Thanks to the publisher and Netgalley for this eARC.

In the verdant backdrop of County Mayo, Colin Barrett’s “Wild Horses” gallops through the lives of its characters with a narrative as untamed and spirited as its title suggests. This debut novel, following Barrett’s acclaimed short-story collections, is a testament to his mastery of prose and his intimate understanding of the Irish soul.

The story unfolds with a caper that is as much about the kidnapping of Doll English by small-time crooks Gabe and Sketch as it is about the emotional abductions of each character by their circumstances. Barrett’s County Mayo is a character in itself, a landscape that holds its inhabitants in a tight embrace, shaping their lives with its rugged beauty and unyielding grip.

Barrett’s prose is a delight, a seamless blend of wit and weight that captures the essence of Irish dialogue with an authenticity that is both striking and endearing. The characters are etched with such precision and depth that they leap off the page, their voices echoing long after the book is closed. From the troubled and introverted Dev, whose remote farmhouse becomes the stage for this drama, to the determined Nicky, whose quest to rescue Doll is as much a journey of self-discovery as it is a rescue mission, Barrett crafts a cast that is flawed, fierce, and undeniably human.

The novel’s structure, with its proleptic plotting, adds a layer of suspense that propels the story forward even as it delves into the past, revealing the events that have led to the present crisis. This technique, often reserved for thrillers, is employed with a finesse that elevates the narrative, allowing the tension to build in a crescendo that is both thrilling and thoughtful.

“Wild Horses” is not just a story of crime and consequence; it is a profound exploration of rootedness and dislocation. The characters are anchored to their land, their past, and each other, even as they yearn for escape. Barrett captures this dichotomy with a clarity that is both brutal and beautiful, his descriptions painting a picture of a community that is as resilient as it is trapped.

In the end, “Wild Horses” is a novel that resonates with the wildness of the human spirit, the desire for freedom clashing with the need for belonging. It is a story that is as much about the place we call home as it is about the homes we carry within us. Barrett has crafted a work that is both a mirror and a window, reflecting the complexities of life in small-town Ireland while offering a view into the universal struggles of the human condition.

Colin Barrett’s “Wild Horses” is a must-read for literary fiction fans.

What a wild ride! I really enjoyed the prose in this, it was vivid and lively and just good craic. I liked the enclosed spaces in which this novel takes place, and I think the characters really work. If you like intelligent, entertaining novels set in Irish semi-criminal circles, look no further, this is the book for you! (And probably your brother and aunt,)

Colin Barrett's debut novel comes after publication of two enormously entertaining short story collections, Young Skins and Homesickness. The plot of Wild Houses is vintage Barrett, and a very interesting extensions of his skills with short fiction. The scale is small (various locales in and around the county of Mayo in Ireland), as well as a relatively small cast of characters. In this respect, the novel resembles many of his short stories but, as always, there's his signature skill at physical descriptions, feelings of ennui and alienation among young people, tinged in this account by criminal activities. From time to time there's an untypical slack sentence in the novel, but overall Wild Houses is powerful to read, a joy to get to know some compelling characters, and a great introduction to Colin Barrett if you haven't already come upon his work. You really do end up caring a lot about Dev, Nicky, Doll English, as well as the "villains" (known as the Ferdia brothers) who are ruthless and bloodthirsty, though not without a tinge of common humanity. Barrett has done it again.

A well written book that I mostly liked by got bored at times and it felt like it needed something else. Great writing. Though

It’s hard to say that this book was enjoyable to read, but it was good. Definitely more character driven and it takes place over the course to just a few days so it’s a snapshot of poor Irish life and the drinking and drugs that go with it.

The Dev, Doll and Nicky all characters that stood out in their flawed, sad, glory.

Well written, well told - for me a bit subtle.

Thank you grove Atlantic and Netgalley for the ARC in exchange of an honest review.

This book wasn't for me, no matter how hard I tried to get invested into it, I just couldn't.

Normally this didn't happen to me. I never ever feel bored while reading so this speaks a lot for this book. I don't know how it got such glowing reviews.

Dialogues feel sloppy and lazy and too mundane, rather the whole book feels mundane and nothing special. There's basically no plot to describe but lots of dull conversations and it just was meh.

I like reading Irish authors but this is the first book by an Irish author that I couldn't get interested into. Reviewers here liked Dev, frankly I didn't care for him as well nor for others as well . I don't know what I missed that people seem to love.

Nope, not for me.

I’m ambivalent about how I feel about this book. At the start, I thought this book wasn’t going to be for me. It’s definitely a slow burn , character driven novel. Then I fell in love with Dev’s character and back story and as the book was coming to its conclusion I thought there was gonna be an explosive ending and I was hoping for one to be honest. The ending was lackluster for me and left me disappointed. I’m not sure how to rate this one except to say that I would read more by this author. Maybe he left me wanting more and that’s a good thing.

