THE POISON FLOOD
Jordan Farmer
G. P. Putnam’s Sons
ISBN-13: 978-0593085073
Hardcover
Literary Fiction
There is a moment in Jordan Farmer’s darkly brilliant and beautiful sophomore offering, THE POISON FLOOD, which is almost prescient. It comes in the first half of Farmer’s exquisitely dark and beautifully written sophomore effort and consists of a vignette that illustrates how some people react in the face of a disaster. Give how the publishing industry functions, it is safe to assume that Farmer finished THE POISON FLOOD several weeks before what is currently being called the coronavirus pandemic which has resulted in some occurrences similar to that which Farmer describes. Even without this illustration of how life and art intersect, however, THE POISON FLOOD would be memorable thanks to Farmer’s keen eye and sharp wordcraft.
Farmer in THE POISON FLOOD (as well as in THE PALLBEARER, his debut novel) writes of the poor, the downtrodden, and the physically and emotionally mishappen in his home state of West Virginia. Farmer’s primary focus in THE POISON FLOOD is upon Hollis Bragg, the orphaned son of a West Virginia preacher. Bragg, physically impaired as the result of a spinal deformity, is a study in contrasts. He lives almost off of the grid, in the shadow of his father’s burnt-out church and next to a farm which raises chickens for cockfights. Farmer is not giving us a retread from Tobacco Road, however. What is unknown to almost everyone is that Bragg is a gifted composer who has ghostwritten several major hits for The Troubadours, which evolved from a band which Bragg helped to start with his girlfriend Angela several years before. Bragg left the band on the cusp of its initial success for reasons that are gradually revealed in fits and starts throughout the narrative, watching Angela and her stardom from afar while quietly cashing the checks he is paid for his songs. His relatively peaceful existence begins to crack when he is discovered by a local musician named Russell Watson, whose father heads up a local chemical company which has attracted the ire of some radical environmentalists who have launched a series of protests. Watson, who still possesses some adolescent rebellion, has thrown in the protestors, particularly an a charismatic and dangerous character named Victor who is constantly prodding Russell to prove himself for the “cause.” Things take a very dangerous turn, resulting in an environmental catastrophe that affects the entire area and culminates in Hollis witnessing a murder which puts him in danger from a couple of sources. The disaster draws Angela back to the rural area which she left over a decade before and thus back into Hollis’s orbit. Her return coincides with Hollis’s awareness of a startling betrayal that cuts him from two different directions just as he has decided to take control of the considerable fruits of his artistic works. Russell, as he attempts to navigate through the quagmire of his surroundings, is often his own worst enemy, though his occasional impulse to engage in self-destructive behavior is certainly understandable, given the painful and limiting hand that he has been permanently dealt. It is only when he rises above his background that he has a chance to recognize the possibility to fulfill his own best destiny and to recognize the door that is opening for him. Whether he walks through it is not answered until the story’s somewhat surprising conclusion.
The story that comprises THE POISON FLOOD makes for uncomfortable and occasional painful reading at times. Farmer’s considerable talent, however, makes the passage through several cringe-worthy passages more than rewarding. Farmer’s similes, metaphors, and turns-of-phrase are worth underlining and later rereading over and over. They are equaled, if not exceeded, by his sharply drawn characters who you will remember long after you finish this work, and probably many others. Strongly recommended.
Reviewed by Joe Hartlaub
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