Another wonderful book by Michelle Griep!!
A beautiful story of justice, forgiveness, and love all with the underlying theme of faith. The author is such a gifted storyteller and while the story has its darker moments, the love story is sweet and faith strong. I loved both Maggie and Oliver and found the book hard to put down. I highly recommend this book!!

When I heard author Michelle Griep describe this story as a Jane Eyre kind of story with a reverse jewel heist thrown in, I was even more intrigued to read! Not to worry, this is not a retelling of that beloved stand-alone classic. But if you love Jane Eyre as much as I do (It may be my second all-time favorite classic novel), then you will love that same flavor that seasons “The House at the End of the Moor.”

What begins in the dark and dreary prison cells and a daring, if not foolishly desperate, prison escape plan sweeps the reader quickly across the wild and unpredictable moors. Two mysterious main characters—each with secrets to keep—are caught up together in a fight for freedom...and vengeance.

The duel POV/tenses threw me at first, as it is an unusual style for this author to choose. The novel begins with Oliver: his story is told in third-person, past tense. Immediately following this, Maggie enters the story: first-person, present tense. Consistency is a must for me, and as long as it is done well (and properly!) it doesn’t bother me. Thankfully, this author knows what she is doing.

I felt an immediate connection with the heroine of this story, despite knowing so little about her and where she had come from (and what she was hiding from). From her introduction in the story as she sat reading Jane Eyre, day-dreaming of an exciting life, facing mystery and danger without fear with a handsome stranger like Mr Rochester at her side, it is clear this young woman is destined for adventure. Because, “if adventures will not befall a young lady in her own village, she must seek them abroad” (Jane Austen, Northanger Abbey) And the thing is, Maggie has only to step out the door of her little cottage on the moors to find those adventures on the other side—waiting to be let in. She is surprisingly careless and eager to make these adventures a reality, however, the more you discover about her past and the reason she is hiding in the first place. For all her caution and distrust, she is also quickly and overly trusting of a man who is a complete stranger to her.

Oliver is a brooding, complicated kind of hero who is just the kind of Mr. Rochester Maggie is looking for. He is quick to anger, but is learning how to deal with this tendency as he struggles with the injustices laid upon himself and others that he longs to help. He's a very guarded kind of character, difficult to get to know beneath his rash and wounded persona.

With a touch of Les Miserables, I found Barrow’s journey the least easy to believe. A man driven to exact “God’s judgement” (in a very twisted sense) upon everybody he came across. His deep and dark rage found ways to harm even the most innocent of bystanders. I preferred not to linger whenever his side of the story was told, and found his intense cruelty difficult to stomach.

I didn’t connect as well with Oliver and Maggie as I expected from characters in other novels by this author. The author was so focused on the action and suspense timeline—often skipping time and jumping ahead to the next suspenseful, dangerous part of the mission. I wasn’t entirely convinced even on the building romance felt between the two main characters because I saw no time for a relationship to grow.

In conclusion, all the character’s “turning points” seemed somewhat hasty in different ways. Some more believable than others. I love a good ending, but wonder if there could have been a more convincing time-table added into that ending to feel truly satisfied with the way things turned out for everyone.

The suspense and action will certainly keep you reading, and it is an exciting ride. For this, I give it a higher rating even though other aspects were not as satisfying: I would say 5 stars for the action-storyline, 3 stars for character and development, and 3 stars for the romance element.

I received this book through NetGalley from the publishers in exchange for an honest review. All opinions are my own.

4.5 stars- This was another great story by Michelle Griep. I enjoyed the characters, the storyline and the danger. It had a bit of a Les Miserables feel to me, with the escaped prisoner (Oliver Ward) who was really a good guy and the constable trying to hunt him down to bring him to supposed justice (Sebastian Barrow). Michelle Griep does a wonderful job of penning a story that is intriguing, romantic and spiritual without being cheesy. I loved being drawn into the landscape of the Moors and the mystery and isolation of such a place.
Admittedly, the switching of the POV from 3rd person (Oliver’s POV and Barrow’s POV) to 1st person (Maggie’s POV) completely threw me at the beginning. I wasn’t expecting it so It took me some time to get used to it. There were several references to Jane Eyre so maybe that book is written in a similar style. (I admit I have never read Jane Eyre.)
Maggie and Oliver were a good fit for each other and it added to the drama to throw in Constable Barrow’s take on things as well. Each character had flaws (some definitely more glaring than others) and it was interesting to see how they each changed as the story progressed.
I have yet to read a book by Michelle Griep that I haven’t enjoyed. She does such a great job of transporting you back to 19th century England, I think she may have actually been born then and time traveled to our current time. I always look forward to reading whatever she decides to write next!
I received a free copy of this book from NetGalley in exchange for an honest review. All opinions are my own.

