
Member Reviews

A powerful anthology of short stories told in graphic novel format, either inspired by or directly relating the histories of Indigenous and First Nations Canadians which have been overlooked in so many other contexts. I really liked that each story was prefaced with a short text about the figure, along with a timeline of events leading up to or surrounding that individual's life, and that each story was told in a unique art style. They vary greatly in style of both written and visual storytelling, making this a great introduction to many artists as well as writers. As a Canadian citizen who was raised outside of the country, many of the people and events discussed and portrayed (including Annie Bannatyne and Chief Billy Assu) were completely unknown to me, while I only knew the vaguest outlines of the stories of others (such as Francis "Peggy" Pegahmagabow). This anthology brings them all to vivid life, each in a unique way, and if any of the endings feel abrupt or unfinished, that's perhaps partly because so many details have been erased or lost over time, and real history often feels interrupted rather than concluded.
A fantastic anthology, and one I'm really glad I took the time to sit with and live in for a while.

This is a great collection of Indigenous stories and art. I hope there will continue to be more Indigenous voices incorporated into the mainstream of the comics industry.

'This Place: 150 Years Retold' from HighWater Press is a graphic novel retelling of the history of indigenous people in Canada.
The 10 stories in this collection are chronological and trace the treatment of native peoples in Canada during the time it has been a country. Over the course of the book, I met Annie of Red River, the wife of a settler, and quick with the whip. There are the wendigo hunters who are out to stop people from going crazy. Perhaps my favorite was about World War I sniper Francis "Peggy" Pegamagabow.
The stories are almost all interesting. The art varies, as you might expect with so many different creators. I wasn't as crazy about the final story, which was a speculative fiction story.
I received a review copy of this graphic novel from Portage & Main Press and NetGalley in exchange for an honest review. Thank you for allowing me to review this graphic novel.

Thank you to Netgalley and the publisher for providing me with a copy of this marvelous book in exchange for my review.
This is a brilliant collection of stories told by the people who didn't win. History usually is stories of those who won but not by all those affected. This collection of short graphic stories attempts to rectify that. Each story is a moment in history told through the eyes of an indigenous person. They are all graphically and thematically different, but each of the stories is extremely important. I couldn't pick a favorite, each one excelled and was beautiful. I recommend this group of stories.

A graphic novel that presents 10 stories of the last 150 years of Canadian Indigenous history. Stories that you will not have been told in the history books in school. This Place is written by 11 Indigenous writers, 8 illustrators, and 2 artists. The stories begin in 1850 and progresses to the 20 century focusing on the struggles, the strength, supernatural beings and beliefs. Topics touch on strength of a Métis woman, injustice of the Potlatch laws, climate change, expropriation of land, and the trauma felt from the residential schools.
The artwork changes from bright vivid images to, ruddy brown muted colours, and black and white images. Each colour and style depicts the mood of the stories such as the brown muted tones. Although, the theme and feeling expressed by the brown is evident it was not as appealing to the eye.
Overall, this graphic novel will be eye opening to those that have heard only 1 side of Indigenous history.
Worth taking the time to read. #netgalley
#thisplace #goodreads

There's a wide assortment of stories here, both thematically and stylistically. We have a lot of history and a few folk tales. Some have pointed messages, others are a bit more veiled. Because of the number of artists involved, we also see a wide variety of illustration styles. Basically, because there's a little bit of everything, every reader is likely to find something that resonates.

The graphic novel, This Place: 150 Years Retold, showcases the voices of eleven Indigenous writers as well as several Indigenous artists. It is a powerful telling of 150 years of Canadian history from the perspective of different First Nations members, Inuit, and Metis, voices rarely heard in our history which is told mostly from the perspective of European settlers.
As in any anthology, the art is somewhat uneven and varies from black and white to full eye-catching colour. Overall, though, it is gorgeous and complements the stories which are uniformly well-written and shine a light on important parts of Canadian history since Confederation that few of us have learned, certainly not in school - stories about the horrors of the Residential schools, the kidnapping of their children in the '60s scoop, and the theft of land, culture, and language. Although the stories are (mostly) fictional told in the form of time travel or dystopian tales, there are references to real historical figures like Metis businesswoman Annie Bannatyne (who I had never heard of) and Louie Riel and real historical events like the Red River Rebellion, the Oka crisis, as well as one story about a young Cree boy from the future sent back to witness the effects of climate change.
This Place is a beautiful, heartbreaking, and important book. For those who think graphic novels are for children, yes, this one definitely is and for teens, adults, classrooms, and libraries as well. It gives a side of the story that has too long been hidden but needs to be told and I cannot recommend it highly enough.
<i>Thanks to Netgalley and Portage & Main Press for the opportunity to read this book in exchange for an honest review</i>

