Although uneven in terms of quality, with a few stories that strayed a little too far from ‘fantastical’ for my tastes, the fact that a collection like Maiden, Mother, Crone is a collection that’s well worth the read.

What stood out most for me, and what I think distinguishes this from similar collections, is that while these are stories featuring transgender women, they are not necessarily about being transgender. In fact, gender is almost an afterthought in many of the stories, something mentioned in passing. There are no big reveals or shocking twists, just a simple acknowledgement of identity.

Gwen Benaway’s Mountain God was a stronger opener to the collection, a vintage sort of sword-and-sorcery tale of two mercenaries who are thrown into the role of heroes. There are some interesting thoughts on obligation and duty here, and the friends-to-lovers aspect is deeply intertwined with Aoyas’ anxiety as a Marked (i.e. transgender) woman.

Forest’s Edge by Audrey Ves follows that up with a fairy-tale inspired story that explores gender, parenthood, and the love for another woman. It’s a melancholy story, with a dreamy aspect to the temptations of the fey. The Vixen, With Death Pursuing by Izzy Wasserstein was a strange sort of story, and one that feels frustratingly unfinished, but it’s full of beautiful language and some breathtaking imagery.

Ellen Mellor’s Freeing the Bitch was, far and away, my favorite story of the collection. It’s a fun, female-fronted tale about a classic, yet nontraditional group of adventurers on a high fantasy quest. Gender is very much a part of this, with hints and suggestions and even some red herrings throughout, and the way they stand up for one another is fantastic. I desperately want to read more of these women – especially Sindy and the Bitch – whether it be more stories or a full-length novel.

The Knighting by Alexa Fae McDaniel and Undoing Vampirism by Lilah Sturges are the two stories in the collection that are almost entirely about gender. Personally, I felt Knighting was the stronger of the two, with the philosophical debate/discussion between accepting the honor of being knighted and suffering under the weight of being called ‘Sir’ well done. I liked Vampirism, and thought it was quite clever, but it was more scene and less story.

Kylie Ariel Bemis’ Dreamborn is probably the darkest, heaviest story in the collection, re-imagining the horrors of colonization and residential schools on a fantasy-inspired alien landscape. It’s an exceptional tale, with a uniquely strong woman at the forefront and questions of gender – for her and her daughter – underlying it all. I wondered what it was all building to, and was worried it might devolve into some cliched battle, but the spiritual, emotional way in which Bemis resolves the climax is fantastic.

This anthology is important, beautiful and a great addition to the literary canon. I'm glad I backed it on Kickstarter and I'm glad I got to read it.

I was so excited when I heard about this collection, and I am glad that I read it. There are some powerful voices behind these stories. Unfortunately, not all of the stories or writing styles worked for me, which can definitely happen with short story collections. I will be keeping up with what some of these authors put out in the future.

These are all powerful stories with trans women and femmes in the spotlight, giving them the primacy and the happy endings they deserve. The writing quality is high and the stories are wildly creative and original additions to a genre that was traditionally the territory of the white male. I very much prefer seeing strong women and diversity in genre fiction, so this anthology was everything I hoped it would be.

An amazing, well written collection of stories. I loved all of the short stories in it and how they were written and their pacing!

I was really looking forward to this story and what it would do to revolutionise the lgbtq+ space in literature, with specific focus on transfemmes. And while some stories were more interesting than others, it's almost a shame to say that others didn't bear so much interest and I nearly wanted to shut the book and not continue.
That being said, I'm glad that this book was published because it allowed so many people to tell their story.

This collection of stories is incredible. I have always loved fantasy and appreciate seeing diverse representation when reading it; even when there is diversity, however, transgender people are often left out. That is not the case here, and you see trans characters in a variety of fantasy settings--where they belong as much as anyone else in the genre. It is hard to rate these stories as a whole, but the anthology was a 4 star read if I could hazard a guess.

Unfortunately, this book wasn't for me. I didn't connect to the story or the characters. The writing style was okay, but not for me.

I dnfed this one around 50% percent. It was triggering my anxiety but what I have read was good. I will probably try again when I will be in a good mental space.

This is a fantastic collection of 11 stories by trans women. The stories vary from vampires to knights to magical forests. There really is something for everyone in this collection. My favorite out of all of the stories was "The Vixen, with Death Perusing" by Izzy Wasserstein. I really feel like this is a great collection and even if you don't like every single story it in, there is definitely going to be one that you enjoy. I would highly recommend that you check this one out! I guarantee there will be at least one story that you enjoy.

Here are 11 stories featuring eleven trans protagonists who are more than their gender identity. Many of these stories are magical, written in unique ways or feature some incredible worldbuilding. You will find something for your tastes, whether it is vampires (Lilah Sturges), knights (Alexa Fae McDaniel), a more sci-fi twist (Kylie Ariel Bemis) or magical forests (Izzy Wasserstein). You can tell all the love and care that went into this collection.