So much to love about this book from Michelle Griep!
It was full of suspense, drama, pain, and sorrow, but the most important elements are forgiveness, spiritual healing, and trusting in God.
This author has an amazing talent for creating intriguing stories that keep you fully engaged, as well as nicely developed characters all around.
I love Maggie and Oliver. Their chemistry is strong. The romance is clean. A bit of witty banter here and there makes it fun.
They go through so many emotional situations and help each other to heal, learn, and grow from past mistakes. They both have to deal with their struggles to forgive people who have hurt them.
The author also weaves in the beautiful element of faith and trust in the Lord, which was very well done.
The villains are truly villainous and make me shiver...
There are several surprising scenes in this book - but the end is one of my favorites!
I received an ARC of this book from the publisher. I am not required to leave a review. All opinions expressed here are my own.
I truly enjoyed this book and highly recommend it.!

Oliver Ward wants revenge. Revenge on the man who falsely accused him of a crime. He wants justice for himself and for the innocent man in the cell next to him. When an opportunity arises for him to escape the brutality of Dartmouth Prison, he takes it—sure God has opened a way for him.

Maggie Lee misses her father, but writing to him might reveal her hiding place at the end of the moor. Although she misses parts of her life on stage, she doesn’t miss the assumptions, innuendos, and offers that men rain upon her. She fled one horrible night and vows not to return until that man who propositioned her and threatened her father recants. Her hiding place gives her unexpected freedom and isolation from men—until a half-dead man shows up on the moor.

This book represents Griep’s best work ever. I love how Maggie speaks in the first person while we get to know Oliver through the third person. This helps the reader feel present during the scenes that Maggie relates, yet keeps what happens to Oliver from feeling overwhelming. If you’ve read Les Miserables, you might feel as if Inspector Javert haunts the book in the form of Officer Barrow.

The realistic descriptions of prison life, the treatment of poor people, and the underbelly of Bath might make readers flinch. But lovers of accurate historical fiction will appreciate the details. The beauty of Maggie’s voice and lyrical descriptions provide a counterpoint to Oliver’s experiences.

The pace of the story makes it impossible to set down, and the twist at the end provides that satisfying feeling of having read a beautiful book full of depth and meaning.

An innocent man wrongly imprisoned; not just wrongly imprisoned, but targeted and accused, in order to stall his work to improve the lives of the poor. A beautiful opera singer, propositioned with the threat of blackmail, forced to leave her gift behind and live an anonymous life on the barren moor. A daring escape, an injured stranger, a Constable bent on meting out justice, plots uncovered - in all of this, what is God's plan? Where is His justice?

There was so much action, redemption, and reconciliation in this book; it was thrilling, heartbreaking, and gripping. Yet, the dark characters and the violent evil they wrought on undeserving and unsuspecting recipients was harsh and difficult to stomach. I understand that it highlighted their depravity and lack of understanding of God's mercy and justice, but I felt that it could have been hinted at, but left a bit more off of the page.

I give this book 4 stars; I loved so much of it, it would have easily been a 5-star read without so much violence.

"Books are light and air.” This one was sweet ambrosia to my soul. It was midnight. I was just finishing Michelle Griep’s The House at the End of the Moor. All I could do was sit in my chair and grin hugely. The House at the End of the Moor was everything and more (pardon the pun) I could hope for from Griep. Firstly, the two Regency protagonists, Maggie and Oliver, are three-dimensional. They are both wonderful and flawed. And, yes, it is easy to fall in love with them as we learn more about their broken backgrounds. Griep writes with great imagery, humor, and skill. “Words stagger around on my tongue like little drunkards.” “...’ Every soul has value.’” “’ Even Barrow’s?’” “...That stung. Of course, Barrow was one of God’s creatures--but so was a rat.” (BTW, this “value” theme carries over from her last book, but yet The House at the Edge of the Moor is also a great stand-alone.) The enemies are dark, dangerous, and even described as demons. How I loved that. But how I loved, even more, the subtle thread of one very lost, dark soul beginning to hear God’s call on his life. How far is too far for forgiveness? With people? With God? The faith element is present at appropriate times. Strong, but fitting. If you can't have faith when approaching death, when can you? Does this same faith carry over into life? Greed, need of a loving father, trust, backward prejudice, judgment, and justice are all themes woven into this deliciously rich book that went down like honey into my reader’s soul. “True justice starts with repentance. How can we ask God to show justice in the world while willfully nursing our own hidden prejudices, selfishness, lusts, greed...our own broken relationships?” By the end of the novel, I had completed a romance, filled my head with beautiful words, received words of faith to consider, and enjoyed more twists than I could have imagined. Yet every twist actually was credible. Thus, I closed the book, extremely happy. If only it weren't over. I received a complimentary copy of this book from the author as well as from NetGalley and Celebrate Lit. This in no way influences my opinions, which are solely my own. 

