I really enjoyed this book and immediately looked for more by this author..

The story really shows what its like to be depressed - the flat deadness of it.

While I liked the ending, it seemed rushed. But then again, I see that in books often.

Highly recommend.

It's heart warming to read such a well wrought story of a woman rising from a depression or ennui via a project that might not sound amazing but ends well.

Set in Norway, this compelling and unusual novel tells the story of Ellinor, 35 years old and a PR consultant. Things are not going well for her as she is increasingly finding herself disassociated and disconnected form everything around her – her family, her boyfriend, her work, her colleagues. She can’t seem to feel anything and seems to be on the verge of a nervous breakdown. At work, her company receives a commission forom Postkom, the Norwegian Postal Workers Union to develop a campaign to fight on their behalf against an EU Directive forcing the Norwegian Postal Service to open up to competition. Ellinor sets reluctantly to work, still feeling detached from everything, but gradually finds herself being drawn into the Postal Workers’ campaign and her motivation returning. Could this campaign be her salvation and a way to recovery? Certainly some sort of transformation seems to be taking place – but can it last? I found the book a good read although I could only identify with Ellinor up to a point. In fact I found myself more connected to the Postal Workers’ plight – with Brexit hanging over us in the UK, EU Directives have a certain resonance. And it is to the author’s credit that she can make the controversy so interesting. The style overall is bleak, spare and understated and we spend most of the time inside Ellinor’s head, with the long sentences reflecting her interior thoughts, but I still couldn't totally identify with her. However, on the whole I really enjoyed the book and found it interesting and original.

Long Live the Post Horn is one of those books that settles in and stays with the reader. Vigdis Hjorth has written a masterpiece. It tells story that is at once quiet yet loud; it is about nothing yet it is about everything. I realize that I have only created confusion with my previous statement and if I were to read a review that included it, well, quite frankly I would be driven mad by the ambiguity. I've begun this review in my head for at least a week now and those thoughts have remained constant.

The writing, the pacing - it is sparse, no words are wasted. Simply put it has been an absolute joy to read Long Live the Post Horn. There were times when I felt the author was speaking to me through this character. Circumstances may be a little different but the emotions, the thought processes, however mundane (or exceptional), those were spot on those were real. They had to not only be experienced but someone had to be able to translate those feelings, those internal conversations into words, they had to find a way to get it on paper (showing my age here, aren't I) without losing that which made it authentic, what makes it matter. That my friends is what makes this book, this author extraordinary.

I highly recommend Long Live the Post by Vigdis Hjorth and I enthusiatically look forward to reading more offerings by this talented author.

When I first started reading this book, I was unsure if I had made a mistake or not. That’s because this is one of those slightly Avant Garde novels that has a whole lot of introspection, and as few diacritical marks as possible. But there was something about it that kept me reading, something that drew me in, and I couldn’t stop. Then, when I got about half way through, I started thinking that it was too depressing, that Ellinor was just a hopeless case. But then came this one story that one of the postal workers tells about finding and delivering a letter that should have been tossed because the addressee was effectively unfindable. When Ellinor goes out of her way to find out more about this story, something clicked and turned the whole book around. Now, I don’t want to give away more than this, because… spoiler, but I have to say that if you get frustrated reading this novel, do try to keep at it.

Essentially, this could be classified as a coming-of-age novel, because of how Ellinor goes through this process of being burnt out, which coincides with the disappearance of her coworker. Watching this process was absolutely fascinating, especially because it comes on the heels of Ellinor’s PR firm working to defeat an EU directive that would ruin the in Norwegian postal services (sound timely? Yeah, to me too)! Obviously, Hjorth couldn’t have known this when she wrote this book, or how much it might resonate with the American public today. Although absentee voting doesn’t come into the equation, you could imagine how it might, especially if this had been written during the virus and the run-up to national elections.

