A Cherokee family is approaching the anniversary of the death of their son. Each family member is grappling with their loss through their own mental and physical grief. For fans of Jesmyn Ward, Tommy Orange, and Jacqueline Woodson.

In The Removed, the reader travels from the real to the surreal as events unfold. The connection to the past is always present in everyday life. The novel dives deeply into Indian folklore. A policeman wrongly shoots Ray-Ray and for 15 years, the Cherokee family’s grief is palpable. Each family dealing with their grief in their own way. This is a book of hope and healing through Cherokee culture and tradition.

The Removed starts with the shooting of 15-year-old Ray-Ray by a police officer. The rest of the book is about the aftermath of his death on the family and their attempts to heal. Each chapter is written from a different family members' point of view, which is a style I love. There is also Native American folklore woven throughout the story. Overall, I found the book to have a haunting, melancholy air but was a quick read that held my attention. I would have liked to have gotten to know the characters better before the novel ended.

This is incredible! No words are enough to define how much I enjoy this book! I plan to read it more than once and I want to buy it for my friends! Maybe it’s too early to announce but I’m so sure it already took its dedicated place for best 5 fictions of 2021! I recommend it to the readers who missed the extraordinary taste of literature!
It’s a great waltz between Cherokee myths, history and magical realism, delightful allegations. You read the story of broken family with so many beautiful tales, traditional Cherokee beliefs! The chapters belong to different POVs of the family members are interesting, capturing. When you enjoy the one perspective, you keep thinking about the other characters because each chapter picks your interest, some of them ends with cliffhangers which pushes you flip the pages faster!
Let’s learn more about the plot line:
Eccota Family is getting through hell, each member fights against their own inner devils when the 15th anniversary of beloved son Jay Jay’s death is approaching. They normally celebrate it with bonfire because it’s at the same day with Cherokee National Holiday and it is also an excuse to bring dysfunctional family members together for grieving!
Each of them has a different kind of coping mechanism which is doomed to fail.

A truly depressed mother Maria, pouring out her feelings at her journal but the words are not enough to express her deep pain.

The father, Ernest suffers from early stage of amnesia, reluctant to deal with the memories of his painful past.

The daughter, Sonja gets more asocial, stalking a young musician man and his son who is on the verge of autism. Why is she so obsessed with them?

And the youngest boy, Edgar becomes an addict, rejecting any help, not keeping his promises he gave to his family after their serious intervention, killing himself slowly, letting his addiction take away his soul.

The family is crumbling into pieces: till one day Maria and Ernest temporary foster a kid who has quiet resemblance to their dead son at the same age he got shot by a racist police officer who got away with the murder!
The boy is acting like incarnated soul of their dead son: having interest of old time songs, collecting vinyls, impersonating comedians as like their son did. Suddenly Ernest starts to remember things about the present and past. His memory is miraculously coming back as soon as he starts communicating with the boy. He feels like he reunited with his longtime gone son!

Sonja finally starts dating with Vin she has been stalking for a long time and she starts hating the each second she spends time with him. Why she’s still with him? Does she try to punish herself by involving into destructive relationship patterns or does she have other plan?

And after being dumbed by his girlfriend who cannot deal with his addiction, Edgar finds himself one of the creepiest and eeriest place called Darkening Land where is located between the thin line between life and death, experiencing his own survival journey!

The conclusion of the story is epic, satisfying, magical!

Overall: I’m so delightful to have a chance to read advance copy and I’m looking forward to wait for the release date to buy the hardcover copy! This is not good! This is marvelous and incredible!

Special thanks to NetGalley and Ecco for sharing this reviewer copy with me in exchange my honest opinions.

Reading The Removed was like getting one of those soul strengthening hugs that fill your lungs with warmth giving you enough strength to get out of bed the next morning and take a step forward.

The Echota family was impacted by a single event. Through a series of short, daily stories, we learned a little bit of how each one of them was coping and making it through the days, and how often all of these stories intertwined in an unexpected way. I loved it, I couldn't put it down.

This was a really interesting book for me. I am going to put it before our book club this summer because I really think they're going to love it. Thank you so much for the chance to read it early.

Thank you for giving us an early look at THE REMOVED through the BookPerk newsletter! I can't wait to devour this over the holiday break. Have a safe and happy rest of 2020!