Having previously read books by author Michelle Griep, I was excited to start reading this book. It surpassed my expectations completely and I loved every second of this book. The House at the End of the Moor is a story of two people, two hearts, two souls, trapped not only by their outward circumstances, but by the hurt in their pasts. Thrust together in the most unseemly way, their lives are entwined in a path of secrets, lies, and hidden evils.

Maggie Lee has run away from her father, her hopes, and a successful career to find solitude, but her sudden departure has opened the door for evil to take hold of Oliver Ward and wrongfully condemn him to prison. After escaping, Oliver finds himself being cared for by the one woman who could help him restore his innocence, but is this quiet young opera singer brave enough to not only help Oliver, but to face her fears and help herself?

I immensely enjoyed this book. The switch between third person and first person POV's was a little hard to get into, but after a while you don't notice it as you get so engrossed in the wonderful story. This book held me captivated the whole way through, and I was sad to see it end, but so thankfully to see hearts beginning to heal and love and mercy and forgiveness prevail, especially in the case of Officer Barrow. Great clean read for any Historical Christian Romance lover!

Thank you to NetGalley and Barbour Books for my copy of this book. All opinions are my own.

The House at the End of the Moor is Michelle Griep’s latest novel, and I must say, it’s a good one. From the moment the constable opens the door of Oliver’s cell, there is plenty of action and intrigue.

The plot itself keeps you on your toes, but it’s the characters that draw you in. Maggie is tough yet fragile. Oliver is gentle yet hard. And they each harbor secrets. Their unexpected connection surprised me, and I liked the conflict with the jewels. The characters have their flaws, but those are addressed head-on throughout the book, especially Oliver’s. Both characters are likable and relatable because of this, in addition to their positive attributes.

The romance is well-paced. I liked that it wasn’t rushed, especially since the characters had more pressing issues like finding a thief and getting their lives back.

Several moments of humor lighten up what could be an otherwise heavy book. I won’t spoil anything, but let’s just say some disguises are utilized as well as good old-fashioned charm.

One thing that did throw me off was the POV change. Maggie’s POV is first-person while Oliver’s is third-person, and Maggie’s is in present tense while Oliver’s is in past tense. I’m sure Griep has a reason for this. I just don’t know what it is. Although, I suppose it could show that Maggie doesn’t want to dwell in her past and has been alone for quite some time in a bubble of her own creation.

Overall, The House at the End of the Moor proves Michelle Griep knows how to write a fantastic, gripping novel. I highly recommend it for anyone who loves all things British, Jane Eyre, and mystery. Oh, and romance. Can’t forget the romance.

I’m a big fan of Michelle Griep. Always a great quality story that keeps you on the edge of your seat and turning pages.

I enjoyed Michele's Once Upon a Dickens Christmas, and her new book, The House at the End of the Moor, is just as enthralling. The storyline is unique, involving a hidden on the moor opera singer, a wrongly accused escaped prisoner, and a ruthless, immoral, wealthy political figure. The hero and heroine of the story, Oliver and Maggie have the sweetest, slow-building romance. Themes of social injustice, reconciliation, and forgiveness are just some of what makes this novel so compelling.

The book is a joy to read, especially for those drawn to historical fiction. Inspirational and engaging, I heartily recommend it. My thanks to Netgalley and the publisher for furnishing me with an ARC for this my honest review.

