I enjoyed this book more than I originally thought I would. The setting of the Italian Villa was so unique and interesting. It was also inspired by Fleetwood Mac and the Manson murders - which was fascinating. Although this one doesn’t have rollercoaster twists, it does have surprised that keep you on your toes till the very end.

The Villa left me conflicted, review-wise. I loved the idea of centering on women. Women in horror. Women in music. Women in writing. The two women writers who head off to the Villa once made notorious by a murder that occurred there sounds right up my alley.

The part that made it difficult was that these women remained defined by the men in their lives, even after becoming successful in their own right. Was this a feminist book that missed the target for me or some sort of message that no matter what we do we will still be defined by the men in our lives?

The fact that I’m still thinking about it bumps my rating up a little bit.

Thank you to Rachel Hawkins, St. Martin’s Press and NetGalley for the advance reader copy of The Villa.

I have read many of Rachel Hawkins’ YA books, from Rebel Belle to Royals. So, I thought I would give one of Rachel’s adult mystery/thrillers a try. This book is a bit out of my comfort zone, but I found the premise intriguing. Overall this was not for me though.

Check out my more detailed thoughts below…
Characters: This story follows two sets of characters, modern-day and back in the 1970s. Our modern characters are Emily and Chess. Emily is in a rough go a cozy mystery writer not ready to meet her deadline as she’s still recovering from an unexplained illness and her husband left her. Em is presented in stark contrast to her best friend Chess, a self-help author who is extroverted and bombastic. I did not really connect with either character and I had a similar issue with the 1970s characters. The lead in the past is Mari: an easily swayed, naive, inspiring writer who as an older teen is the other woman in her relationship. Mari is dating Pierce, an inspiring musician who is cheating on his wife with Mari. They bring along to the villa, Lara, Mari’s step-sister, an aspiring singer-songwriter who is just as naive as Mari but a bit more bubbly. They all get invited to the villa by Noel, an established musician, who seemed to me the “Lord Byron” of the group who was a bit lost and much more sensual than the other characters. None of these characters were good people, there is so much adultery and cheating in this group, and no redeeming qualities that made me cheer any of them on.
Setting: Chess whisks Em off to Italy. Specifically, Orvieto which is in Umbria. It is a real Italian city! I really liked that Rachel Hawkins worked in real touches. My little bit of research brought back the places the characters visit such as the Well of St. Patrick is a historical landmark. Setting a story in an Italian villa is a great idea and I just felt like the setting was underused, as if the way in which this story is written it could have been set anywhere.
Pacing: I loved the premise, so I went into this book with high hopes. I was ready to be swept away as I have always been fascinated by the infamous writers’ retreat Lord Byron took to Geneva with Percy and Mary Shelley. So, I was disappointed when the beginning dragged on quite a bit. If this was not an ARC I requested I may have put this book down. The story picked up as secrets were revealed but the ending felt quite anti-climatic. Throughout the book, there are different textual elements: text messages, snippets from newspaper articles, and song lyrics. This could have just been an ARC issue but it was not very clear when the medium changed, but I like to think this was fixed in the finished editions.
Mystery: Some things were more predictable than others. I am an easily surprised person so I was surprised when I got some things right. Once the facts were all on the table I was not left in awe at the mystery that unfolded. I was not satisfied with the ending. But I am also very aware that this is not my typical genre and I would not say that this changed my mind on that at all.

At first I was not onboard with the pacing of this one but after I really dug in and read thru for a bit; Chess, Emma, Lara, and Mari all had me hooked. Once you immerse yourself this book is excellent seriously the last bit and the decision making of all the women…whew. Sex, drugs, rock and roll, the 70s and then popping back and forth to present day besties it’s a wild ride and an interesting mystery that kept me guessing both in the present day timeline and the past. Per usual Hawkins’ prose is delightful and haunting, I felt like I could hear each character’s voice so clearly

This book blends two stories - past and present. Both equally intriguing. The opening line - Houses remember. Do the tragedies (or joys for that matter) remain embedded in the essence of a house, and do they influence future events and the behavior of its residents? Think about that as you read this well crafted book filled with secrets, lies, murder and maybe a little madness set in a beautiful Italian villa.

