Member Reviews

I always enjoy the writer's style in his books. I love the connection between the reader and the narrator, it is so fun. I enjoyed how the book was formatted and the ending! Definitely recommend.

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Stevenson is quickly becoming one of my favorite Whodunit authors. When I got approved for this book, I squealed like I won the lotto! Thank you Thank you NetGalley for the ARC. I was a little nervous since this is the follow up and I was obsessed with the first book. I had nothing to fear, Stevenson does a great job in giving homage to dear Agatha Christie with this book, especially with the train setting. The cast of characters and his writing does not fail to entertain me. I will say, this one started a little slow for me and took me a few chapters to catch up, but once I got into the groove I couldn't put it down.
I think what I enjoy most about Ern Cunningham is that he breaks the 4th wall and writes within a meta-narrative, as in he is writing as the events of the book are occurring. This book will keep you guessing and second guessing yourself. I applaud anyone who was able to predict the killer, because I did not! I gave this a 4!

I know train rides are still peppered around the globe, but can we make trains a thing again?

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WHOA!!! This was SO GOOD!! Keeps you guessing through the whole book. Thank to NetGalley for letting me read this in exchange for an honest review!!

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A murder on a train! Does it remind you of anything? Well, it's not Agatha Christie to put it mildly, but Benjamin Stevenson has come up with an ingenious way of having a murder occur on a train, which is hosting an Australian book fair in which five mystery writers are featured. Who did the murder, how did it occur? There are plenty of brains that could be looking into this, which is a variation of a locked room mystery. It is given in the first person narrator form of "Author" Ernest Cunningham, who, apparently published a prior book about murders in his family, but has since then developed writers block and it's on this train expedition to flash out a new book. But instead of something from the inner workings of his mind the new book, which is this book, now is what happened on that train ride through the heart of Australia. The first half of the book was extremely slow and tedious reading for me, as the author introduced all his characters and gave us sufficient background that we should be able to solve the mystery. But when he tells us early on that he has mentioned the name of the killer, 106 times by the time the killer is revealed, it's just sort of an overkill. You see Cunningham is actually writing this book from a hospital bed after the event has ended. It's sort of ingenious, but the same time I could not get for about the first 60% of the book, after that thing started to move, because one murder always leads to a murder. There are suspects, some of whom are authors, maybe a publisher, how about a literary agent or fans who are on the train? As I say, it is certainly a unique take on the typical locked room mystery by having it on a train, but there's just something missing in this book, and because of that no more than a three star from me.

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Ernest Cunningham returns after the success of his first book on a festival of crime series writers aboard a train in Australia. He needs inspiration for his second book but is at a loss for inspiration, which he's writing in real time as the story unfolds. He'd like to avoid real life death but that seems inevitable here. If you enjoyed the format of the first book, you'll enjoy this one as well.

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I thought that this was a pretty clever sequel to "Everyone In My Family Has Killed Someone." I didn't love it quite as much as the first book, which I had given 5 stars, but I think I just couldn't get into this one as quickly.

The characters had the background they needed to make the mystery believable. I thought the novel was quick humorous, as well. I think that overall, this is a nice, quick mystery.

I enjoyed the setting, especially with the descriptions of different landmarks.

I think the start was a bit slow, but I don't really have any other serious complaints.

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This story is a case of life imitating art, which Ernest helpfully points out to the reader multiple times. He comes up with this outline for a mystery novel, and then the event on the train ends up sort of mimicking that.
First the good:
Just like in Everyone in My Family, Stevenson continued to get meta about mystery genre conventions…a wink and a nod to the reader. This time, he added in layers about the difficulties of sequels (this REALLY got meta based on how I felt about this book) and the way the literary establishment views him for only having written 1 book where he didn’t have to actually make up the story.
The story itself is clever and the ending is brilliant.
BUT…
Despite the story being clever, I didn’t enjoy the reading experience as much as I did with Everyone in My Family. It felt less delightful and a little more tiresome. Ernest himself also felt less delightful and more tiresome.
While the ending is brilliant in a way, it’s also hugely complicated and hard to follow. And, it seemed like a stretch to me. Maybe not the ending itself, but the way that they got to it. He didn’t really explain how Ernest figured out all these pieces – or maybe I just didn’t buy into the fact that he could’ve figured all of this out.
Lacked some of the character development we had in Everyone in My Family. When the big reveals were made at the end, I just wasn’t invested enough in these characters to really care, or be really shocked, etc.
A lot of GR reviewers said the plot is clever and they did not correctly guess the murderer. I definitely didn’t correctly guess the murderer, but more in an “I don’t buy that” way than a “wow, you really surprised me in a way that made sense” way.
I’m going to say something that’s totally out of character for me: I think this book needed to be a little longer (336 pages)…mainly to make the reader care more about the clever and complex stuff that’s happening to these characters. And, to enable the reader to buy the ending more. OR - cut back on the level of plot complication to allow more space for character development. There was SO much in these 336 pages from a plot perspective.

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Everyone on This Train Is a Suspect is a very entertaining mystery story that really takes a good look at the genre as a whole. Ernest Cunningham has been invited to the Australian Mystery Writers’ Society festival set on a train through the Australian Outback aboard the Ghan. Ernest is supposed to be writing his first novel, a follow up to his debut (a non-fiction book about a murder he had been witness to), participating in author panels, and schmoozing with other industry professionals, when another murder is committed on board. The narrator's voice is very conversational and funny, and the book as a whole is a really fun look at the genre of mystery and the tropes of the genre. This book is certain to be a hit with any fan of the genre, particularly fans of the Golden Age of Detective Fiction.