This is an astoundingly, brilliant book! Every time I read anything by Michelle Griep, I am struck by how vivid her scenes and character interactions are. It is not just the visual to which I refer, but her writing evokes all the senses...her word choice allows me to see, hear, feel, and taste whatever is affecting the characters. This book is no exception. I have loved reading Charles Dickens's books, and I feel as though I, myself, write in a similar style to that of Dickens. What I have noticed about Michelle Griep's books is that her character names reflect the look and behavior of that character...much in the way Dickens did. One only has to know the name of a character to imagine the type of person this is. I loved Oliver's and Daisy's journey from the moor and back again. Their journey was not just a physical one but spiritual as well. And so was it for the other characters in the book. The underlying theme of forgiveness played well into the Christian Fiction subject matter, and it seemed as though all characters had something they needed forgiven and something for which they needed to forgive in others. And the picture of Oliver Ward in my mind is something I will not forget. He is a quintessential hero who will go to the ends of the earth to protect those he loves. And he is super handsome. The moor, as a backdrop to much of this book, seemed symbolic for the chaos in which the character lives have gone. And so many reminders of Jane Eyre (it.). The direction of this book is as windswept as the moor, and the characters are as alive as if they have just jumped out of the book. I loved the chemistry between Oliver and Daisy...and I quite liked the sweet scenes between Oliver and his father, two powerful men at odds...as well as the amazing scenes between Oliver and Daisy as their love grows. The only issue I had was the first-person narrative for Daisy and, then, the jumping in and out to third-person narrative for the other characters. I am not always a fan of first person, so it took me a few chapters to adjust to this technique in this author's latest book. Most of hers have all been in the third person. I prefer third person since that allows an unbiased view of each character's thoughts and feelings. However, when I referenced Jane Eyre (it.) earlier, I know that is written in the first person, and that book is, of course, a classic. So it is fitting that Michelle Griep chose to set the House at the End of the Moor in the spirit of Jane Eyre (it.), one of the greatest books. I was given an advanced reader copy of this book by Net Galley, and this is my honest opinion. I highly recommend this book to all! :)

In Michelle Griep’s latest novel, readers are transported to 19th-century Devon, England to follow a hero and heroine accused of crimes they never committed. In pursuit of justice, the story flows from the gray depths of Dartmoor Prison and its forgotten inmates, to the heights of high society’s glittering concert halls. One word resounds, its echo landing on each page and in both heroes’ hearts: Justice.

Haunted by accusations of her past, Margaret lives out her self-imposed banishment at Morden Hall, surrounded by the shifting skies above an endless moor. Her only companions are her mute maid, grizzled manservant, and loyal dog. Far from the glamour and fame of her past, she is happy with her companions, books, and audience of none as she sings on the open moor.

Everything changes when a man who was there on the day she fell from society’s grace appears unconscious and bleeding outside her home. Margaret is torn: Should she help the man escape the brutish prison guard chasing him, risking her anonymity in the process? Or should she stay hidden, abandoning the “stranger” to his own fate?

“Death prowled the cellblock like a dark animal seeking prey–especially the weakest. But Oliver Ward would be hanged if he’d let the beast devour the man in the cell besides him. It wasn’t fair. It wasn’t right.” (Line 1, Chapter 1)


Wrongfully accused and harshly punished for theft, Oliver Ward spends his nights in prison darkness and his days breaking rocks for no other purpose than to break him. He knows he has few chances for freedom, as everyone he knew before he went to trial has abandoned him. If he can just make it to the end of the moors before being captured, he knows he can find a way to prove his innocence and save his friend, Jarney, from dying in prison. When fate (or something else) pushes him across Margaret’s path, he faces his own dilemma: Is it better to grasp for justice…or to reach for revenge?

A few years ago I had the chance to stand on an English moor instead of watching it through the screen. When I did, I finally understood why it captivated the Brontës, Frances Hodgson Burnett (The Secret Garden), and Daphne du Maurier (Jamaica Inn). I had always pictured it as a bleak wasteland: lifeless, cold, colorless. The real truth is a jumble of presuppositions and different realities. The ground beneath my feet wasn’t flat; instead, it was of rolling hills, each revealing elements of the landscape that had been hidden before. Long grass moved with the breeze. The wind shifted under a sky wide and changeable, storm clouds the color of pewter one day, and streaks from an artist’s palette the next. If asked now to define the word “sky,” I would say: “The view above a moor or sea.” Everything on a moor is sharp and fresh—the sights, the air—even the way you feel just a little more tangible when you leave it. Can it be bleak? Yes. But does it remain ever dark? No.