The Villa is my favorite of Rachel Hawkins’ most recent adult novels (the others being Reckless Girls and The Wife Upstairs). This book has suspense, hilariously messy main characters, and two different timelines—all elements I enjoy. In particular, Hawkins has this way of writing complicated women and female relationships that make you wince at the honesty. There’s love, and there’s also… a lot of baggage the characters would rather not admit is there. It’s so real. The characters aren’t necessarily likable, but they aren’t meant to be. And it’s all wrapped up in a neat little bow of southern charm.

This book is a sort of “light” thriller, which is actually to it’s credit. There’s a small, low stakes mystery that unfolds from the past, with a suspenseful overtone in the present. Nothing too high stakes, but when you put all the pieces together, it’s really flipping clever. The flashbacks and flash forwards are narrative parallels to each other, and the book itself is an embodiment of the main character, who is a writer of cozy mysteries. However, this is where the cleverness gets a bit too contrived, which you find out as the book reaches a head.

I don’t think the conclusion/twist is bad. However, it’s also not my favorite thing ever. The final chapter, however, is incredibly interesting and really redeems any misgivings I have with the twist. It lends a lot of agency to a character who doesn’t have much, and I loved it.

I feel like Hawkins has really found her stride with these books, and I’m looking forward to lots more. I’ve been a fan of her since I was a teen, so I feel grateful to have quite literally grown up alongside her books. If she writes them, I’ll read them.

Thank you to NetGalley and St. Martin’s Press for an ARC in exchange for my honest review.

Absolutely in love with this one! 5/5. This is Rachel’s best work yet IMO. I loved the dual stories!

Thank you to NetGalley and St. Martin's Press for the advanced reader's copy of The Villa by Rachel Hawkins. This suspense novel kept me interested from the beginning. It is a murder mystery, story of friendship and thriller wrapped into one. It was at times somewhat predictable but nonetheless an enjoyable read. Perfect for fans of Ruth Ware and Gilly Macmillan.

If you’re into the rock and roll era of the 70s this one is for you. I enjoyed The present timeline more than the past, but this didn’t work for me overall.

The Villa is now the third book I have read from Rachel Hawkins/Erin Sterling, and now I'm not sure if I'm either rushing to pick up another of her books, or putting off reading my next from her a little longer.

I think my issue with this thriller was that I wanted a different ending. When I sat down to write my review, I listed off all the things I enjoyed about this book, but then I came back to "but I think my biggest gripe was that I would have been happier with a different outcome." Do I understand why the ending is as it is - yes, absolutely! - but that still doesn't make me wish it wasn't just slightly different! So this is my big hang up, and I just can't get past it.

There was a main character (a non-narrator) that I absolutely despised. I can understand how this person is written this way, and it was very intentionally done, but I can't get over my dislike for them. At all. Which is pretty sad, because it absolutely played a part into me not enjoying the book's conclusion.

On the flip side, there are always things I can appreciate or like about a book, and there was a lot of good within this thriller too!

The opening really set the tone, and I loved the added element of a villa having a dark and mysterious history. It was super atmospheric, and I could picture the estate really easily. The holiday home absolutely played a major part in this novel, and I liked how it was intertwined into the two different timelines. There was almost a slight horror aspect included within the pages as well, which I really liked.

Both of these timelines (one takes place in 1974 and the other is present time), were equally compelling to me. Mind you, at first I wasn't expecting the dual perspectives, and I was caught off guard a bit, but once I had a grasp on things I had no issues. There were a lot of characters, but I never once had an issue distinguishing story lines or keeping the characters straight.

There was a point at about 60% in, that I had to put the book down for the night, as I knew I wasn't going to be able to stop once I went any further. And the next day of course, I finished the book at a rapid speed. I really loved the momentum that was building.

Is my review slightly all over the place? Yes. I actually really enjoyed this book, but there's just the minor fact that I disliked the ending!

Thank you St. Martin's Press for the complimentary copy to read and review.

Emily McCrae has had a difficult year. She’s been struggling to write new latest book, number ten in the Petal Bloom cozy mystery series. She’s been sick with a mysterious illness that no doctor can diagnose or cure. And her husband left her. And to make it worse, her ex is demanding a cut of her latest book’s royalties as well as any future royalties she earns from the series, since she had started writing it when they were still together.

Emily’s best friend is Cress Chandler, self-help guru and bestselling author of You Got This! and Things My Mama Never Taught Me. She has hundreds of thousands of followers on social media, thanks to her popular advice column, her TED talk, and her interview with Oprah. It’s her idea to sweep Emily away to Italy for six weeks, to stay at Villa Aestas. The villa has a reputation, due to the murder that happened there back in the 1970s, but Chess is not bothered by the past. She wants to relax with her friend and look toward the future.