THE REMOVED is perfect for fans of literary fiction. Hobson moves deftly between the four point-of-view characters and I enjoyed their different perspectives. The time-bending narrative flows easily and is not overly complicated. The writing has a lovely dream-like quality. While not particularly fast-paced, the plot is interesting. I kept turning pages to find out whether this family would emerge from their grief--and if so, how. Finally, I especially enjoyed the folklore elements. I look forward to more books by this author.

A novel told from different points of view (a favorite literary device for me). Interspersed with Native American folklore, and dealing with issues of racism, family, and community.

I found this book overall enjoyable, and reminiscent of my earlier read this year, Sharks in the Time of Saviors. The themes of families who love each other but are torn apart by trauma, whether recent or generational, finding connection again through their culture and spirituality. At times, I felt the parallels were a bit too blatant, and I wondered if the author was simply a bit too obvious, or if he felt the audience wouldn't pick up on the obviousness. The book certainly left me wondering more about what aspects of the book were autobiographical, or from the author's family. The novel dealt with heavy topics, such as police brutality, revenge vs. forgiveness, and the genocide of Native Americans by U.S. soldiers and leaders in a way which felt both brutal and truthful, which was part of the reason I found myself wondering more about the author's personal background. The writing simply wasn't consistently "wow" enough for me to leave four stars - the multiple POVs all had characters with similar voices/stylistic markers, and at times I found myself confused and rereading portions that I think could have been clarified more easily.

I did like Brandon Hobson's first book Where the Dead Sit Talking but there were small points on the story that distracted me, and probably made that novel not stand out for me the way it could have. (I still think that it was ridiculous not to bring up the Indian Child Welfare Act at any point in the book.) I only requested an ARC through Netgalley because of course, I always want to read Native authors, especially when they teach at my parents alma matter, the Institute of American Indian Arts.

The Removed is the Brandon Hobson reading experience I was promised with Where the Dead Sit Talking. It is a beautiful, enthralling story of a modern day Cherokee family dealing their grief after the police shooting of their teenage son. The book draws very subtle, but very poignant parallels between current government sanctioned murder of young men of color by police, and past government sanctioned murder of Indigenous tribes by the United States army. Today they call it justified police shooting, two hundred years ago they called it relocation. In promotional materials much is made of the fact that Brandon Hobson writes about Cherokee legends and beliefs, and doesn't that make for a masterpiece? I was cringing before I even started reading, but the legends and beliefs are written as simply part of the story, not an esoteric lesson to hit me over the head with. Hobson uses these (so-called by non-Native publishing employees) legends to help tell an allegory of a family who will never stop suffering from the trauma they experience first hand, and the trauma of past generations. It's a dreamlike novel (much like Where the Dead Sit Talking) that makes you question the reality of it all, even as you are faced with the harsh truths that this family deal with on a daily basis.

The story revolves around an approaching anniversary where the family plans to get together to honor the memory of their dead brother Ray-Ray. Sonja is struggling with a relationship with a man who isn't what she hoped, Maria and Ernest are coming out of their depression and Alzheimer's complications to learn to love a foster child, and Edgar is dealing with his drug addiction in New Mexico. Despite their problems, the characters are gentle and kind to each other, even if they aren't kind to themselves. They allow the spirits to walk them carefully through their pains, as they know the spirits have experienced similar pains and have gained knowledge from it even in death. Maria, Sonja, and Edgar narrate their own pieces of learning to live with their pain, and their story is interspersed with that of Tsala, a Cherokee ancestor whose own terrible experience enables him to guide others on their journey through pain. The best part of the book is the fact that it quietly portrays the disquiet and underlying fear of being a Native in non-Native spaces. Edgar's chapters especially highlight this point as he navigates the small-talk-getting-to-know-you racism of people asking where's he from, what kind of Indian, you look so much like Jim Thorpe, etc. Sonja puts up with her boyfriend wanting to her to "play" Indian when it suits him, and I think her anxieties mirror a lot of Native women's anxieties. Knowing that if something happens to you, you will likely never get help of any kind is a heavy burden to always carry. Maria and Ernest look extra carefully after Native children, knowing that there are far too few people in the world looking out for them. Their stories are told matter of factly, meaning that even though the novel is dream-like, it feels like an honest portrayal of a family, both as a unit, and who they are individually.

