This is a story about family, and follows through many generations. I look forward to reading the author’s other novels.

I liked this book, but I didn't love it. I thought the writing was strong, but the beginning was sloooooow. It took me awhile to get into it.

I really enjoyed the generational aspect to it, though. I appreciate this style of storytelling, and I think I would have loved more of Simodecea and Maria Josie's stories near the end, rather than in the beginning. Luz's story was easy to read, but the love portion of it wasn't nearly as interesting as what her grandmother and aunt went through.

I’ve gone back and forth between 3 stars and 4 for this book. It is a multigenerational saga set in Denver between the late 1800s and the 1930s. I loved the setting, both because I used to travel to Denver frequently so some of it was familiar to me, and because I have not previously read much set there. I also liked the multicultural cast, from the protagonist Luz and her Chicano family, to the Greek, Native American, and Filipino supporting characters. It made for a well rounded story and an eye-opening perspective on racism in the 1930s.

What didn’t work as well for me was the nonlinear timeline and Luz’s visions of her ancestors. The jumping around in time was confusing and I wasn’t as interested in the earlier part of the story. Even though much of the book was from Luz’s perspective I still didn’t feel like I really knew her and struggled to understand some of her decisions.

I settled on 3 stars because of the slow pace and timeline but appreciated the author’s thoughtful approach to the Chicano experience.

Thank you to @randomhouse and @netgalley for the #gifted ARC. This book is out June 7th!

This is the literature that I truly love...⁣
⁣
I am about 25% in and I am just loving this story. I love multigenerational sagas, as you know, and this one is layered so well.⁣
⁣
Summary⁣
Written in Kali Fajardo-Anstine's singular voice, the wildly entertaining and complex lives of the Lopez family fill the pages of this multigenerational western saga. Woman of Light is a transfixing novel about survival, family secrets, and love, filled with an unforgettable cast of characters, all of whom are just as special, memorable, and complicated as our beloved heroine, Luz.⁣
⁣
I will keep you posted about my final thoughts on this one!⁣
⁣
Thank you @netgalley for this free copy in exchange for my honest thoughts. Woman of Light is out June 7, 2022!⁣
.
*Thoughts after finishing:
I loved this book. Where first the jumping timeline threw me I fell into it quickly and just loved these characters. Luz will be an all-time favorite character.

Book: Woman of Light

Author: Kail Fajardo-Anstine

Rating: 3 Out of 5 Stars



I would like to thank the publisher, One World, for providing me with an ARC.



Once again, we did have the makings of a great book. However, I just found the overall execution of it to be rather lacking. The emotional pull, great storytelling, and amazing character arc is there. We can see all of this and can get hints of it. However, it just doesn’t come across on the page. There were times that I was fully invested in the story. Then, I would turn the page and find myself wondering what had happened. In order to keep the emotional pull going, you have to keep it up. You have to give your reader a reason to care. You have to give us something to hold onto and lack onto.



The makings of very complex and developed characters are there. We can see hints of this through, not only their backstories, but their actions. We can see how each of them has struggled and how they just want to have a better life. However, again, I felt like there wasn’t enough there to keep me fully invested and engaged in what was going on. I personally would have liked to have seen some more depth to them. I would have liked to have seen the bones of these characters stretched a little bit. It felt like there was more there than what we were getting. I just would have liked to have seen more. I do believe that had these characters been fleshed out a little bit more, then we would have had some great arcs.



The writing was there. Again, the bones of great writing were there, but it felt like we were missing something. We had some great character and plot moments. There were times, however, that I felt like we were missing. There would be pages were I was fully invested in the story and the writing had me hooked. Then, I would turn the page and all of this would be gone. It honestly felt like the author was holding back on us when it came to the writing. There was a story that the author wanted to tell, but couldn’t. I don’t know if anyone else felt like this, but I did. It felt like the author was trying to tell this story but, for some reason, could not bring herself to do so. When an author comes across as holding back, the reader is going to pick up on that. If you have a story to tell, then you have to be willing to go for it. You have to be willing to take those chances and push the limit.



Overall, the bones of a great story are there, but I just felt like it was missing something in order to bring it home.



This book comes out on June 7, 2022.

I find it terribly difficult to judge the merits of a literary book like this. I find it much easier to review a mystery or thriller based on the originality of the story. Having said that, I did enjoy Woman of Light. It took place in a time and community that I’m not very familiar with. The story had an episodic feel since it moved around to different characters in different times. I liked the characters and was rooting for them to succeed, although I was often concerned for their safety.

Woman of Light sounded like exactly what I was looking for, but for some reason, this did not scratch my historical fiction itch. We have a multi-generational story containing lots of people of color with different cultures and histories, including indigenous people and their struggles. This takes place between the 1800s to the 1930s, and involves different perspectives.