Emily knew a little bit about what had happened at the villa, but it’s not until she gets there that she is really drawn into its history. Their first night there, Chess plays Lara Larchmont’s Aestas, the famous album that the villa was renamed for, based on the fact that the songs had been written there. While they had both heard the songs many times through their lives, listening to it in the villa infuses the evening with a gravitas that takes hold in Emily. So when she finds a copy of Lilith Rising, the novel that Mari Godwick had written that summer, Emily has to read it. Between those works and her many internet searches, she finds herself drawn into the events of the summer of 1974.

Mari was only 19 that summer, as was her stepsister Lara. Mari had been with Pierce Sheldon for three years, when she had left her father’s house to be with him. Pierce was married already and had a son, but he had left them behind to go to London and be a musician. After years of hard work, he is finally noticed by rock star Noel Gordon, who invites Pierce and Mari to spend the summer at an Italian villa, while he writes material for his new album. Part of the reason they met Noel is because of Lara, who had been seeing him. So they all went to the villa, Lara and Mari and Pierce. When they get there, they also meet Johnnie, who is also a musician, but more importantly, he is Noel’s dealer.

Mari is hoping that this time in Italy will good for her and Pierce. If Pierce can write some music with Noel and play on his upcoming album, that will push his career ahead by leaps and bounds. And she is hoping to get some time to write. But she also realizes that there are a lot of distractions—the Italian wines, the drugs, and the flirtations. She tries to keep an eye on the guys, to make sure that they’re getting some work done, but she is also finding herself taken in by an idea she’s had. She starts constructing a story about a teenage girl who moves to a country villa with her parents and falls in love with a young priest.

As Chess works on her latest self-help book, Emily finds herself struggling to get back to Petal Bloom. But her deep dive into the murder that happened at the villa is fascinating her, and she finds herself writing about it instead, a mix of memoir and true crime, a blending of Mari’s story with her own. But when Chess suggests that they write it together, Emily finds herself questioning their relationship and what she really wants for her future.

As the summer goes by for Mari, she is getting a lot of writing done on her gothic novel, but she’s also seeing that things at the villa are not going as well for everyone else. Johnnie is feeling pushed aside as a musician, the sexual tension is rising throughout the house, and Mari finds Pierce stoned more often than she would like. When Pierce gets tired of it all and wants to leave, Mari is so close to finishing her novel, and she’s worried that if they go back to London now, she’ll never be able to finish it. So she convinces him to stay. And that’s when the trip devolves to murder.

Emily becomes convinced that Mari left behind hints in her book about what really happened that summer, and maybe even left behind some of her writing in the villa. And if she can find that, the book she’s been working on will be life-changing. But she also has to decide if she’s going to share any of it with her best friend Chess. And when things come to a head at the villa once again, Emily will have to decide how much of herself and her story to give to this new book, and to the villa itself, because it is said that houses remember.

The Villa is the latest thriller from Rachel Hawkins, and it is breathtaking. Told in alternating timelines, between the present summer and the fateful summer of 1974, this story asks questions about art, relationships, jealousy, and love and comes up with answers that are sometimes uncomfortable. It compares the 1970s lifestyle of sex, drugs, and rock’n’roll with the lifestyle of today that emphasizes social media, self-actualization, and success at any cost.

I thought the premise of The Villa was interesting, but the storytelling in it is absolutely beautiful. These characters spring to life from the pages, and the way the stories intersect and overlap is so skillful that I hardly noticed time was passing as I read. There are snippets throughout of articles, song lyrics, podcast transcription, and bits of Mari’s book, which offer up a different perspective of the crime or a bit of gossip, adding layers of humor and insight into the story.

I adored this novel. It’s possible that this will turn out to be my favorite book of the year, which is strange to find only three days in. But it’s just that good. I will be thinking about this one for a long time, savoring the stories and the characters and asking my own questions about the price of art and the sacrifices we make in relationships. This book is fun and layered, so it would be great for a book club, but it’s also just an amazing read for a weekend by the pool or curled up on the sofa in front of a roaring fireplace.

Egalleys for The Villa were provided by St. Martin’s Press through NetGalley, with many thanks.

The Villa was not what I was expecting. In fact, it was even better than I could've expected. I was fully invested by 20% into the book and then proceeded to devour the book. The mystery was fantastic. The relationships we follow are outstanding. The writing is spectacular. We follow Emily (present day) and Mari (past) throughout the entirety of the book.

