Lucky St. James discovers an enchanted spoon connecting her to a network of witches. VenCo is a blend of magical realism and fantasy wherein Lucky embarks on a road trip with her grandmother, pursued by an ancient witch hunter. This novel celebrates diversity and queer representation, empowering readers with its magic, resilience, and defiance against the patriarchy.

Listen this was so good. I really liked this book a lot. I thought the story was extremely creative and I love all things witchy.

The author did a wonderful job creating this world. I feel like I was sucked right in. I also really enjoyed the majority of the characters. I was definitely rooting for their well being.

Again, the whole idea of this book was so creating. To have witch craft commercialized is very unique. definitely recommend this book to just about everyone. If you don't like books about witches, well, read it anyways.

Cherie Dimaline has been on my radar for a while, so I was thrilled to get an ARC of VenCo. This book lived up to the hype. It’s a rollicking and fun read about witches, powerful women, and evil corporations fueled by dark money. I loved it and hope there’s sequel or at least a continuation with the same characters. I’ll definitely be reading Dimaline’s backlist.

Thanks to the publisher and to NetGalley for an early copy of this book.

VenCo had an awesome premise and while I did enjoy it I felt like this “adult” novel was definitely more on the younger end of adult. Also, VenCo, the company this book is titled after is highly overlooked and under incorporated in the story. All in all, while this one sounded amazing in the premise it fell a little flat to me.

A young Métis woman, Lucky St. James, discovers an enchanted spoon that connects her to a network of witches. VenCo, a company run by witches, has been eagerly waiting for the seven spoons to be claimed so they can have their power restored. Lucky and her grandmother embark on a road trip of epic proportions to find the final spoon but they have to outsmart an ancient witch hunter on their tail.

I absolutely devoured this witchy tale written with humor, wit, and strength. A compelling blend of magical realism and fantasy, VENCO is an exciting approach to writing witches into the modern day. The diversity and queer representation in this novel is celebratory and beautiful to say the least. Full of magic, adventure, and female empowerment, this absolute thrill ride of a novel bites back against patriarchal oppression and religious persecution. I highly recommend for fans of witchy novels.

The writing style/narrative voice made me want to scream. This was torture and I eventually had to DNF.

On a checklist, this book should've been 5 stars from me, but I just could not get into it. I was bored and annoyed.

These are the elements that I believe will be attractive to readers who do not mind the narrative voice:

-indigenous witches
-diverse characters (including diverse ages)
-hot villian
-strong women
-magical perspectives/rules that are interesting

One would think, that based on the above list I would've enjoyed the story but I just could not. I truly tried. I can imagine this becoming a movie or limited series show and perhaps in that format I would enjoy it, but I just could not get past the writing voice.

VenCo is a beautifully written novel that is full of magic, mystery, and adventure. Dimaline's writing is lyrical and evocative, and she brings her characters to life with her deft touch. The novel is also deeply feminist, and it celebrates the power of women.

I highly recommend VenCo to anyone who loves fantasy, magic, and strong female characters. It is a truly magical and unforgettable read. Thank you to William Morrow and Netgalley for the chance to review this advance copy. VenCo is available for purchase everywhere you buy books now!

Unfortunately this story wasn't for me. I struggles to connect with the story and characters and ended up DNFing at the % mark. I'm grateful for the opportunity to read this book and will try to pick it up again in the future to see if I can connect with it at that time,

‘VenCo’ is a fun, fast-paced family bonding story that is one part witchy scavenger hunt, one part road trip, and filled to the brim with feminine positivity. The story is not terribly complex, but the flavours of womanly empowerment, self love, and queer and trans positivity injected into the witchy context make it absolutely worth the read.

Plus it’s written by an aboriginal Canadian author about an aboriginal Canadian protagonist, which is always worth supporting.

Thank you so much to Cherie Dimaline and William Morrow publishing for the opportunity to read and advanced e-galley of ‘VenCo’ in exchange for an honest review.

I loved the cast of characters in this story. And how cool is a witch scavenger hunt? The plot was amazing and I am happy to have discovered this author.
Many thanks to William Morrow and to NetGalley for providing me with a galley in exchange for my honest opinion.

I loved the concept of this book so much. Unfortunately, for me personally, it was such a slow burn that after trying to re-engage with it several times, I ended up DNF-ing around the 50 percent mark. I really enjoyed the elements of modern witchcraft and the diversity represented. It is probably a great read for someone that is comfortable with not a lot developing quickly.

Thank you Netgalley and the publisher for the gifted copy.

THANK YOU SO VERY MUCH to Cherie Dimaline and to William Morrow for the opportunity to read and review this amazing book.