It's been ages since I've read a book by an Irish author and I can't believe that this was a debut novel. With all the dark twists and turns, this book just exceeded my expectations from a debut author. Will be looking forward to more of this authors work in the future.

Thank you netgalley for the arc

We must be in the golden age of Irish authors. This is a fantastic debut novel that exceeds expectations of such twisting, dark and humorous tones I can only image Colin Barrett growing up as a 'quiet achiever' and knocking everything out of the park. I thoroughly enjoy novels that heavily rely on the realities and moments in our lives that we all recognise and reflect on - it pulls us into the novel so much further than anything else.

Huge fan.

Thank you to NetGalley and the publisher for allowing me to review this book.

Book Review: "Wild Houses" by Colin Barrett

Colin Barrett's debut novel, "Wild Houses," delves into the lives of young, desperate characters in the small Irish town of Ballina, County Mayo. The narrative unfolds over a single weekend during the annual Salmon Festival, where 17-year-old Nicky Hennigan, a waitress at the Pearl Hotel, faces a series of challenges when her boyfriend, Doll English, goes missing after being kidnapped by the menacing Ferdia brothers. The story intricately weaves together themes of abandonment, desperation, and the complexities of human relationships against a backdrop of rural Ireland.

Barrett's storytelling prowess shines through in his vivid portrayal of characters like Dev Hendrick, a gentle giant unwittingly drawn into a ransom demand scenario. The novel skillfully explores the dynamics between characters marked by past traumas and abandonment, creating a poignant commentary on life on the fringes of society. The Ferdia brothers' criminal activities and Doll's predicament serve as catalysts for a series of events that test the characters' resilience and capacity for action.

"Wild Houses" is not just a thriller; it is a profound reflection on human nature and the consequences of past actions. Barrett's narrative style is marked by droll dialogue, linguistic inventiveness, and poignant exchanges that add depth to the characters and their interactions. The novel's setting in rural Ireland adds a layer of authenticity to the story, capturing the essence of small-town life with its interconnected relationships and sense of entrapment.

In essence, "Wild Houses" is a captivating blend of suspense, dark humor, and emotional depth that keeps readers engaged from start to finish. Barrett's ability to craft compelling narratives and multifaceted characters makes this debut novel a standout work in contemporary fiction. With its skillful storytelling and insightful exploration of human experiences, "Wild Houses" cements Colin Barrett's reputation as a talented writer capable of delivering gripping and thought-provoking narratives.

Overall, "Wild Houses" is a must-read for those who appreciate nuanced storytelling, complex characters, and narratives that delve into the depths of human emotions and relationships.

There must be something in the water in Ireland, baked into the Irish DNA, because there isn't an Irish author out there who doesn't paint the world in a perfectly dark and compelling way. Wild Houses was my introduction to Colin Barrett. It's a bleak story and yet somehow quiet a romp as well, in the way that the best authors take the real world and manage to weave intrigue and beauty into them.

Dev Hendrick's life has been on the decline since his mother died. In order to make ends meet, he's agreed to participate passively in his cousin's scheme but a kidnapping throws everything askew. We meet a beautifully compiled cast of characters living in a small community and see the ways that their situation is shaped by their setting. It's funny, heartbreaking, and a very fast paced read. Sure to be a hit with fans of Elmore Leonard and fantastically plotted, character driven crime novels.

Real Small Town Irish People

Elmore Leonard is dead. He certainly is not creating full-blooded criminals in a small rural town in western Ireland. The maestro of crime drama left us in 2013. But thoughts of him kept emerging as I saw so many things I loved about his work in “Wild Houses.” The characters here are so real– the dialog rings so true. The economy of language is so sharp.

We open with a simple kidnapping caper involving drug dealers trying to force payment owed when their merchandise was lost. On the surface, it does not sound all that complicated, just a bare-bones skeleton of a plot, something familiar sounding.

And then, we meet the characters. “Doll” English has been kidnapped so that his brother will pay off the thugs. His girlfriend, Nicky, is seventeen and just about ready to break out of the restrictive chains of this little town. The Ferdia brothers are the “masterminds” behind this whole thing, prone to violence with hair trigger tempers. Dev is an unwitting accomplice, pressured into holding the hostage at his house. He is the surprising treasure of the story, sowing his point of view into the action. He befriends the hostage and consistently questions what all this is leading to.

The backstory on Dev is that he has been a loner– recently losing his mother and having been deserted by his father. Socially impaired, he was routinely bullied at school before being ignored altogether. “...he began to miss (the) beatings, because the beatings at least involved human contact.” Now he spends his time alone in his house, trying to get a grip on himself with antidepressants and anxiety medications. “He could feel the pill working its sedating magic, calming his blood and thickening his thoughts, making them slow and settle like silt at the bottom of his darkening mind.”