Emily is going through a terrible divorce and an even worse spout of writers block plus problems with her heath. Her mega famous friend, Chess, comes in clutch by inviting Emily to whisk away to a villa in Italy. This trip comes with its baggage unloading, her past, as well as her exploration of herself, the tragic history of the villa and the future she's trying to get back on track.

Mari is a young girl who got caught up in a bad relationship (she fell for a much older married musician and then proceeded to run away with him), has recently suffered from the tragic loss of her son while on the road touring, and gets rung into a musician getaway with a famous rock star. She herself ends up writing the most notorious horror book that mysteriously coincides with that summer's murder at the villa.

Both girls stories are messy. Both struggle with a lot of shit. Both gave the most intriguing plots that melded beautifully together. Emily becomes obsessed with unveiling the truth from that summer and things just get crazy! I sighed, gasped, and "oh sh*t" countless times in this book. I loved it. If you love contemporary murder mysteries, you have to give this one a go!

Happy Pub Day to Rachel Hawkins and The Villa!

Childhood BBF's Emily and Chess have grown apart due to the demands of their adult life so when Chess suggests a summer in Italy Emily is excited to reconnect. Villa Aestas is now a high-end holiday home but in 1974 it was the setting of a storied murder. Emily begins to dig into the past and in turn finds inspiration to reignite her writing career and her personal life as well. In the process secrets come to life, betrayals emerge and there just might be another victim in the Villa before the summer ends.

This gave me dark Firefly Lane meets Daisy Jones & the Six vibes and I loved it! It was a quick easy read, Rachel always does a great job of drawing you in quickly and developing the characters in a way you feel almost instantly invested in them. I would describe this as "mystery/thriller light". I wasn't on the edge of my seat but I was intrigued. If you want to dip your toe into the genre or you like some intrigue without being scared this is a great one for you. I really enjoyed the writing format here, a great mix of past and present and some quotes, interviews, etc. woven in to keep things interesting.

The ending felt a little forced to me. I almost wish the build-up would have been more drawn out so it didn't wrap up so suddenly but that's a minor complaint. I loved it overall!

Thank you, Net Galley and St. Martin's Press for the e-ARC in exchange for an honest review.

Thank you NetGalley and St. Martin’s Press for this eARC in exchange for my honest review.

I’ve read The Wife Upstairs and Reckless Girls by Rachel Hawkins and The Villa definitely puts a new twist on her writing style. I enjoyed the two POV and dual timelines. Emily and Mari are two women visiting the same villa in Italy 50 years apart. This is a gothic story uniquely written with drugs, sex, and rock n roll vibes. The beginning of the book started a little off for me as if the author wasn’t sure how to set the initial foundation of the book but it quickly sped up and I couldn’t put it down.

This might be my favorite Rachel Hawkins book yet. Her writing can be hit or miss for me, but this one sucked me in and delivered a solid ending.

This story is told with two entwined narratives. Emily is an author whose marriage is in shambles and whose career is on the line as she tries to deliver her tenth book to her publishers. Her best friend Chess (also an author) suggests they spend the summer in Italy at the Villa Aestas to get their creativity flowing. After some research, Emily realizes this the same Villa that is infamous because someone was murdered there in 1974.

The second narrative flashes back to follow Mari who visited the Villa in 1974 with her stepsister, her lover, and other musician acquaintances who are planning to get an album written in the few weeks they're there.

This book has a pretty obvious storyline and some of the "twists" fell flat for me, but I didn't really mind that as I enjoyed the characters and got sucked into the storyline. I enjoyed it more going in expecting a fluffy, fast-paced drama and NOT a thriller.

Thank you to NetGalley for the advanced reader's copy!

About The Villa, author Rachel Hawkins says "there are a lot of stories happening all at once." She describes it as being about friendships and, more specifically, female friendships and toxic relationships. It is also about writing, art, sex and gender, and, or course, money.

The current-day story focuses on Emily, a published author of a cozy mystery series featuring an amateur sleuth named Petal Bloom who lives in a little town called Blossom Bay. Emily is nearly thirty-six years old, still living in Asheville -- the town in which she grew up -- and nothing in her life has been going well for quite some time. She was physically ill for more than a year while a definitive diagnosis and appropriate treatment plan evaded her physicians. Her seven-year marriage to Matt imploded and now she's having trouble focusing on drafting the next installment in the Petal series, "A Gruesome Garden," in part because Petal's love interest, Dex, was modeled on Matt. She needs to finish the book not just to fulfill her contractual obligation. She needs the money to pay her attorneys because her pending divorce has become toxically acrimonious. Matt is suing for a significant portion of her royalties and future earnings, based on Emily's assertion during an interview that the books would not exist without her husband.