But politics aside, the thing that I think Hjorth does best here is show us Ellinor’s growth. As I mentioned, when the novel begins, Ellinor is in a very bad state, and things get a worse almost immediately. This is all the more obvious when even small positive incidents, that could bring her out of this funk, seem to only make her more miserable. Actually, I’m not sure miserable is the right word, because the problem with Ellinor isn’t depression per se, but rather a lack of motivation, combined with a lack of direction. As if Ellinor starts out like a small soul in an oversized body without the will to increase herself to fill it, not knowing how she could accomplish such a task, and unable to see if she does find a way, if that’s what she really needs to do to help herself get there.

Yet, what Hjouth does here is to force Ellinor to put that aside because there’s a job to be done, and if she can do it, this will be something much bigger than herself. This job being the attempt to quash an EU directive that would essentially hollow out the postal service. The remarkable story here is what ends up being the turning point – which itself is a story within this story – and from that point, we slowly see Ellinor take the first steps of growing into (for lack of a better word) her own destiny. This was when I realized how much I cared about Ellinor, and how much I realized that I wanted her to succeed. So, although Ellinor might be a bit on the annoying side throughout almost all of the first half of the book, I’d encourage readers to keep reading because I promise you that you will be rewarded for your efforts.

I should mention that Hojorth’s writing style (or should I say, that of the translator Barslund) was very open and accessible, which was nicely spiced with more lyrical phrases, many of which helped us feel the seasons, the cold, and even experience Ellinor’s many mixed emotions along with some of her dreams (a few of which bordered on being nightmares). I would say it was a modern artistic writing style, which meant to enhance everything Ellinor was going through, without becoming a distraction. This is why I think I can easily recommend this book, but I know it really won’t be for everyone. This book is really for lovers of modern, women’s literary fiction, that’s slightly edgy, but not too “out there,” and I feel it deserves a very healthy four out of five stars.

I must admit, I have been very lonely these couple of months. Maybe that's why I'm much more drawn to this book. I've read a lot of stories about loneliness and its many forms. There are hopeful stories and others, more tragic. This is book is not different. But it doesn't mean there's no use to reading it because as what Ellinor--our main protagonist--mentioned, "certain things must be understood over and over."

There's something with the way the story was narrated that made Ellinor's struggle more vivid. As I read on the first couple of pages, I felt constantly suffocated, wanting to scream for her. I feel like Hjorth has managed to properly convey not just Ellinor's existential crisis but also her gradual transformation as she worked with the people of the Norwegian Postal Workers Union. Her story reminded me of how we as human beings, need each other to survive and live boldly. It's something that we must always remind ourselves over and over again.

It was my first time reading any of the author's works and I didn't really have any expectations but I'm very glad to have read it thanks to NetGalley and Verso Books.

Vigdis Hjorth’s novel "Leve posthornet!" won the Norwegian Critics Prize for Literature (also won previously by many of my favourite authors including Dag Solstad, Per Petterson, Karl Ove Knausgård. Lars Saabye Christensen, Roy Jacobsen), an award she was to win again in 2016 for her Arv og miljø (translated into English by Will and Testament by Charlotte Barslund – my review: https://www.goodreads.com/review/show/2980751815)

The 2012 work has now been translated into English, again by Charlotte Barslund as Long Live the Post Horn!, a title taken from the novel’s epigraph by Constantin Constantius in Repetition: A Venture in Experimental Psychology, by Søren Kierkegaard:

"Long live the post horn! It’s my instrument for many reasons, principally because you can never be sure to coax the same tone from it twice; a post horn is capable of producing an infinite number of possibilities."

Rather unusually, the novel revolves around the successful campaign by grassroots campaigners in the governing Labour party against the adoption in Norway of an EU Directive on liberalising the postal market. See below for the real-life background, which will be less familiar to the UK reader than Hjorth’s original audience, albeit it did play an odd role in the Brexit process.

Our first-person narrator, Ellinor, is a thirty-five-year-old media consultant working for a three-person PR agency, KraftKom, that she co-founded.

As the novel opens, one of her co-founders disappears, leaving a note saying he has quit the firm and indeed the country, in the aftermath of a messy divorce, taking to the seas in his boat. He is later found drowned in Calais harbour, with suicide suspected.