For most of the story, we are following Luz, who is a young woman struggling not only with poverty, but discrimination and racial prejudices. She can read tea leaves, but she also works as a laundress as well as a secretary throughout the novel. This sounds like a novel I would love, but I felt extremely removed from this story. Everyone was very one-dimensional, and the last half was so rushed it almost felt unedited. It ended abruptly with zero consolation or closure for any of the characters.

I also found it hard to care and connect with the past chapters because they didn’t mesh or blend with the present chapters in a coherent story. This is very “slice of life”, and I usually love those, but I still need an ending point and I need to connect to the characters. A lot of the plot made no sense - does Diego have his own magic with snakes? Is his gift genetic? What was the relevance? I didn’t see anything with snakes in the past chapter with his ancestors. Also, why give Luz these visions and talents and not have them do much of anything in terms of affecting the daily lives of her loved ones???

There was a severe lack of character development for me, and only a small amount of plot. I honestly don’t think that we needed the past chapters. Or if we did get them, if they were told in a different way than the present chapters. The continuity in this story needs some serious work.

**Thanks to Netgalley and Random House Publishing Group for an eARC of this book in exchange for an honest review**

I first heard about this book as I was copy editing a feature on the author, and the concept sounded right up my alley. A historical fiction novel spanning generations? Check. A Latina author writing about Indigenous and Mexican families in the American West? Sign me up. A main character trying to find her place in a society designed to overrun her? Just give me the book now!

For the most part, the book lived up to my expectations. It’s exceptionally well-written, and every sentence deserves to be savored; Kali Fajardo-Anstine has a beautiful way of crafting images and emotions that linger long after you’ve turned the page. She paints scenes in subtle but detailed ways; never smacking you over the head with her descriptions of people, places, and things. And some of Fajardo-Anstine’s lines hit me deep — I had to pause for a few moments to process what she’d just written because it was so poignant and evocative. The book’s setting is rich and explores a place and time — Denver around the Great Depression — that I was unfamiliar with. And Fajardo-Anstine makes it come alive with sounds and smells (it pops in the most extraordinary of ways) across seamlessly woven timelines.

On paper, the characters were wonderful and interesting. But they never quite felt fully realized. In particular, that rings true for our main character, Luz, with whom I felt a tenuous connection. I wish that Luz was, well, a little more well-lit. She’s intriguing, and I loved reading about what she was seeing and experiencing, but I never felt like she was a dynamic character. And when she mentions wanting more from life, we never see her take steps toward achieving that. Right as she starts to come into her own, the book ends rather abruptly. Her ability to read tea leaves and see the future is never explored as much as I hoped it would be, given that it adds a really interesting potential for exploration of magical realism and could have made her more intriguing and forceful as she reckoned with the gift — or the burden — her ancestors gave her. But her gift is mostly just a parlor trick here. While there’s a tense atmosphere, because Luz feels far away from the stakes in the novel, it lacks much urgency.

I say that, though, having still loved the experience of reading this book. If I could write a quarter as well as Fajardo-Anstine does within these pages, I’d be a happy camper. Her voice is magical, and it’s important. And the story itself is a fascinating one — it’s a beautiful tale of a dark history that, unfortunately, doesn’t seem all that removed from our present. My bet is that if Luz was reading your future, your tea leaves would tell her you’d enjoy this book.

Special thanks to NetGalley, Random House/One World, and Kali Fajardo-Anstine for proving me with an e-ARC of this book in exchange for my honest review.

I really enjoyed the characters and scenery of this book. Some of the word pictures were new to me but so fitting. Because that was so good, the timeline and story development was lackluster. I kept waiting for connection and conclusion to no avail.

While this book occupies the same territory as Fajardo-Anstine's astounding debut, Sabrina and Corina, it lacked the magic of the earlier book. I did like the extended story addressing the progress of one family, but felt there were gaps in the narrative that could have made the book even richer.

Woman of Light is beautifully written but the continuity is a mess.  Luz is a lovely character although she and the other characters do not feel fully fleshed.  But overall I was confused and had a lot of trouble placing the characters between time shifts.  Unfortunately it also ended very abruptly and the second half especially needs some intense editing.

I requested Woman of Light because I had read Sabrina and Corina by the same author. Thank you to NetGalley for the copy in exchange for my honest opinion. This book was about a family saga and their stories based in Denver during 1905, 1920s and 1930s. This book has been First Edition picks from a couple of independent bookstores I follow so it must be me. It was an okay story but not nearly as good as her short short collection. I really wanted to love this book but I found it a bit confusing with all the jumping around the various time lines. I wasn’t compelled by any of the characters so I wasn’t drawn into the storyline either. I’m sorry I wouldn’t recommend this book. There are mostly 5 star reviews so I’m sure it will be a huge success without my endorsement.

This historical fiction novel, set in Denver in the 1930s, primarily follows Luz as she turns eighteen in a time where both women and minorities are experiencing segregation, inequality and second class citizenship. We learn of Luz and her family’s history through story threads woven into the novel’s timeline. These threads follow and touch on the both the good but often sad reality of the lives of her family generations before her in northern New Mexico and southern Colorado.