This one took me... a long time to get through! I liked to take time to process between stories, so it wound up taking me longer than I expected to. I swear I mean to review it earlier but I decided to take my time with it instead. Anyway, here we are.
This is a beautiful collection, it really is. I'm kind of choosy about graphic novels a lot of the time, and it was great to see a bunch of different art styles together! I think I especially liked the art style of Rosie? It was a little more abstracted than some of the art styles, but it suited the story being told really well, and it was also really pretty!
In terms of themes, obviously there's quite a bit of darkness because... well... Canada has a lot of dark stuff in it's history with respect to the treatment of Indigenous peoples. I'm still learning all of it. I wasn't in high school that long ago, but it was slightly before the Truth and Reconciliation commission's findings were made public, and my history classes honestly touched far more on the World Wars than on anything that happened at any other time. (Um. My history teacher was really, really into the World Wars. I assume other things have happened in history but he wasn't interested in them.)
While I know the broad stokes from a combination of research on my own and osmosis, the timelines provided with each story really helped me understand the context of the stories themselves. So both in terms of perspective and in terms of actual learning more about the actual events. So I really appreciated having a chance to improve my understanding. They're also just really well done in terms of art and storytelling! So, valuable for a lot of reasons.
I definitely recommend picking this one up! Especially if you're interested in Canadian or Indigenous history (and present, since these stories not only cover up to the modern day but also because the ramifications of how Indigenous people have been treated in the past are very much still being felt), but it's also a good read for anyone, in my opinion. As a heads up, there is some kind of heavy material, but if it's something you're comfortable picking up, it's definitely worth it.

This Place is fantastic! This anthology of 10 powerful stories told by different Indigenous authors shows a range of talent and different art styles. Not all of the art appeals to me, but the writing is all very strong and it is fascinating to learn some lesser-known stories that, well, really shouldn't be so obscure.
I'd love to see copies of this in classrooms across Canada. The graphic nature of this book makes the material highly approachable and easy to absorb. I love that that each story is accompanied by a few facts and dates to help orient the reader as to where and when the story takes place.
Overall I highly recommend this collection!
4.5 stars rounded up.
Thank you to NetGalley and Portage & Main Press for providing me with a DRC of this book.

This Place is a graphic novel anthology about the last 150 years of the life of indigenous people in Canada. The anthology tells the stories of individuals and shows how the livelihood of indigenous villages has been constantly harrassed within the past 150 years.
This Place touches on an important subject matter that has been almost entirely ignored in the media and in literature (at least the news of these things never reach me in Scotland). I wish that This Land can be a beginning point for a lot more stories of the indigenous people of Canada. I would love to see fantasy and contemporaries set in these cultures as #ownvoices novels!!
This Place is also made largely by #OwnVoices artists and the illustrations are amazing throughout.
Although This Place is an incredibly important and needed anthology, it didn't match my high expectations. Every story begins with a page of information, both from the author and a detailed list of dates and years. All this information was a bit much for someone like me who doesn't have prior knowledge of the topic. I began dreading the beginning of each story because the page of information felt very tedious to read and understand. I believe that all this information could have been communicated in a much more engaging way and the text should have been shifted into a much more lay-man terms. In the beginning, I googled the different contract names mentioned but I soon became way too tired to do this.
Also the illustrated stories themselves were very info-dumpy. I wish there was more showing and less telling. Many of the stories could have been a lot more enjoyable by simply making them 3x longer. The artists could have shown us the events instead of rushing through complex political information.
Nevertheless, This Place is an important anthology. It gave me a lot of information on the topic and now I'll definitely keep an eye out for other Own Voices novels inspired by indigenous cultures in Canada! Unfortunately in its current form I believe that the graphic novel might fail to engage its intended audience. Simply a graphic novel format (although its fun) isn't exciting by itself.

