Cover Image: Arhoolie Records Down Home Music

Arhoolie Records Down Home Music

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Member Reviews

First of all, I love books by Joel Selvin so picked it up because of that. I also read this book because of Arhoolie Records - we have family in Berkeley and so we know about them. What I did not know is the amazing story about the founder, Founded in 1960 by Chris Strachwitz, who would journey all over the US and Mexico to record incredible musicians from Cajun, Blues, Gospel, etc. He ended up producing many albums for these great undiscovered musicians for over 40 years. From Clifton Chenier to Lightnin' Hopkins, the Staples Singers, this book has photographs taken over the years. A beautiful book and a wonderful homage to the music, to Arhoolie Records and to Chris Strachwitz.

Thank you to Netgalley and Chronicle Books for an ARC and I left this review voluntarily.

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"The Arhoolie Records Legacy: Capturing the Soul of American Music" offers a captivating glimpse into the rich tapestry of American music through a collection of 150 carefully selected photographs, brought to life by the collaborative efforts of renowned music journalist Joel Selvin and Arhoolie Records founder Chris Strachwitz.

Strachwitz's remarkable journey over the span of 40 years forms the backbone of the book, as he traversed the vast highways and rugged backroads of America, armed with his trusty Leica 35mm camera. The raw, black-and-white images captured by Strachwitz, many of which graced the covers of Arhoolie albums, provide an intimate window into 20th century urban and rural landscapes, unveiling the vibrant tapestry of community dancehalls and humble home stages. Here we witness pivotal musicians who left an indelible mark on American music, including the likes of Lightnin' Hopkins, Mississippi Fred McDowell, Lydia Mendoza, Clifton Chenier, Big Joe Williams, Ry Cooder, and Flaco Jiménez.

Joel Selvin's expertly crafted 20,000-word essay, aptly titled "Been Here, Done Gone," takes readers on a chronological journey through Strachwitz's enduring legacy. While Selvin's narrative is largely anchored in history, he deviates for a moment, whisking readers away to a captivating anecdote from 1971 where Strachwitz orchestrated an impromptu recording session with members of Muddy Waters' band and Oakland bluesman L.C. "Good Rockin'" Robinson. This tale perfectly captures Strachwitz's innate ability to capture the essence of a song, even in unexpected situations, ultimately leading readers on a thrilling road trip of musical discovery.

"The Arhoolie Records Legacy" not only immortalizes the profound impact of Arhoolie Records on our collective understanding of American music but cements Strachwitz's role as a tireless guardian of the art form. Selvin's invaluable essay not only unveils the stories behind the photographs, but also sheds light on the profound cultural significance of the label itself. Together, they create a harmonious symphony that celebrates the enduring legacy of Arhoolie and its role in shaping the very fabric of American music.

In conclusion, "The Arhoolie Records Legacy: Capturing the Soul of American Music" is a remarkable testament to the power of photography and storytelling. Strachwitz's evocative photographs transport us across time and space, while Selvin's insightful essay offers context and depth to the images, immersing readers in the vibrant world of Arhoolie Records. This book stands as a true celebration of American music and the unwavering passion of those who dedicate their lives to preserving its soul.

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