Nothing about this book strikes too hard. It's a well-told story of a family trying to do the very best with what the wider world gives them, but finding comfort and strength in their people, and their ancestors. And I was very pleased to see the subtle mention of the Indian Child Welfare Act! I saw in this book what so many people saw in Where the Dead Sit Talking, and I am pleased to have another Native author to recommend!

“We reveal ourselves to those who will look. It has been said we are illusions, nightmares and dreams, the disturbing and tense apparitions of the mind. We are always restless, carrying the dreams of children and the elderly, the tired and sick, the poor, the wounded. The removed.”

Thank you Ecco Books and Netgalley for the ARC in exchange for this honest book review.

Fifteen years ago, Ray-Ray was shot by a cop in an “accidental” police shooting. Since then, his family has created a tradition on the anniversary of his death -which also falls on the Cherokee National Holiday, by sharing memories of the vibrant Ray-Ray at the annual bonfire. However, this year it might not happen with the family struggling with their own problems.

THE REMOVED by Brandon Hobson is a story about grief and trying to heal from loss. It’s also about how racism and dispossession is remembered throughout many generations. Hobson’s powerful story is told by different perspectives within the Echota family: a mother, grieving but trying to move on and heal her family; her husband, trapped with losing his memory thanks to Alzhemir’s; a daughter, seeking for happiness but also for revenge; and the youngest brother, an addict wishing to numb every emotion inside of him.

Traditional Cherokee belief teaches that all souls after death continue to live on as spirits, some manifested into the bodies of animals while others are unseen. The story also intertwines with Tsala, an ancestor from the Echota family that brings non-Native American readers to read about one of the cruelest events in U.S. history - the Trail of Tears from the perspective of someone that suffered the event of colonialism.

There was a blur between the real world and the spirit world throughout the novel that brought the narratives that we didn’t learn in U.S. history. Hobson touched on many important issues that affect the Cherokke people with systemic racism, the lack of support, and so much more. I really enjoyed the characters in this novel especially at the foster son that reminds the family of Ray-Ray and it felt like they had a piece of their happiness back in their lives again.

Received ARC from NetGalley in exchange for review. This book took some time getting used to, in terms of the switching points of view; everyone’s story is interconnected but it took time to link everything with what was going on. About midway through the book, I felt like I could understand what the author was doing in his storytelling. This is a great mix of spiritual and real-life fiction. The end made me tear up. I will say the end is slightly open-ended which was a nice touch.
This is a book I will reread once published in February because it took me a little bit to understand connectedness and would love to read this with fresh eyes.

Hobson's novel is an easy read, at times almost too easy at times. The novel is somewhat predictable, and I was wishing for a more deeper, more revealing novel because using the mythology as the means to reveal the story of this family didn't always work for me.

When fifteen-year-old Ray-Ray is killed by a cop in the beginning of the novel, he is somewhat removed from the novel, yet the essence of Ray-Ray is the main theme. Fifteen years later, his parents take in a fifteen-year-old Wyatt, a boy who is training himself to be a Cherokee storyteller and seems to have mythical powers. He is so similar to Ray-Ray that Edgar, his father suffering from dementia, rejuvenates and his memory returns after Wyatt moves into the house.

The daughter Sonya lives down the street from her parents but we don't really see them together much, or at least in a way that adds depth or revelations about their lives, past or present. I was hoping she'd confront her parents, or at least her mother, about her shitty boyfriend, missing her brother, something, but that doesn't happen.

The youngest son, Edgar, suffers from drug addiction, and makes an attempt to clean up and return home for the family bonfire to celebrate Ray=Ray's life, which is also during the Cherokee National Holiday. I wish we could have seen Edgar at home with the family instead of seeing him with his former friend from high school, who was engaged in making a violent hologram game where people kill Native Americans for fun. We get to meet the spirit man as he's on this journey, but the real journey would be for readers to see him connect with his family, for everyone to gather at the bonfire, gathering with their spirits and skeletons, and reaching some kind of reckoning, acceptance, and acknowledgment.

The Echota family grieves. Fifteen years ago Rae Rae, the second child, was shot by a police officer. As the anniversary nears, each member of the family prepares for the memorial bonfire. Ernest, the father, suffers from early stages of Alzheimer’s. Sonja, the oldest, has drifted through relationships without committing and seems fixated on one particular man. Edgar, the youngest, suffers from addiction and hovers close to suicide. Maria, the mother, finds release from her depression through a foster child assigned to live with them. In intermittent chapters through the voice of Tsala, their ancestor, we hear the legends and history of their Cherokee roots. Brandon Hobson’s storytelling has a mystical tone, sometimes slipping between this world and the next. He invites the reader to experience this through each character’s point of view, emphasizing the importance of grief, forgiveness and love of family.