A powerful look at Canadian history from an Indigenous perspective.
** Trigger warning for racist violence against Indigenous peoples, including colonialism, kidnapping, forced assimilation, and land theft. **
Though the body of post-apocalyptic Indigenous literature is much smaller than I’d like (MOON OF THE CRUSTED SNOW by Waubgeshig Rice and the 2016 scifi anthology LOVE BEYOND BODY, SPACE, AND TIME are the only two that spring immediately to mind), in my own experience, one observation seems to cut across them all: that, for Native Americans and Indigenous peoples, the apocalypse has already happened – is happening – in the form of colonialism. For them, “post-apocalyptic” is not sub-genre of science fiction, or an escape from the banality of everyday life, or even a warning of what could happen, if we continue down our current path. Rather, “post-apocalyptic” describes their current reality, their lives, their struggles, their continued resistance. No matter how many times I encounter it, it’s a statement that always bowls me over.
While THIS PLACE: 150 YEARS RETOLD is not really a science fiction anthology (“kitaskînaw 2350” by Chelsea Vowel notwithstanding), it’s hard not to view the comics in this collection from an apocalyptic lens.
The ten comics featured in THIS PLACE explore various historical figures and events in Canadian history from an Indigenous perspective: from Sniper Francis “Peggy” Pegahmagabow, who served in WWI, killed 378 enemy soldiers and captured 300 more, and went on to become the most decorated Indigenous soldier in Canadian history…only to be repeatedly denied loans after the war (“Peggy” by David A. Robertson and Natasha Donovan), to a fictionalized account of a mother’s stand against CA’s kidnapping of Indigenous children, spurred in part by the young boy she failed to save when she was in foster care herself (“Nimkii” by Kateri Akiwenzie-Damm, Ryan Howe, Jen Storm, and Donovan Yaciuk).
While both the artwork and storytelling is a little uneven (par for the course in anthologies), for the most part I found this a pretty solid collection of historical graphic stories. The result is fierce, cutting, and sorely needed. I hope this lands in high school syllabuses on both sides of the border.
(tbh, a grounding in Canadian history is a plus, but by no means necessary.)

I received this book as a pdf from NetGalley for an honest review. I loved the concept of a short stories collection about Canadian's Indigenous groups, their untold history, struggles, and legends. I enjoyed the educational aspects of the graphic novel. For example, before each story, there is backstory and a timeline. This was helpful for me since I didn't know very much about Canada's indigenous history. I enjoyed the various artwork of each story from the realistic to more experimental.
However, I can't give this book a fair review as I couldn't read much of the text on this PDF. As of result of the font styles and size of the text, much of the text was hard or impossible to read. I assume that the printed version would be more legible. But, I can only go by the pdf version, and I suggest that publishers improve the font choices, and formatting for a better reading experience.

Poignant and powerful, This Place is a collection of the stories and history of the First Nations people. The storytelling is phenomenal and the illustrations breathtaking, and both highlight the injustices and horrors that the First Nations people have endured. But these are also stories of hope and strength, the stories of those who choose to fight for their land, their people, their culture, and for their descendants. The authors and illustrators assembled this collection both to honor their ancestors and to educate their descendants. But for the non-Indigenous, read this book and come away with new knowledge of history, and learn things that you never would have been taught otherwise.

This Place is an incredible collection of stories that focus on the experiences , history, and ongoing survival of indigenous people in Canada. HighWater Press has provided an amazing platform for sharing indigenous peoples' voices, and I continue to be impressed by the graphic novels that they publish. There a lot of diversity in art and storytelling within this anthology, which I think works both for and against the book. Unlike Surviving the City, there isn't a single story to follow and it is more specific to different moments in Canadian history that I was unfamiliar with - although it certainty touches on the same themes of colonialism, environmental destruction, and forced assimilation that define the experiences of indigenous tribes in the US. There is certainly more breadth in this collection, and it is broken up by personalized reflections and introductions to the different stories, which helped to clarify what was happening. I definitely recommend this graphic novel as a learning and educational tool on indigenous lives in Canada - I only wish US publishing would catch up! P.S. - lots of interactive tools are already being added to the website if you want to learn more about any of the historical moments mentioned throughout the graphic novel.

This Place: 150 Years Retold is part of a larger Canadian project called the New Chapter Initiative. The goal is to retell history through the eyes of Indigenous people. You know the saying; history is decided by those that won? Well, this is sort of a twist on that. This is history from the perspective of people who normally don’t have the opportunity to share their side of things.
This is an absolutely brilliant collection. It was eye opening and beautifully done. I’m ashamed to say that I had never considered a project like this before, but I am so happy that one exists. I hope to see more like this in the future.
I cannot state the important of this graphic novel enough. We all can afford to work on understanding other people’s perspectives, and this couldn’t be truer here. This collection really was enlightening.
Along with being important, the stories being told are rich and beautiful. Normally I’d use this time to point out my favorite story or two in a collection. But honestly? I don’t think I could pick a favorite here if I tried. They were all lovely, and as I said before, extremely important.
I hope that the New Chapter Initiative continues moving forward and coming out with collections like this. I also hope to see more people reading them that would be absolutely amazing.