Mother, Maiden, Crone is a, at the lack of a better word, fantastical antology, gocusing on the lives and experiences of Trans Femmes - a viewpoint too often overlooked in representation and actvism both. The book contains 11 different original short stories from various writers, with various writing experience. The latter detail might be noticable through parts of the books, as certain texts seem to struggle with the balance between world building and representation, but over all, I really did like the book, and will be putting it on the list of “future bookshelf fillers”.

I have to admit that reading fell in second line after exam prep, and so I did not get to know the book as thouroughly as I might have wished, but all in all, it’s a decent 4/5 stars on my count.

What I read of this book I really enjoyed, however I hadn't anticipated reading a full length book on the adobe app on my PC and that's just very difficult to do so I didn't get to finish it before it expired. I'm pretty sad about this as I believe this would've been a favourite but it can't be helped.

Maiden, Mother, and Crone is an anthology of fantasy stories with trans feminine leads. Whilst the majority of the stories have a sword and sorcery feel to them, there are a couple of exceptions notably LIlah Sturges' "Undoing Vampirism" and Crystal Fraiser's "Perisher" where a ghost sidekick helps solve crimes.

I gave the book an overall rating of 4 stars (rounded for the mean of 3.9 stars calculated from my ratings for the individual stories). There was one story that I didn't click with however the tales were of an overwhelmingly high standard and my main critique was that many of them left me wanting more from the characters.

My favourite stories were probably Sturges' earlier mentioned tale as it is was so unique and left a lasting impression, as well as, Wasserstein's "The Vixen, With Death Pursuing" which simply a hauntingly beautiful love story.

I have discovered a wealth of new authors to check out and I look forward to getting lost in the worlds that they create again very soon.

I have truly, always enjoyed fantasy stories. And as I got older I realized how white, straight, and cisgender the lens was that these stories were being told through. Which is one reason I so enjoyed this anthology. Every story had trans characters. And in a lot of the stories, their being trans lead them to a life of greater freedom. Which was so wonderful to read, since usually trans stories tend to be tragic. And it’s not that tragedies don’t have an important place in society, but it was nice to take a break from the reality of the social and economic injustice facing trans people today, to read a collection of stories where they are thriving. The fantasy genre needs more stories from queer and trans perspectives.

I would LOVE to read full novels of some of these stories. I loved the group of women from “Freeing the Bitch” so much. I want to know how they met, I want to know where their journey takes them. I want more! I also would love to read more mystery solving from the duo in “Perisher”. But all in all, these collection of stories were so rich with wonderful characters. I highly recommend!

I read this book as a free ARC from NetGalley in exchange for an honest review.

A wonderful idea for an anthology but inconsistent in the quality of the stories. It was great to see trans women as characters in fantasy fiction, something that does seem to be happening more and more in the rest of the genre, but many of these stories didn't quite work for me.

Although uneven in terms of quality, with a few stories that strayed a little too far from ‘fantastical’ for my tastes, the fact that a collection like Maiden, Mother, Crone is a collection that’s well worth the read.

What stood out most for me, and what I think distinguishes this from similar collections, is that while these are stories featuring transgender women, they are not necessarily about being transgender. In fact, gender is almost an afterthought in many of the stories, something mentioned in passing. There are no big reveals or shocking twists, just a simple acknowledgement of identity.

Gwen Benaway’s Mountain God was a stronger opener to the collection, a vintage sort of sword-and-sorcery tale of two mercenaries who are thrown into the role of heroes. There are some interesting thoughts on obligation and duty here, and the friends-to-lovers aspect is deeply intertwined with Aoyas’ anxiety as a Marked (i.e. transgender) woman.

Forest’s Edge by Audrey Ves follows that up with a fairy-tale inspired story that explores gender, parenthood, and the love for another woman. It’s a melancholy story, with a dreamy aspect to the temptations of the fey. The Vixen, With Death Pursuing by Izzy Wasserstein was a strange sort of story, and one that feels frustratingly unfinished, but it’s full of beautiful language and some breathtaking imagery.

Ellen Mellor’s Freeing the Bitch was, far and away, my favorite story of the collection. It’s a fun, female-fronted tale about a classic, yet nontraditional group of adventurers on a high fantasy quest. Gender is very much a part of this, with hints and suggestions and even some red herrings throughout, and the way they stand up for one another is fantastic. I desperately want to read more of these women – especially Sindy and the Bitch – whether it be more stories or a full-length novel.

The Knighting by Alexa Fae McDaniel and Undoing Vampirism by Lilah Sturges are the two stories in the collection that are almost entirely about gender. Personally, I felt Knighting was the stronger of the two, with the philosophical debate/discussion between accepting the honor of being knighted and suffering under the weight of being called ‘Sir’ well done. I liked Vampirism, and thought it was quite clever, but it was more scene and less story.