Ironically, though, since separating from Matt, Emily's health has improved and she is feeling well enough to meet her childhood friend, Chess Chandler, who is in town for a book signing. The two women were childhood friends -- when Chess was known first as Jessica and, later, Jay -- but rarely see each other. Chess has become a wildly successful self-help guru, publishing books with titles like "You Got This!" Her career began when advice she doled out on a website launched by a friend went viral. Suddenly, Chess amassed hundreds of thousands of Instagram followers, snagged jobs with Salon and the Cut, and landed a book deal. "Things My Mama Never Taught Me" (Chess did not have a good relationship with her mother, Nanci) became an instant bestseller, with Chess telling woman how to get their lives on the "Powered Path" and chatting with Oprah about it. In her first-person narrative, Emily admits that "somewhere around the time she started calling herself 'Chess,' I realized I might actually hate my best friend." Part of the reason may be that Emily's life is decidedly "not on the Powered Path."

Still, Emily agrees to meet Chess for lunch, and they fall back into their old dynamic. And, as always, Chess has a plan. She wants Emily to accompany her to Italy to stay at the sumptuous Villa Aestas just outside Orvieto for six weeks, during which they will work on their respective upcoming books. Emily can't resist the pull of six weeks away from her house and the rut she is in. "Six weeks to try and get my career back on track and reignite my sense of purpose." Of course, since the setting is gorgeous, she can also post beautiful photos on Instagram and Facebook that Matt will see. Chess is feeling pressured by her publisher to come up with her next volume of pithy advice for the masses.

Hawkins employs a parallel narrative focused on Mari Godwick, the author of "Lilith Rising," which was a publishing phenomenon in 1976. Mari was barely out of her teens when she joined the ranks of mostly male writers with the story of a girl named Victoria Stuart who "brings about the destruction of those she loves with no regret, single-minded in her focus in the way teenage girls certainly are in real life, but had not been permitted to be in the realms of horror fiction." By the time the book was released, Mari, inspired by Mary Shelley, who wrote Frankenstein, was already famous -- or perhaps, more aptly, infamous -- because of a tragedy that occurred at Villa Rosato (the prior name of Villa Aestas) during the summer of 1974. Mari traveled there with Pierce Sheldon, her would-be rock star boyfriend, as well as her stepsister, Lara Larchmont, as guests of Noel Gordon, a legitimate Scottish rock star and one of Pierce's idols, modeled after Lord Byron. Also staying at Villa Rosato is Johnnie Dorchester, whose relationship with Noel is murky, at best. At only twenty-six years old, Noel is the senior member of the group. Pierce is twenty-three and Johnnie is twenty, but Mari and Lara are only nineteen years old. And Mari, in particular, the daughter of literary royalty, has already experienced life events normally reserved for adults.

By interspersing excerpts from various articles and podcasts, Hawkins reveals some of the events that took place in 1974. The technique is highly effective, enticing readers to forge on in order to learn how and why those events unfolded. Hawkins has gathered an eclectic and multi-layered group of characters at Villa Rosato. Noel is an established star who has too much money and time to spend between engagements, so he rents Villa Rosato to keep the party going all summer. Purportedly, he and Pierce are there to compose songs together -- the chance to work with Noel could bring Pierce the career breakthrough he has been seeking. But as the weeks go on, not much music gets made, and Mari is increasingly frustrated. Her life with Pierce is supposed to be about the two of them pursuing their art -- his music and her writing. But art cannot be the focus of one's life when money needs to be made in order to survive. Drugs, and sexual experimentation and dalliances cause jealousy, resentments, and distrust, as Johnnie's purpose there gradually becomes clearer, along with his feelings about the other guests. Hawkins says that creating the character of Pierce was the most challenging aspect of drafting The Villa because she had to make him "appealing enough that we understand why both Mari and Lara loved him while also showing just how destructive and oblivious he could be . . ." Indeed, Pierce is both endearingly confused about his life and choices, and despicably self-centered and callous.