This is the first time I've ever read a graphic novel that is a collection of stories rather than one single tale and it was certainly a rather interesting experience. <i>This Place; 150 Years Retold</i> is a collection of short stories in a graphic format which tell the tales of real people from the past of Canada whose stories have been told by people who do not even share their race or stories that simply may not have been told at all. Indigenous authors Kateri Akiwenzie-Damm, Chelsea Vowel, Katherena Vermette, Jen Storm, Niigaanwewidam James Sinclair, David Alexander Robertson, Richard Van Camp, and Brandon Mitchell have come together to provide the world with accounts of indigenous people who helped Canada become what it is today and, sometimes, of their own ancestors and the hardships that they all went through. It is a collection that portrays history from eyes that, for once, do not belong to the conquerors who invaded and changed their world as we so often see in today's society.
Admittedly, history is not always my favorite subject to read about, but many of these stories were thoroughly engaging and interesting. I definitely feel that I prefer them, to an extent, in graphic format as it allowed me the opportunity to enmesh myself with the story in an entirely new way. The inclusion of various authors within one graphic novel was a little rough at times as the artistic style would consistently change from story to story and some were far better than others. This made the transition from story to story somewhat staggered rather than smooth and I think perhaps a reordering of which stories come after each other might benefit the book greatly.
As for the stories themselves, they were all well done and enjoyable to read. I'm certainly very glad that these authors had the opportunity to put these tales out into the world and I hope that they are read by many. Some, particularly the one about the war hero returned home to nothing, were truly poignant and devastating to read. Ultimately, I had a good time reading this graphic novel and would certainly recommend it.
<i>I received a free copy of this book via NetGalley in exchange for an honest review.</i>

Wow!!
Each and every story was extremely beautiful. I loved the art, the colors (where it existed) and the dialogue.
I will definitely be adding this to my shelf upon release.

This was a mixed bag. I thought the focus on Canadian indigenous peoples was super cool, and I learned a bunch of new pieces of history and culture. The stories themselves ranged from 2s to 4s in my mind but I appreciate how the different authors and artists obviously put so much thought and heart into the work. I’d give this a try if you’re into both graphic novels and history- I’d be very surprised if you didn’t learn something new!

I don't know a huge amount about Canadian history or the struggles of indigenous people. This graphic novel is an Interesting and thought-provoking read, which fills in some of the holes.
Each story is introduced by a foreword from the author, and a timeline of events surrounding the narrative; these where both fascinating and added to my appreciation of each story. Beautifully drawn, with a different style being used for each story, This Place is a book that all teenagers should read.

Oh my god ya'll, I had better see this on absolutely everybody's TBR.
This is amazing, this is important, and this is wonderfully encapturing. From the many different art styles, I got to experience, to the rich story-telling from different authors, reading this was an experience I've never encountered before.
This book is so important, to have been written and to be read in turn. We are coming to see a lot more diversity in fiction, such as a lot more books written by authors of colour about main characters of colour, with many a supporting cast featuring POC, however the minority group I see the least would have to be indigenous people. This is extremely unfortunate, as genocide and colonialism have made generations of Indigenous peoples voices unheard, and we can still see the effects of this today, as we can with any other minority group in society, but especially Indigenous communities and their lack of content written about them. This book specifically delves into this, and as a result, most of the stories told are relatively sad but are telling the stories of important Indigenous figures which stories have been silenced by forced assimilation for so long.
I've decided to highlight some of my favourite stories that I read.
Red Clouds by Jen Storm.
This story was tragic, beautifully told by some amazing and haunting artwork. As is unfortunately common in stories told about Indigenous people, the story revolves a woman who is tragically killed. However, I liked the question throughout the novel revolving around the difference between the Queen's laws and the laws the Indigenous people follow and govern by themselves, should white man's law be used to judge an act that happens within Indigenous land and jurisdiction? It was a concept I enjoyed thinking about extensively.
Peggy by David Robertson.
This one made me cry like you wouldn't believe. This story explores Indigenous men being summoned to war despite not actually being allowed to have any decent human rights. It also centers around one of the greatest snipers during the war. Our main character is brave and inspirational, we get to see him influence his fellow soldiers in his ways when the beliefs and traditions of Indigenous people were being threatened by bigotry and fear. This story explores a man who risked his life to serve, and serve well, get rewarded and recognized with metals, and still struggles to be granted simple things as an Indigenous person.
Nimkii by Kateri Aikwenzie-Damm.
This story is the saddest one by far, I bawled my eyes out reading this. This story follows a woman telling her daughter her story of being ripped from her loving mother at a young age and forced into a residential school, then to be circled around from home to home in the adoptive system. The numbers of Indigenous children in foster care compared to white children is shocking and was a bitter reality for a lot of children after surviving residential school. If you thought a residential school was the worst to happen to Indigenous people, this book may be a rude awakening.