may well be that she chose to set aside music later in life in favor of other priorities, and had no grand plans, frustrated or otherwise, that she longed to pursue.

It may have been just the opposite. The fact is that we do not know. What we do know is that women had certain expectations both for themselves, and also that were set upon them by others, particularly their parents and husbands, and we do not know exactly where her own views lay, so to present her as this thwarted, frustrated genius felt like a grave imposition to me and one which is not supported by history.

It's true that there is much debate about her talent, not so much about her playing ability, which is a given, but about her compositional skills, but as I mentioned, of those we have nothing by which to judge. She composed music, that we do know, but none of it has survived. The only real 'evidence' we have of its quality is the complimentary comments of both her father and her brother, and while I'm sure these were genuine, we do not know if father was praising a talented daughter and brother was praising a fellow prodigy, or if both were simply bolstering a beloved daughter/sibling with great praise where average praise may have been more objectively appropriate. It’s a great shame that we do not know, but the fact remains that we do not.

Where this book did well was in highlighting her playing ability, but everything else is pure speculation and I felt it serves a woman like Marianne badly to puff her up for talent (in composition) that we know nothing of, while underserving the talent she had that we can certainly attest to, based on historical records. I cannot commend this as a worthy read therefore.