This well researched book tells Kenneth Grahame's life story in a sympathetic way.
It sensitively covers the tragedies he faced.
It is a book I would highly recommend to any Wind in the Willows fan.

This book tells the story of the man behind one of my childhood favourites Wind in the Willows. This book tells his life story in a gentle and sympathetic way, dealing with the tragedies of his lfie sensitively. It’s is well researched and well written. Highly recommend.

Never knew how tragic the life of a man who brought so much joy to kids through his writings. It brings deep insight into his life and his tragic childhood. A great case study to read but probably not for those who want to see one of their favorite authors painted in a different light.


Thank you to NetGalley and the publisher for providing this book in exchange for an honest review.

Elisabeth Galvin, The Real Kenneth Grahame The Tragedy Behind The Wind in the Willows, White Owl Pen & Sword 2021

Thank you NetGalley and White Owl for providing me with this uncorrected proof for review.

Elisabeth Galvin’s sensitive interpretation of the lives of Kenneth Grahame, Elsie Thomson, and their son Alistair, is a gentle reflection on three lives that come together, move far from each other, return with affection mixed with a massive lack of understanding, and find a way of living and parting that, while often dysfunctional, seems to have been understood in this family and amongst their friends. This is not to underestimate the tragedies they experienced, but Galvin’s work gently discusses these and then moves forward – as indeed did the adult Grahames. Galvin’s language and the way in which she combines quotes, her interpretation, and kind reading of events in the family, their personalities and relationships with neighbours, friends and work colleagues forms a dappled patchwork of images, ideas and intuitive commentary that reflects the water and surrounds which were the background for the animal adventures in The Wind in the Willows.

Galvin does not adopt the lively tone familiar in many of the Pen & Sword publications, rather her own language is quite straight forward, depending on the addition of well selected quotes to liven the narrative. I like the way Galvin’s approach harmonises with the stories with which the reader will be familiar – the language of river, woodland, four animals of very different demeanor and a narrative that lives up to the title The Real Kenneth Grahame.

Three childhoods and experiences of youth in homes where the sources of love were sporadic or non-existent are laid out, from Kenneth Graham’s mother’s early death and his dependence on siblings, an erratic father, and a stern grandmother; to Elspeth Thomson’s similar loss of a parent; and then Alistair’s life as the son of two mismatched and emotionally limited creative people. These backgrounds suggest that the book could have been limited to a series of tragedies. However, Galvin creates a world for each child that allows for growth and creativity as well as recognition that their lives were not always easy. Kenneth and Elsie chose to retain their childhoods and their partnership is well drawn by Galvin. Alistair’s different choice is not glossed over, but neither is his assumed suicide a source of judgement on his two less than able parents. Unlike a biographer noted by Galvin, she treats Elsie and her needs with respect while advancing the case for Kenneth Grahame, his career and lifestyle choices, and not least, his writing.

Grahame’s writing is such a source of interest, the well-known Wind in the Willows being joined by a range of works that demonstrates the literary ability of this writer, his capacity for producing works of originality and fascination, and his use of his inner self and thoughts to produce literature that appealed at the time of writing, as well as far into the future.

Elizabeth Galvin has woven together the emotional lives of families, friends, and colleagues with the work of writing, publishing, maintaining a home and place in society in the period with the Grahame family at its centre. In this way, the history of the time is built up alongside the personal misalliances, hopes, fears, successes, and tragedies of Kenneth Grahame. The love of home and security which permeates The Wind in the Willows is shown to have its roots in Grahame’s personal life, but also resonates with a period of change. Kenneth Grahame’s writing, when read through the complexities of his life laid bare by Galvin’s study, becomes even more interesting. Reading The Real Kenneth Grahame, The Tragedy Behind The Wind in the Willows illuminates but does not dominate the way in which Grahame’s fiction can be read. At the same time as Galvin provides an excellent background to understanding Grahame and his writing, the stories retain their charm.

There is a comprehensive bibliography; note for each chapter; an excellent index; photos with explanatory captions; handwritten letters and poetry; and some of the illustrations from The Wind in the Willows.