This was the same feeling I had while reading The House at the End of the Moor. The novel dealt with heavy topics, and like both the stereotype of a moor and its reality, these themes were not painted in soft watercolors, but in bold ink. Oliver Ward was physically and mentally tortured under a system of law that largely works, but as we all know, also fails. Margaret was wary of men because of their treatment—and demanding objectification—of her in the past. Both characters’ stories went beyond just being an interesting tale because their cries for justice and their struggles between hate and forgiveness is something every human faces. I was caught up in their story and in wrestling with these issues as they did, and I still find myself thinking about it days after I closed the novel.

What I didn’t like about my experience with The House at the End of the Moor was that the secrets (and there were many) were often revealed too abruptly. The lack of build-up combined with some modern, non-Regency/Victorian dialogue made me confused and disoriented for longer than I wanted to be. Because of this, it was only until 30% through that I felt immersed in the story, although the characters drew me in from page one.

Like a real moor’s landscape, there was also beauty and light across this novel’s pages. With humor aplenty and a slow-build romance, The House at the End of the Moor was as entertaining as it was thought-provoking. Margaret especially made me cheer because of her independence and bravery, and Oliver’s inherent compassion for others made me wish for more heroes to champion those who cannot speak for themselves. I highly recommend The House at the End of the Moor for your next spring read!

Maggie “Daisy” Lee lives in a house at the end of the Moor. She has a manservant and a maid that help her keep the household going. Every day she prays that the man who is looking for her will not look there. All is well until an injured man is discovered and Maggie makes the choice to help him. While recovering, Oliver sees a familiar dress and jewels. The exact jewels that he allegedly went to prison for stealing. Maggie states that they are fake but it is revealed that they are the real deal. They make a plot to find the men to who ruined their lives and to clear their names. What happens leads them to events that change their prospective and turn their lives more toward God. A great read that makes you realize who you can trust at the worst times and find your way home. Thank you to Ms. Griep, Barbour Publishing, and NetGalley for the opportunity to read and review this Christian/Historical romance.

Thank you net galley for the advance reader copy of this novel. This was a historical fiction novel that was part romance and part crime/mystery and I LOVED IT!!! I am so very grateful that I got to read this novel. Maggie and Oliver were great characters with a slow burn romance. The theme of forgiveness is prevalent throughtout.....between father and children, captor and prisoner, etc. The action and twists in this novel were well crafted and kept me turning the pages as this book. It might be helpful to label chapters of sections based on who is talking. I loved everything about novel and can't wait to read more by this author.

My Thoughts:
The relationship arc between Oliver and his father, as well as the redemption thread throughout, sets this story apart. I enjoyed seeing the mending of hearts and souls, the hope that underscores the whole book. Also, the themes of mercy, justice, and redemption are woven nicely into each character's arc.

Narrative Style:
I enjoyed the heroine's first person, present tense narrative, even though I usually prefer second person, past tense. I thought this was a creative approach and though I struggled reading her portions as quickly as the others at first, by the end of book, the flow became familiar.

Historical Aspects:
Michelle Griep's historical details are transportive and woven seamlessly into the story. Her historical notes at the end of the book are fascinating.

Romance Thread:
The romance between the hero and heroine felt natural, except maybe one line of the hero's introspection during the midpoint where he thinks of her in terms of love, which seemed too early based on what he knew about her (see pacing notes below about sharing backstory). Their relationship is built on shared values and admiration, and I think Oliver's grand gestures at the end of the story were particularly sweet. Maggie's boldness to encourage Oliver in his spiritual change arc shines a light on the deeper issues in the novel and moves him to address his relationship with his father, while Oliver's persistence in kindness and restraint where she is concerned endear him to her and the reader. The understated mention of Maggie's calling the barrister "father" at the end was touching as well.

Pacing & Character Motivations:
Maggie's motivation for meeting with her manager around the 70% mark was a little hard for me to believe. I could more easily see her motivated by a fear for her father's safety, rather than fear of being followed by the man she was going alone to meet. Also, it seemed the guardians at that meeting, having witnessed her manager's actions, would have taken legal action immediately, and I was left wondering why they didn't.

The hero/heroine's backstories are kept secret until 65% or after, when they might have helped with believability if they had shared those histories with one another or the reader at the 50% mark or earlier. Sometimes I see this in novels--and have done this myself--when the motivations themselves aren't overly strong, so the author leaves the reader to imagine much worse until the last possible moment. Maggie's paralyzing fear of Ambrose from across the room before she is supposed to sing was hard to believe as well. She isn't afraid to meet her manager alone even though she's felt the brunt of his cruelty, but she freezes across a crowded room at the sight of Ambrose, who propositioned her, but never physically hurt her or her father.