I enjoyed the fantastical aspect of this novel as Luz is able to read tea leaves and see and feel the stories of her family. That mystical connection also links her to her brother as he is forced to follow the harvests for employment. His story, her story and that if their extended family is well written together. The novel’s way of addressing discrimination and class is also well done. I was often reflecting on how our society has changed and not changed in this area. Overall a wonderful story of not just a girl coming of age, but of the strength of a family. 5 stars.

Review based on an Uncorrected Digital Proof provided by Random House Publishing Group and NetGalley. Thank you!

The story focuses on Luz's story who us at the center of this mult-generational story set in the west. While I liked the focus on Luz's growth as an Indigenous and Mexican young woman, I found the timeline and flashbacks sometimes difficult to follow.

Although I liked the stories in Sabrina and Corina better, this novel definitely helped me to better understand the time period in which the story takes place and some of the real struggles associated with race.

I went back and forth on this book. I think I could have loved it, but I didn't quite. But I did like it a lot. Except where it got slow for me. Based on the prologue I was expecting something a little more magical realism, but what I got was less of the magical. Still, it was a compelling book of several generations of a Mexican/Indian family from end of the 19th century to the mid 1930s. Not always a pretty history of this family, in fact often quite not pretty. But still a look at a family just trying to get make and make their way, too often with things really stacked again them. I really wanted things to go well for them, and it's hard to tell at the end of the day if they do because of such a history behind them. I didn't quite get invested in the characters until after the halfway point and at that point the story really picked up for me. I was disappointed at some of the choices Luz made, but who knows, maybe she learned from her errors. She's young when the story ends, with much of her life ahead of her, and hopefully she can break the pattern of abuse and sorry that came before her.

Overall, the pacing of this book was very slow. This book is about a family's struggle in the early 1900's in Denver. Their stories slowly intertwine to create an elaborate narrative with some truly heart-wrenching moments. This author left me satisfied in terms of the gorgeous writing. However, I wish the ending had left me as pleased.

I previously read the author's book [book: Sabrina & Corina|40236964] and very much enjoyed it, despite my generally finding short stories as a genre overall. So when I saw that she had a novel, I knew I had to read it. Chances are, I'd like it even more than the stories.

It didn't turn out that way - I don't like it more - but it's still quite a good book. Fajardo-Anstine has a gift for developing characters and descriptive - yet not tediously flowery - language. She can really paint a scene for readers. The main reason I didn't enjoy this more is that I had trouble following the plot. Quite possibly, it was just too subtly mapped out for me, but someone more knowledgeable of novel plotting can be the judge of that.

The characters are the real stars of this book. For the first couple of chapters, I kept getting Luz and Lizette confused because of their names. It's probably just me, but when characters have similar-sounding names, I waste time remembering which is which (I'm looking at you, Tolkien! Sauron and Saruman in the same book?!). That being said, their personalities shine, so there's no trouble keeping track of them that way.

Overall, I enjoyed this book and look forward to more from this author.

This is such a beautiful and needed book! I couldn’t put it down!! A truly needed read for every woman on the planet for their soul nourishment.

Thank you Netgalley and Random House/One World for this arc.

Woman of Light is a generational saga set in Colorado between 1875 and 1933. The story centers around Luz Lopez, a tea reader and laundress, who lives in Denver with her aunt Marie Josie. Her brother Diego, a snake charmer and factory worker, was forced to leave the city after a terrible encounter with a white mob.

Left to fend for herself, Luz navigates Denver alone, trying to make money to support herself and help at home. She finds a job as a secretary at a lawyer’s office. Her tea reader abilities become more powerful and she starts having visions of her Indian homeland in the Lost Territory, recalling her ancestors’ origin.

Jumping back and forth in time, the book is a reminder of the importance of family storytelling, as we get to see more of what Luz’ ancestors went through. This is a book about family, tradition, love, and survival. The descriptions of the landscapes are so vivid and beautiful and the characters are very likeable. I also liked to learn more about the Chicano people and their struggles.

But I wanted more about the protagonist’s parents. I wanted to know more about Luz and Diego’s abandonment, how they were left to fend for themselves. It also seemed that to have such powerful visions, Luz did not have exactly any goal in mind distancing herself of the idea of powerful woman who knows exactly what she wants. I saw her much more like a floater who observes life passing by without knowing what to do, struggling to belong somewhere.

Overall, I enjoyed the narrative and Fajardo-Anstine’s writing style. It is a book difficult to describe and I certainly want to reread it in a near future. I recommend Woman of Light to anyone who enjoys Indigenous history and literature.

Woman of Light is a multigenerational story that mainly focuses on Luz and her life in Denver, CO. I loved the magical realism—Luz’s gift for reading tea leaves and her brother’s gift for snake-charming, but I did have a hard time sticking with the story. I’m not sure why, but it just didn’t grab me. It was a good read, well-written, and I enjoyed the generational aspect of it. 3.5/5 for me.