Ellinor and the remaining partner, Rolf, have to pick up his main assignment – a commission from Postkom, the Norwegian Postal Workers Union:

"We sat in the kitchen with coffee and remembered him as he had been towards the end, even more hunched, a sombre, conflicted figure we saw too late, a dark cloud dissolving. Dag at sea in his boat, drawing up his life’s balance sheet. When did it start to go wrong, when did the downward spiral begin? When he gave up politics for journalism? When he gave up journalism in the hope of making money as a PR consultant? When it became clear that he wouldn’t get rich from his PR firm, when he gave up becoming rich in other ways, when it was suddenly too late? When his wife left him and he lost faith in the postal directive?
…
The EU’s third postal directive was about allowing competition for letters weighing less than 50g. It didn’t sound like a big deal. KraftKom had been hired by Postkom, the Norwegian Post and Communications Union, to help them fight against its implementation. The first and second directive had been passed by Parliament with no objection, and the third one was bound to go through, also without objection, but we had to give them what they were paying us for."

Ellinor herself seems to be going through something of an early mid-life crisis, feeling rather detached from her own life. She has a lover, a divorcee, but is rather taken aback when he wants her to meet his young son, and when he produces a ring as a gift – she isn’t even prepared to give him a key to her flat and ultimately her life seems listless, almost apathetic.

"I never bothered changing the clock on the dashboard in my car because I would soon have to change it again, I didn’t put my ski boots in the basement lock-up in the summer because it would soon be skiing weather again, and I’d only just filed my tax return when it was time to file it yet again. I felt exhausted,
…
I had read about people who don’t feel pain and are constantly at risk of injuring themselves as a result. Was I like that? Did things happen without me feeling them and would I suddenly one day be fatally wounded."

Ellinor and Rolf find their usual slick PR scripts don’t work with the postal workers, who are passionate to the point of over-emotion about their role. But gradually Ellinor starts to absorb some of the passion, in a piece that echoes the novel’s title:

"The secretive gap of the letter box, I wrote. Too narrow for the biggest items, which must be collected with a delivery card, goods ordered online from the great abroad. Packaged and stamped, sent by courier, by car, whistling trains or planes and eased onto moving rubber and sorted by country, county, city and street and eased into the darkness of postbags before being transported by the conveyor belt and the cart and the postman’s decisive hands, every link equally vital. The postman’s tireless wandering from stairwell to stairwell with the precious cargo. The steadfastness of the postman! Come rain or shine, the postman calls day after day, and the certainty of it, the predictability of the Post Office, the repetition! Long live the postman, the post box, the Post Office and all its beings!"

And when – no spoiler as this would have been headline news in Norway at the time – their campaign proves successful, Ellinor feels she can apply the lessons learned to her own life:

"It doesn’t mean much in the greater scheme of things, of course not, it’s just a postal directive. One small step for Labour’s grassroots, but a life-changing one for me because through working on the postal directive, I had learned the value of this step for living well and in good spirits. I knew now that no one is insignificant and that every day every one of us must choose whether to build civilisation or the opposite, let the world fall apart, and that even the smallest things present each of us with a challenge."

Ultimately, I didn’t find this as powerful as Will and Testament. It wasn’t that the postal story was boring, indeed that part of the novel and the underlying real-life story intrigued me, but I was less taken by the story of Ellinor’s personal development and the slightly forced link between the two.

And – unbeknown to the author at the time the book was published – the victory proved fleeting. The ruling Labour party was defeated at the next election in 2013 and the incoming centre-right coalition adopted the Directive.

3.5 stars

Thanks to the publisher via Netgalley for the ARC.

BACKGROUND
As a member of the EEA but not the EU, Norway has a nuanced position with respect to EU Directives. It is informally consulted on any proposal for a new law from the Commission, and its experts participate in drafting sessions, but it has no voting rights on the final law. And once passed it is required to adopt the Directive in to its own law “as closely as possible.”