Lucky St. James lives with her hilarious and somewhat argumentative grandmother, Stella, in Toronto - until they get evicted, that is. One night, on a weird instinct, Lucky burrows through a wall to find a silver spoon, engraved with a long-nosed broom-riding witch, and the word SALEM. Lucky has no idea that finding the spoon awakens a dormant connection to a network of witches in North America who have been waiting for the spoon to be claimed.

Lucky is approached by VenCo, the society of witches who hide in plain sight. They explain to Lucky that there are SEVEN spoons like the one Lucky found (she's the sixth) and that the reunion of all seven spoons will allow the witches to return to their full power. Lucky and Stella embark on the world's most witchy road trip to find the seventh spoon and evade the deadly immortal witch hunter who's stopping at nothing to make sure they DON'T find the spoon.

When I say that I loved every part of this book, I loved EVERY part of this book. I'll start with the characters because they are SO incredibly loveable. Lucky is a boss surviving on her intelligence and her mother's quirky teachings (I love that those mantras her mother taught her end up saving her in the end). Her relationship with Stella made me laugh, cry, and believe in humanity a little more. I love that no matter how much they're separated, they always find - and choose - each other. Every scene that included Stella's shenanigans was so enjoyable to read.

Moving on to the witches!! Freya, Meena and Wendy, Lettie and Everett, and Tish also made me believe in humanity a bit more. I loved that we were able to get snippets of each and every one of their unique stories throughout the book. I love that magic found them in such crucial times and in such beautifully unique ways. Found family is one of my absolute favorite tropes when done well - and Dimaline did it very well. I loved the element of danger that Jay brought into the story, and I also really liked that a lot of his backstory was kept ambiguous aside from his relationship with witches in general. Every single character in this novel was so REAL - and the elements of magic just made it that much better.

The adventurous edge to this novel was also very enjoyable. Lucky and Stella's race against the clock kept me on the edge of my seat (especially when they encountered Jay - yeep). The final showdown at the end of the novel was simply perfection. Lucky using her mother's teachings was poetically brilliant in my mind. The epilogue was beautiful as well - the awakening of so many witches all across the world made me desperately want a sequel. Jay's lovely ending was rather fantastic as well.

In summary - read it. Read it now. Read it and love it and savor every word of this magical novel.

*Thanks to NetGalley and William Morrow for providing me with an early copy in exchange for an honest review.*

When I first came across this title and read the synopsis I immediately added it to my TBR.

When we first meet our protagonist, Lucky St. James, she is anything but lucky. Her mother is dead, she is responsible for caring for her grandmother Stella who has dimentia, and they're being evicted from their apartment. She is going through some of her mother's things when she comes across a small souvenier spoon with a picture of a witch and the word "Salem" on it. This discovery leads her to a group of witches who are trying to locate the final two women to complete their coven. Each new witch must be the one to locate the next, so now it's up to Lucky (with the help of her grandmother) to locate the final witch.

Overall I really enjoyed this book. I LOVED the LGBT+ and cultural representations of the other witches as well as the importance of feminism and women supporting women. I liked that we got some backstory for the other coven members, but I do wish we got more of them, either as they were entering the group or in present day. The end of this book definitely set up the potential for this to become a series, so I'm crossing my fingers that we get some more of these women!

My only real complaint about this book is that there was so much set up that the ending felt rushed. I'm not saying that the setup should have been condensed at all because it did a great job of showing us Lucky's personality as well as her dynamic with Stella, but I think this book could have used an extra ~50 pages to expand on some of the obstacles since everything was resolved pretty quickly. Each conflict throughout was resolved pretty easily, and the final battle in the book took up only one chapter (seventeen pages), so I never felt like the stakes were very high.