Kylie Ariel Bemis’ Dreamborn is probably the darkest, heaviest story in the collection, re-imagining the horrors of colonization and residential schools on a fantasy-inspired alien landscape. It’s an exceptional tale, with a uniquely strong woman at the forefront and questions of gender – for her and her daughter – underlying it all. I wondered what it was all building to, and was worried it might devolve into some cliched battle, but the spiritual, emotional way in which Bemis resolves the climax is fantastic.

On an individual level, some of the stories in this anthology were wonderful (my favorites were i shall remain and Forest's Edge), but taken as a whole this was all over the place. The quality of the storytelling is incredibly inconsistent from piece to piece, and there were several points during the first half of the book when I considered putting it down because I didn't know if any of the subsequent stories would be worth going through more lackluster writing. Ultimately I'm glad I finished it, but I'm not sure other readers would be as inclined to continue on to the much better stories in the second half of the anthology.

Content Warning
self-harm (blood magic), transphobic attitudes

I was super duper excited for this anthology! Fantastical short stories about trans femme heroes written by trans femme warriors! Sign me up please!

Every short deals with the emotions of the trans femme, and the judgments cast upon them in society. Even in made up worlds. Intolerance is everywhere. There were also a couple of Nonbinary persons as well. And of course each story also deals with banishing an evil force. Even if it's their own negative minds. Each short deals with a diverse, oppressive, theme in allegorical fantasy. Dreamborn tells of the Indigenous and residential schools. It was the most powerful to me.

As pumped as I was, I was greatly let down. I did nit enjoy nearly as many as I would have liked. Only 2 really stood out to me (Dreamborn & Mountain God). Most were, meh. And one was very disappointing.

I've included each story title, and the rating I gave it.

Don't let my ratings deter you though.
You may get more out of this than I did.

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1. Mountain Girl (Gwen Benaway) ➡ 4/5
2. Forest's Edge (Audrey Best) ➡ 3/5
3. The Vixen, With Death Pursuing (Izzy Wasserstein) ➡ 2.5/5
4. Potions & Practices (Gwynception) ➡ 1.5/5
5. Freeing the Bitch (Ellen Mellor) ➡ 3/5
6. The Knighting (Alexa Fae McDaniel) ➡ 3/5
7. Undoing Vampirism (Lilah Sturges) ➡ 2/5
8. I Shall Remain (Kai Cheng Thom) ➡ 2.5/5
9. Dreamborn (Kylie Ariel Bemis) ➡ 4/5
10. Failure (Casey Plett) ➡ 2.5/5
11. Perished (Crystal Frasier) ➡2/5
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This is an anthology of stories written by trans women involving various genres of fantasy. There is high fantasy of the sword and sorcery type, as well as alternate universes and supernatural creatures. Each story uses the classical tropes of fantasy, with heroines battling various challenges and progressing with bravery and cunning. These heroines are trans, and as Gwen Benaway puts it in her forward, "The reality of our lives as trans women is never far from the surface of our fantastical stories, but within their magical bounds, we have the agency and capacity to change worlds."

Gwen is the author of the opening story, "Mountain God," where magic can change the natal sex, but the Marked are discriminated more than the Unmarked, and Aoyas is also from a region that is considered lesser within the Empire. As a mercenary mage, she has just about every disadvantage possible given to her, but she has a strong bond with Rais, her fellow mercenary. No matter what comes their way, they're determined to stay together. Think of this as slice of life sword and sorcery, where the battles aren't just against bandits, but against the casual discrimination they both face.

Faerie is full of tricksters and magic in Audrey Vest's "Forest's Edge," taking Denya on a quest into the forest for something to help her daughter's illness. Its choppy present tense makes it feel like a fairy tale that had been unearthed, and we have the familiar trope of the fae stealing humans away or tricking them into eating food in order to keep them. Magic of different kinds is mentioned in Izzy Wasserstein's "The Vixen, With Death Pursuing," as well as the fascinating detail that mages who delve so deeply into their craft actually become the thing they study. Ellen Mellor's "Freeing The Bitch" features three trans women and one cis woman on a quest to free another woman calling herself The Bitch, which is really just one step leading to an even larger quest that reminds me a lot of various Dungeons and Dragons or Pathfinder campaigns.

Knights usually welcome the honor, but for Daphne in Alexa Fae McDaniel's "The Knighting," being called Sir is too much of a dissonance to bear. There's a similar aspect within Kai Cheng Thom's "i shall remain," where the narrator is worshiped for a Divinity exchange, and she had left Shining Daddy's side to forge a path of her own. "love that you cannot leave is not love," so she refuses to return simply to serve another's whims. Colonialization is wedded to science fiction in "Dreamborn," and our heroine is one of the natives seeking to restore the children of her village from the school where they had been abused by outsiders in the name of civilization.

The voices in these stories are varied and interesting, and contain not only fascinating concepts in fantasy, but characters that feel incredibly real. Sometimes the fact that the characters are trans are important, sometimes it's just another facet of who they are or used to be. That's as it should be, because the focus is on the story itself and the representation it offers for readers.