A broken Cherokee family attempting to mend itself after the tragic murder of their 15 yo son, Ray-Ray at the hands of police. The Removed refers to their ancestors who were “removed” from their land during the Trail of Tears and forced to move west, many dying along the way.

4 POV from the Echota Family:

Maria (matriarch) who is level-minded and her POV is the least confusing and most stable. She and her husband (who has Alzheimer’s disease) foster a boy who resembles Ray-Ray.

Sonja (older sister) who sought vengeance for the murder of her brother – her story is very odd and felt like I was following someone who had borderline personality disorder.

Edgar (youngest brother) who became a drug addict to numb himself from pain. His story was the most confusing and dream-like. I felt frustrated reading his POV and I never understood where he ended up at the end of the novel.

Tsala is the family’s ancestor that is an immortal spirit that retells the grief and loss during the Trail of Tears.
This novel draws heavily on the Cherokee folklore & beliefs to illustrate a dream-like existence for the living & dead. It’s the dream-like writing that frustrated me. Maria may be the only character that was fairly developed & her story was so interesting while they fostered Wyatt & how it affected her husband who had Alzheimer’s. Otherwise, I felt it hard to relate to or care about the other characters & difficult to grasp the interweaving of the past and the present.
November is Native American Heritage Month & I encourage you to read at least 1 book by an indigenous author.
Thank you Netgalley & Eccobooks for this ARC of The Removed!
Expected Publish Date: Feb 16, 2021

Read if you: Want a moving, occasionally startling, and multi-narrated story following Native American characters.

Librarians/booksellers: Readers interested into contemporary Native American literature will want to read this; a unique mix of contemporary storytelling and legends. This is not a fast-paced read or a feel-good read, but the careful reader will be rewarded.

Many thanks to Ecco and NetGalley for a digital review copy in exchange for an honest review.

It is a little difficult to pull my thoughts together regarding this book. In truth, I didn't like it much, although it did have redeeming qualities. The story itself is intriguing and relatable: a Cherokee family lives through the trauma of losing their eldest son to a police shooting. The mother strives to hold the family together while her husband develops Alzheimer's, her other son becomes an addict, and her daughter loses herself in a carefully thought out process of revenge. The dead son's spirit visits the family through others with whom they have contact, which lightens their load substantially.

The story also brings in other subplots: a departed spirit, Tsala, narrates some of the losses and heartbreak of the Trail of Tears. Also, the family's surviving son unknowingly becomes a victim of a heinous and vile anti-Native persecution plan that is disguised as a game.

Perhaps it is the writing style that I was not crazy about. The book felt like it was draggy and flat at times and although I got a sense of the characters, I felt that they could have been more well developed. It is important to read Native American fiction, so on the whole, I am glad to have read this book. Interested in the opinions of others.
#NetGalley #TheRemoved

Though this story focuses on the Echotas, a Cherokee family trying to get by in life, there are lots of other Cherokee stories woven in. For anyone who knows very little about living life as a Native American, this book will definitely give you an education of sorts. All the other stories that don't focus on the Echotas would be a distraction in any other book but here they are relevant and have a true purpose. This book weaves tales about racism, adoption, dementia, Alzheimer's, the strength of women, mental health and so much more together into one cohesive story. This book really surprised me in a good way and I recommend it to anyone.

I received an ARC of Brandon Hobson's forthcoming novel through NetGalley.

This is my second of Hobson's novels, and, I think, my favorite of the two. I really appreciated the way he blends time and moves between worlds. As with his previous novel, foster care and family trauma are central themes, but we get to experience these issues through the eyes of several characters this time. Maria, the family matriarch, feels like the most fully realized character here, which is not to say I didn't enjoy reading Sonja, Edgar, and Tsala's chapters, especially because they range so far from one another in tone and content. As the epigraph suggests, this novel can and should be read in conversation with novels like Pushing the Bear, and while I don't make any claims to understanding Cherokee culture and belief systems, I very much appreciated the artful way the novel engages the history of Cherokee removal.