The most intriguing aspect of the storyline is Mari's journey, as she navigates her relationships with her housemates and ponders her future, while taking inspiration for the novel that will become her masterpiece from the villa itself, along with snippets of prose that come to her. "Houses remember. She has no idea where she's going with that thought, but it had popped into her brain and she's written it down, sure it was the beginning of . . . something. Something big, some story just sitting coiled inside of her, ready to spring out fully formed." She wants to focus on her writing and tell the story that she can feel taking shape in her imagination. Lara lurks on the edges of the group, craving attention. She has a history with and feelings for Pierce, and Mari does not trust her. Indeed, she and the others find Lara's cloying attempts to be noticed and desire for validation annoying. But Lara and Mari have been inextricably intertwined for years, and their bond grows stronger during that revelatory and life-changing summer.

In the present day, Emily is inspired to write, as well. But she has no interest in continuing Petal Bloom's story. Rather, she learns about the villa's notorious history and begins researching what happened. Like Mari's, her search proves consequential in a variety of ways. Emily, like Mari, is a fully developed character and her emotional struggle is palpable. She is well aware that she has arrived at a crossroads in her life, and is determined to carve out a happier future for herself. She is also intent on keeping Chess from co-opting her impending success. Like the relationship of Mari and Lara, Emily's long friendship with Chess is complicated and riddled with old hurts, resentments, jealousy, and distrust. Secrets and betrayals are revealed. But they are bound together through history and shared experiences, and neither of them has the desire -- or strength -- to completely untangle their relationship. As Hawkins details the history of their friendship, she reveals that Emily has always been more naive and gullible than Chess, who has parlayed her natural wit and charisma into an empire. Emily knows the real Chess, rather than the one who inspires other women to buy her psychobabble-laden advice. But Emily is not guileless and as she delves further into the history of the villa and its former visitors, the inherent unreliability in her narrative becomes apparent. Is Emily a hapless victim of others' manipulations or does she have a dark nature, as well? Can her friendship with Chess withstand bombshell revelations and calculated machinations? Should it? The story's pace never stalls as Hawkins injects surprising twists at perfectly timed intervals.

The Villa seamlessly combines two evocative storylines set nearly five decades apart but with eerie parallels. Hawkins examines artistry and the mysterious genesis of inspiration, as well as the mercurial nature of friendships and the destructive power of toxic relationships. Hawkins relates that she was inspired to explore "the idea of how art and life intersect, how great art can get made in the middle of chaos and the way artists inspire and also possibly derail one another." And she does so in an absorbing, suspenseful and, ultimately, entertaining mystery.

I had high hopes for this one but it didn’t completely work out for me. I usually enjoy dual timelines but this time I found myself more intrigued by the present than the past and the endings of each were unsatisfying. With the exception of Emily, I found most of the characters unlikeable. The novel did make me want to book a trip to Italy ASAP though! 3.5/5⭐️

Thank you to NetGalley and St. Martin’s Press for the advanced copy!

Happy pub day to The Villa!! Any one else up for an Italian creative writing getaway?? How do I sign up??

Having finished it in less than 24 hours, this book is still marinating with me and my instinctual rating is a 3.5/4 stars. I do tend to love books about books and their authors. And I was definitely hooked and read this quickly but I’m not sure what’s what or who did what at the end of the day. Choose your own adventure (and villain) is not necessarily a negative, as it makes for a good discussion.

Huge thanks to the author Rachel Hawkins, the publisher St. Martin’s Press, and NetGalley for the advanced copy in exchange for an honest review.

Rachel Hawkins is an easy auto buy author for me. I love how she creates twisty relationship and keeps things interesting to the very end. I’ll be honest, I hateddddd Chess but I feel like everyone can relate to that sort of frenemy situation. Especially when it turns out they’re right and it stings like nothing else.

In general, I don’t love dual timelines, so that kept it from being a huge favorite, but this one was propulsive and the rolling reveals kept it from seeming too artificially slowed down. I loved the female relationships presented as both parallel and divergent across times with different motives driving progression. It’s always fun when sex, drugs, and rock and roll are thrown in the mix and this had all that!

Solid read and new story!

I know I’ve seen some mixed reviews for this one however, I really enjoyed it. I have read Hawkins’ The Wife Upstairs and Reckless Girls and loved this one the most. I really enjoyed the mixture of using the present mixed with the songs, diaries, and story of the past. While I did find some of it a little predictable, this one had me flipping the pages to see how it all turned out. Perfect bingeable beach or couch read!