The hero's dressing as a footman for a disguise might have come across more believably if Maggie had helped him with stage makeup, but as is, the outcome of that scene was easily foreseeable.

Overall Impression:
The reader in me delighted in Barrow's arc, and I'm hoping to see him in another book or two. The set up definitely allows for subsequent stories, maybe even featuring the lost Marquis. The story is interesting on the whole, but feels like the polishing stage was rushed. The book might have benefited from a few astute beta readers with an eye for smoothing dialogue, strengthening motivations, and rounding out characters. Michelle Griep holds a deep knowledge of English Regency culture, and I look forward to reading more from her.

This book was filled with intrigue and twists and turns that kept me reading "just one more chapter." I loved Maggie and her fight for justice even at the peril of her identity being revealed. Oliver was a man full of integrity and heart for the less fortunate. Maggie and Oliver are joined together on a quest for the truth. Their journey is filled with mystery and danger as they are both chased while they fight for the truth to be revealed. The characters and the plot have a depth to them that continues to resonate in my mind days after finishing the book. I recommend this book to anyone that loves mystery, romance and deep truths.
I received a complimentary copy of this book from Barbour Publishing through NetGalley. This is my honest and voluntary review.

The plot of this book was very unexpected! I was completed captivated by the characters in this book. Oliver and Margaret are both in need of rescue and they find it difficult to trust anyone. Ms. Griep writes characters of incredible depth and readers will find themselves cheering for their "release from captivity". I loved the descriptions of the Moors and the sanctuary it provides to Oliver and Maggie. This book is entertaining and a lovely book to read.

The House at The End of the Moor
By Michelle Griep
4 stars

A gothic Bronte-esce atmosphere.
Our heroine, Maggie an opera singer, hiding out amongst the moors when she stumbles upon Oliver, a man terribly wounded escaped prisoner. From there Griep takes us on a thrilling adventure. There's stolen jewels, crazy villains, and eccentric characters.
I really enjoyed this book. The romance was at a good level. I felt that Maggie and Oliver really went through something together and truly had a relationship at the end. The only part I would critique is that some of the villains violence could have been toned down a bit.
Really reccomend!
I received this as a complimentary copy from Netgalley. All opinions are my own.

I was thrilled to read the newest novel by an author I can’t get enough of. The cover didn’t draw me in, but the fact I haven’t been disappointed by any of this authors books made me want to read this one. The beginning was slow going as the author took her time in introducing readers to her main characters. It was a struggle as I hadn’t a clue where the author was going with the story, but it was well worth my time. Be patient, as the story picks up when the sheriff bangs on the door of the house at the end of the moor. After that I couldn’t put the book down.

I liked the fact that the author had readers discover who these characters were at the same time the characters realized who the other was. Loved that and the secrets each held close to their chest, as they tried to our smart the other in this mysterious game of chess. I enjoyed the mystery, and danger. There was a strong spiritual thread as the characters struggle with their faith and are confronted by a misguided religious bounty hunter type guy. I enjoyed the splash of romance that added to the intrigue. Maggie Lee and Oliver Ward knew that one wrong move, and they’d come face to face with the enemy and back in the prison’s they’d both escaped from.

There was a creepy dark character, Officer Barrow bounty hunter type, who imagined himself higher than his title of Dartmoor Prison, “spouting Scripture with as much gusto as a stiff eastern wind. He never got it quite right, though. A missing word. An added phrase. His own doctrines colouring God’s precepts to a cadaverous shade.”.

He’s a crazy, cruel man who is on a crusade to right the wrongs of the world so he can get his soul clean from the evil he has done. He was “Trying to mend his relationship with God – done everything in his power to remedy that single moment when he’d taken a man’s life.” seeking revenge.

I enjoyed this complex, emotionally charged novel, with well-developed characters I liked getting to know. The story is filled with twists and turns I didn’t see coming. I felt for them, their situation, hurts, triumphs and events that tugged at my heart strings.

I enjoyed and learned much from the historical notes at the end of this intriguing tale. This story would work well for your next book club pick. There is so much to discuss.

Disclosure of Material Connection: I received a complimentary copy of this book from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 “Guides Concerning the Use of Endorsements and Testimonials in Advertising”

Nora St. Laurent
TBCN Where Book Fun Begins! www.bookfun.org
The Book Club Network blog www.psalm516.blogspot.com