I would highly recommend this for fantasy lovers (or fantasy newbies, since the fantastical elements are still fairly rooted in reality) who are looking for a book with some great representation. I also have the ARC of "Funeral Songs for Dying Girls" by this author, so I can't wait to pick that one up as well!

~~~~~CW: I don't usually put content warnings but this book kind of comes out of nowhere with HUGE dubious/non-consenting bits that made me personally uncomfortable. So, heads up.~~~~~

It's been a little over a month and I don't remember most of this book. I've got a bad memory, yes, but even jogging it with the synopsis and highlights just made me roll my eyes at the bits I did remember.

This is a women-kick-ass-and-you're-gonna-like-it book. Listen. Women do kick ass and I do like it. You could argue that it's a big reason I'm a lesbian.

The women in this book, though, are virtually incomprehensible. Why does anyone make the decisions that they make? What is the purpose of the titular VenCo? What powers do they even have?? What happens after the arbitrary deadline? What are the stakes? Why is half the book just driving on the highway?

I'm singling out the women as incomprehensible here because there's basically one male character: the bad guy. He is the opposite of incomprehensible because he is incredibly one-dimensional. He might as well just be called Bad Guy because he has absolutely no redeeming qualities. He's an arrogant rapist whose internal monologue is basically just 'I hate women and I'm going to kill those witches' (not an actual quote but might as well be).

Okay, sure. Bad guys don't have to be nuanced all the time. But, like. Does anyone actually think like this? "Why were these women always so poor? One would think they could do better for themselves, what with their insight and all. But that is why men have always been at the forefront of commerce and development, he thought, never satisfied, always striving." What does this mean other than that the reader is supposed to hate this guy?

The tone of Bad Guy's chapters are such a hard left turn from the rest of the book that it's extremely jarring and disorienting. Outside of his internal narration, the book is filled to the brim with "fuck yeah girl power!"-type writing. Above all else, it's cringe. "I am the daughter of Arnya St. James, defender of women, drinker of gin, fighter of assholes, a fierce half-breed from a long line of fierce half-breeds who took no shit and gave no fucks. I am a witch and I am here." Lucky literally just says this to herself before going to fight Bad Guy. This is Kindle-highlight-bait for the caricatures of liberal feminists who lose their minds when they meet HRC. As a feminist with a healthy, developed sense of cringe, I'm rolling my eyes so hard they fall out.

There are SO MANY amazing ideas in this book that just go nowhere. The witches' powers are never explained; we just get glimpses of them using their powers, and of course Lucky is mega-powerful because she's the main character, but since I don't know what any of the other witches can do, how can I be impressed by that? The history of witchcraft and women through the years is fascinating, but we only really get that through Bad Guy, who is so absolutely despicable in every way that those passages are just frustrating.

Because nothing is explained, the climax and ending are similarly meaningless. I don't get the logic behind how Lucky fights Bad Guy and I have no idea whatsoever <spoiler>how she wins</spoiler> or what that even means. The "fight" itself just made me want to take a shower.

I'm sure there will be a sequel to this book. Maybe it will be super successful and get adapted for Netflix. I'll probably watch it because I love witch stuff. But I 100% do not recommend this book.

I received an ARC of this book from Netgalley.

This was a fun ride, although I did find the stretch between finding out about the world and going on the quest to be a little excessive. I liked learning about the side characters, but would have preferred to read more about Lucky and her grandmother. I'll certainly purchase this for our collection and use this for urban fantasy readers advisory.

Who wouldn’t want to discover she is a witch. Fun, engaging, and empowering story about witchy women and discovery. The writing is strong and and the story line makes you hope there will be a sequel.

Thanks Netgalley for the ARC!

I’ve read one other book by this author, which I liked and found beautifully written. This book definitely has some of that heart and grit I associate with the author.

Beautiful prose and inspirational lines about empowering women and taking up space and advocating for yourself and believing that you deserve better than what you’re getting.

The book is a little slow and pacing struggles in the first half but it does pick up especially in the last 1/4 of the story. I wasn’t surprised by the ending but I gotta admit I thought Lucky’s mom was secretly alive.

Some spoilers follow:
Lucky finds a magical spoon and gets connected with American witches and brings her grandmother along cause they’re getting kicked out of their place. She learns about witches and how they have to search for one other and then begins a journey (mostly just her and her grandma which is super cute and funny) to find the last spoon/witch.

Along the way Lucky meets some awesome, vivid characters and I love that we get so many mentions of different cultures/backgrounds and witch lore. Some of the good ones get murdered by Jay who is after Lucky and enamored with her. His parts were the least interesting to read and honestly we could have done without them.

She decides to confront him after he steals the spoon and tricks him into a fight in their dreams and then burns his house down. He manages to escape but is caught by the three witches that comprise the Oracle, one of which is his descendant (he hooked up with a witch). They kill him.

Lucky realizes the last witch is her grandmother, which is just so beautiful I love it.

The story of witches finding their power and fighting evil, VenCo by Cherie Dimaline is also a spellbinding tale of multi-generational friendships and discovering one's own self-worth. A fantastic road trip novel that's as smart (and incredibly well researched) as it is funny, here's hoping for a sequel!

VenCo is certainly scratching a popular itch right now: fast-paced, female-led, gentle fantasies. With memorable characters and an escapist setting, I could see this being a popular Spring release! Great for fans of feminist-leaning low-fantasy.

This book is the definition of the divine feminine. Dimaline’s worldbuilding is so immersive it’s hard to put the book down and go back to real life.