However, it does have a “right of reservation” in exceptional circumstances to argue that the law is not suitable for Norway (https://fullfact.org/europe/eu-facts-behind-claims-norway/).

This right has only been formally invoked once.

In 2008, the EU passed Directive 2008/6/EC, amending Directive 97/67/EC, as amended by Directive 2002/39/EC – the so-called Third Postal Directive, fully opening up even letters to full competition. In Norway this would have required the Norwegian postal service (Posten) to give up its monopoly on letters weighing less than 50 grams.

In 2011, following a grassroots campaign within the governing Labour party which forced the leaders of the government to change their position in favour of adoption, Norway informed the EU that it would be exercising their right not to implement the Directive (https://www.newsinenglish.no/2011/05/23/historic-no-to-an-eu-directive/)

This issue came up in both the Brexit campaign, raised by the Leave campaign who were at that point arguing for a EEA position as one option (http://www.conservativehome.com/thecolumnists/2015/10/daniel-hannan-mep-norways-relationship-with-the-eu-is-better-than-being-a-member-but-we-could-do-even-better-than-that.html) and later in 2017 when a cross-party group, including Conservative rebels, argued in favour of a Norway-plus style soft Brexit (https://www.bbc.co.uk/news/uk-politics-47734583).

What each group failed to realise when citing the precedent (and what was in the unknown future for the author when she wrote this book) was that after the Labour party was defeated in the 2013 general election, the new centre-right coalition government did adopt the Directive.

I thoroughly enjoyed this book. It felt like getting inside of a person's mind and staying there a while thanks to an absorbing narrative in the first-person. Kudos to the author and the translator!

In this relatively short novel, the prose is clean and effective. In a time span of few months, we read about a personal aftershock of a devastating event in Ellinor's life, a lonely, introverted, thirty-something businesswoman, and her struggle to continue to live and work while trying to find a new meaning in her life and relationships during this hardship.

Right this time, a project about the postal service of Norway comes in her way and she starts (reluctantly) working with postal workers union to deflect an EU directive which will have a disruptive effect on many people’s lives, especially those living in the remote parts of Norway.

With this task, she finds a chance to take a glimpse of different ways of living and different motivations to keep going. Will working with ordinary people rather than big multinational companies change her perspective? Will she be able to see her own life under a different light when working for these people?

Along with the heroine, the reader finds themselves thinking about several things: loneliness, routine, memory, family relations, professional life, romantic involvement, finding a purpose in life, giving up, and making noise for the right cause.

Thank you NetGalley and Verso Books (US) for giving me access to this extraordinary novel.

I have read so many disaffected and disconnected young/young(ish) women stories this year, and Long Live the Post Horn! is yet another one. This may be a case of "it's not you, it's me," but at this point a book falling into this category really has to be great for me to like it. Long Live the Post Horn! is not great. Don't get me wrong, it's certainly not bad, there is some good writing and translation, and the opening grabbed me and presented a character with realistic thoughts. However, as I kept reading the book lacked emotion (purposely) but also insight, which made it a drag to keep going. Please no more sad writer stories, I just can't take it anymore.

The book starts with the narrator finding an old diary, and upon reading she is confronted by how mundane and routine her life is. The plot “a PR consultant has a slow existential crisis and also tries to help the Norwegian Postal Workers Union save the postal service” is a bit of a hard sell, but it’s a really good book of modern life and loneliness and whether anything we do means anything. I love the way the narrator’s story is told alongside the postal union’s story - is it worse for your purpose to be a lost cause, or not to have a cause at all?

Hjorth is an excellent writer, it’s a short book but one that really speaks to the disconnect and alienation that i think many people experience/will experience. However, because the story focuses almost completely on the narrator’s experience so it does read as slightly self-centered at some parts. She’s definitely not the most easily likeable character but I think there’s something very human and endearing about her.

Recommend if u are having an existential crisis about whether u are adding any value to the world. A nice little reminder to have hope and just do the best you can.

I received this from Netgalley.com.