This is Colin Barrett’s first novel. He has published two acclaimed short story collections, “Young Skins” and “Homesickness,” both also depicting life in rural Ireland. Those sets, while brilliant, seem to have a darker tone than “Wild Houses.” The darkness is here, with life's struggles and the sense that abandonment is a burden most of the characters share. There is a lot of humor here, however, and the plot races along with a captivating energy.

I began by invoking the name of Elmore Leonard. No, I am not seriously banding the two together– that would not be justified at this time. My point is that I miss reading another new Leonard offering– and this book, albeit strongly of the Irish world, brought back many of those same qualities. I missed them. I cannot wait to read more Colin Barrett.

Thank you to Grove Atlantic and NetGalley for providing an advance reader copy in exchange for an honest review. #WildHouses #NetGalley @groveatlantic @ColinBarrett82

‘Believe it or not, I know what I’m like,’ speaks a character in Colin Barrett's Wild Houses. ‘Every so often, it dawns on me, in cold horror.’

Taking place over a long weekend in the middle of nowhere Irish countryside, this slim novel makes an impact. Kidnapping, drugs, violent beatings sprinkled over quiet moments, memories and flashbacks. There's dark humor. There's pathos. An observation about a simple chair leads to pages of introspection about the father who used to sit in that chair, and why the character chooses not to sit in it. Just some beautiful writing about deeply sad and often cruel situations.

Barrett brings out the humanity in these flawed characters, and gives us a few to root for. I am looking forward to reading more of his work.

My thanks to NetGalley and Grove Atlantic for the ARC.

Writer Colin Barrett was one of the ten writers listed in the UK’s Observer New Review’s 10 Best New Novelists, a list I’ve been quietly working through having read Leo Vardiashvili’s #HardByAGreatForest and Andrés N Ordorica’s #HowWeNamedTheStars

And yes the fact that Barrett is Irish made me particularly interested in this title, #WildHouses, because if last year taught me anything it’s that I can’t get enough of Irish writers! Set in County Mayo Ireland, Barrett’s one sitting book involves the kidnapping of a teenage boy, Doll by a group of local thugs looking to use him as ransom to get a debt they’re owed from Doll’s brother Cillian. It’s the kind of place where everyone knows everyone else in some capacity and hardly anyone actually leaves. Barrett divides the bulk of the book between two characters, Dev, a gentle giant who gets reluctantly pulled into the kidnapping scheme by having a house that works for it’s remoteness, and Doll’s girlfriend Nicky, a street smart survivor orphaned after both her parents died of cancer within the same year. Humor and tension go hand in hand here as Barrett fills in backstory for the aforementioned characters as well as the rest of the motley crew, and the whole tone of this for an a American comparison felt like a season of FX’s #Fargo. And although the ending felt more like a whimper than a bang after what had preceded it, I would still recommend this for its excellently drawn characters. Thank you to @groveatlantic and @netgalley for the advance copy. #WildHouses is out now!

Set in and around Ballina, a small town in County Mayo, Ireland, the book begins when as a result of a drug feud the Ferdia brothers, Gabe and Sketch, local enforcers, kidnap the younger brother of small-time dealer Cillian English and hide him away in a remote house. The house belongs to Dev, an isolated individual, who has nothing to do with any of this, but is useful to the brothers to host young Doll. And really that’s about it. The kidnapping eventually resolves and I found it all underwhelming. A pretty pointless plot, with very little jeopardy or tension. The characters are one-dimensional and don’t develop. The luckless Dev is the most interesting. He has more or less left society following the death of his mother and is now a recluse. He feels for Doll but seems powerless to act. Nothing much happens in small-town Ireland and nothing much happens in this novel. It’s reasonably well-written, but didn’t seem to me to be either original or particularly insightful. There are occasional flashes of humour, but not enough to counterweigh the rather flat writing style. Not a bad book, by any means, but not a very impressive one either.

I am so in love with Irish literature, and this book hit the spot for me.

One of the Globe and Mail's most anticipated books of 2024, this debut novel by Irish Canadian author Colin Barrett showcases how the lives of residents overlap in a small Irish town as a feud erupts and a young man is kidnapped and held for ransom.

This was my first dive into Barrett's writing, and I now understand why I've heard such praise.

I loved how Barrett captured the essence of small-town life, portraying its slow pace, feelings of hopelessness, and the constraints of limited opportunities.

I also adored the reclusive, young Dev who is drawn into a kidnapping scheme, and Nicky, a seventeen-year-old girl trying to save her boyfriend and decide what she wants to do with life.

I saw that some people who like to see a sequel...and I could not agree more... because I want MORE from Dev and Nicky specifically. I loved them.