The story of the man behind the Edwardian children's classic, The Wind in the Willow could be told in a number of different ways. On the one hand, it is the story of an incredibly talented man, a huge success as both a freelance writer and in his day job at the Bank of England who not only, by all accounts, provided excellent company to everyone he encountered, be they old or young but who somehow never lost that sense of what it was like to be a child, enabling him, quite magically, in middle-age, to create one of the greatest children's books ever written.
But, on the other hand, it is a very sad story indeed. It is the tale of a man who never recovered from the trauma of his mother's death during his childhood. This tragedy, coupled with the shock of his alcoholic father's decision to abandon his young family,, arguably stunted Kenneth Grahame's development, leaving him permanently frozen in a juvenile state: sexually confused, unable to be a successful husband and a tragic failure as a father.
Elizabeth Galvin's account of the life of the man who created Ratty, Moley, Badger and Toad of Toad Hall brings Grahame's world vividly to life.

The Real Kenneth Grahame
The Tragedy Behind The Wind in the Willows
by Elisabeth Galvin
Pub Date 30 Nov 2021 |
Pen & Sword, White Owl
Biographies & Memoirs | History| Nonfiction (Adult)



I am reviewing a copy of The Real Kenneth Grahame: The Tragedy Behind The Wind in the Willows through Pen & Sword, White Owl and Netgalley:


Kenneth Grahame who was born in 1859 and died in 1932 was a Scot who wrote one of the most quintessentially English books. When he was only four years old his Mother died, and his father became an alcoholic, so Kenneth grew up with his grandmother who lived on the banks of the beloved River Thames. Forced to abandon his dreams of studying at Oxford, he was accepted as a clerk at the Bank of England where he became one of the youngest men to be made company secretary. In 1903 Kenneth narrowly escaped death when he was mistaken for the Bank’s governor and shot at several times. He wrote secretly in his spare time for magazines and became a contemporary of contributors including Rudyard Kipling, George Bernard Shaw and WB Yeats. Kenneth’s first book, Pagan Papers (1893) initiated his success, followed by The Golden Age (1895) and Dream Days (1898), which turned him into a celebrated author.




His novel that is the most famous today, was the one that was the least successful in his lifetime. The Wind in the Willows (1908) originated as letters to his disabled son, who was later found dead on a train line after a suspected suicide. Kenneth never recovered from the tragedy and died with a broken heart in earshot of the River Thames. His widow, Elspeth, dedicated the rest of her life to preserving her husband’s name and promoting his work.



I give The Real Kenneth Grahame: The Tragedy Behind the Wind and the Willows five out of five stars!


Happy Reading!

He wrote one of the most quintessentially English books, yet Kenneth Grahame (1859 – 1932) was a Scot. He was four years old when his mother died and his father became an alcoholic, so Kenneth grew up with his grandmother who lived on the banks of the beloved River Thames. Forced to abandon his dreams of studying at Oxford, he was accepted as a clerk at the Bank of England where he became one of the youngest men to be made company secretary. He narrowly escaped death in 1903 when he was mistaken for the Bank’s governor and shot at several times. He wrote secretly in his spare time for magazines and became a contemporary of contributors including Rudyard Kipling, George Bernard Shaw and WB Yeats. Kenneth’s first book, Pagan Papers (1893) initiated his success, followed by The Golden Age (1895) and Dream Days (1898), which turned him into a celebrated author. Ironically, his most famous novel today was the least successful during his lifetime: The Wind in the Willows (1908) originated as letters to his disabled son, who was later found dead on a train line after a suspected suicide. Kenneth never recovered from the tragedy and died with a broken heart in earshot of the River Thames. His widow, Elspeth, dedicated the rest of her life to preserving her husband’s name and promoting his work. I found this book fascinating and couldn’t put it down. Heartbreaking at times and also inspirational.

Literary success often seems to spell tragedy either for the author, the author's family, or sadly both. Writing can be a surprisingly dangerous business, but if you are good enough you can hope for immortality. Kenneth Grahame was good enough.
Elisabeth Galvin's new book is a compelling mix of the biographical, with a close look at Grahame"s literary style and output. She examines his often difficult relationship with his wife, and his only son, Mouse, with an objective honesty, and her passion for his writing permeates every page.
A splendid book that can enhance one's enjoyment of that great classic The Wind In The Willows, and also introduce one to the earlier books which should not be overlooked.