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I hate to say it but this one is better than the first one. Takes a minute to get into but once you do it is amazing: Ernest is back again and this time it’s a train murder mystery.

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I really enjoyed Everyone in My Family Has Killed Someone so I had very high hopes for this second Ernest book. I liked the story, I felt like the characters were well written. I wish we'd had more Juliette (she's great). Overall, I think it was very good, just not quite as good as the first one. Still, I absolutely adore Uncle Andy!

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I absolutely loved and adored the first book in this series, but this book was a miss for me. I think I was still okay with the format in terms of how it was written and the way the main character narrates the story? I just didn't care about this particular "case". It was kind of boring and with all the characters I didn't think enough was done to try and remind you of who people were - so I was getting them confused. In the previous book, there were a lot of characters, but it was organized in a way that you knew who was being talked about and could keep people straight.

I will be reading the third book (if there is one), but I won't be as excited to get to it. I'm hoping this book was just a fluke and I'll love the next one just as much as the first one.

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I loved the first book and only liked this one. The meta-narrative is fun sometimes, but the cleverness took me out of it. The mystery didn’t keep me engaged, but I enjoyed reading it.
Thanks to the publisher and NetGalley for a review copy.

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I LOVED the first book in this series, so I was really excited to get my hands on an ARC of the sequel! Ernest is back, and still the trickiest reliable narrator around. Fresh off the success of the true crime/memoir book he wrote about the murders on the mountain, Ern attends a mystery writers’ festival which takes place on a luxury train headed across Australia. It’s not as much fun as he’d hoped – and becomes even less so when the star writer in attendance keels over dead in the middle of a speech. Turns out it’s murder, of course. And it won’t be the only one.

Ernest’s clever and engaging narration has the same witty observations and sly little hints at what’s to come as the first book, which makes this a really fun read. (The author drops an unobtrusive content warning in the beginning through one of his peeks forward, which I appreciated.) But it’s not all fun - Ern is, unsurprisingly, still dealing with the psychological and emotional aftermath of the first book. Unlike most mystery series, this book delves into how difficult it must be to have people dying around you and be helpless to stop it. (I get it. Cozy mysteries would be a lot less cozy if the cupcake-baking sleuths had to deal with pesky things like post-traumatic stress and survivor’s guilt. But I think the verisimilitude is one of the things that makes me like this better.)

This book wasn’t quite as good as the first but it was still a great read. 4.5 stars, rounded up to 5.

CW: sexual assault, mention of sexual abuse of a minor

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The book was entertaining enough. Did I get lost sometimes in my own thoughts while reading the book or hoping that it was almost over. Sure did. DId I think the main character was a bit whiny at time? Yep. The style of writing was entertaining the way it was laid out, but I'm not sure if there were enough meat and potatoes.

Thank you #NetGalley for the advance copy

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I'm not sure that I *needed* this to become a series, but I enjoyed the first enough that I was definitely going to continue here. The same direct-to-reader is present, which I enjoy, and I liked that the whole story (mostly) took place on a train!

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Thanks for the ARC! Caveat that I did not read his first book but that this story still made sense and felt complete and not just the second in a series. The cover and title are what initially hooked me but I enjoyed this fun mystery that was very reminiscent of the Queen herself, Agatha!

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Thank you Mariner Books for allowing me to read and review Everyone on This Train Is a Suspect on NetGalley.

Published: 01/30/24

Stars: 2.5

Every book has an audience, some specifically target a group: I was not part of this equation. I only liked the author's attempt at a new style. Stevenson is explaining to me (the reader) how a mystery is written, pointing out why things are done, specifically states when the killer's name was first mentioned, the importance of the placement, etc. If when writing a mystery there was a checklist Stevenson covered it in a chatty sitting beside you way. The novelty wore off for me early on. The lists of names and how many times they were mentioned irritated me. Should I be paying attention or is this part of his tell how it's done style? There are going to be people who love the uniqueness. I enjoyed bits and pieces. Overall, it was too much and it may have worked for me if he chosen a different period. I had to read the story over many days.

He mentions high profile writers and characters. There were several times I thought give it a rest. Again, mentioning your favorites and the comparison may make you happy. I was just over it. I have seen several Miss Marple adaptations and the same with Sherlock Holmes; but I have never read either Christie or Doyle. Do they use foul language? Stevenson does.

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Benjamin Stevenson is truly a mastermind. This book is an absolutely incredible experience. It’s not just a book, it’s a masterful literary experience. This was even better than his first.

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I really enjoyed the first book in this series, Everyone In My Family Has Killed Someone, and this installment was even better. The concept is the same (Ernest is writing a book about the events he’s experienced) but the setting and cast of characters is new, and I also thought the pacing here was better. The story is cleverly plotted and the resolution to the mystery is satisfying. This is quickly becoming one of my favorite mystery series and I’ll definitely be keeping track of future installments.

Many thanks to Netgalley and the publisher for providing an ARC in exchange for an honest review.

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Benjamin Stevenson has done it yet again.

Everyone on This Train Is a Suspect, the second book in the Ernest Cunningham series, was such a well-crafted, intriguing mystery that is filled with as much charm as the first.

I was skeptical that the same gimmick from the first book could work again, but it did beautifully, with a whole new cast of quirky characters. My favorite thing about the book is how the narrator is writing the book through the events, talking to us, the reader. This quality makes the books so approachable and pulls you into the story.

I don't know how he'll do it again, but I hope he does because I cannot wait to read more from Benjamin Stevenson and ( fingers crossed ) Ernest Cunningham.

Thank you so much to the author, publisher, and NetGalley for the ARC. This is my complete and honest review.

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