Definitely read this if you like quiet Irish literature. You can get your hands on it on Tuesday, March 19, 2024.

4 ⭐️ for me.

"Wild Houses" is one of my favourite novels of this year. The novel takes place in a cold feeling rural Ireland, packed to the brim with the raw and incredibly lifelike cast of small-town characters. A plunge into the quiet but crime filled life of Dev, now living on his own after the death of his mother, takes the reader on a darkly comedic but incredibly heartwrenching and hopeless journey. The characters are all wrapped up within the kidnapping of Doll English, creating a twisting whirlpool of events. Often within novels featuring small towns there is a portrayal of a tight knit community but within this, the reality of the suffocating and tangled up web of human connectedness is shown. Everything feels so real and untouched, like you're witnessing it firsthand. It draws you in and makes you feel like another character, drowning in the calamity, but drowning in it together.

I came across Colin Barrett earlier this year when I got his book of short stories, 'Homesickness', on Kindle and ploughed through them in a realatively short timeframe. I did the same with 'Wild Houses', finishing it in about two-and-a-half days. The story is relatively simple: taking place over the course of one long weekend in Mayo, two hardmen for a local drug dealer lift a young fella off the street and squirrel him away in the home of a man who wants nothing more to be left alone. In a secondary plot, the kidnapped man's girlfriend considers her own future while trying to figure out where said boyfriend has disappeared to.
What I have liked about Barrett's writing is the familiarity of his characters, the main characters in particular - they feel authentic, as if the overarcing story is a jigsaw and the character pieces slot in perfectly. Dev and Nicky are our tow main characters, comparable primarily by the fact that they have both experienced huge loss and grief in their lives. They are, as the novel says, characters in a holding pattern but neither knows what they are holding out for.
Secondary characters include the Ferdia brothers, Sketch and Gabe, who are slightly caricatured henchmen (for want of a better word), although their darker turns are in explosions of violence, and the English brothers, Doll and Cillian, the latter a submissive former drug dealer.
While the story ploughs along swiftly, the real artistry is in the introspective moments that Barrett writes - in that light, the main plot becomes secondary to learning about Nicky and, in particular, Dev, whose childhood was less than memorable. Barrett conveys an immeasurable sadness in Dev, a man who knows he has to make a change but the problem with doing something is that there's always something else you have to do first.
This is an impressive debut novel that not only taps into the 'heart of darkness' of a small local area, with a healthy dose of dark comedy to keep the gravity of the situation from overwhelming.
My thanks to Grove Press, via NetGalley for this ARC in exhange for an honest review.

Review will be posted on the blog "thereadersroom.org" on Monday March 11, 2024.

Set in the Irish town of Ballina, Wild Houses is a literary crime novel (so to speak). Small time drug dealer, Cillian English owes a significant amount of money to his former boss. His failure to repay this money leads to the kidnapping of his younger brother, "Doll", and a series of events and violence. The novel is told from the alternating points of view of Dev Hendricks (cousin to the two kidnappers) and Nicky, Doll's girlfriend.

Although Wild Houses centers on a crime, it's more literary fiction than it is crime novel since the meat of the novel is centered on the exploration of small-town life, stagnation, and psychological underpinnings of growing up in a place with limited opportunities. Wild Houses is beautifully written and it's clear that sentences are crafted with incredible precision. The descriptions of people and places were wonderful and left me with very vivid imagery of the place and the people living there.

Gabe, by contrast, was skin and bone. He was touching forty but looked ten years older again, with a face on him like a vandalized church, long and angular and pitted, eyes glinting deep in their sockets like smashed-out windows.

I really enjoyed this short novel. It made me laugh, tear up, and truly feel the sense of place and the pain of some characters. Dev's storyline was beautifully rendered and his feeling of numbness and stagnation was heart-breaking. I found the author's ability to portray the inner lives of his characters without sentimentality or overly dramatic passages to be rather brilliant. The matter-of-fact style leads the reader to create that emotion for themselves. Barrett doesn't try and tug at your heartstrings but he nevertheless does leave you feeling emotionally impacted and feeling every bit of loneliness and sensation of being trapped.

...Moira Hendrick was so pervasive a presence in his life that she had assumed a kind of invisibility, in that her effects were everywhere, so reliability dispersed Dev did not need to notice or acknowledge them, the way, when you grow up, in a certain landscape, eventually you stop seeing it, because every last particle of it has been stamped upon your memory.

I loved the writing, loved the sense of atmosphere, and loved Dev's perspective. I was less interested in Nicky's point of view although her perspective presented a different sort of "stuckness" with which I could connect. Overall, a very solid and enjoyable read.

I'd recommend this book for those who love Irish literature and novels that evoke a sense of time and place.

Too confusing and disjointed. Really liked the writing but something felt off. DNF and could not finish even when I forced myself.