Ellinor lives a grey existence, at least that's how she feels about it. She questions why she is living at all and why she is emotionally disconnected from her life and the people in it.

It's a quick read but not a terribly lively one, it didn't keep my full interest and attention to the end.

2.5☆

Absolutely awful. Storyline, such as it was, was impossible to follow. There was no character development, which made it impossible to relate to or empathize with the main character. Give this a pass.

This story follows a lonely woman realising she is lonely. She struggles to connect to people, especially her long term boyfriend, Stein. She reads an old diary of hers in which she no longer recognises the self reflected in it. She wanders through the world with it only minimally touching her, that is until her colleague disappears and appears dead washing up on the Calais shore. This event changes everything. It is an interestingly written story, very functional in its writing style. The setting and plot is distinctive and intriguing.

I enjoyed the stream of conscious style of writing, and what started off seeming very bleak ended in a hopeful way that wasn’t schmaltzy or cloying. Well done

This novel was an exceptional reading experience. Every sentence sent me somewhere. Every sentence delighted or energized or moved me. Do you know how hard that is to do with language? Kudos to Hjorth's translator, as well, for extending Hjorth's language to me. This is the kind of novel with a narrative drive that makes you want to know what happens on the next page, but that also invites you to linger on the sentences as they come along, because you've never read sentences that are quite like these sentences before. The narrative exuberance here reminds me of Saul Bellow. Thanks, Verso, for providing me an e-copy through NetGalley, and I'll surely be buying this novel when it's published for the pleasure of re-reading it with a book in hand.

I tried to read this book but it just rambles. Very disappointed as I was looking forward to reading it.

** spoiler alert ** Ellinor lives a grey existence or anyway that's how she feels about it.

With a couple of business partners she runs a PR company, she has a boyfriend, Stein, who has a child from a previous relationship, a mother she resents and a sister who lives a suspended life while waiting for pregnancy and motherhood.

Ellinor seems to have no attachments or drive in her non-existence and the people who surround her also seem to be stuck in this predicament. Suddenly though one of her business partners quits everything leaving a note where he refers to Ellinor as a "spineless bxxxh" and eventually appears to have committed suicide.

This is the beginning for Ellinor of an internal quake where she questions why she is living at all, her emotional disconnection with her life and people in it and finally, through an epiphany while working on a job for the Postal Workers Union, how she wants to live her life ("Might life be a serious business that required something of you, a daunting enterprise?").

The plotting was well developed throughout though perhaps the ending just felt rushed and the register more superficial than the rest of the book. The sense of despair and greyness were well communicated, but the up beat tempo in tone and events at the end were unable to credibly lift the mood and inject the story with the passion and drive that it perhaps was aiming for.

Overall it was a well written and engaging book which probably would, with the right casting and directing, translate well into a movie. But ultimately it is not a book that one is likely to find themselves thinking about years, months or even weeks after having read it.


Many thanks to Verso Books and NetGalley for sending me a copy of this book in exchange for an honest review.

#LongLivethePostHorn #NetGalley

A quirky read that had me at the beginning but began to lose me near the middle when it got into the Norwegian politics, maybe it’s just me but I don’t find that topic to be universal. If you’re willing to do your background search on that topic good for you but I’m not always looking to do heavy research for the books I’m reading.

I did enjoy this tale of self discovery and found the writing really engaging. I would definitely read more from this author in the future.

Vigdis writes like a stream of consciousness. It was honest, humorous and at times made me pause and say "aw". It's a look at one woman's experience finding herself in the midst of grieving her friend and co-worker. And this grief sends her on a journey, connecting her with the post office. Quite funny in a way that the post office is what helps her turn herself around, but its relatable. I found this journey to be light and interesting. I would definitely recommend this story.

An interesting read and I enjoyed it for the most part but it did lose me a bit halfway through when a majority of it became about politics. I dont know if it's because I'm not familiar with Norwegian politics and policy but it just didn't grab my attention the way the first half of the book did. I'd still be interested in reading more from this author.